View allAll Photos Tagged palindrome
Captured: 17/09/2017 14:41:26
Camera: NIKON D750 (NIKON CORPORATION)
Lens: 150.0-600.0 mm f/5.0-6.3
Focal Length: 150 mm
ISO Speed: 400
Aperture: f/8
Shutter Speed: 1/640 sec
Captured: 28/02/2017 16:44:47
Camera: NIKON D750 (NIKON CORPORATION)
Lens: 150.0-600.0 mm f/5.0-6.3
Focal Length: 150 mm
ISO Speed: 400
Aperture: f/5.6
Shutter Speed: 1/640 sec
February 27, 2012: William Lang performs Randy Gibson's 'The Third Pillar in Primal Imperfect Palindrome' at the Wild Project in New York City for the Avant Music Festival Presented by Avant Media.
Photo: Hugh Burckhardt for Avant Media
Finally a photo from me since long. I've been inactive for quite a long time here...( I feel so, even some of you may not call it that long)
This is because I've been working on secret project(origami, ofcourse!!),and that is keeping me away(to be revealed soon) but anyways, I've made the palindrome of a simple square twist. As one of my earlier works, the fujimoto palindrome, this too looks similar(not same) on both the sides.
To many it's the same but on careful inspection it reveals it is not so. The twists are clockwise on one side and anti-clock on the other. The orientation of the square with that of the original square I started with was about 22.5 degrees which I neither intended nor expected.
Started with a 40cm square of printer paper, the final figure was about 24cm square.
I guess I discovered yet another branch of tessellating- Palindromification I'd call it ;-). It's a bit too long to sound... may be I'll come up with some other name soon.....
Next project:The palindrome of a weave pattern that is on the back of the normal square twist.
28-9-2007 Kroese Photography
De Veenfabriek underground:
PALINDROME muziektheater van Touki Delphine
Paling is een bijzondere vis. Als transparante glasalen drijven ze mee met de wereldstromen en spreiden zo uit over de hele wereld. Wanneer ze na jaren vertoeven in zoet of brak water geslachtsrijp zijn, beginnen palingen aan de terugtocht naar de paaiplaatsen in de Sargassozee om daar zich voort te planten en te sterven.
Palindrome vertelt op mythische wijze deze opmerkelijke levensloop van de paling.
door Rik Elstgeest, Bo Koek, John van Oostrum, Loes Havenkort, Yvo Sprey, Elsa May Averill, Lei Luo (Chinese harp)
vormgeving- en lichtadvies: Theun Mosk
techniek: Rene Bakker, Manuel Boutreur
www.veenfabriek.nl/nl/Huidige_seizoen/Archief/155/Amsterd...
28-9-2007 Kroese Photography
De Veenfabriek underground:
PALINDROME muziektheater van Touki Delphine
Paling is een bijzondere vis. Als transparante glasalen drijven ze mee met de wereldstromen en spreiden zo uit over de hele wereld. Wanneer ze na jaren vertoeven in zoet of brak water geslachtsrijp zijn, beginnen palingen aan de terugtocht naar de paaiplaatsen in de Sargassozee om daar zich voort te planten en te sterven.
Palindrome vertelt op mythische wijze deze opmerkelijke levensloop van de paling.
door Rik Elstgeest, Bo Koek, John van Oostrum, Loes Havenkort, Yvo Sprey, Elsa May Averill, Lei Luo (Chinese harp)
vormgeving- en lichtadvies: Theun Mosk
techniek: Rene Bakker, Manuel Boutreur
www.veenfabriek.nl/nl/Huidige_seizoen/Archief/155/Amsterd...
ET WAP4 22922 "Palindrome" cruises past Okhla and crosses the Mumbai Rajdhani with the 1 hour late running Vishakapatnam - Nizzamudin Samta Superfast Express in tow
In the problem "Palindrome Linked List", we have to check whether a given singly integer linked list is a palindrome or not.
Example
List = {1 -> 2 -> 3 -> 2 -> 1}
true
Explanation #1: The list is palindrome as all elements from the start and back are the same in value.
List = {1 -> 2 -> 3 -> 4 -> 5}
false
Explanation #2: The list is not palindrome as elements from back and forth are not the same.
Approach(Recursion)
This is easy to notice that we need to have the details of the nodes from the back of the array for checking palindrome properties. In this case, we have a singly linked list meaning that we can only iterate forward to reach any node. Thus, it becomes important to use some data structure to hold the nodes from the back, e.g. stack is a possible option as it keeps the most recent node at the top. We can also use recursion similarly. Recursion is an elegant to get the node values in reverse order. Consider the below general pseudocode for better understanding:
inorderTraversal(root)
{
if(root == null)
return;
inorderTraversal(root.left);
print(root.data);
inorderTraversal(root.right);
}
The above code first prints left nodes in the tree because we recursively call the function to go to left children of any root before printing the value of the node itself. Similarly, we can use recursion to go to the last nodes first and when the function will backtrack, we will be getting the node values in reverse order.
www.tutorialcup.com/leetcode-solutions/palindrome-linked-...
28-9-2007 Kroese Photography
De Veenfabriek underground:
PALINDROME muziektheater van Touki Delphine
Paling is een bijzondere vis. Als transparante glasalen drijven ze mee met de wereldstromen en spreiden zo uit over de hele wereld. Wanneer ze na jaren vertoeven in zoet of brak water geslachtsrijp zijn, beginnen palingen aan de terugtocht naar de paaiplaatsen in de Sargassozee om daar zich voort te planten en te sterven.
Palindrome vertelt op mythische wijze deze opmerkelijke levensloop van de paling.
door Rik Elstgeest, Bo Koek, John van Oostrum, Loes Havenkort, Yvo Sprey, Elsa May Averill, Lei Luo (Chinese harp)
vormgeving- en lichtadvies: Theun Mosk
techniek: Rene Bakker, Manuel Boutreur
www.veenfabriek.nl/nl/Huidige_seizoen/Archief/155/Amsterd...
It will take a long time again to reach such a huge palindrome.. (with at least one zero at the center :) otherwise the next one is 44444 ). Thank you very much all of you who spared time for my albums.
29-9-2007 Kroese Photography
PALINDROME muziektheater van Touki Delphine
Paling is een bijzondere vis. Als transparante glasalen drijven ze mee met de wereldstromen en spreiden zo uit over de hele wereld. Wanneer ze na jaren vertoeven in zoet of brak water geslachtsrijp zijn, beginnen palingen aan de terugtocht naar de paaiplaatsen in de Sargassozee om daar zich voort te planten en te sterven.
Palindrome vertelt op mythische wijze deze opmerkelijke levensloop van de paling.
door Rik Elstgeest, Bo Koek, John van Oostrum, Loes Havenkort, Yvo Sprey, Elsa May Averill, Lei Luo (Chinese harp)
vormgeving- en lichtadvies: Theun Mosk
techniek: Rene Bakker, Manuel Boutreur
www.veenfabriek.nl/nl/Huidige_seizoen/Archief/155/Amsterd...
28-9-2007 Kroese Photography
De Veenfabriek underground:
PALINDROME muziektheater van Touki Delphine
Paling is een bijzondere vis. Als transparante glasalen drijven ze mee met de wereldstromen en spreiden zo uit over de hele wereld. Wanneer ze na jaren vertoeven in zoet of brak water geslachtsrijp zijn, beginnen palingen aan de terugtocht naar de paaiplaatsen in de Sargassozee om daar zich voort te planten en te sterven.
Palindrome vertelt op mythische wijze deze opmerkelijke levensloop van de paling.
door Rik Elstgeest, Bo Koek, John van Oostrum, Loes Havenkort, Yvo Sprey, Elsa May Averill, Lei Luo (Chinese harp)
vormgeving- en lichtadvies: Theun Mosk
techniek: Rene Bakker, Manuel Boutreur
www.veenfabriek.nl/nl/Huidige_seizoen/Archief/155/Amsterd...
St Martin Ludgate, City of London
The font is dated 1673 and inscribed The gift of Thomas Morley Esq.
Around the bowl, the Greek palindrome ΝΙΨΟΝ ΑΝΟΜΗΜΑΤΑ ΜΗ ΜΟΝΑΝ ΟΨΙΝ ('cleanse my sin and not my face only').
There are two churches abutting directly onto the street along the northern side of Fleet Street and Ludgate Hill, and St Martin's proximity to the great west front of St Paul's Cathedral erases any doubt you may have that it was completely destroyed in the Great Fire of 1666. It was rebuilt by Christopher Wren between 1677 and 1686. Looking from Ludgate Circus, Wren's perky spirelet is dwarfed by his great replacement cathedral beyond. The tower, and that of St Augustine Watling Street on the other side of the Cathedral, were deliberately intended as foils to the great dome, their diminutive spires creating the illusion that the dome is larger and more distant.
St Martin's frontage might lead you to expect that this is a 'west' front turned around ninety degrees so that the church faces north, like the other, St Dunstan in the West. In fact, you step into a narrow narthex, and the stairs lead you up into the south side of the nave. At first sight, the interior is rather unexciting - dark and gloomy even - but St Martin suffered less damage from the Blitz than any other City church, and so what you see today is essentially Wren's interior, albeit augmented by the Georgians and Victorians. It would be possible to entertain a romantic notion that the little church had been sheltered by its giant neighbour, but of course Christ Church Newgate Street and St Augustine Watling Street, which were similarly close, were both destroyed, and the interior of St Vedast alias Foster at the east end of the cathedral was gutted in the fire storm.
The grand west gallery dominates one end, with a large candelabra hovering over the furnishings, some of which came from St Mary Magdalen in Fish Lane, demolished in the 19th Century. Once you know that St Martin is a great survivor, you become more sympathetic to the atmosphere of the interior, dusty as it is and creaking with age. Why, this might be the very church of which Betjeman reminisced in Summoned by Bells:
'A single bell would tinkle down a lane:
My echoing steps would track the source of sound -
A cassocked verger, bell-rope in his hands,
called me to high box pews, to cedar wood
(Like incense where no incense ever burned),
To ticking gallery clock, and charity bench,
And free seats for the poor, and altar-piece -
Gilded Commandment boards - and sword-rests made
For long-discarded aldermanic pomp.
A hidden organist sent reedy notes
To flute around the plasterwork. I stood,
And from the sea of pews a single head
With cherries nodding on a black straw hat
Rose in a neighbouring pew. The caretaker?
Or the sole resident parishioner?
And so once more, as for three hundred years,
This carven wood, these grey memorial'd walls
Heard once again the Book of Common Prayer,
While somewhere at the back the verger, now
Turned Parish Clerk, would rumble out "Amen".'
Captured: 27/09/2017 20:23:45
Camera: NIKON D750 (NIKON CORPORATION)
Lens: 85.0 mm f/1.4
Focal Length: 85 mm
ISO Speed: 1600
Aperture: f/1.8
Shutter Speed: 1/200 sec
Marking the palindromic moment in time.
Almost missed it!
Better explained: www.youtube.com/watch?v=IRsPheErBj8
St Martin Ludgate, City of London
The font is dated 1673 and inscribed The gift of Thomas Morley Esq. Around the bowl, the Greek palindrome ΝΙΨΟΝ ΑΝΟΜΗΜΑΤΑ ΜΗ ΜΟΝΑΝ ΟΨΙΝ ('cleanse my sin and not my face only').
There are two churches abutting directly onto the street along the northern side of Fleet Street and Ludgate Hill, and St Martin's proximity to the great west front of St Paul's Cathedral erases any doubt you may have that it was completely destroyed in the Great Fire of 1666. It was rebuilt by Christopher Wren between 1677 and 1686. Looking from Ludgate Circus, Wren's perky spirelet is dwarfed by his great replacement cathedral beyond. The tower, and that of St Augustine Watling Street on the other side of the Cathedral, were deliberately intended as foils to the great dome, their diminutive spires creating the illusion that the dome is larger and more distant.
St Martin's frontage might lead you to expect that this is a 'west' front turned around ninety degrees so that the church faces north, like the other, St Dunstan in the West. In fact, you step into a narrow narthex, and the stairs lead you up into the south side of the nave. At first sight, the interior is rather unexciting - dark and gloomy even - but St Martin suffered less damage from the Blitz than any other City church, and so what you see today is essentially Wren's interior, albeit augmented by the Georgians and Victorians. It would be possible to entertain a romantic notion that the little church had been sheltered by its giant neighbour, but of course Christ Church Newgate Street and St Augustine Watling Street, which were similarly close, were both destroyed, and the interior of St Vedast alias Foster at the east end of the cathedral was gutted in the fire storm.
The grand west gallery dominates one end, with a large candelabra hovering over the furnishings, some of which came from St Mary Magdalen in Fish Lane, demolished in the 19th Century. Once you know that St Martin is a great survivor, you become more sympathetic to the atmosphere of the interior, dusty as it is and creaking with age. Why, this might be the very church of which Betjeman reminisced in Summoned by Bells:
'A single bell would tinkle down a lane:
My echoing steps would track the source of sound -
A cassocked verger, bell-rope in his hands,
called me to high box pews, to cedar wood
(Like incense where no incense ever burned),
To ticking gallery clock, and charity bench,
And free seats for the poor, and altar-piece -
Gilded Commandment boards - and sword-rests made
For long-discarded aldermanic pomp.
A hidden organist sent reedy notes
To flute around the plasterwork. I stood,
And from the sea of pews a single head
With cherries nodding on a black straw hat
Rose in a neighbouring pew. The caretaker?
Or the sole resident parishioner?
And so once more, as for three hundred years,
This carven wood, these grey memorial'd walls
Heard once again the Book of Common Prayer,
While somewhere at the back the verger, now
Turned Parish Clerk, would rumble out "Amen".'
February 18, 2012: William Lang performs Randy Gibson's 'The Third Pillar in Primal Imperfect Palindrome' at the Wild Project in New York City for the Avant Music Festival Presented by Avant Media.
Photo: Tear-n Tan for Avant Media
Finally a photo from me since long. I've been inactive for quite a long time here...( I feel so, even some of you may not call it that long)
This is because I've been working on secret project(origami, ofcourse!!),and that is keeping me away(to be revealed soon) but anyways, I've made the palindrome of a simple square twist. As one of my earlier works, the fujimoto palindrome, this too looks similar(not same) on both the sides.
To many it's the same but on careful inspection it reveals it is not so. The twists are clockwise on one side and anti-clock on the other.
Started with a 40cm square of printer paper, the final figure was about 24cm square.
I guess I discovered yet another branch of tessellating- Palindromification I'd call it ;-). It's a bit too long to sound... may be I'll come up with some other name soon.....
Next project:The palindrome of a weave pattern that is on the back of the normal square twist.
Captured: 05/05/2017 10:28:37
Camera: NIKON D750 (NIKON CORPORATION)
Lens: 24.0-105.0 mm f/4.0
Focal Length: 58 mm
ISO Speed: 100
Aperture: f/8
Shutter Speed: 1/320 sec
ED's Super Palindrome WDM-3D #11111 waits under the crystal clear blue sky just after Karjat with an ACC branded BCC rake. The stenciling of the wagon class is among the unique ones on IR.