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Paste-up street art by Winnie M May, seen in London, England. It says "If only I could fix the sky to meet me".
close up of Bastet
The concept was to create an elbow to fingertip henna design but instead of the standard hindi, to create patterns taken from Egyptian art.
I used Riffat's lovely premixed henna paste: www.riffat.co.uk
Bethany and Heather are working on a wedding cake that is going to have a ton of gum paste flowers on it. It's one of the last couple cakes they will be doing together. All the flowers you see here aren't even half of it.
Paste-Up installation for Birmingham City University at their Faculty of Art & Design (BIAD) campus. On show until the end of April
Klone, Interself (Foma), Zero-Cents and Bonez1.
The poster of the skull with the dude is a collab of mine and zero cents.
Yeah, I did the skull.
Photos from Streetsy.com
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6.5 X 5 paste paper Arches Text wove and Arches Text wove plain paper. Acrylic, Dr. Martins Bleedproff White, stencils, pan pastels, die cuts, embossing, rubber stamps, ribbon, inktense blocks, hand lettering collage.
I got burnt out when I got down to the hands and did the hands the next day. Also went over some of the details on the arm that weren't quite dark enough.
The concept was to create an elbow to fingertip henna design but instead of the standard hindi, to create patterns taken from Egyptian art.
I used Riffat's lovely premixed henna paste: www.riffat.co.uk
Carefully keeping the sugar paste in the mold with one finger, slide the sharp knife over the top of the mold, keeping the knife touching the mold as you scrape the paste off.
Lunch at the "Golden Myanmar" Teahouse at Bagan.
The buffet offered an assortment of dishes, mainly from the predominant Burmese style (of which the country was named after during colonial times), and is probably the best way to sample a little bit of everything!
A very salty fermented bean paste. As with most fermented bean paste, the rush of saltiness is finished off with a slight sweet aftertaste. Goes well with a bowl of steamed rice.