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There was a rare opportunity in Little Tokyo to learn about and experience one of the oldest forms of performing arts: Noh. (The Consul General of Japan for Los Angeles came on stage and admitted that although he was born and raised in Kyoto, Japan's cultural center, this was his first time experienceing Noh.) This subtle and regal performing art has been performed in Japan since the 14th century. It is relatively simple in its presentation. Masked actors, choral chanters, and rhythmic drummers tell a story on stage against a simple backdrop (in tonight's case, a pine tree). It is up to each individual in the audience to use their imagination to recreate the scene being told.
Noh principal actor and lecturer Shizuka Mikata of the Kanze School in Kyoto, Japan gave a rare peek into the world of Noh. According to Mikata-sensei, the performers must present the story to the audience in such a manner that strikes them to their core and that it will stay with them long after the performance.
I felt like I really didn't get the full impact of the performance that they shared, mostly because I understand so little of the Japanese language. Nevertheless, I still found the performance to be beautiful.
Unfortunately, they wouldn't let us take pictures of both the lecture and performance part. Boo-urns.
Pathos electronics. Very sexy and good sounding I must say. Although I didn't get to hear the smaller CDP but I really like the look of that little tubed CPD.
Martedì 6 e Mercoledì 7 Dicembre 2011
"L'Uomo prudente" di Carlo Goldoni
con Paolo Bonacelli
regia di
Franco Però
scene e costumi di
Andrea Viotti
Christoph Prégardien invariably gives life to metaphor, irony, pathos and the full span of rhetorical invention of poetic texts.
The revered German lyric tenor is joined by Julius Drake for a programme of late Schubert songs, rich in emotional content and resonant in its depth of psychological reflections on the natural world.
Franz Schubert (1797-1828)
Auf der Brücke D853
Der liebliche Stern D861
Im Walde D834
Um Mitternacht D862
Lebensmut D883
Im Frühling D882
An mein Herz D860
Tiefes Leid (Im Jänner 1817) D876
Ãœber Wildemann D884
Interval
Dass sie hier gewesen D775
Greisengesang D778
Du bist die Ruh D776
Der Tod und das Mädchen D531
Im Walde D708
Nacht und Träume D827
Fischerweise D881
Totengräbers Heimweh D842
Der Winterabend D938
Sab. 15.05.2010
Mariangela Morais & Super Bobos
Agri&Risto Il Contado Via della Falcognana, 22
h. 21.30 INFO 06.71310171
info@ilcontado.net
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Antonio Carlos Jobim diceva che per la musica brasiliana la tristezza e la nostalgia condividono la stessa bellezza e hanno la stessa dignità della felicità .
Per assaporare un po’ del Brasile e della sua travolgente musicalità il 15 maggio al Contado potremo ascoltare Mariangela Morais. Con l’accompaganmento di Umberto Vitiello alle percussioni e alla voce, e Ezio Peccheneda alle chitarre, la cantante riesce ad esprimere le varie sfaccettature della musica brasiliana in modo appassionato ed elegante riuscendo a ricreare le calde atmosfere del suo paese. La
Cecilie Haaland, Pathos, detail, 2012.From the annual exhibition 'Crafts' at the Museum for Decorative Arts and Design in Oslo. Photo: André Gali