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Macro Monday's and the theme of "Unusual Patterns".
This may not be quite an unusual pattern but it is etched on the handle of my torch and I quite like it.
I decided to use the trick of gelling a flash on the side of the torch and doing it twice, Red and Blue. I've done this a few times before for a MM photo and after turning out the lights I set the shutter speed to one second and fired the flash with the Blue gel by pressing the test button and having the one with the Red gel set to slave which would trigger at the same time.
Well, I loved my grater pattern so much I thought I'd try one with different colours underneath. It reminds me of rainbow sherbet, lol!
Today Victoria and other parts of Australia (but not all) have turned back their clocks for the end of daylight saving. So of course I forgot to change my bedside clock after going out last night, leading to getting up one hour earlier than I should have. Sigh
This photo is a montage of an embossed painting and the multicoloured light filled stairs at the Justin Art House Museum , Prahran. A great place to visit with enthusiastic hosts Leah & Charles Justin. "Paper: The permanence of the temporary" is this years exhibition.
This is a close-up B&W photo of air bubble patterns in the river ice. The crystalline ice bubbles look like the gelatinous spheres of developing amphibian life forms.
“Sand Patterns” — Patterns in sand dunes, Death Valley National Park.
Our main photographic targets on our late-February trip to Death Valley were Lake Manly and the impressive wildflower bloom. But we did schedule one morning for a visit to the sand dunes. We arrived well before sunrise — it was still to dark to see our way into the dunes. Unfortunately, this was not going to be a morning for grand dune photographs, since morning overcast blocked the sunlight. So instead we focused on more intimate subjects — plants and flowers, the morning traces of the passage of wildlife, and the textures of windblown sand.
I’ll break with the tradition of the these posts and write a bit about a technical photographic topic. A challenge of photographing the sand is that, unless you photograph straight down or fine a suitably slanted bit of sand, depth of field is a problem. I use a solution that surprisingly few photographers seem to apply. I have a tilt/shift lens adapter for my landscape camera that lets me attach a medium format zoom lens and use the adapter’s movements to angle the pane of focus to match the surface of the dunes.
Strange weather we're having here at the moment. It's been unseasonably dry for weeks with hours of sunshine on a daily basis. It's also been decidedly chilly, a stiff easterly wind replaced occasionally by one from the north. While we're already applying the sun lotion on a daily basis - I carry a reservoir of Irish blood in these veins and wear a pallour that would make a vampire wince - wrapping up in lots of warm clothing has remained essential despite May being only a week away. The clear cold skies have also been a regular challenge, without clouds to bring some definition to the sky. And that banding issue is a right pain in the wotsit as you well know.
Thursday night was typical of the recent conditions. Lee and I had arrived at Gwithian with completely different ambitions in mind. Recently he's been drawn to picking out figures on the beach with his telephoto lens, and he's getting rather good at it too. In fact the one he's just posted today is especially good. Take a look - but as long as you promise to come back here afterwards. It will probably be in Explore tomorrow anyway........
www.flickr.com/photos/110542147@N08/51136332044/in/contacts/
Meanwhile, I've been enjoying coming here at low tide and seeking out compositions with the camera close to the sand and the wide angle lens pointing towards the ground. I could feel the small leap of joy as from a distance in my warm car I noted what looked like an enormous delta of rivulets on the surface of the sand. I only hoped to find an undisturbed patch; hopes that seemed well founded as it was relatively quiet, but you know what these non photographers are like - they don't care where they've left their footprints.
The beach was as cold as it looked, with drifts of loose sand flying low and hard from the dunes towards the shore. At least I'd have my back to them as I stood here for almost two hours, looking for the best possible foreground and always wondering whether I'd missed something even more enticing as I tried not to blot the landscape with my welly boots. My daughter Nicky had also arranged to meet me here. She always forgets something and this time it was her tripod plate. So we shared mine as I introduced her to an L Bracket and a Swiss Arca set up. She tells me she's ordered her own now.
The rest of the daylight was spent happily taking pairs of images so that I could stumble through the focus stacking process later on. In between each pair I included my hand in a third photo to serve as a bookmark. A thumbs up would later mean I had high hopes of the last combination, while a Churchillian V sign indicated I was less confident of the pair of images I'd taken immediately beforehand. By the time I was done there were sixty RAW files on the card, which was quite a relief as for once it seems I'd known when to stop. Recently I've been coming home with almost two hundred slightly altered versions of what is essentially the same photograph and it's a soul destroying process trying to choose one.
The light faded and the blue hour was very brief in the ever falling temperatures and we made our way home, deciding to risk the pub where all hell had broken loose on our previous visit. Fortunately the all day revelry that had taken place there on the first day of lockdown easing was not repeated this time and nor had they sold out of ale and made us drink lager. It had been a good evening.
When it came to working through my images I quickly realised that shooting across the myriad of patterns on the sand wasn't really working and I much preferred this one that followed those rivulets towards the shore. Ok, so I ought to remember that placing objects on the edge of a wide angle shot is not a good idea. And I really need to kick myself and use manual mode rather than aperture priority when doing a focus stack (will he ever learn?), but it had been a worthwhile trip with yet more lessons learned. Which is always a good thing.
Enjoy the rest of the weekend folks.
Patterns in the ice that formed in a shallow pool beside the river.
Venus As a Boy - Bjork
www.youtube.com/watch?v=ZaxUZH0cbhM&ab_channel=Cruise...
"His wicked sense of humour suggests exciting sex."