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Taken from Burrow Hill above Hopesay in Shropshire. The village bottom left is Kempton.
(11 images stiched together in Lightroom - hand held)
Light Patterns depth of field results from a telephoto lens creates this broken appearance in the back ground, late Summer shadows, found in North Carolina.
This is the last of a series I started a couple of weeks ago. The two first photos of this series have a minimal edition, basically I cropped them to the square format. The remaining ten have been subject to further editing, normally with a repetition of the originally photographed patterns. This last one is dedicated to my friends of the Quadratum group, as I haven't been as much around as I wanted over recent months.
La Crécerelle d’Amérique est le plus petit faucon
du Québec. Son cri aigu caractéristique trahit sa
présence dans les champs, malgré sa petite taille.
Comme chez la plupart des faucons, on peut
observer sous les yeux des crécerelles des rayures
noires verticales, appelées moustaches.
Le mâle a les ailes bleues ardoisées et le dos brun
rougeâtre tacheté de points noirs. Sa poitrine
rousse porte quelques taches noires et sa queue
rousse n’a qu’une seule bande noire à son
extrémité. La femelle a les ailes et le dos
complètement roux et tachetés de noir. Sa poitrine
porte de fines rayures foncées. Sa queue rousse
porte plusieurs petites bandes noires.
For the Happy Caturday theme "Patterns".
Tofu's fur may be fluffy but it doesn't have much to offer when it comes to patterns. The only exception is his face with its orange "mask" and the quite clearly visible M on his forehead. Sethi with his tabby fur would have been a more obvious choice for this theme but I had to take him to the vet yesterday for his vaccination and he doesn't talk to me at the moment. :)
Happy Caturday !
notice anything about the pattern in the chipped paint on this wooden cat's nose? i didn't until i got it up on the laptop screen!!
this is one possibility for the macromonday theme for 3/11 for imperfection.
#MacroMondays and #imperfection
its nose is less than a half an inch from side to side
Rishton is one of the most famous and oldest centers of ceramics in Uzbekistan. Legend claims that the art is over 800 years old, passed down from generation to generation.
A fine quality reddish-yellow clay deposit 1-1.5 meters deep and 0.5-1.5 meters thick underlies almost the whole Rishton area. The clay can be used without refinement or addition of other types of clay from other regions. Besides clay, the potters of Rishton extracted various dyes, quartz sand, and fire clay from the surrounding the mountains.
The history of producing ceramics here goes back to the seventh century. In the late 19th – early 20th centuries, almost all the population of Rishton were potters. Its clay is suitable for making the whole variety of ceramic goods and the repertoire of ornamental patterns in the Rishton ceramics is one of the richest. Today, over 2000 craftsmen use both traditional techniques and modern machinery to produce over 5 million items per year. The traditional design has a blue-green glaze, called “iskor”. In the 1960s, this technique had almost died out, but has now recovered, thanks to the efforts of the artisans themselves.
Main languages spoken in this area are Tajik and Uzbek.
My coffee roaster helped me with this week's theme. The side of their package has this nice little pattern printed on it
For: Crazy Tuesday
Theme: Pattern
This is a photo of a bejeweled, complex network of reflections on the undulating surface patterns of the wind stirred river.