View allAll Photos Tagged pathos
Just a fictional title for a totally real place.
This is the view that you see hiking up to mount Lagazuoi from Falzarego Pass, Dolomites (Italy).
In the ghostly light of a foggy evening I was walking and observing, observing and walking. The camera always ready to observe with me.
At one point I felt like surrounded by ancient monsters, dead, petrified through the ages, prisoners of time.
Hence the title of the image :-)
A photograph is what we see, but also what we imagine as we observe.
_____________________
©Roberto Bertero, All Rights Reserved. This image is not available for use on websites, blogs or other media without the explicit written permission of the photographer.
lago d'Orta, Italy
©ALL RIGHTS RESERVED. My pictures may not be downloaded, copied, published, reproduced, uploaded, edited or used in any way without my written permission.
Non lo dedico al famoso libro....della nota saga pluriletta mi sono fermata al "grigio" che ho terminato a fatica, trovandolo noiosissimo e senza pathos. Uno di quei libri che trovi "indigesti" al punto di tirare un sospiro di sollievo quando lo finisci. Non oso pensare al film; non ho mai visto una pellicola che mi abbia appassionato più della carta stampata....Semplicemente mi piacciono le sfumature di rosso del mio ranuncolo in fiore. Un titolo che niente ha a che vedere col film che tanto successo riscuote ai botteghini...
Il colore rosso da sempre mi fa venire in mente il tango, musica che amo da sempre, fin dalla prima volta in cui da piccola l'ho ascoltata a casa del Nonno
702 Agusta AW139 (31332) Cyprus Air Force - Andreas Papandreou Airbase , Pathos International Airport Cyprus 08-11-2019
...perchè tutte le donne sono un po' civettuole...
-Vale, devi fare qualche foto con più pathos!!! Click...
-Click, ha abbastanza pathos questa foto???? ;P
...Ora, già l'ascoltare storie proliferanti bastava ad accumulare meriti. Ciò corrispondeva all'estenuarsi dei tempi: si era entrati nell'era della BHAKTI, della devozione pervasiva, oscura, dove il pathos dell'abbandono a una credenza prendeva il sopravvento sulla percezione trasparente del BANDHU, delle connessioni intessute tra ciò che è.
(R.Calasso, da "KA")
👨🎤 II Avatar Look II
Man in the right in the picture.
Hair • Modulus - Lewis Hat & Hair
Beard • [MF] Daniel Bento Faded Hipster Stache & Beard
Glasses • SORGO - BLNR 2.0 V1
Tattoo • { Speakeasy } Family First Tattoo @Bodyfy – NEW
Necklace • :::NOIR::: Krios DogTag @MOM – NEW
Shirt • :::NOIR::: Igor Tank - Gianni - Bushido @A+ Event – NEW
Pants • [LOB] OFF-PANTS @GROUP GIFT
Man in the left in the picture.
Hair •Modulus - Rory Hair
Beard • [MF] Daniel Bento Drogo Stache & Beard
Shirt • [LOB] RECOD JACKET - GIANNI @MAN CAVE
Shorts • [LOB] OFF-PANTS @GROUP GIFT
Pants • FashionNatic Pathos Jeans Pants
Her
Shapes • Ak Shapes - Angel
Shirts • Addams // Trisha Ripped Sweater
Pants • Legal Insanity - Stella old jeans
*Other items in the stylecard (Ak Shapes - Angel)
More details
💻 Blog
Disarrays.
Kritische opmerkingen fascinerende glimp regelmatig verbluffende lezingen kennis kunst bedrieglijke nihilismen onovertroffen secties vervangen index,
cydweithrediadau drwg esboniadau yn gweithio hen ddiwygiadau enghreifftiau cosmolegol anawsterau anarferol steilydd rhyddiaith arwyddocâd eithriadol,
frases filosóficas intrincadas epigramas brilhantes maneiras modernas de renderização de frases reluzentes resultados perguntas resistência pathos instintos,
посредственные лидеры приуменьшение признаки бесполезность выражения разрозненные значения доминирующие действия высшие разочарования,
pojmowanie degeneracji cierpienie rozpad społeczny energiczny odważny atut znoszący instytucje walczące o perspektywy naturalne zrozumienie,
съмнителни духове обширни слабости изтощителни закони тълкуване влияния безкрайни сили експлоатирани гений раздразнителни факти изобилие впечатления,
変装は潜在的な状態を助けます絶対的な宣伝惨めさ温度の古典的な感情活動の目に見える奇妙なコミュニティ深遠な軽蔑不条理な意見反抗的な罪.
Steve.D.Hammond.
Aluna: Bárbara Haas
Foto: Denise Wichmann
Modelo: Janaina (JOY)
Cabelo/maquiagem: Johnny Left
Tratamento de imagem: Luly Salle
Trabalho desenvolvido para o editorial do livro Pathos Projeta-me (disciplina Desenvolvimento de Coleções II, a qual ministro), onde o aluno desfilará a sua coleção no dia 11 de dezembro na Feevale.
A bouquet of roses placed by the side of the Lord......carelessly sprinkled with water......a drop trickled on to the Lord's eye...........A MIRACULOUS OVERWHELMING MOMENT.......wish I had been a better photographer.....wish I could have done justice to this moment........
Aluna: Bárbara Haas
Foto: Denise Wichmann
Modelo: Joana (JOY)
Cabelo/maquiagem: Johnny Left
Tratamento de imagem: Luly Salle
Trabalho desenvolvido para o editorial do livro Pathos Projeta-me (disciplina Desenvolvimento de Coleções II, a qual ministro), onde o aluno desfilará a sua coleção no dia 11 de dezembro na Feevale.
It is always challenging looking through old photographs; it is frustrating to see just how many feel like badly taken tourist snaps when they could (and should) have been far more. So many wrecked by laziness of mind, position, and composition.
Happy, then, the moments when something marginally less disastrous turns up. Here, glimpsed, an arch, through an arch, through an arch. It's not perfect, but it has a certain pathos and suggests layers.
Wenlock Priory, Much Wenlock. Pentax 645, Ilford Delta ... something, stand developed in the no-longer-available APH-09, when that was an oh-so-wonderful thing.
The palace reliefs were fixed to the walls of royal palaces forming continuous strips along the walls of large halls. The style apparently began after about 879 BC, when Ashurnasirpal II moved the capital to Nimrud, near modern Mosul in northern Iraq. Thereafter, new royal palaces, of which there was typically one per reign, were extensively decorated in this way for the roughly 250 years until the end of the Assyrian Empire. There was subtle stylistic development, but a very large degree of continuity in subjects and treatment.
Compositions are arranged on slabs, or orthostats, typically about 7 feet high, using between one and three horizontal registers of images, with scenes generally reading from left to right. The sculptures are often accompanied with inscriptions in cuneiform script, explaining the action or giving the name and extravagant titles of the king. Heads and legs are shown in profile, but torsos in a front or three-quarters view, as in earlier Mesopotamian art. Eyes are also largely shown frontally. Some panels show only a few figures at close to life-size, such scenes usually including the king and other courtiers, but depictions of military campaigns include dozens of small figures, as well as many animals and attempts at showing landscape settings.
Campaigns focus on the progress of the army, including the fording of rivers, and usually culminates in the siege of a city, followed by the surrender and paying of tribute, and the return of the army home. A full and characteristic set shows the campaign leading up to the siege of Lachish in 701; it is the "finest" from the reign of Sennacherib, from his palace at Nineveh and now in the British Museum. Ernst Gombrich observed that none of the many casualties ever come from the Assyrian side. Another famous sequence there shows the Lion Hunt of Ashurbanipal, in fact the staged and ritualized killing by King Ashurbanipal of lions already captured and released into an arena, from the North Palace at Nineveh. The realism of the lions has always been praised, and the scenes are often regarded as "the supreme masterpieces of Assyrian art", although the pathos modern viewers tend to feel was perhaps not part of the Assyrian response.
There are many reliefs of minor supernatural beings, called by such terms as "winged genie", but the major Assyrian deities are only represented by symbols. The "genies" often perform a gesture of purification, fertilization or blessing with a bucket and cone; the meaning of this remains unclear., Especially on larger figures, details and patterns on areas such as costumes, hair and beards, tree trunks and leaves, and the like, are very meticulously carved. More important figures are often shown larger than others, and in landscapes more distant elements are shown higher up, but not smaller than, those in the foreground, though some scenes have been interpreted as using scale to indicate distance. Other scenes seem to repeat a figure in a succession of different moments, performing the same action, most famously a charging lion. But these were apparently experiments that remain unusual.
The king is often shown in narrative scenes, and also as a large standing figure in a few prominent places, generally attended by winged genies. A composition repeated twice in what is traditionally called the "throne-room" (though perhaps it was not) of Ashurbanipal's palace at Nimrud shows a "Sacred Tree" or "Tree of Life" flanked by two figures of the king, with winged genies using the bucket and cone behind him. Above the tree one of the major gods, perhaps Ashur the chief god, leans out of a winged disc, relatively small in scale. Such scenes are shown elsewhere on the robe of the king, no doubt reflecting embroidery on the real costumes, and the major gods are normally shown in discs or purely as symbols hovering in the air. Elsewhere the tree is often attended to by genies.
Women are relatively rarely shown, and then usually as prisoners or refugees; an exception is a "picnic" scene showing Ashurbanipal with his queen. The many beardless royal attendants can probably be assumed to be eunuchs, who ran much of the administration of the empire, unless they also have the shaved heads and very tall hats of priests. Kings are often accompanied by several courtiers, the closest to the king probably often being the appointed heir, who was not necessarily the oldest son.
The enormous scales of the palace schemes allowed narratives to be shown at an unprecedentedly expansive pace, making the sequence of events clear and allowing richly detailed depictions of the activities of large numbers of figures, not to be paralleled until the Roman narrative column reliefs of the Column of Trajan and Column of Marcus Aurelius.
💋But I still really love you...
But I’m still right...
And I send stars bright at night
For the dome of our Universe.
I send warm breezes
For the thrill of our touches,
Because I am strong and close to you...
Because I'm on the edge of you...
Your world has seen the essence of different truths.
Not everything that has glitter is precious.
Without pathos: gentle and pure...
Without pathos: forever and ever.
Everything is agreed upon directly,
But it clearly shows through between the lines...
How wildly, stubbornly I treat you...
How I love you very, very...
The photo shows me and my sweet Lee Jong-Suk
The Republic agent tracked down the villain and action was about to commence in the streets of the district capital!
Dark Lord: (With a tad too much pathos in his voice) "I am Darth Ragnagoth the Great! Ruler of this city, the whole planet and the nearby sectors. If you go now, you shall leave this planet unharmed."
General Rox: "In the name of the Republic, surrender your weapons and capitulate. We will put in a good word for you in court. Only 10 or 20 standard years in the ore mines of Delrian..."
Dark Lord: "If you little creatures continue to annoy me, I'll be forced to activate my lightsaber and cut you a little."
General Rox: "Go ahead then, Dark Lord!"
Darth Ragnagoth turned his back to the Republic forces... and... activated his lightsaber!
General Rox: "Sir, it looks like you just put a wooden stick on your lightsaber hilt, no?"
Unfazed by the shenanigans a beggar sat in a corner, asking for alms.
After the imposter and his companions were taken into custody, peace returned and everything went back to normal. As it ever was on the peaceful agriworld of Dagro. Nevertheless, the Dagro people would talk about the Sith Lord who ruled their planet for a long long time in the years to come and eventually the spectacle became part of the local folklore.
[Built for Eurobricks Mysteries Lego Star Wars RPG.]
Ghillie Suit.
Segreti redditizi che scambiano barzellette svuotare tazze contemplando taverne peccatori santi movimenti schifosi beffardo umori che predicono opere,
karartılmış kurallar zulümler pathos garip kavgalar gıcırdayan zincirler kaba müstehcen tumult halatlar sonsuz tartışmalar düşmanlar eğlence,
huddled þyngdar viðurkenndi fræðimenn tóma hanap krýning sveifla rakvélum peninga brjóta lög hávær skálabumbum sendingar rugl,
lames joyeuses parties continues chefs asservis appétits impérieux méthodes dissolues rues féroces insultes querelles jeux de combat,
malam akademik sumber daya eksklusif sabuk terlarang hancur hari mata saleh langkah gelandangan diterpa senyum pengumuman kota berani,
さまざまな風がきしむ噴水公衆の恐怖誤った計画行列見えない政府の叫びラーガマフィン橋ぶつぶつ部分ガタガタの影目に見えない目.
Steve.D.Hammond.
Der interessante Bogenschütze ist eigentlich ein Ehrenmal für die gefallenen Flaksoldaten des ersten Weltkriegs. Das Flakregiment 12 wurde im 2. Weltkrieg nach Stalingrad abkommandiert und ist dort untergegangen. Deshalb wurde das Ehrenmal von Überlebenden auch auf Gefallene des 2. Krieges ausgeweitet.
Die Ausformung als Bogenschütze ist eine ausgefallene Idee, die mit erfreulich wenig Pathos auskommt.
Pathos è uno dei tre modi di persuasione nella retorica, insieme all'ethos e al logos
Mi siedo al margine della strada.
Il guidatore cambia la ruota.
Non sono contento di dove vengo.
Non sono contento di dove vado.
Perchè allora guardo il cambio della ruota con impazienza? _________ Bertolt Brecht
Deutsche Kriegsgräberstätte La Cambe, hier ruhen mehr als 21.000 deutsche Soldaten, die im Zweiten Weltkrieg gefallen sind.
Ein ganz anderer Friedhof als der der Amerikaner. Ohne Pathos, eher bedrückend. Jedes Grab ist eine Ermahnung zum Frieden.
Candour.
Отчеты о комиссиях кощунственные соратники свидетели судьи очевидные сделки спонтанные слова повествовательная вселенная автономные подразделения,
risultati inaspettati che stabiliscono osservazioni forme di corte morti complete manoscritti racconti stampa di uccelli ispirazioni durature autentico pellegrino,
forces décroissantes savant écrivain réputation visions expériences pathos différentes comédies portées étapes complexités génial psychologie légende,
transformări evidente excepții tonuri dimensiuni suplimentare dimensiuni sofisticare recreere exerciții serioase artele de emulare referințe transcendentale,
objetivos importantes jantares festivos espectro selvagem sentidos constantes pairando caos cosmos interesses respostas imediatas egoísta dizendo,
劇的な世代の独り言独り言批評家はスピーチの問題を表現し、プロローグは循環論法の社会心理学の重要なスタイルを解釈しますプロの印象.
Steve.D.Hammond.
IN ENGLISH BELOW THE LINE
Foto presa amb una Nikon FM2n, fabricada cap al 1989-1991; Sigma Mini-Wide f2.8 / 28mm; Ilford FP4+ revelat "stand" en Rodinal durant 45minuts.
Un dels panteons més originals i espectaculars del cementiri de Sabadell és el de Sallarés Deu.
Construit en estil modernista el 1916, obra de Eduard Balcells.
www.patrimonifunerari.cat/artistes/arquitectes/eduard-mar...
www.academiadelpartal.org/files/n7_161_186.pdf
ca.wikipedia.org/wiki/Cementiri_de_Sabadell
======================
Picture taken with a Nikon FM2n, made c.1989-1991; Sigma Mini-Wide f2.8/28mm; Ilford FP4+ stand developed in Rodinal for 45 minutes.
In the cementery of Sabadell there are several impossing pantheons, mostly of former industrialist families of the late XIX and XX Centuries. The mausoleum of the Sallarés Deu family is one of the most original and spectacular ones. It was built in art nouveau style in 1916.
www.patrimonifunerari.cat/artistes/arquitectes/eduard-mar...
When William Morris, the multimillionaire philanthropist and founder of Morris Motors, died 50 years ago, he left a fortune but no heir. Those were days of greater discretion, so we don't know why Lord and Lady Nuffield never had children. But we do know he would have liked to: visiting a mother and baby in the 1950s, he sighed: "I would have given all my millions for one of those."
The pathos of that sentiment hangs in the air at Nuffield Place, his Oxfordshire country home, now open to the public as a 1930s time warp. A handsome Lutyens-style mansion on the edge of the Chilterns, it was built in 1914 and bought and modernised by the Nuffields in 1933. On Morris's death on 22 August 1963, he left it to Nuffield College in Oxford (which he founded in 1937), stipulating that the house remain intact. Over the years, the college has sold off chunks of his estate, including two farms and a pub, and the house's future was in doubt until, last year, they gave it to the National Trust.
Today, the visitor enters a world of Bakelite phones and Dry Sack medium sherry. A sweet smell of tobacco lingers in the oak-panelled billiard room, which, according to one National Trust volunteer, they have piped in. The house was designed by Oswald Partridge Milne, a pupil of Lutyens and fashionable Edwardian architect, but the building isn't really the main attraction. The magic comes from feeling you are entering another period, and penetrating the private home of one of the richest men of the 20th century.
www.independent.co.uk/property/interiors/the-original-mor...
Honestly one of my favorite parts of Watchmen is the scenes with Bernie and Bernie at the newspaper stands. Offering perspective on the world of Watchmen, a deeper human element, atmosphere, and pathos when they're finally eviscerated by the psychic Squid. Anyways, mostly I just wanted to touch on a part of Watchmen that nobody in the community has touched on before (To my knowledge).
Seymour: The shlubby guy from the newspaper Rorschach's journal ends up at. Hobbit hair, Shaggy head, CMF Pizza guy torso.
A Knot-top: Not any one of them in particular. Sumo hair, PoP head, Spider-Man torso, CMF Metal Rocker arms and legs.
Bernie: Cyborg head, city torso
Bernie: Gibbs head, City torso, CMF Dino Hunter legs.
Walter Kovacs: Harry Potter head, CMF Fighter Pilot torso, painted sign.
Basically at this point I'm just doing a mild Watchmen retrospective. Maybe I'll go back and read ""Before Watchmen" as well. *Shudders*. but maybe not.
Lemme know what you think!
St Nicholas' Church Garden, Liverpool.
Homeless Jesus, is a bronze sculpture by Canadian sculptor Timothy Schmalz depicting Jesus as a homeless person, sleeping on a park bench. The original sculpture was installed at Regis College, University of Toronto, in early 2013. Over 100 casts of the statue have been installed worldwide since 2016.
Taken between heavy showers which for me added pathos.
Grubby Curtains.
Cendres littérature balayant humains passions drames pendaison poésie pathos universel âmes méprisantes rançon motifs souffrance prétextes,
оружие сердца могучие поступки вестник вино далекие путешествия бесполезные цели уродливые умы дыхание звуки хроники старое безумие степени,
различни неволји бронзени планови минирање полиња треперливи глави војни почви сомнителни работи неплодни рогови испарувања усти пошумени гребени,
ombres no iniciats alt caos entrellaçant roba cercles que flueixen cordes desbordants forces perilloses angoixa proves salvatges estrangeres,
ฝีมือที่ยอดเยี่ยม ขั้นบันไดตาบอด ประตูที่ก้าวไปข้างหน้า พลังสั่นสะเทือน แรงงานมหาศาล กำแพงที่น่ารังเกียจ คนงานคร่ำครวญ,
財団は透明な開口部を夢見ている画像の記念碑と緑の出来事を行います異常な叫び激しい土地の競争散在する群衆の命令そびえ立つ悲惨さ表示.
Steve.D.Hammond.
Aluna: Milena Viegas
Foto: Denise Wichmann
Modelo: Janaina (JOY)
Cabelo/maquiagem: Johnny Left
Tratamento de imagem: Luly Salle
Trabalho desenvolvido para o editorial do livro Pathos Projeta-me (disciplina Desenvolvimento de Coleções II, a qual ministro), onde o aluno desfilará a sua coleção no dia 11 de dezembro na Feevale.
I kept taking whole around Mt. Fuji in a late fall for 1 day.
Beauty by which colored leaves are the rest exactly at the time of a peak
After NI noon spends most time on the photography.
When I close and notice, it's already the evening by and by.
I had approached and had come.
Along the lakeside where I see way home Mt. Fuji, car dispatch.
Darkness MU, that immediately before Mt. Fuji and lake are seen, with everything
The pathos you can't say is felt, I, this, it draws in and I go, earnestly.
I don't have that, please dissolve in the told view.
This moment was put back.
The Niobides square is a fountain created by Balthus, from casts of ancient sculptures. Michel Bourbon (1976) made the molds The Academy of France, created by Louis XIV in 1666, was transferred to the city of Medici in 1804, by Napoleon. The villa was restructured in 1564 on behalf of Cardinal Giovanni Ricci di Montepulciano before becoming the property of the Medici. Today it depends on the French Ministry of Culture. The building is characteristic of Roman villas of the 16th and 17th centuries, with loggia, facade decorated with ancient elements, statues and Italian garden with alleys, fountains, sculptures, studiolo. www.villamedici.it/ In the garden, all of the sculptures of Niobe and his children: the Niobids have been reconstructed using casts and staged in their original environment, the originals are kept in a museum in Rome . The sumptuous staging of the Niobids reveals the destiny reserved for those who dare to challenge the power of the Gods. In Greek mythology, Niobe, wife of the king of Thebes, Amphion, and proud mother of seven sons and seven daughters, laughed at Leto, who had only given birth to Apollo and Artemis. The latter, to take revenge, killed the children of Niobe with arrows. It was then that Niobe asked and obtained from Zeus to be changed into a weeping statue. This ancient set of sculptures, unique in its kind by virtue of the number of statues, was discovered thanks to archaeological excavations dating from the end of the 12th century and was subsequently acquired by Ferdinand de Medici. The forms of these sculptures, rich in pathos, have served as a model for many artists, including Nicolas Poussin (Écho and Narcisse). extract from the official site of the Medici villa
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© 2020 François de Nodrest / Pantchoa - All rights reserved.
Heal myself-a feather on my heart
Look inside-there never was a start
Peel myself-dispose of severed skin
All subsides-around me and within
There's nothing painful in this
There's no upheaval
Redemption for my pathos
All sins undone
Awaiting word on what's to come
In helpless prayers a hope lives on
As I've come clean I've forgotten what I promised
In the rays of the sun I am longing for the darkness
Opeth - Closure
813 Mil Mi-35P Hind-F/ Panther (023364) Cyprus Air Force -
Andreas Papandreou Airbase , Pathos International Airport Cyprus 08-11-2019
One of the most productive Latvian architects Konstantīns Pēkšēns designed this building, which could be characterized somewhere between majesty and pomposity. The details are very rich and refined. The neo-Baroque facades of the building are filled with oriel elements, balustrades, cartouches, sculptural groups in pathos and other plastic elements. The house, together with the buildings at 5 and 7/9 Kr.Barona Street, forms a single architectural ensemble, the architecture of which reflects the development of Konstantīns Pēkšēns' creative handwriting, from luxurious, pompous eclecticism to rational, applied Art Nouveau. This building is one of the factor which brings tourists to Krišjāņa Barona street which has also much more interesting architecture and streetscapes to offer.
Bottrop
Ruhrgebiet
NRW
„…Ich bin an diesem Tag noch einmal hierhin zurück kommen, obwohl ich morgens schon einmal dort war. Pathos und Melancholie waren nicht der Auslöser. Klischees möchte ich nicht bedienen. Nein, der Auslöser war ich in diesem Fall selbst…Wenn mir jemand sagt, welche Orte ihm persönlich wichtig sind, dann sagt mir das etwas. Nicht nur über diese Person selbst, sondern auch über ihre Geschichte. Zumindest bilde ich mir das ein…Was sagen diese Orte über mich aus? Reflektiere ich meine Persönlichkeit auf sie? Wie würde ich mich selbst dort sehen? Schlicht und ergreifend? Ich glaube ja, denn irgendwie bin ich einfach…Zäune und Tore haben mich selten aufgehalten. Dabei war ich nie ein Grenzgänger. Mich beschäftigt halt nur der Gedanke, dass auch diese Stellen in meiner Stadt da sind. Trotz aller Verbote. Sie nicht wahrzunehmen würde für mich bedeuten, meine Augen verschließen zu müssen. Und das möchte ich nicht. Ich lese ja auch die Schlagzeilen in der Tageszeitung, und die sind ebenfalls nur selten wirklich schön…“