View allAll Photos Tagged pathos
Interpretation: "Die Fotografie zeigt eine monumentale Skulptur in Stettin, erhöht auf einem Sockel, während sich im Vordergrund zeitgenössische Besucherinnen mit Smartphones annähern. Gerade in dieser Konstellation entfaltet das Bild seine leise Spannung: Das Pathos der Figur – Kraft, Bewegung, heroische Geste – trifft auf den beiläufigen Gestus des Betrachtens im Hier und Jetzt.
Der gute Blick des Fotografen liegt in der Entscheidung für diese Perspektive. Er trennt nicht streng zwischen Kunstwerk und Alltag, sondern bringt beides in ein visuelles Gespräch. Die Skulptur bleibt dominant, doch sie wird relativiert durch die Präsenz der Menschen, die sie nicht ehrfürchtig umkreisen, sondern sie sich aneignen, fotografieren, beiläufig berühren. So entsteht ein Bild über den Wandel von Bedeutung: Das Monument verliert nichts von seiner Wucht, aber es gewinnt eine neue, gegenwärtige Lesart.
Mit sparsamen Mitteln – Licht, Abstand, Haltung – gelingt dem Fotografen eine präzise Beobachtung kultureller Praxis. Geschichte erscheint hier nicht als abgeschlossene Erzählung, sondern als etwas, das im Alltag immer wieder neu verhandelt wird."
石の腕
草に光る手
時が見る
Ishi no ude
kusa ni hikaru te
toki ga miru
Stein hebt die Faust –
Handylicht im Sommergras,
Zeit schaut zurück.
Location, aggravation, return it, take it back, wooa woo, transactions complete, destination okay, on your feet, wooa woo
Another shot of Sarah at Pathos harbour - this actually came out quite well considering the light was going.
Progetto Giovedì per i Giovani con Liceo Michelangelo, in occasione della mostra Bronzi ellenistici. Firenze, primavera 2015
Progetto Giovedì per i giovani realizzato in collaborazione con il Liceo Michelangelo di Firenze, in occasione della mostra Potere e pathos. Bornzi del mondo ellenistico (14 marzo-21 giugno 2015).
foto: Martino Margheri
Taken on the floor of the top floor of the Pompidou Centre in Paris. Those people are in my party. I was on the opposite side because I didn't really talk to them much. Ho ho ho.
the graffiti went up on the closed Ghanaian restaurant in Bekeley the day after Uruguay cruelly beat Ghana on penalties at the world cup. Pathos indeed
Photography by Shay Rowan at the first performance.
Come for the music, stay for the existential crisis.
"As irreverent as it is poignant" (Australian Arts Review), this classical cello recital plays out like a piece of performance art run by a masterly jester blurring artistry, humanity, and insanity. Featuring Suite Number One in G Major by JS Bach and personal comedic pieces crafted in Idiot classes, Karen fuses in a healthy dose of pathos tackling identity, expectations, and success through the eyes of a fool.
Winner - Tour Ready Award San Diego Fringe
Winner - Best of the Broadwater encore at Hollywood Fringe
Winner - Weekly Judges Pick in Spoken Word and Storytelling at Sydney Fringe
Nominee - Best Overall in Spoken Word and Storytelling at Sydney Fringe
Top Ten Theatre pick by Stage Raw Los Angeles
★★★★ - Sydney Arts Guide
★★★★ "comic timing as impeccable as her playing" Everything Theatre UK, London
★★★★ - The Alternative Gig Guide, Melbourne
SOLD OUT Run at Vancouver Fringe
Tickets greatermanchesterfringe.co.uk/events/delusions-and-grandeur/
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One of the many statues to be found on graves in St Finbarr's cemetery, Cork city. This is a particularly fine example. As you will see in the background, Celtic crosses are more usually found in a grave setting.