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#STELLYRIESLING #DAVINCI #ARTSHOW #NEW #FOLLOW #FUTUREFOLLOWS #PERSPECTIVE #FANTASTIC #GALAXY
Marble Lady – A painting by Jaisini
In his art, Jaisini insists on overcoming of the dehumanization and the suppression of sensuality.
In every historical period there are ideas and problems that are expressed but will not come to pass. Jaisini seeks to identify this idea in the present, excavate it from the past, and invent it in a new way for the future. In the murky, anxious world of ours, in the midst of the soul's confusions and multiplying moral losses, the artist seeks and always finds some big and small islands of eternal truths, and asserts the indestructible age-long parables that reveal these truths in the new light, in his own system of sign-images.
I realized that the more you look at "Gleitzeit" works and think, the more you see, feel, and understand—but never completely, as the works always have too many aspects for anyone to fully comprehend
There is always some kind of "space" in the painting, in which the observer feels free, without a persistent prompting of the artist, to use his own system of perception.
To me, "Marble Lady" seems a late modern modification of the Greek myth of the sculptor Pygmalion, who used his illusionist skill to satisfy a private fantasy of the ideal woman.
Disappointed by the imperfections of the opposite sex, he created Galatea out of marble. During a festival in honor of Venus, Pygmalion prayed for a woman as perfect as his statue.
Venus answered his prayer by bringing his statue to life and eliminating the boundary between reality and illusion. In Jaisini's "Marble Lady," the object of the intense desire remains alluring, yet perpetually distant. Desire of the others is often imagined in terms of a fetish.
So-called civilized man can be considered in light of his delight of the female form. In "Marble Lady," we find the two types of spectatorship: the masculine and the non-masculine.
Therefore, an image of the woman is defined through the desire of both spectators, the unmanly poet and the savage who may well be a subscriber to "Penis Power Quarterly."
The statue of Galatea was, and still is, the symbol of fictional perfection, a result of the search for an ideal woman that parallels the artist's own creative urge.
A post-feminist culture has found a way to reinvent the woman as she once was: eager to appear attractive again.
"Marble Lady" enables male domination by being unreachable and desirable.
The construction of such a female identity fiction can inspire both high and low natures.
In all of his works, Jaisini unites the high and low principles, integrating art into the material life, breaking out of art's ivory tower.
"Marble Lady" is a compact, pyramidal composition of the "trio."
As in all of his works, Jaisini subdues the figures to the articulation of line and its rhythmic connection between forms in space—a sort of analytical process based on the line swinging which inspires up ideas, shapes, and colors.
These line arabesques are the highly individual textures of Jaisini's art. A decorative role of the painting's color is to illustrate the temperature contrast between the heated environment and the marble-cold statue. In modern and postmodern times, there are increasingly fewer outlets for the sensual urges and desires that lay at the origin of human society that imposes restrictions.
Sexuality remained beyond the scope of most art history. Interaction between male and female is still responsible for the continued functioning of the universe.
Marble Lady (Oil painting) by Paul Jaisini, New York
Venus Awakening by Stelly Riesling 2015 Homage to Paul Jaisini Invisible Paintings Summer Diary Series, Forbidden Fruit Series,
WET DREAM, Oil painting by Jaisini
Wet Dream, an oil painting by Jaisini, in terms of exploration of own sexuality, dreams, or nightmares, belongs to a human traditional need for personal revelations. The imagery of the work is of a usually Jaisinesque theme that is not to be a statement or an illusion, but which summons the emotions.
In Wet Dream, the feelings of morning euphoria and desire create a new formula of early life’s passion. Jaisini delivers a high sensory level through the graduate, almost hypnotic step by step desire awakening.
The work precedes the Reincarnation series. As in all of his paintings, Jaisini pursues a metamorphosis of the physical and mental states. In his works, the concept and the material are enclosed and inserted within each other. The essential visual vehicle is in a line, that emphatically has a life of its own and could be perceived as an automatic release. The enclosure of the line is not only graphical, but also symbolic of the connection between the picture’s elements which await their disclosure.
In the years of cubism, Andre Masson created his series of erotic drawings. In his works, Masson portrayed pure erotica with total absorption in the act, orgiastic, uncomplicated, and a little banal. The lack of diversity in such a subject matter as eroticism resulted in the Masson’s scenes of pairs, trios, or even dozens of naked women interacting in a sexual way with one another. Masson filled these scenes with a Rubensian appreciation of the flesh and its pleasures, the very quality which impoverishes the otherwise fruitful area of human psyche.
Jaisini, on the contrary, uses the sensual overtones to enrich and explore the mysterious realm of mind potential. So, instead of creating automatically, similarly, and limited, Jaisini employs his mind to complicate and develop the subject of desire.
In Masson’s erotic series, the only sentiment is the libidinous desire. Jaisini reflects a different time and epoch that is not satisfied with the simple approach. Jaisini combines together the physical with psychological, which becomes nearly a game.
The expressionistic line swirls flow in the open canvas ground and embrace the canvas in expansive loops. The work is airy.
The artist’s thought transfers line into an image of a contraposto torso with a liplike part on the neck cut. Another female images express their physical and emotional concerns. The bottom lean figure indicates the young age of this female. In turn, that may explain the desperate pose for the erotic fulfillment. The third blond woman at the upper right corner appears to be more sexually mature. She holds a big breast that belongs to another female with a face that has only big red lips and flowing down hair lines. Here, we find a profile of a man who seems to sniff the aroma of the female bodies not without pleasure. In the center, there is another gasping profile. The curvilinear forms enhance the overall impression of a fluid movement, which so well corresponds to the erotic sensation. A phallic finger touches a soft pillow and charges erotic energy in all other phallic configurations in Wet Dream.
All images link in their conscious-unconscious, figurative-abstract condition.
The cycle of desire goes on endlessly and is at the core of human existence. In Wet Dream, Jaisini liberates the desire from the self. In this well born work of art the desire is taken for a model. The work demonstrates what we know of creation to be a combination of already existing things into newer forms. That being so, the desire of man must have been in an endless existence and will continue to dwell in bodies and in works of art to which Wet Dream is an example.
Yustas Kotz-Gottlieb
Review of “Wet Dream” by Paul Jaisini
homage to Paul Jaisini 37 pjaisiniinvisiblepaint2014cat paul-jaisinikazimir'scat-series-art-studio-stelllyriesling Artworks Series Homage to Paul Jaisini, Invisible Paintings from 1994 by Gleitzeit International Group NYC All RIGHT RESERVED COPYRIGHT
The swastika symbol, 卐 (right-facing or clockwise) or 卍 is an ancient religious icon in the cultures of Eurasia. It is used as a symbol of divinity and spirituality
imgur.com/gallery/uV4iFTP/new DON'T MISTAKE ART FOR PORN
There seems to be a downright dark age confusion among people as to what is considered pornography and what is art. There is a very obvious, strong, simple distinction. Pornography is meant to arouse the body, specifically the genital area. Art is meant to arouse the mind, heart, soul. There is no idea or concept behind pornography and its sole purpose is provide instant visual sexual stimulation to the viewer, whereas art serves the sole purpose of making you think, contemplate, use your head in a complex manner that creativity stimulates in us. It would take a lot more effort and imagination to be sexually aroused by a nude work of art, for instance, than a straightforward pornographic image. Art, at its very nature, has no relation to an industry as low as pornography--works of art stand apart from it like a mansion from a mobile home. Only an idiot with an IQ of 20 wouldn't know the difference. It's true that art can be as explicit as porn sometimes, but how is that a bad thing if its objective is never to arouse sexually, thus putting an entirely different label on it? If art ever does use porn as a subject, only in an obvious way to make a philosophical point or social statement, to make fun of it or degrade it. Art is creation. Porn is destruction. Polar opposites. Ignorance is the enemy here.
Marble Lady painting by Jaisini
**Editor’s note: This file has an interesting story. Apparently, this guy, Mr. Kotz-Gottlieb (“Gottlieb” meaning ‘God-love’ in German), has been mass-spamming art websites, guestbooks, e-mails, and newsgroups with his attempt to spread the word of fine art to the masses. And it is with great pleasure that aNAda was sent one of his letters, and it is with even more pleasure for us to post it here today. Yes.
www.cyberpages.com/dopoem/poem?id=11711&prevurl=%2Fdo...
www.poetry.com/historical_users/6983757-Yustas%20%20Kotz-...
web.textfiles.com/ezines/ANADA/anada027.txt
Web search will bring many results with various key words entries.
www.myboe.org/portal/default/Resources/Viewer/ResourceVie...
The Web site, from Yustas Kotz-Gottlieb, is a discussion of book he wrote on art of Paul Jaisini. The page includes commentary on Jaisini’s various works, including Marble Lady.
www.adaweb.com/nota/messages/read_ada8.html
Monday 26 April 1999
#outreach #google search #gleitzeit
Gleitzeit - glij tijd Slide time - time slide
Subj.: Re: Jaisini Manifesto (short version) Gleitzeit 2/28/00
Guten tag! What I wanted to ask is what painting are you talking about. Gleitzeit - glij tijd Slide time - time slide.
Subj.: Gleitzeit Jaisini Date: 01 Jun 2000
Pray tell, what is Gleitzeit - art and who is Paul Jaisini? “A kind of art which draws upon imagery and seeks to reveal and abstract idea of the connection within” is as old as creation… an artists.
Subj.: Re: Manifesto Gleitzeit Jaisini 3/23/00
Gleitzeit - art sounds like visual poetry - where can I view this on the web?
THE DISCOVERY by gleitzeit blog (the lost Interview in Rome)
I am using magnifying glass to be able to read a a PDF file of a very low quality.
My eyes are hurting. What I have found is something that is just not available…
I must say on the search for anything tagged “invisible” I find some pretty amazing
stuff I would never know about (later on that)
Paul meet me at the gate. He looked younger than I had expected. Dressed
casually.
As a host he cordially offered me to dine. While we entered the hall I had an urge to ask him, is this a museum? trying not to break anything as we passed by sculptures, paintings,
ceramics and a lot of other pieces of art which I had never seen before.
This unexpected excitement spoiled my appetite, and I was no longer hungry and
instead drank some wine.
He made clear that it is not any kind of a museum, but instead, his Paul’s studio. He lives not in Rome, but by the Terranian sea, where he was going shortly.
I asked Paul how he earns a living. Paul thought a little and tried to find an appropriate explanation. He finally lit on: "I am of independent means and don’t have to earn a living" pouring me another glass of wine.
I asked him: “ Can I buy some of your paintings? How much it will cost me?”
This question Paul left unanswered but he said that commonly he paints his
pictures without the intention to sell them.
Earlier I noticed a little girl and a young woman moving about him.
OMG!!!! I am shaken up. NOBODY KNOWS ANYTHING ABOUT Paul Jaisini’s personal life! I don’t believe this. THANK YOU GOOGLE! this is like really mystifying. I am not an emotional person, rather someone who loves to work hard and get the job done. This turned into something other than working.
Google nowadays is not your “grandfather’s” google so to speak. It is tailored
around you, your daily Internet activity, So finding any news, any special
information is no longer an easy task. I guess because there’s too much of
everything and what one is looking for could be placed out of reach. So we sort
of live on a planet that is flat as in dark ages. I say that because if one is
provided the info that is tailored with limitation it implies that breaking
away is not something one would even comprehend! We are too used to trust our social functioning and think that we know everything, on top of all news provided to us by the honest practice of the broadcasting companies.
We don’t want to be those conspiracy freaks with no trust to anything or
anyone. But truth is, if you don’t want to pay high dollar for some expert
articles on the topics that could give more than the free info, you are really
up against a brick wall of the new unknown reality and a total incapacity to acquire
the needed info of high quality without spending your whole life learning all the crap on the net and beyond in order to find finally what you need.
So search is a tricky mother. If you are creative and sort of spontaneous you
might somehow find your own style of fishing out the essentials. But in my case I
often felt helpless and lost no longer willing to participate in this
undertaking trying to document Gleitzeit.
It doesn’t look like I had managed a short explanation. But this is my formula of
finding something that is not available on the tailored to fit google search.
I enter the variations of phrases and words from the gleitzeit context of emails, postings, essays and add some other words I find on my way of locating Paul Jaisini's links. Turning the tag in a sort of a potion number nine that had proven to fetch some impossible to find info on such a quick inquiry without opening thousands of websites where I might find or might not find anything at all. And the most effective findings are with the tag "invisible" added to other things, be it email abbreviations and so on.
“The other must be his wife”, I thought, because Paul called her with some pet name's asking for a bottle of wine, for a book, or an ash tray.
“Is she your wife? “ I asked just in case.
Paul looked me in the eyes and said: “She is not my wife, nor the mother of my daughter, she is my secretary. “
The secretary I sensed didn’t like me much.
She didn’t call Jaisini by his name, Paul, but she instead addressed him as
mister Jaisini. She seemed obsequious and perhaps didn’t like me for my unrestrained manner and direct questions. She said to Paul: “You should not waste your time on this interview. You need to return to your work. “
Paul said: “It will be few minutes." and spent a few hours with me. A self-ruling man.
Paul didn’t drink any wine but he behaved at times extravagantly, showing the
outlines of the silhouettes in his paintings and explaining what was happening in the pictures.
Paul said that the point of his art being hidden from the public is an
intrigue that engages press in constant attempts to uncover the ‘truth’ behind it all. Nevertheless it is very disappointing, that people don’t care about real art, as they do about private affairs.
We went upstairs and in a spacious hall I saw a large painting. I didn’t hide my
awe.
“Wow! Where did you get such a big piece of canvas? The art stores don’t sell
this linen in such sizes. “
“It is stitched together from pieces," answered Paul.
“How did you reach the upper parts of the painting"
"I climbed the riser. Do you see the nude black man up there, tangled with a
serpent?"
"It reminds me of Laocoön. Is it intentional?"
"No, he is a symbol of physical grace without intellect. Do you see a group of
female bodies intertwined in a threesome?"
"No, I don’t see it. Where is the threesome?"
"To the left, look there."
"I look there."
"There the three figures, here is one, here is another one and the third one."
"Third is not a female figure, it’s some animal."
"It’s a female, but there is an animal, a bit higher up. The clown in the center
tears his mouth in a bloody smile, carrying out his role of a fool, laughing when
he wants to cry."
"Is that a monkey?"
"You got it, she is another symbol of the fate, she stopped hitting the tom-tom,
her direct purpose in circus. When she stopped to play and started to think, she
realized that her life is pitiful and she wants to kill herself. It’s a second
symbol of the same meaning."
"Tell me about that threesome again."
"Well, they show the natural grace, as three graces would, the sensual concept of
procreation."
"This picture must be a depiction of a circus performance, I suppose. Is it ?
Why it is so dynamic?"
"It is a circus performance but is the personal trial of human character. The ball construction is an object: - Paulsen’s ball, it is also a title of the painting."
"This ball creates some weight and it seems to move the composition with it’s
size and position and it seems to be on a verge of rolling down."
"You’re right! I also sense this immediate impulse to prevent the clown to fall
off that ball.
We went to other paintings, whole series of paintings.
When I gathered all my sensations about the art that surrounded me, it was time to leave. Paul Jaisini escorted me to the door. I shook his hand saying:
"You are an interesting man!"
"I am not a man..."
(the last sentence was a good ending)
en.wikipedia.org/wiki/Symbolism
en.wikipedia.org/wiki/Symbolism_(arts)
en.wikipedia.org/wiki/Invisibility
en.wikipedia.org/wiki/Fatalism
en.wikipedia.org/wiki/Gracefulness
en.wikipedia.org/wiki/Impossible_object
Have to type as I read PDF file that can’t be copied
Have to type as I read PDF file that can’t be copied
I am using magnifying glass to be able to read a a PDF file of very low quality. My eyes are hurting. What I have found is something that is just not available… I must say on the search for anything tagged “invisible” I find some pretty amazing stuff I would never know about (later on that) Now I am sitting in my office instead of having night out. It really is an impossible task to just discern the text. I filled up a spray bottle with cold water to spray my face to frequently refresh my eyes, as they get tired from the magnifying glass. It’s totally worth it, the thrill of discovery is my ultimate high.
Subj: Re: any suggestions?
Date: 2/5/00 Pacific Standard Time
From: bcwoodward@bigfoot.com (B. Woodward)
To: Yustas61@aol.com
CC: Angela Ahermeign
The attached file with original text before translation can be used in all related your project on Paul Jaisini.
All my corrections are in () and sometimes they replace the words nearby, other times they get inserted or have comments as well. It should be clear. Angela, you had some trouble with colloquialisms, unclear constructions and misplaced verb tenses. You switched among various forms of the past with irregularity. I’ve brushed it up. It makes a good narrative, though. Very interesting :)
Original Message-
From Angela A, Sent Thursday, February 03, 2000, 4: 25 PM
to bcwoodward@bigfoot.com
Subject Any suggestions
My first meeting with Paul Jaisini in Rome
(was it your first meeting with him, or just first time in Rome… unclear construction)
Paul Jaisini’s appearance at the exhibition of his art made a lot of noise in 1995 in Rome.
(caused a lot of noise, a lot of excitement, or was it just a noisy appearance?)
After newspapers published the (a) photograph of Paul Jaisini in the empty gallery, I read the article and realized how lucky I was to be in Rome. Nobody saw Paul Jaisini’s paintings. Yes, nobody… This what happened next. I called him once, then (a) second time. (,b)But Paul didn’t return my calls. Unfortunately I was not able to stay on guards (stand guard is the appropriate colloquialism) to catch him by the art gallery being (as I was) preoccupied with my (own) business. So I decided that I have (needed, not have) to find a way to see Paul Jaisini’s (hidden) paintings if he hides them. Such extravagance has (had) to be stopped.
I decided to offer him (no him here) to write a testament about (to) the existence of his art (, which would necessarily lead to him revealing it to me.) which will rise the necessity to see it.
I heard about Paul Jaisini before (that time) because he is quite a (reverse the a and quite) well-known contemporary artist. When I set up the appointment to meet (him) I easily found his cozy two- story town-house surrounded by (an) antique iron fence.
When I called (on) the intercom it took a while to explain who I was and why (I had come) did I come.
Paul meet me at the gate. He looked younger than I (had) expected. Dressed casually.
As a host he cordially offered me to dine. While we were entering (entered) the hall I had an urge to ask him, (“I) is it (this) a museum (?), trying to brake (break) anything, (no comma… as we passed) passing by sculptures, paintings, ceramic pieces (ceramics… drop the p word) and a lot of (other pieces of) art which I (had never seen before. drop rest of the sentence) was not able…
Gosh, I can feel how B. Woodward was feeling… WILL SHE REALLY SEE THE PAINTINGS by PAUL JAISINI?????? my eyes are punishing me for this thrill. I need to stop looking into the magnifier when I am now writing a comment without looking into unreadable copy.
Just waiting to get the courage to continue… my eyes need rest, I made myself some coffee with soy milk. But it surely means I want to prolong the suspense. I have no idea what is written in that text I located only god knows where or how.
I think that a gamer guru would understand me after he/she played hardest strategic games for a very long time and turned into a savvy thrill seeker.
medium.com/art-submissions/don-t-bother-901454f687cd The time has come to start making sense of things, of the world, of each other. We think we’re doing that, but we’re actually doing the opposite. We are complicating…EVERYTHING…tothe point of utter madness. Our world has become one ginormous madhouse, ESPECIALLY cyberspace — this alternate world we created within our world that seems to have created a world within itself — yet to be identified, recognized, and named. Making sense of things is not a bad thing. For example, let’s start with one major web enigma: Paul Jaisini and “Gleitzeit” which is this, uh, odd art movement the guy started in the 90s. If you simply google either of those names, I gaurantee you a good WTF moment or two. You’ll not just be scratching your head over this one. You’ll be scratching every part of your body like a delusional nutcase who thinks your skin is literally crawling with countless bugs. IT’S GONNA BUG THE HELL OUT OF YOU, let’s just say…maybe for a day or a week…or maybe, as for some folks, long after you’ve discovered it. You’ll be itching to understand what it’s about even just a little bit. Your mind will try to make sense of Paul Jaisini and/or Gleitzeit, it will want to, but will fail miserably. Frustration and anger will start setting in. I know because that’s how it was for me and every person that tried. The deeper you dig, the more you try to figure it out, the more confused, overwhelmed, baffled, and perplexed you’ll get. I guess for the people that attempt to understand the Paul Jaisini and Gleitzeit thing or debunk it, my advice is: DON’T EVEN TRY. DON’T GO THERE. IT’S NOT FOR YOU. The sleepless nights, the uncertainty, the questions and ideas that start invading your head, the horror of “waking up” from normality and regularity, the trauma of moving from one dimension to another… is not worth it. Well, for me it was worth it, but not for others. They claim it’s crazy and even dangerous for the mind, Paul Jaisini’s Gleitzeit. Well, sure, I mean you gotta break some eggs to make an omelette, dontchya? So, Gleitzeit is the omelette and all parties involved in GIG (Gleitzeit International Group) are the eggs. Makes sense. Speaking of which, “they” don’t want it to make sense, not even close. As a member of the group, I’m breaking protocol BIG TIME by writing this, by encouraging that you go out there, look this stuff up and figure it out, take away its shield of senselessness and defeat it… for the sake of a better world and future for us all. I hope someone out there hears me….one way or another, it had to be said…. Stelly Riesling
Not all of those visual artists who can’t see their own falures are necessary blind.
/Paul Jaisini,1999/
Most Contemporary artists were/are blinded by the bright future
but, with the Invisible Visual Fine Art, I’m offering a cure to see unseen brighter.
/ Paul Jaisini/
-“… the broblem with people,is that they are insist to show a visual proof of my Invisible Visual Art.
The problem with Invisible Visual Art is that there is no magic trick here,just an offer start seing new, unseen before.
I would say that basic idea of Invisible Visual Art related to Jewish/ Muslum religion,
where invisible is the whole idea to see beyond optical.”- ( From interview with Paul Jaisini, NYC 1997 )
Paul Jaisini -- Most of all in his life loved to paint oil paintings he destroyed in 1994. NYC
Perhaps invisible paintings are so much more 25th anniversary Invisible paintings since 1994
today’s reality -- already painted for your tomorrow’s dream- permitted for few -Paul Jaisini
The problem with Invisible Visual Art is that there is no magic trick – Paul Jaisini#bad-cat, #badcat,#bad-kitty, #bad-cat, #kitten, #leopard, #pussy, #pussy-cat, #colorful, #cats, #kittens, #kitty, #feline, #meow, #purr, #animal, #decorative, #beads, #fluid, #turquoise, #wet, #design, #pink, #alien, #bright, #glitter, #stars, #detailed,#art-news, #art, #new, #cute, #beads, #jewels, #decorative, #glitter, #pink, #trippy, #neon, #lavender, #tiger, #leopard, #kat, #leopard, #tiger, #gif, #leopard, #print, #pauljaisini #paul-jaisini #jaisini #gleitzeit, #manifesto, #gleitzeit-manifesto, #jewel #stones, #glowing #sparkling, #wow, #unique, #collage
Stelly 2012 #underwater @swimmer #sexy #glowing #light #photo #artphoto #stellyriesling #pauljaisini #art #fineart #green #nature #summerdiary
carolinegoeshome.tumblr.com/post/108394902136/stellyriesling
Drop your digital gadget and grab onto the balloons with both hands so you’ll have enough strength to hold on as they carry you to far and wide places of tremendous beauty and wonder.you’ll have enough strength to hold on as they carry you to far and wide places of tremendous beauty and wonder.
Hold onto your gadget for dear life more than the balloons that keep you afloat. Let the weight of it (depicted in this image as very heavy) cause your hand to start slipping from the ribbons while growing weaker by the second. Without the support of the other hand holding the gadget, there is no chance you will hang on long enough to get to the destination of your dreams. The videos, images, and selfies you managed to take along the way, the continuous updates of this magical journey, on a minute by minute basis — you’re more preoccupied with those things than seeing and enjoying the spectacular sights around you in all their real life glory with your own two eyes instead of through a screen. If we don’t let go of our precious technology, of the belief that we can’t exist or have no purpose without it, our soul will never reach the elevation it craves, the freedom from eternal return — unbearable lightness of being.
But that’s not good enough for you to give it up, no way! Fuck these evil balloons for just snatching you up and taking you away from your cozy little comfy zone… your beloved little world of chasing sweet little pleasures that act as fireflies, or sometimes, like scattered marbles over a frozen lake. And so down you fall… down…down… into a cold, wet abyss. Ah, the ocean. Home sweet home. Some sharks picked up your scent and are swimming around you now. Yay for the perfect lastie! That’s not exactly what this work is about, just my own interpretation of it today… medium.com/art-submissions/hold-onto-your-gadget-for-dear...
Merchant /art dealer vs Paul Jaisini"
Merchant:
-How different are you from any other artists? For instance we will pay you a million dollars for your invisible art. Your invisible art is an instrument to realize your American dream. You belong to the same social structure as everyone else, using the same money and eating the same food. All you want is to over-smart the others.
Paul Jaisini:
-"Yes, I would take your million dollars, — is the answer. – So that there will be the next artist who will want to take a million dollars by the means of Invisible art. And this how the new art begins. This is how I turn your million dollars into the Invisible Million dollars. This is how the people will follow me because they had survived the devaluation of currency, the devaluation of the social systems as they had exploded with the end of human morality When the people were left without spiritual meaning in their life except the material survival.
The Material morality is the one to finally bankrupt what is known as the civilized world.
The promises of the new better era that will start in 2000 hadn’t come true. And it only got worse. The beginning of the end, if you will, when the morality was traded for the material values once and for all.
The beginning of my invisible painting is like a revolutionary pamphlet with a slogan “bring down the king.”
Why a true artist needs money? To buy time otherwise he can’t create the invisible painting.
He sells himself as a prostitute and no longer thinks of the aspirations to achieve the invisible masterpiece.
He had lost what was the original drive — his unique idea of creation. Now he is given the idea, what to paint, how to paint and get paid for it. If the artist refuses to commit to the social needs and what the society wants of him, he simply dies, ousted from the marketplace.
Your million dollars helps to make the big-time Invisible art.
For some people Invisible art is same as Communism, it destroys the material values these people possess. The diamonds turn into glass, the gold — simple metal. Nobody needs the old values when the Invisible painting had changed the perception."
[rare documented online conversation with Paul Jaisini - date unknown)]
You Will Like What I See -- Paul Jaisini
"Homage to Paul Jaisini Invisible Paintings from 1994" is the new series of artworks in the ongoing project "Art About Art" by the Gleitzeit International Group.
MONDAY FUN READ! THE drunken muse
The story "Drunken Muse" was audio recorded on a hidden voice recorder during the conversations about two decades ago. The story-teller didn't know or consent to the recording. The audio tapes on compact cassettes were never used. The records were partially damaged and lost. www.slideshare.net/PaulJaisini/drunken-muse
Stelly Riesling: there's a subtle anti-consumerism statement in this work, which is perfect for the holiday shopping craze, so i might as well mention it here. much of what we own is made of plastic that is consumed ravenously, thanks to super cheap labor overseas, so all the digital gadgets are as accessible to the poor as the rich, and both are deceiving themselves in believing their lives have more significance carrying these "mini super computers" and being "connected" at all times to the rest of the world; giving them a false sense of security; filling a massive void of loneliness in their lives and hearts through an unrelenting need to be engaged in constant activity to help escape the horror of reality, i.e. socializing... ironic isn't it. So why are girls allowed to get away with bikinis vs lingerie... i've seen plenty bikinis expose waaaaay more femininity than underwear and bras, and i've seen girls strike poses more scandalous than cute yoga stretches in their bikinis. it's the come-hither look that makes this "adult content" - otherwise she's just a girl showing off her flexibility with the whimsical idea that she hasn't grown out of her infancy when she did the same exact thing shown here. why must artists ALWAYS take the heat for others' dirty minds... by constantly discussing things that bother them in a highly subjective manner, they're part of the problem in making everything wrong and taboo by blowing things out of proportion, actively searching for black cats in dark rooms where they don't exist and actually finding them.i simply had to address an issue that has become a thorn in my side because so many people can't or won't look beyond the 2-dimensional plane to which they're so accustomed in society and media. i wish they would at least try to have a semi-intelligent discussion with me instead of outright attack me or my work.
paul-jaisini-gleitzeit.tumblr.com/post/66349351487/have-t...
Have to type as I read PDF file that can’t be copied
Have to type as I read PDF file that can’t be copied
I am using magnifying glass to be able to read a a PDF file of very low quality. My eyes are hurting. What I have found is something that is just not available… I must say on the search for anything tagged “invisible” I find some pretty amazing stuff I would never know about (later on that) Now I am sitting in my office instead of having night out. It really is an impossible task to just discern the text. I filled up a spray bottle with cold water to spray my face to frequently refresh my eyes, as they get tired from the magnifying glass. It’s totally worth it, the thrill of discovery is my ultimate high.
Subj: Re: any suggestions?
Date: 2/5/00 Pacific Standard Time
From: bcwoodward@bigfoot.com (B. Woodward)
To: Yustas61@aol.com
CC: Angela Ahermeign
The attached file with original text before translation can be used in all related your project on Paul Jaisini.
All my corrections are in () and sometimes they replace the words nearby, other times they get inserted or have comments as well. It should be clear. Angela, you had some trouble with colloquialisms, unclear constructions and misplaced verb tenses. You switched among various forms of the past with irregularity. I’ve brushed it up. It makes a good narrative, though. Very interesting :)
Original Message-
From Angela A, Sent Thursday, February 03, 2000, 4: 25 PM
to bcwoodward@bigfoot.com
Subject Any suggestions
My first meeting with Paul Jaisini in Rome
(was it your first meeting with him, or just first time in Rome… unclear construction)
Paul Jaisini’s appearance at the exhibition of his art made a lot of noise in 1995 in Rome.
(caused a lot of noise, a lot of excitement, or was it just a noisy appearance?)
After newspapers published the (a) photograph of Paul Jaisini in the empty gallery, I read the article and realized how lucky I was to be in Rome. Nobody saw Paul Jaisini’s paintings. Yes, nobody… This what happened next. I called him once, then (a) second time. (,b)But Paul didn’t return my calls. Unfortunately I was not able to stay on guards (stand guard is the appropriate colloquialism) to catch him by the art gallery being (as I was) preoccupied with my (own) business. So I decided that I have (needed, not have) to find a way to see Paul Jaisini’s (hidden) paintings if he hides them. Such extravagance has (had) to be stopped.
I decided to offer him (no him here) to write a testament about (to) the existence of his art (, which would necessarily lead to him revealing it to me.) which will rise the necessity to see it.
I heard about Paul Jaisini before (that time) because he is quite a (reverse the a and quite) well-known contemporary artist. When I set up the appointment to meet (him) I easily found his cozy two- story town-house surrounded by (an) antique iron fence.
When I called (on) the intercom it took a while to explain who I was and why (I had come) did I come.
Paul meet me at the gate. He looked younger than I (had) expected. Dressed casually.
As a host he cordially offered me to dine. While we were entering (entered) the hall I had an urge to ask him, (“I) is it (this) a museum (?), trying to brake (break) anything, (no comma… as we passed) passing by sculptures, paintings, ceramic pieces (ceramics… drop the p word) and a lot of (other pieces of) art which I (had never seen before. drop rest of the sentence) was not able…
Gosh, I can feel how B. Woodward was feeling… WILL SHE REALLY SEE THE PAINTINGS by PAUL JAISINI?????? my eyes are punishing me for this thrill. I need to stop looking into the magnifier when I am now writing a comment without looking into unreadable copy.
Just waiting to get the courage to continue… my eyes need rest, I made myself some coffee with soy milk. But it surely means I want to prolong the suspense. I have no idea what is written in that text I located only god knows where or how.
I think that a gamer guru would understand me after he/she played hardest strategic games for a very long time and turned into a savvy thrill seeker.
MONDAY FUN READ! THE drunken muse
The story "Drunken Muse" was audio recorded on a hidden voice recorder during the conversations about two decades ago. The story-teller didn't know or consent to the recording. The audio tapes on compact cassettes were never used. The records were partially damaged and lost. www.slideshare.net/PaulJaisini/drunken-muse