View allAll Photos Tagged pathos
Sentirse inadaptado, inapropiado, incompetente... en una sociedad enferma como la nuestra probablemente se trate de un síntoma de buena salud.
At Engine Room now!
◊ Autocarriage
◊ Credits
•Mesh & Textures: Paradoxical Mode
•Animations: Mizu
•Photography: Paradoxical Mode
•Model: Vandom Voxel
◊ Style Card
•Head: CATWA Catya
•Body: Maitreya Lara
•Hair: Raven Bell Azren Hair in Gradients
•Skin: INSOL
•Eyes: VoluptasVirtualis Koko Eyes in Sky
•Ears: SWALLOW High Definition Ears
•Makeup: Izzie's Dark Lip Tint
L'etre Judy Eyeshadow
•Blouse & Skirt: Toksik Pathos Blouse & Skirt @ ENGINE ROOM APR 2020
•Gloves: TCoD Lila Gloves
•Belt: The Forge Daerwen Belt in Brown
•Glasses: ContraptioN C-Bridge Pince-nez
•Earrings: Kunglers Finrod Earrings in Sapphire
•Collar: Asteroidbox Aluna Collar
Release Date: 4/20/2020
Version Date: 4/20/2020
Sadly not Jem, the winner of the award for best actress in a leading role that night was Geraldine Pathos (Geraldine Page).
Jem by Integrity Toys
nostalgic pathos
.. (sc)analog archival project
..focus of/the male gaze.
©All rights reserved. Do not use without written permission from photographer.
During my search for the grave of Eleanor Rigby, I wandered into a corner, which since my last visit has become overgrown. It adds to the atmosphere of pathos, which I find quite beautiful. This memorial caught my eye, and here it is as I saw it when I pressed the shutter.
St. Peters Parish Church of Woolton.
livinginsecondlife.blogspot.it/2017/02/life.html
Jeans: *Pathos* Jeans Galaxy1
T-shirt: +FCC+ Truthfully for Truth or Dare
Tattoo: [PinUp] Lillo tattoo for Truth or Dare
Shoes: -KC- IRIS HEELS / MAITREYA, BELLEZA, SLINK, EVE, MESHPROJECT
Pose: Lil'Bug Life for The Gacha Garden
[Enlarge by double click for detail.]
This collage presents eight gravestones found in the Old Ross Burial Ground on a hill above the historic town. Some of these were most definitely carved by Daniel Herbert, the former convict who earned his freedom by building the Ross Bridge. I have numbered them for reference.
The top row contains stones very likely to be carved by Daniel Herbert.
Number 3: This one is positively identified as a gravestone by Daniel Herbert (Greener and Laird, 1971), so it can act as a stylistic template. It is very touchingly “To the memory of our dear MAMMA”. But no name is inscribed.
Number 4: Simply inscribed JD. It has a Tree of Life motif and seems almost certainly Herbert’s work.
Number 1: Too worn to read. It would seem to date from the 1830s or 40s, but the urn carved into the top of the stone is identical to the actual urn carved by Herbert for his family memorial (see the previous photograph). There are also some stylistic elements to link it with numbers 3 and 8.
Number 2: Very worn near the bottom and dates impossible to read. The lovely floral carving is consistent with the sort of work Herbert loved to do.
Number 5: Has stylistic elements and shape similar to number 3, but the dates are not clear and this is also less likely to be by Herbert.
Number 6: This is interesting and has great pathos and simplicity as a memorial for a three year old child, but unlikely to be Herbert’s work.
Number 7: John Dickinson was the original owner of the Ross Bakery Inn. A free settler from Nottinghamshire, he was granted a publican’s license in 1833, but sadly died in 1836 aged just 39. Obviously Herbert was in Ross at the time, but may have been too busy completing the bridge to carve this. However, the quality of work would suggest an artist of comparable ability. A likely Herbert, but not certain.
Number 8: Philip Maher. Barracks Sergeant and a veteran of the Battle of Waterloo. He died in 1847. Although the dates fit, stylistically it doesn’t seem quite like Herbert’s work (especially the script), even though elements of number 3 can be seen here.
all-ways--------------and in a way a way to say that The Road is the book that lead me back to the road i never abandoned, on the road where i met the Iliad, a road towards wuthering heights, towards an étranger, away from smelly Paris and Grenouille, a road to ugly ducklings that don't need to be swans, a road to mice and men, to Orlando and the woolf, the wolves and eagles i seek around my camping spot, a shadow line under my heart of darkness, and a light in the trees following a rampant baron that looks like me. Please stop me, not anygod, not anybody, not a drink with Charles, two of them. I love Huckleberry Finn, the fin whale that left his hunter in a bible of all seas, not in Las Vegas, fearing and loathing, infuriating the sound of impossible love, Caddy! Benji! of impossible life in maison Karamazov, uncontainable love in the windmill of pathos, dancing on the feet of Zorba. Back to my little feet, my web in Charlotte’s strings, in a lawn counting numbers and dead dogs at midnight. Or alone onehundred years like a spy in the cold of Berlin, in a desert mirage, the Tartars! the Mermaid! the Steppenwolf! The rime, an ancient mariner told me, an old man mirrored in the sea, of my words in leaves of grass, papermoons, bitten tongues.
A distinctive olive tree, located inside the first courtyard, with a window overlooking the second courtyard of the convent of the Missionary Sisters of the Immaculate Queen of Peace.
I was struck by the light that streamed through the window and created a certain pathos.
On the path to love, Albert Nostran borrowed a short cut that was to cost him more dearly after than just before. The Big Jiggety humorously yet rigorously plumbs the struggle of a young man full of stars in his eyes also eager to sink his teeth into America and himself.
Pallavi Guru Kiran is wife of Gurukiran Shetty, Kannada Film Music Director, Composer and Actor.
"She is my inspiration for all my songs which have a touch of pathos,” he jokes. Without her support, I couldn’t have come this far. She is my biggest critic ." Gurukiran
Perché si fa presto a parlare di commozione, partecipazione al dolore altrui, pathos e tutto il resto.
Poi c'è però la vita, quella vera, brutale e bastarda.
In questo periodo sono andata tre volte in un reparto di chirurgia del Cardarelli e sin dalla prima volta, io e mia sorella che quel giorno era con me, ci imbattemmo in un tipo intorno alla sessantina che doveva togliere un neo. Ci intrattenemmo a chiacchierare perché era strano il fatto che era assolutamente solo prima di un intervento; portava con sé una busta di plastica con dei documenti all'interno e alla domanda scusi ma lei è solo? Come torna a casa dopo? E che fa, io un neo mi devo togliere. E lo vedemmo entrare ed uscire dal reparto per andare in dermatologia, tutto da solo con i calzari della sala operatoria al piede camminare per i vialetti dell'ospedale, perché non avevano capito che neo doveva togliere. Insomma una persona che si faceva notare e che faceva grande simpatia.
Poi nelle volte seguenti c'era sempre, fino a stamattina quando me lo ritrovo davanti con la solita busta di plastica ed un foglio in mano.
Ho ritirato la biopsia volete leggere? Io non tengo assai cultura leggete voi.
Nono fate leggere dentro, noi non capiamo i termini, però sott'occhio leggevo e leggevo parole che mi impressionavano. Che cos'è? Avete letto qualcosa che non vi piace eh? Pur'io. Quel termine displasia nun me piace.
Ma andate dentro e non leggete più niente. Lo guardavo parlare ad un vecchio cellulare e mi rincuorava che non teneva internet ma probabilmente manco lo sapeva che esisteva internet.
Uno scorbutico di mediconzolo lo attendeva ahimè dentro, ho avuto modo di appurare entrando prima di lui.
Io esco dalla stanza, lui entra con la sua busta di plastica da un lato ed il foglio spiegazzato in mano da un altro.
Io scappo via con il cuore in gola verso l'uscita alla ricerca di aria mentre lui entra davanti a me salutandomi con quegli occhi da uomo semplice e speranzoso.
All'aria aperta ho inspirato forte forte come mi ha insegnato la mia maestra di yoga per far uscire tutta l'angoscia e la tristezza.
Non era un cinema, né un reportage sulla salute, né Sanremo ma un reparto di un qualsiasi ospedale.
Olga 5 febbraio 2020
FashionNatic - Pathos Jeans Pants (Avaiable - Fatpack)
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the head (detail in black and white)
Thomas Schüttes "Großer Geist" vor dem Neuen Museum Weimar kann als Antwort auf die Tradition "figürlicher Hoheitszeichen" gesehen werden. Mit dieser Figur lässt Schütte jedes Pathos zerfallen, um ein neues Zeichen zu setzen. "Im Widerstreben von Materie und Form führt er eine Ambivalenz des Menschen vor Augen, die Schwerkraft des Körpers, die Erhebung als kleiner oder sogar großer Geist." Die Plastik antwortet u.a. auf Ernst Rietschels Goethe-Schiller-Denkmal, nimmt aber auch Bezug auf die Helden des Buchenwalddenkmals von Fritz Cremer. Im Neuen Museum wurde zur Zeit des Nationalsozialismus auch die Ausstellung "Entartete Kunst" gezeigt, die in München ihren Ausgangspunkt nahm. In dieser Ausstellung wurde jede Art von moderner Kunst als "entartet" diffamiert. Heute zeigt das Neue Museum Weimar ausschließlich zeitgenössische Kunst.
Thomas Schütte's "Great Spirit" in front of the Neues Museum Weimar can be seen as a response to the tradition of "figurative emblems of majesty". With this figure, Schütte allows any pathos to disintegrate in order to set a new sign. "In the reluctance of matter and form, he presents an ambivalence of the human being, the gravity of the body, the elevation as a small or even great spirit." The sculpture responds to Ernst Rietschel's Goethe-Schiller Monument, among others, but also refers to the heroes of Fritz Cremer's Buchenwald Monument. At the time of National Socialism, the Neues Museum also hosted the exhibition "Degenerate Art", which started in Munich. In this exhibition, any kind of modern art was defamed as "degenerate". Today, the Neues Museum Weimar exclusively shows contemporary art.
Quelle: Neues Museum Weimar
STRAID CHURCH IN STRAID, NEAR CLONMANY EXUDES AN EERIE CHARM. BUILT IN 1772, IT WAS IN USE UNTIL 1925 BUT NOW ABANDONED. THE GRAVEYARD IS AN UNUSUAL PLACE WITH ANCIENT GRAVESLABS TIERED IN ROWS ALMOST MAKING A CRUDE PAVEMENT, MOST OF THESE ARE UNMARKED, AND EXUDE A MYTHICAL PATHOS.
Mil Mi-35P Hind-F/ Panther Cyprus Air Force -
Andreas Papandreou Airbase , Pathos International Airport Cyprus 08-11-2019
“SECOND PHOTO CHALLENGE“
MISS SL ♛ Japan mixed match red which is symbolically used for the Japanese flag and cyber blue to express the pathos and science of “NEO Japan”. In a futuristic way, she expressed both sides of Japan, which is said that “technological superpower” and also passion with human fever soaked in history in various ways. In addition, the cherry blossoms in her chest are a national flower of Japan, symbol of the Japanese spirit. They symbolize how the samurai lives - the way to live for righteousness without obsessing the present world, like the cherry blossoms that are scattered soon after blooming. She believes that the spirit still flows in the Japanese even if the times change.
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- Styling Card
NEO-Japan event items
+ Dress | .Shi - Enduo Wrap (PVC Red) by Joy Laperriere
+ Earcuff | NOIR - Drogon Earcuff by Guilhermedandretti
+ Choker | NOIR - Selina Choker by Guilhermedandretti
+ Hat | Zibska - Shizuko by Zib Scaggs
+ Nail | Eclipse Art Studio - Tunderstrike Claw Woman by Shina Shan
+ Sakura | NAMINOKE - SAKURA FUBUKI by taiko McCaw
+ Eyeshadow | Zibska - Shizuko Eyemakeup by Zib Scaggs
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+ Top | CLBlue - Leathre Top by clblue
+ Pants | AdN - Agata by Adabetha Nayl
+ Bracelet | MANDALA - OKAKI Bracelets set (Black) by kikunosuke Eel
+ Shoes | NewWish - Crystal Soul Shoes by Pixie Ruby
+ Hair | booN - Cor.009 hair pieces (Black Pack) by boo Nakamura
+ Lipstick | Izzie's - Applier Red Lipstick Set by Izzie Button
+ Tattoo | Divine Tattoo - Sakura Beauty by NicholasLuvs
+ Petals | Persefona - Floating Rose Petals by Persefona
"Make a picture that is funny and sad at the same time. A photograph that simultaneously evokes pathos, irony and humour." - Jeff Mermelstein
Dress: Mikunch Dolls banquet - Romantic dress RARE
Head dress: Mikunch Dolls banquet - Head dress (pink) 11
Umbrella: Mikunch Dolls banquet - Maiden's umbrella(pink) 17
Stuffed animal: extra)Romantic dress / USAKUMA BABY
Shoes: Mikunch Dolls banquet - Forehead platform shoes pink 6
Collar: [^.^Ayashi^.^] Yuimi Collar(Light set)
Hair:*barberyumyum*66 (pink)
*barberyumyum*bangs (D)
*barberyumyum*bangs (C)
Head: =ASR= Sophia aeon Head
Body: =ASR= Sophia Pathos Body+Tattoo(1.5 for bento)
Location: . {mystical fae forest}.