View allAll Photos Tagged parallel.
River Walk, Detroit River, Detroit MI USA - buildings in background are located in Windsor, Canada - Ambassador Bridge connects the two countries.
Windsor, Ontario, Canada is about half a mile across the Detroit River from Detroit, Michigan, USA
ERF 20th Annual Conference on Social Justice and Economic Development
March 24nd, 2014
Cairo, Egypt
Photographed by: Hady Nabil
Edited by: Malak Nady and Mariam Adel
TiaR_2020
Foto: Betty Fleck © Hochschulkommunikation ZHdK. Freie Verwendung im Rahmen von Ankündigung und Berichterstattung zur Produktion
Amber workshop, founded by an ex-KGB officer and a military navy officer.
2001
(c)Peter Marlow — Magnum
Director of the Bunker Museum, underground command post used by General Otto von Lasch, Commandant of Koenigsberg, during the Second World War.
2001
(c)Peter Marlow — Magnum
Wall Drawing 999: Parallel Curves (detail: one of two walls)
August 2001
Acrylic paint (black bands on white)
Collection of Thomas Weisel
First Installation
Lever House, New York
First Drawn By
Paolo Arao, Nicole Awai, Ian Dapot, Megan G. Dyer, Sarah Heinemann, John Hogan, Eric Hongisto, Tomas Ramberg
MASS MoCA Building 7
Third Floor
Wall Drawing 999 was designed for the Lever House in New York, one of the first glass and steel International Style office buildings built in the United States. The drawing spans two walls on the building’s second floor and is visible from the exterior courtyard. The sinuous web of wavy black bands on a white ground provides a dramatic contrast to the building’s formal geometry and uniform, grid-based design.
Like many of Sol LeWitt’s wall drawings made in the late 1990s and early 2000s, Wall Drawing 999 is painted in acrylic paint and features irregular, non-geometric forms, a profound departure from his early systematic drawings in pencil. LeWitt has said, “When presented with the scale that walls have, one must begin to engage their physical properties. The theatrical and decorative are unavoidable and should be used to emphasize the work.”¹
Unlike many of his earlier drawings, which could be drawn according to a system of instructions, the irregular, undulating design of Parallel Curves is drawn from a projection of a sketch.
Wall Drawing 958
Splat.
November 2000
Acrylic paint
LeWitt Collection, Chester, Connecticut
First Installation
PaceWildenstein, New York
First Drawn By
Takeshi Arita, Cristina Caterinangeli, Sachiko Cho, Kevin Oster
MASS MoCA Building 7
Third Floor
Wall Drawing 958 was first created at PaceWildenstein gallery for an exhibition that ran concurrently with Sol LeWitt’s retrospective at the Whitney Museum of American Art. The brilliant colors and animated form of this wall drawing illustrate the playful mood that began to pervade LeWitt’s work in the late 1990s. Both the title and shape of Splat, for example, recall the language and energy of comic strips. Unlike many of his earlier drawings, which could be drawn according to a system of instructions, the eccentric shape of Splat is drawn from a projection of a sketch.
The dynamism of the form is matched by the vibrancy of the drawing’s highly saturated colors; in 1997 LeWitt’s palette expanded to include secondary colors (purple, orange, green) when he switched from using washes of India ink to employing acrylic. The use of paint fundamentally altered the style and technique of the wall drawings which became increasingly vivid. Despite his introduction of paint as a medium, the artist consciously retained the term "wall drawing" for these works.
An elderly woman walks her bicycle down a narrow Alassio street, while a younger woman veers off the street into an adjacent doorway. They are in such close proximity in space and time, but each is oblivious of the other.
"Parallel Lives" can be looked at in several ways, I guess. It's a good metaphor for alienation and depersonalization and such. It could also be a metaphor for pattern and routine and limited consciousness or entrenched thinking, with the way the structures of those doors wall the woman in. And it could be a comment on aging, of course. Or culture. What does it make you think of? Image c Lynda Lehmann.
Please visit www.LyndaLehmann.com if you want to see more of my work!
may not seem like much, but with the original 100 inches high it's easily the largest work I've ever made. Weeks of work parallel to the film
Even after 8 years from leaving Gymnastics... My friend Sohail still does pretty good on Parallel Bars!
Windows XP Home Edition y Microsiervos junto con PageMaker 6.5 bajo Windows 98, todo ello corriendo en máquinas virtuales bajo Mac OS X en un MacBook Pro a 1,83 GHz.
Mis impresiones sobre su funcionamiento están en Parallels Workstation para Macintosh: primeras impresiones.
The ray fan is actually a set of parallel shadows seen as a fan because of our complete failure to perceive perspective in the sky. The hyper-stereo pair is on a base line of 400 m.
左はiMac(Late2006)のメイン画面で、Mac版Dreamweaverベータを起動。
右はiMacにつないだDellの外部モニタに、Coherenceモードで起動したParallelsのXP内にインストールしたDreamweaverベータ。
その両方から同じSubversionリポジトリへコミットするところの図。
いわゆる一人チェックインチェックアウトのSubversion版。
This is a photograph from the second annual running of the Killyon National School 5KM Road Race and Fun Run which was held at Hill-of-Down, Clonard, Co. Meath, Ireland at 11:00 on Sunday 21st June 2015. The race is held as a fundraiser for the local primary school. Killyon is actually a parish rather than a town or village. With that the race started and finished at the well known Hill-of-Down where the Royal Canal and Dublin Sligo rail line run parallel and cross under the Kinnegad (Westmeath) to Trim (Meath) road. The 5KM route took in a final KM on the beautiful towpath of the Royal canal and finished outside Moran's Pub beside the Canal. Overall the race was very well organised with excellent stewarding and organisation. There was a great spread of refreshments afterwards and participants and families mingled and chatted beside the canal. The race took place on Father's Day and the Summer solstice making the day with the longest duration of day light. The race attracted very good local support from the surrounding areas with local runners, joggers and walkers in attendance.
We have an extensive set of photographs from the start and finish of the race at www.flickr.com/photos/peterm7/sets/72157654448993629
Photographs from last year's (2014) race are also on our Flickr account at www.flickr.com/photos/peterm7/sets/72157644887755947
USING OUR PHOTOGRAPHS - A QUICK GUIDE AND ANSWERS TO YOUR QUESTIONS
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
BUT..... Wait there a minute....
We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.
This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
Let's get a bit technical: We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
Honestly I wasn't as impressed by the running Model T as I was that they managed to parallel park it.
This is the companion video for a paper we submitted recently. It describes a technique for interacting with parallel coordinates using the multi-touch trackpad found on laptops like Apple's MacBook Pro. Below is the abstract from that paper:
Interaction in visualization is often complicated and tedious. Brushing data in a visualization such as Parallel Coordinates allows the user to select data points according to certain criteria. Modifying a brush or combining it with another one usually requires a lot of additional effort and mode switches.
We propose the use of multi-touch interaction to provide fast and convenient interaction with Parallel Coordinates. By using a multi-touch trackpad rather than the screen directly, the users hands do not obscure the visualization during interaction. Using one, two, three, or four fingers, the user can easily and quickly perform complex selections. Being able to change the selections rapidly, the user can explore the data set more easily and effectively, and can focus on the data rather than the interaction.
Watch this video on Vimeo. Video created by Robert Kosara.
Screening of Harun Farocki's Parallel I-IV
Courtesy of Harun Farocki GbR
KAM WORKSHOPS 2015
ARTIFICIAL NATURES
Chania, 21.8.2015
East Midlands Trains HST standing at Luton 20/06/15. I liked how the different "lines" in the photo appeared.