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Seeing paintings reproduced in a catalogue of Holmead Phillips paintings palimpsestically combine to create the tertium quid.

 

Seeing paintings reproduced in a catalogue of Holmead Phillips paintings palimpsestically combine to create the tertium quid.

 

One of the many balconies overlooking the courtyard.

Curated by Amy Skodak, MA candidate

 

Exhibition: May 30 – June 20, 2024

Reception: Thursday, May 30 from 5-7PM

Cohen Commons

 

Work by:

Jessica Joyce and Rylee Rumble

Chloe Serenko

SiHyun Vision Kim

Anna Riberdy

Danielle Petti

 

Temporal Palimpsests explores personal memory and collective understandings of time as layered. It questions how palimpsest as metaphor and methodology communicates temporal relationships.

 

The term palimpsest describes the visible traces that remain after a manuscript has been recycled by erasing and writing over the original text. It is derived from the Latin word, palimpsestus, meaning “parchment cleaned for reuse.” In the seventeenth century, palimpsests spurred intrigue at the possibility of uncovering hidden texts. Metaphorically ,the palimpsest presents a lens through which to understand time as a layering of experiences and voices that shape the story of a culture, landscape or individual. As a methodology in art, the palimpsest allows for a visual rendering of these layered encounters.  

 

The exhibit showcases the work of artists from the Department of Visual Arts at Western University who address themes such as memory, the passage of time, the impacts of time, and the cataloging of time. Through repurposing material and in multi-media installation, these artists reimagine the palimpsest.

 

© 2024; Department of Visual Arts; Western University

Walking along York city walls towards the rest of the Palimpers already ensconced in the pub.

 

What a beautiful day it was.

Seeing paintings reproduced in a catalogue of Holmead Phillips paintings palimpsestically combine to create the tertium quid.

 

Apresentação do grupo de músicas latino-americanas Palimpsesto, no Café Aman, em Moema/SP.

 

Onde: São Paulo

Quando: 05/04/2014

The location of this webcam...

Seeing paintings reproduced in a catalogue of Holmead Phillips paintings palimpsestically combine to create the tertium quid.

palimpsest for generation 1.5

Oct 2013

2mx1m Oil Pastels on cardboard

Failed photos, in response to Dan Wright's piece The light lies, for our Palimpsest:Sublimation project.

Palimpsestes

By MONKEYBIRD

for Brugier Rigail

Balliol College, Oxford

Reading and concert from "Palimpsest" by Catherynne M. Valente . Songs by SJ Tucker

Cox - Sweeper

 

More than one layer on this street advert. Temple Street, I think.

Curated by Amy Skodak, MA candidate

 

Exhibition: May 30 – June 20, 2024

Reception: Thursday, May 30 from 5-7PM

Cohen Commons

 

Work by:

Jessica Joyce and Rylee Rumble

Chloe Serenko

SiHyun Vision Kim

Anna Riberdy

Danielle Petti

 

Temporal Palimpsests explores personal memory and collective understandings of time as layered. It questions how palimpsest as metaphor and methodology communicates temporal relationships.

 

The term palimpsest describes the visible traces that remain after a manuscript has been recycled by erasing and writing over the original text. It is derived from the Latin word, palimpsestus, meaning “parchment cleaned for reuse.” In the seventeenth century, palimpsests spurred intrigue at the possibility of uncovering hidden texts. Metaphorically ,the palimpsest presents a lens through which to understand time as a layering of experiences and voices that shape the story of a culture, landscape or individual. As a methodology in art, the palimpsest allows for a visual rendering of these layered encounters.  

 

The exhibit showcases the work of artists from the Department of Visual Arts at Western University who address themes such as memory, the passage of time, the impacts of time, and the cataloging of time. Through repurposing material and in multi-media installation, these artists reimagine the palimpsest.

 

© 2024; Department of Visual Arts; Western University

The Princessas of the Cart, and our Own Personal Moses.

Seeing paintings reproduced in a catalogue of Holmead Phillips paintings palimpsestically combine to create the tertium quid.

 

View from Calton Hill, Edinburgh

house numbers at the end of our road

computer-robotic assisted acrylic on velour

66 x 42 inches

167,64 x 106,68 cm

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