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homage to the painter Paul Jaisini of Invisible oil paintings future's eye Paul Jaisini portrait with added words Art gif
WORN OUT VISION REPLACED
"Homage to Paul Jaisini Invisible Paintings from 1994" is the new series of artworks in the ongoing project "Art About Art" by the Gleitzeit International Group.
www.artlimited.net/28738/art/image-day-dream-by-stelly-20...
PAUL JAISINI
Vision Future Redirected Since He Started To Paint Invisible Paintings In 1994
SEE BEYOND RAINBOW! PAUL JAISINI
Message Received – Message Sent PAUL JAISINI
Not all of those visual artists who can’t see their own falure are necessary blind.
/Pual Jaisisni,1999/
Most Contemporary artists were/are blinded by the bright future
but, with the Invisible Visual Fine Art, I’m offering a cure to see unseen brighter.
/ Paul Jaisini/
-“… the broblem with people,is that they are insist to show a visual proof of my Invisible Visual Art.
The problem with Invisible Visual Art is that there is no magic trick here,just an offer start seing new, unseen before.
I would say that basic idea of Invisible Visual Art related to Jewish/ Muslum religion,
where invisible is the whole idea to see beyond optical.”- ( From interview with Paul Jaisini, NYC 1997 )
Paul Jaisini -- Most of all in his life loved to paint oil paintings he destroyed in 1994. NYC
Perhaps invisible paintings are so much more 25th anniversary Invisible paintings since 1994
today’s reality -- already painted for your tomorrow’s dream- permitted for few -Paul Jaisini
The problem with Invisible Visual Art is that there is no magic trick – Paul Jaisini
Paul Jaisini, Paul-Jaisini, Homage to Paul Jaisini, Paul Jaisini Invisible, Paul Jaisini Invisible Paintings, gif, animation,
Paul Jaisini He Paints Invisible Paintings Since 1994
20 years ago Paul Jaisini destroyed all of his critically acclaimed art.
VISION REDIRECTED
Paul Jaisini. HE PAINTS INVISIBLE PAINTINGS
IN THE KINGDOM OF BLIND THE ONE–EYED IS THE KING.
PAINTING OIL WAS HIS LIFE’S JOY. PERHAPS INVISIBLEPAINTINGS ARE MUCH MORE.
GLEITZEIT MANIFESTO 2014
SEE BEHIND THE CANVAS NOW Paul Jaisini
future follows Paul Jaisini
SEE BEYOND RAINBOW PAUL JAISINI
GLEITZEIT MANIFESTO 201
future futurism
ART IS NOT WHAT IT IS ART IS WHAT ITS NOT
Paul Jaisini Said
PAUL JAISINI HIS INVISIBLE PAINTINGS ARE SO AHEAD OF
OUR TIME #Invisible #pauljaisini #gleitzeit #art-news
WORNOUTVISIONREPLACEDPAULJAISINI
WORN OUT VISION REPLACED PAUL JAISINI
ART ABOUT ART
Paul Jaisini, Paul-Jaisini, Homage to Paul Jaisini, Paul Jaisini Invisible, Paul Jaisini Invisible Paintings
#CantWait #Celebrate #Celebration #ChristmasDay #ChristmasEve #ChristmasGifts #ChristmasMiracle
#ChristmasNYC #ChristmasParty #ChristmasSnow #ChristmasSpirit #ChristmasTime
#ChristmasTradition #ChristmasTree #December #Decorate #Decorating
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PAUL JAISINI SAID
GLEITZEIT MANIFESTO 2014
SEE BEHIND THE CANVAS NOW Paul Jaisini
future follows Paul Jaisini
SEE BEYOND RAINBOW PAUL JAISINI
GLEITZEIT MANIFESTO 201
future futurism
ART IS NOT WHAT IT IS ART IS WHAT ITS NOT
Paul Jaisini Said
PAUL JAISINI HIS INVISIBLE PAINTINGS ARE SO AHEAD OF
OUR TIME #Invisible #pauljaisini #gleitzeit #art-news
WORNOUTVISIONREPLACEDPAULJAISINI
WORN OUT VISION REPLACED PAUL JAISINI
ART ABOUT ART
Artworks Series Homage to Paul Jaisini, Invisible Paintings from 1994 by Gleitzeit International Group NYC
All RIGHT RESERVED COPYRIGHT GIGNYC 2014
you asked me
September 7, 2010 at 5:35pm
PHOTOGRAPHY is to catch a moment. One photographer was asked how do you manage to do such photos, to which he replied, if you would walk around the world several times by foot and shoot thousands of rolls, you wouldn't ask, how I got few good shots. To catch a moment before digital era, with no softwares, people were risking lives. Now to realize any idea on photo paper enough to do several layers of elements by software. Add them to the base image. But genius film photographers in my opinion are the people who using lens through their mind-work created paintings. These are few you can count on your fingers. Contemporary photography IMHO is nothing but technical explorers, not artists. They don't own camera, camera owns them.
Quantum by Stelly Riesling
Notes On Gleitzeit
Subj: Re: Feminism, and other Amusements 5/17/00 From Yustas61
Check enclosed in the mail? Is this valuable enough for you? The product of the most inflated culture, which feed on words and images, expect some words, which are 100 proofs? That’s me, not one word lies. I never inflate value unlike your expectation. Unfortunately to witness the art I describe you have to belong to a select circle of people. I try to do as much as I can for people to let them know about the existence of high art they can be proud of. When my gook is out I will let you know. Thank you for your feedback, friend, very truly yours, Yustas.
Attention to detail is the most important part when trying to solve a puzzle, to uncover hidden truth, to investigate.
Ben writes Subj: Re: What can’t be seen is worth seeing 11/19/99: But people like the idea that something is hidden and what it takes skill to find it. They are horrified when they realize otherwise. As for something like the paintings — they don’t care to search for the painting which are freely shown, they want the “special thing” which is hidden. of this I am relatively certain.
Can’t agree more with what Ben writes. Only what is it one is searching for? This is another question that in its nature quite philosophical. When I read Ben’s comment I had few thoughts. First came to mind, what is driving me to find an answer about the paintings by Paul Jaisini. Were they real or not. Are they real or not. My initial interest was not about this matter. But how current popularity of “Invisible” is connected to the early Internet and particularly Paul Jaisini who is a symbol of the current invisible direction widely spread (to be continued on this).
Ben writes that if there’s something hidden it would require skills to find it. At the same time one is learning, not only searching. Therefore I think that having skills to “solve the mystery” etc. means to learn. I am searching and learning at the same time. It seems that this process changes the path of my search. On a broader scale we all live in time with a lot of information available. We constantly process this info and continue the learning process. In effect it changes the paths of those who consume the information.
Perhaps you continue to learn even if you had enough already. The process itself is a discourse because of the constantly changing objective one could not stop in the search for something that “doesn’t exist” – but what it really means that one wants to find something exclusive. I want to find this very rare and unique art. I read in the above message by EYKG, that someone who wants to have access – to see the paintings must belong to a small circle of people, for whatever reason.
Am I driven only by the fact that it is nearly impossible to find out the images of paintings? Yes. But I think in the process of search and learning the discourse takes me in a new direction. Fact: My initial interest was not about the paintings. As I already said, I want to understand the current “Invisibility” phenomenon. Would it be something before a next phenomenon develops. If I could understand the meaning of “Invisibility” in a broad sense perhaps there will be understanding of what is coming next to follow the “invisible” period.
Fact. Presently I am looking to find the authentic source of images that correspond to the paintings known as “Invisible” paintings by Paul Jaisini.
Fact. While searching/learning I feel happy. But there’s something that must be a part of this process.
Ecclesiastes 1:18 he that increases knowledge increases sorrow.
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