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Jaisini Gleitzeit Supermodernity
Manifesto (short version)
Jaisini
Gleitzeit
Gleitzeit style based on depiction of visual flexibility with theoretical flexibility.
A painting which purpose is to achieve composition of enclosure. Art based on the depiction of a circle evolution of understanding and seeing. A kind of art which draws upon imagery and seeks to reveal and abstract idea of the connection within.
It’s flexible because it has multiple principles. Paintings with a capacity to change visually by the artistic magic changing your subconscious mind.
It is a session of Hypnosis which controls you by a disorganized absolute harmony of everything expected from a “nonexistent” picture. It depends upon the pattern of line as a primal creator of whatever associated or disassociated from the theme.
The artist’s mind is the superior beginning of the line, but the line is free and emancipated.
Flexi is a new neo-pro-anti-post.
Text copyrights by Paul Jaisini
All rights reserved New York, 2014
The Oriental mystics—and Harry knows this, though he is loath to share—these great thinking men of the Far East have been able to levitate their consciousness to levels somewhat beyond the miserable two percent. No, they are not conscious of all that is. Surely, you would have to be God Himself to attain that sort of perception. The art of visualization has come late to Western Civilization. If any of you nibbled at the expensive and tres chic 1970’s lessons taught by Werner Erhard’s EST, by Lifestream or PSI, you will recognize that, none-the-less, some droplets of enlightenment have begun to leak in through the walls of Western resolve. Perhaps you received a mantrum from the Maharishi, perhaps learned to meditate from a loose-lipped Jesuit or a kid from Philly who lost himself for a decade in Tibet. And, perhaps not. I’ve been re-re-re-reading the “complete” short stories of Flannery O’Conner. Flannery, like Stephen King, is very generous in talking about the writing process (I would refer you to the introduction to his short story collection titled “Night Shift”) There is a zone of receptivity, an area of awakening, a place where writers and artists are when they create. It is the area of the completely possible, a sort-of place where chaos takes definition and unknown things come into the light. The great Flannery is quoted as describing her process as one of discovery.
pauljaisinifacts.wordpress.com/2014/07/27/pauljaisiniart-...
MANIFESTO GLEITZEIT 2014
"Hey, Jaisini! It meant to be like your invisible paintings. If you can see beyond the black square (canvas), keep it." Kazimir's cat
OPEN YOUR EYE!
Paul Jaisini destroyed all art.
Paul Jaisini He Paints Invisible Paintings Since 1994
20 years ago Paul Jaisini destroyed all of his critically acclaimed art.
VISION REDIRECTED
Paul Jaisini. HE PAINTS INVISIBLE PAINTINGS
IN THE KINGDOM OF BLIND THE ONE--EYED IS THE KING.
PAINTING OIL WAS HIS LIFE'S JOY. PERHAPS INVISIBLEPAINTINGS ARE MUCH MORE.
Wipe Out Rainbow!
YOU WILL LIKE WHAT I SEE.
MESSAGE SENT MESSAGE RECEIVED.
VISION BEYOND VISIBLE.
HOMAGE TO PAUL JAISINI.
INVISIBLE? ARE YOU BLIND OR EVEN DAEP? WHAT A TRAGEDY.
DONT NEED EYES SEE PAUL JAISINI'S INVISIBLE PAINTINGS.
I'M FAKIN TRIPPIN IT'S BREATHLESS!
Paul Jaisini is an artist and an occasional photographer. His invisible paintings are spectacularly ahead of our time.
Paul Jaisini It's Time Get Down To Earth.
"I WAS POSSESED BY THE VERY THOUGHT START PAINT THE NEW INVISIBLE PAINTINGS I HAVE NO REGRETS OF WHAT I DID CUZ I DON'T EVEN REMEMBER... MY NEW INVISIBLE MUSE. PAUL JAISINI"
Paul Jaisini The Man Who Can See Future.
"Don’t be mad at me… I just finished my beautiful invisible painting .I ‘m so dirty /paint all over/ . If u can c it let me know what can u c in it?" Paul Jaisini
"SOMEONE LOOKING AT -- SOMEONE SEEING THAT." Paul Jaisini
You asked me: PHOTOGRAPHY is to catch a moment. One photographer was asked how do you manage to do such photos, to which he replied, if you would walk around the world several times by foot and shoot thousands of rolls, you wouldn't ask, how I got few good shots. To catch a moment before digital era, with no softwares, people were risking lives. Now to realize any idea on photo paper enough to do several layers of elemets by software. Add them to the base image. But genius film photographers in my opinion are the people who using lenz through their mindwork created paintings. These are few you can count on your fingers. Contemporary photography IMHO is nothing but technical explorers, not artists. They don't own camera, camera owns them. Paul Jaisini.
THE UNBELIEVABLE LIFE AND ADVENTURES OF PAUL JAISINI
FUTURE FOLLOWS PAUL JAISINI
Worn Out Vision Replaced.
To The Extraordinary Enigmatic Man Mr. Paul Jaisini.
The Man Who Can See Future
1. bosch-detail-25
do u know if we will take care of all doctors
+plus endues sugar where bacteria growing like
in the garden = our Planet will cease to exist?
3 billion must be dead before 2100?
Uber Aless Jul 8, 2015+1
Paul Jaisini told me 4 years ago. He explained
that balance between nature is over ,so he first
went to american horror. thanks god like priests
were against his dead....."
NY Times 2002?
2. bosch-detail-30
Highest Priests were chosen 7000 years ago,
while all working humans were hunting - their were
thinking how to collect all (why? woman & wondered males .
nighght/day absorbing life as it was from the point of
view of g-d ;)
Uber AlessJul 8, 2015
who could imagine to see details that only pig-nun koud'ov bein' see?
Uber AlessJul 8, 2015
click at 500 years we couldn't even imagine in our dreams
to see details magic unsolved like Paul Jaisini's after 500 y.o.?
3
this is the last pic of her nu work she sent to me this day.
the most wonderful day not only to see her buns ,but imagine
today's Bosch through transducers of the Paul Jaisini's charge .
Stelly always offended 2 b called surrealist
contemporary craftsman aka ARTISTS don’t know how to do fine art, but “super-intellectuals” and “moneybags” do know how to do the virgin brains. i call it art of witchcraft. PAUL JAISINI
Freedom of THought
1) The color of this painting is an agent of transformation that makes the prison world illusive
2)the artist himself, laying on a plank bed of the illusory prison cell.
3) images of wicked criminals and guards
4) the convicts portrayed with humor and irony
5) Two crooks are playing cards.
6)One has an Arabic-looking face with a purple nose.
7) His partner’s face, in some parts, is a brick packing and his eye is shielded with bars.
8) A brick background is also found at the middle part of the painting
9)A rat and an angry dog fight for a rotten fish.
10) At the upper right corner the weightless hazy scene of rape
11) Paul Jaisini portrays calm in a condition of concentrated thinking or in a deep sleep.
12) The painting seems to be illusory owing to its amazing color and
13) its references to the old-fashioned lockup system.
14)A female guard is peeking at a well-built imprisoned man.
Art gif series homage to Paul Jaisini 25th years anniversary. Paul Jaisini destroyed his artworks to paint invisible paintings in 1994
paul-jaisini-gleitzeit:
Interior requires an emotional consensus of the area. A man can not be satisfied by perception of usefulness of what surrounds him, as in his existence feelings are no less important than common sense. And notwithstanding the complex approach of the interior arrangement, this question, especially in the aspect of emotional effect of color, is not investigated enough. In Gleitzeit art space has borderlinear curves together with color development in connection of compositional idea, uniting all the principles in unison and embodying so as logic also the sensuous essence. Scientifically was proven necessity of constant flow of information, including color. Otherwise color hunger can develop. Sometimes achromatic color is reasonable and necessary. As it is the idea background for viewing paintings, carpets, tapestries in museums, art galleries or art studious. When in residential interior color over saturation created nausea and decreased sensibility and color fatigue. It’s important not to forget that human adaptation to nerve stress typical to contemporary life condition is not easy process often concurrent with negative outcome. Therefore the interior of art gallery of art studio has a new meaning in the interior make-up. Even to art studio type of color harmony people can have different responses. Color activity in Gleitzeit works is achieved not only by color loads but by color ratio with rules of limitation. Paul Jaisini achieves with color high level of emotional urgency without violation of color measure. The justification of color in his work is dedicated by the idea and demands of each composition. In painting for instance, yellow color is almost adversary to artistic harmony and I found in Gleitzeit many examples of complete new role of this color, that can be not adversary to harmony but its integral highlight. P. Jaisini reaches color activity within skillful proportioning of limited amount of color used. Here I want to point our that P. Jaisini’s color is pure and sound as he never mixes colors until the mud condition. He uses color open spectrum in the pallet but never mixes more than two colors to solemnize purity of color as an important artistic objective.
20 Years Ago Paul Jaisini Destroyed All Of His Artworks Turning Over The Last Page Of The Art History. Painting Oil Was His Life's Prime Joy. Perhaps Invisible Paintings Are Much More.
Spark bring fire
Jaisini Gleitzeit Supermodernity Manifesto (Short version) Jaisini Gleitzeit Circa 1994
Gleitzeit style based on depiction of visual flexibility with theoretical flexibility.
A painting which purpose is to achieve composition of enclosure.
Art based on the depiction of a circle evolution of understanding and seeing.
A kind of art which draws upon imagery and seeks to reveal and abstract idea of the connection within.
It's flexible because it has multiple principles.
Paintings with a capacity to change visually by the artistic magic changing your subconscious mind.
It is a session of Hypnosis that controls you by a disorganized absolute harmony of everything expected from a "nonexistent" picture.
It depends upon the pattern of line as a primal creator of whatever associated or disassociated from the theme.
The artist's mind is the superior beginning of the line, but the line is free and emancipated.
Flexi is a new neo-pro-anti-post.
GIGroup International 2015 NEW YORK USA
Art gif series homage to Paul Jaisini 25th years anniversary. Paul Jaisini destroyed his artworks to paint invisible paintings in 1994
giphy.com/gifs/kiss-rainboe-3o85xpHTb3qjjI09vW Not all of those visual artists who can’t see their own falure are necessary blind.
/Pual Jaisisni,1999/
Most Contemporary artists were/are blinded by the bright future
but, with the Invisible Visual Fine Art, I’m offering a cure to see unseen brighter.
/ Paul Jaisini/
-“… the broblem with people,is that they are insist to show a visual proof of my Invisible Visual Art.
The problem with Invisible Visual Art is that there is no magic trick here,just an offer start seing new, unseen before.
I would say that basic idea of Invisible Visual Art related to Jewish/ Muslum religion,
where invisible is the whole idea to see beyond optical.”- ( From interview with Paul Jaisini, NYC 1997 )
Paul Jaisini -- Most of all in his life loved to paint oil paintings he destroyed in 1994. NYC
Perhaps invisible paintings are so much more 25th anniversary Invisible paintings since 1994
today’s reality -- already painted for your tomorrow’s dream- permitted for few -Paul Jaisini
The problem with Invisible Visual Art is that there is no magic trick – Paul Jaisini