View allAll Photos Tagged overprocessed
RUSSIAN AMBER IMPERIAL CONDITIONING CREME
Opulent & Rejuvenating
Luxury Conditioner
For Normal to Color-Treated Hair
Amber Oil, Eleven L-Amino Acids,
& Pure Plant Extracts
Nettle, Chamomile, Rosemary, Sage, Burdock & Grape Seed
Ambre Russe Crème Après-Shampooing Nutritive
PRODUCT DETAILS
Enhance and protect normal, color-treated and/or damaged hair with opulent, transformative Philip B Russian Amber Imperial Conditioning Crème. Specifically formulated to leave all hair types shiny, bouncy and gleaming with health and vibrancy, this ultra-nourishing complex blends heavy-duty doses of healing L-Amino Acids with a Romanov-inspired blend of pure plant botanicals at clinical strength. All this, plus a tantalizing touch of Amber Oil makes Philip B® Russian Amber Imperial Conditioning Crème uniquely rich and reparative.
Philip B® Russian Amber Imperial Conditioning Crème restores hair's pH balance for superior detangling and shine. It makes fine hair feel thick and lush. It softens coarse, difficult hair, turning it silky and manageable. And on damaged hair, the luxuriant, rejuvenating formula sinks right in, restoring precious moisture and elasticity to dry, parched strands.
Philip B® Russian Amber Imperial Conditioning Crème is the companion conditioner to Philip B®’s legendary, award-winning Russian Amber Imperial Shampoo, and just as potent and luxurious.
Feel and see the dramatic improvement in your hair from the very first use!
Paraben and Phthalate Free Formula
Available Sizes:
2 fl oz / 60 ml
6 fl oz/178 ml
DIRECTIONS
Apply to clean, damp hair - concentrating the conditioner on the mid-shaft to the ends - and comb through. Rinse thoroughly. For deep conditioning, leave the product on your hair for up to five (5) minutes before rinsing. To boost shine and manageability, finish with a few light spritzes of Philip B® pH Restorative Detangling Toning Mist.
INGREDIENTS
Water/Aqua, Cetearyl Alcohol, Fragrance/Parfum, Dicetyldimonium Chloride, Dimethicone, Benzyl Benzoate, Palmitic Acid, Stearic Acid, Stearalkonium Chloride, Cetyl Alcohol, Cetrimonium Chloride, Behentrimonium Methosulfate, Glycerin, Hydroxyethylcellulose, Sodium PCA, Panthenol, Sodium Lactate, Stearyl Alcohol, Glyceryl Stearate, PEG-100 Stearate, Arginine, Aspartic Acid, Ethylhexyl Hydroxystearate, PCA, Ethylhexylglycerin, PPG-3 Benzyl Ether Myristate, Glycine, Alanine, Myristic Acid, Serine, Valine, Isoleucine, Proline, Threonine, Phytantriol, Aminomethyl Propanol, Polysorbate 20, Histidine, Phenylalanine, Arctium Lappa Root Extract, Chamomilla Recutita (Matricaria) Flower Extract/Chamomilla Recutita, Rosmarinus Officinalis (Rosemary) Leaf Extract/Rosmarinus Officinalis, Salvia Officinalis (Sage) Leaf Extract/Salvia Officinalis, Urtica Dioica (Nettle) Extract/Urtica Dioica, Styrax Benzoin Resin Oil, Benzaldehyde, Cinnamic Acid, Coniferyl Benzoate, Vanillin, Vitis Vinifera (Grape) Seed Oil/Vitis Vinifera, Phenoxyethanol, Sodium Benzoate, Benzoic Acid, Benzyl Salicylate, Alpha-Isomethyl Ionone, Hexyl Cinnamal, Hydroxyisohexyl 3-Cyclohexene Carboxaldehyde, Coumarin, Hydroxycitronellal, Linalool, Citronellol, Citronellol, Caramel, Bismuth Oxychloride/CI 77163, Yellow 5 /CI 19140
RUSSIAN AMBER IMPERIAL SHAMPOO
Recognized as the best of the best by Vogue magazines internationally -- and it's unanimous! Russian Amber has been featured in almost every major fashion magazine, and this multiple-award-winning shampoo continues to wow the world. The most restorative and protective color shampoo ever made, Russian Amber Imperial Shampoo has been proven to dramatically reduce fading while enhancing the overall health of your hair. Our potent combination of amino acids will infuse your hair with luxurious life, luster and shine -- instantly.
READ OUR RAVES FROM LUCKY MAGAZINE: “A true hair miracle! This shampoo makes my hair – which is wavy and long – perfectly wavy as if styled endlessly by a $700-an-hour stylist, then volumized and texturized as if worked on with numerous styling products (despite no stylist, no blow dryer, no styling products)… My friend – whose hair is straighter and shorter – gets body, volume, and shine. Yet another friend – whose long hair tends to frizz as a result of overprocessing – gets smooth sleekness without flatness. Her small daughter noted, ‘My mom finally has pretty hair!’ Whatever your wish for your hair, the shampoo grants the wish.”
“I keep telling myself I will only use it for special occasions but then, there I am in the shower, the shampoos facing each other down, and… do I want to have just a regular, okay-looking day, or do I want full-on amazing hair?… The only other thing I can say in its defense is it – the tubful of rubbery, expensive shampoo – lasts a mysteriously long time. A little really goes a long way.”
Philip B.'s advice: "For a one-two punch, use the Katira Masque Universal Revitalizer --followed by your choice of conditioner, depending on your hair type -- to make damaged hair come to life."
PRODUCT DETAILS
Now Available in 2 Sizes! Try our New 3 oz/88ml Size, only $50.00. We call this the Fountain of Youth for hair: Our reconstructing shampoo rejuvenates and revitalizes all hair types, giving even chemically-damaged strands a dramatically youthful look, feel and radiance from the first use. The power-packed formula truly heals on all fronts: Eleven life-giving L-Amino acids at active strengths repair hair on a cellular level — quickly restoring its body, bounce and shine. An extraordinarily high dose of Panthenol (Vitamin B5) coupled with a catalyst, Phytantriol, sinks moisture deep into every strand. An artful, Russian-inspired blend of Chamomile, Grape Seed, Rosemary, Nettle, Burdock and Sage infuses hair with emollients for a healthy gleam-from-within. Protective Silk, Wheat and Soy Proteins increase elasticity and tensile strength. And Shea Butter imparts a finishing touch of weightless hydration for beautiful, long-lasting bounce and resilience. Equally decadent: The tantalizing scent of PHILIP B® Russian Amber Imperial Shampoo channels the opulence of the Romanov dynasty, when the healing and calming properties of Amber Oil were treasured by a privileged few. Treat your hair like royalty — the Imperial way!
Paraben & Phthalate Free Formula
Available Sizes:
12 fl oz /355 ml
3 fl oz /88 ml
DIRECTIONS
Wet hair, apply shampoo to your scalp, and massage in with the pads of your finger tips. Leave on for 1 to 3 minutes. Work lather along your hairshaft through ends in a downward motion. Rinse well. Repeat if desired. Follow with Philip B® Russian Amber Imperial Conditioning Crème or Philip B® Light-Weight Deep Conditioning Crème Rinse and Philip B® pH Restorative Detangling Toning Mist.
INGREDIENTS
Water/Aqua, Sodium Laureth Sulfate, Fragrance/Parfum, Benzyl Benzoate, PPG-3 Benzyl Ether Myristate, Disteareth-75 IPDI, PEG-150 Distearate, Cocamidopropyl Betaine, Cocamide MEA, Decyl Glucoside, Sodium PCA, Sodium Lactate, Arginine, Aspartic Acid, PCA, Glycine, Alanine, Serine, Valine, Proline, Threonine, Isoleucine, Histidine, Phenylalanine, Guar Hydroxypropyltrimonium Chloride, PEG-7 Caprylic/Capric Glycerides, Chlorphenesin, Butyrospermum Parkii (Shea Butter)/Butyrospermum Parkii, Caramel, Phytantriol, Panthenol, Glycerin, Polysorbate 20, Arctium Lappa Root Extract/Arctium Lappa, Chamomilla Recutita (Matricaria) Flower Extract/Chamomilla Recutita, Urtica Dioica (Nettle) Extract/Urtica Dioica, Rosmarinus Officinalis (Rosemary) Leaf Extract/Rosmarinus Officinalis, Salvia Officinalis (Sage) Leaf Extract/Salvia Officinalis, Vitis Vinifera (Grape) Seed Oil/Vitis Vinifera, Styrax Benzoin Resin Oil/Styrax Benzoin, Citric Acid, Benzoic Acid, Cinnamic Acid, Benzaldehyde, Vanillin, Coniferyl Benzoate, Ethylhexylglycerin, Phenoxyethanol, Sodium Benzoate, Benzyl Salicylate, Hexyl Cinnamal, Alpha-Isomethyl Ionone, Hydroxyisohexyl 3-Cyclohexene Carboxaldehyde, Coumarin, Hydroxycitronellal, Linalool, Citronellol, Yellow 5/CI 19140
Yes, it's overprocessed since I played with my burly editing software...
DH GP38-2 7304 sits at Spaulding (Elgin IL).
The image on the left looks over-processed and too unnatural to accept. Too much shadow has been removed and the image now appears flat.
The image on the right has more natural contrast, color, shadows and highlights.
Quick Tip:
Avoid overuse of Shadow/Highlight sliders in Photoshop and Lightroom — this can cause images to look flat and unnatural.
More about the Shadow/Highlight tool: adobe.ly/X9SIEJ
On the train, heading from Bangkok to Chiang Mai.
Don't flame me for the overprocessing ;>. The light from the sodium lights is an awful shade of puke-yellow, and the dynamic range was huge. The original photo was copied, and -1 and +1 exposure added to the copied images, and the three separate images combined in PhotomatrixPro.
SHSB9203-2
In this globe there are all the planets of the Solar System (Earth excluded) and it was composed of my best planetary images.
The thumbnails on the right are the photos used for the composition of the globe.
Note: In the composition of the globe (not in the thumbnails) some planets have been overprocessed in order to make the edge aesthetically pleasing.
Shot for Shack Assignment #33: Going Pro, where I assigned myself the task of shooting a magazine ad for a Mazda3.
This is by far the most overprocessed and overworked thing I've ever done, but I think it came out ok.
It was shot by compositing 30 individual shots together using Nikon CLS and a SB-600.
Heavy Frost.
It turns out we got a pretty cold winter, it's now several weeks more or less freezing. The snow is gone, but the lakes have thick ice now. This allows persepectives that are impossible normally, you can just walk into the lake. Nice. Unfortunately the paths are slippery, I managed to fall on my buttock on my way back, but luckily I had my camera packed already, when that happened.
I realitze the last few rounds of photos were a little heavy handed and overprocessed. Here I tried a more subtle rendering which maybe suits the subject better? I don't know. Decisions, decisions ... I try to get out again to one of the lakes at the weekend. Usually at the weekend under such conditions everything is pretty crowded and not so nice and quiet as it looks like here, when I was almost on my own.
The Darkness has never overcome the light! (Best viewed LARGE)
Ok I may have overprocessed it a bit... but I like it, hopefully you do too.
Call this is a photograph, design, illustration whatever?? It is overprocessed, and its my face :)
Dont ask me why my face is turning red and yellow, no i'm not angry :P, i just liked the colors..hehe
Also, red, yellow and orange are happy colors so i thought it goes with the quote :)
Follow me:
*waiting for exams to get over soon*
3 handheld exposures with the 18-55 kit lens at f22. As goofy as it is (overprocessed in both Photomatix and Topaz Adjust), I kind of still like it in a weird sort of way.
The air really tried hard to bend the sunlight into a green flash, but it's only visible if I overprocess the photo. Can you see the paraglider, too?
Loft NYC "Chateaux Monroe" Guest Room: Classic NYC elements abound in this room design.
From the reclaimed n.y.p.d. police barricade-turned bench, to the rescued N.Y.P.D. police locker & the Manhattan cast metal window "protector" as a sculpture. Books in the mid-century modern case run the gambit, from Moma's design collection & Muji's "nyc in a bag", to Jon Ortner's Manhattan Dawn & Dusk, & various nyc eating/visiting guides , it's nyc in full tilt.
interior / prop / staging & photography: a. golden, eyewash design, NYC, April 2008.
For more information: -----------------------------------------------------------------------------------------------------------------------
apartment therapy shout-out: 22 April 2008, see here: ---> www.apartmenttherapy.com/la/flickr-finds/alternative-head...
blogged on grace's birdcage wedding: 14th September 2008 here ---> gracesbirdcagewedding.blogspot.com/2008/09/headboards.html
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Loft NYC: "chateaux monroe" Guest Room: classic NYC urban fixtures abound in this room design.
From the reclaimed N.Y.P.D. police barricade-turned bench, to the rescued N.Y.P.D. police locker & the Manhattan cast metal window "protector" as a sculpture. Books in the mid-century modern case run the gambit, from MoMa's design collection & Muji's "nyc in a bag", to Jon Ortner's Manhattan Dawn & Dusk, & various nyc eating/visiting guides , it's New York City in full tilt.
interior / prop / staging & photography: a. golden, eyewash design, NYC, April 2008.
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to learn more, visit: www.myspace.com/nycloft
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a product rewind:
1960's mid-century cabinet : everything goes, NYC - 2001
Manhattan in a bag: a gift from Moma, 2008
F.Y.I.: "New York City in a Bag", by: MUJI
"As irresistible to adults as it is to children, MUJI's New York in a Bag comes with eight wooden city structures and six wooden cars. Included are New York City icons such as MoMA's original 1939 building, the Empire State Building, the Chrysler Building, the Statue of Liberty, and the Guggenheim Museum. The wood is from sustainable forests. Recommended for ages 6 and up."
MUJI BIO:
The MUJI philosophy has won them a worldwide following over the last 20 years, emphasizing earth-friendliness, the use of innovative materials, and efficient packaging for reduced cost. Since opening their first store in Japan in 1983, MUJI is not only an internationally renowned company, but for many people is a way of life. MUJI merchandise is based on three simple elements: materials, process, and packaging.
Inventive uses for materials that might otherwise have been discarded or ignored result in innovative product at the lowest cost. Equally important, MUJI infuses style and usefulness into everything produced, no matter what its provenance.
To keep MUJI offerings focused and flexible, heavy attention is paid to the consumer's use of the product, and the manufacturing process is determined on that basis. Superfluous finishes are rejected, overprocessing is eliminated, and lines and forms are clean and uncluttered for manufacturing ease.
MUJI carefully protects items for sale with packaging appropriate to their purpose. By using the same clear cellophane material to wrap most items, consumers see exactly what they are getting and don't pay extra for expensive packaging.
Their guiding principle is flexibility, providing the savvy customer with products that are beautiful, useful, and essential "objects for living."
Created using: fd's Flickr Toys.
The Muskies, again...
I actually wuold really like this if there were adequate details.
You know maybe we could pick them out in a crowd? Unfortunate mistake. Farmers' Market Ogden Utah Aug 27, 2022. I shot thison a great day - Kodacolor 400 from 1983. I shot it at EI 200 and then, mistakenly, thought I should adjust again in development and added 20 seconds ... ? The roll was extremely overdeveloped which was extremely disappointing because of the great shots. The negatives were impenetrable. Since I did bleach bypass I went back and washed the film, bleached with potassium ferricyanide for 8 minutes and then fixed again for 8 minutes. The negative came out much clearer, but as you can see with MUCH loss of detail and extremely flat. If my life was at stake, I guess we could say it worked, but most of the interesting stuff is gone.
However after seeing these results and some others, both mine and other folks' I think I'm arriving at with expired color film - adjust the light and compensate for age, etc. And then develop normally. We'll see what I do next.
yeah, i'll probably take this down
its nothing special, and overprocessed.
finals end/ school starts tomorrow
i can't get out of this damn hole.
not even close
another snip test, this is Ilford Delta 100 in my homemade developer Redinol formula 4.
i think i overprocessed this by a bit, so it is kinda washed out... but i like it for that too, i s'pose.
cheers.
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My new photography blog has yummy ice cream you can download! And fuel additives you can add to your car to triple your mileage!
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If you’d like to view my images larger… While I only allow my contacts to view my larger images (I generally upload at least 800px images on the long axis)…
a quick workaround I might suggest is to view my photostream as a slideshow. Works well for me. This is frequently how I view others’ ‘streams, and it will put a large image on black. just click the projector screen icon next to the stream or set. : )
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on 01 jan 2010, I began a new journey w/ a flickr 365 group that i formed. The idea is that I strive to push myself daily; by exploring techniques, ideas, and experiments.
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It's only a prison if you imagine it to be.
(Taken by Clarke with my camera. Gleefully overprocessed by me.)
I processed this shot before I got my screen recalibrated. A lot of my older shots also look oversaturated and overprocessed because of the issues with my laptop color calibration...
My first HDR. I think its probably a little overprocessed, but I'm still figuring out the settings. Any help or suggestions?
For a history and other photos of the Pullman Yard:
Day 10/365
. Lets just get this out of the way, my name is fortunately Ansel, after the great Adams himself. He's a great inspiration and I have an indescribable amount of respect for his work, precision and dedication as an artist. A lot of people don't realize this but he, much like myself, entered the art world as a musician- he an aspiring concert pianist and I a drummer- and I think his musicianship really influenced his precision and obsessiveness with photography. In music, much like photography, every detail is crucial to your performance. One must anticipate the next note, play it with ease and dynamics while maintaining a consistent, but intriguing tempo to name but a few of the elements necessary to produce a decent sound. I think his articulation transfered seamlessly into his photographic work, and his unique perspective earned him the title of one of the first environmentalists of our time. While everyone else was out photographing the great depression during world war II, Adams was spending his summers playing piano in the house of a girl he lusted after (which he eventually married, and divorced lol I guess he put his true love, photography, first) and hiking the trails of Yosemite National Park scouting out images that would later become some of his most famous and memorable works. To cease the rambling again, his history has very little to do with this photo- which lacks a great deal of the meticulousness that Ansel was known to exhibit. Really the only parallels are the red filter to slightly darken the sky and give the trees a white shine that really catches the eye. But, my image has a bit too much noise, which I had used to mask some of the banding I was seeing (maybe I'm over thinking images like this and overprocessing or something, I'm sure I'll learn correctly how to capture and process them soon enough) and really that's about it I guess. I personally idolized Adams' later works where he dropped the horizon slightly below the rule of thirds to create more drama and suspense in his pictures. I haven't done that here, which leads me to believe that this photo is relatively mediocre. I accept it as a simple step in my learning, as I will try to remember my tripod next time, and my polarizing filter. I think that would have improved some of the banding.
Have you ever been mesmerized by a pattern? I totally was at a skating rink, the circles and pattern of colors was fascinating to me. You should have seen me laying on the ground (on roller skating rink carpet, gross) to get the picture.
Layton Ut Classic Skating
see it on black and bigger here
Unfortunate mistake. Farmers' Market Ogden Utah Aug 27, 2022. I shot thison a great day - Kodacolor 400 from 1983. I shot it at EI 200 and then, mistakenly, thought I should adjust again in development and added 20 seconds ... ? The roll was extremely overdeveloped which was extremely disappointing because of the great shots. The negatives were impenetrable. Since I did bleach bypass I went back and washed the film, bleached with potassium ferricyanide for 8 minutes and then fixed again for 8 minutes. The negative came out much clearer, but as you can see with MUCH loss of detail and extremely flat. If my life was at stake, I guess we could say it worked, but most of the interesting stuff is gone.
However after seeing these results and some others, both mine and other folks' I think I'm arriving at with expired color film - adjust the light and compensate for age, etc. And then develop normally. We'll see what I do next.
LuvBeat photoshoot in Tyler, Tx in a rundown warehouse.
Sis Stacy was the makeup gal, touchin' up
Jessie Rae Holiday's makeup.
this is a slight bit overprocessed but i really like the result. the beachuts contradict the sky and i like that alot
The corn is just coming up, the grass is lush, the horses were feeding contentedly, and for once I didn't need to phony up the clouds; they were already there (leading to heavy thunderstorms in the afternoon). I did enhance the clouds with a graduated filter in Lightroom CC, and did the same coming up from the bottom to direct attention to the midground. I'm shooting 100% raw now, and doing more and more post in Lightoom except when I need the full power of Photoshop (such as for putting in clouds). 😊 I don't think I am (I hope I am not) overprocessing!
The weather was wonderful yesterday...bright spring sunshine and cool breezes...and lots of nearly-May flowers. This is a little overprocessed maybe...but that's what Sliders Sunday is all about. Have a great day.
Thanks to Skeletal Mess for the Faux Frame in B Minor texture and to Paree Erica for the TTV Scratch texture.
Ok. So I got this in the mail the other day. I have just been adoring Lomography lately. Always really. And, I still love shooting film. So I did it. I got one. I decided on the Diana. ( I dig her groovy cool blue color. ) I still don't know how to load it. I'm meeting up with a flickr friend this week, so hopefully he can show me. He's a pro with the Lomo. And then I'm excited to play, and see what I get. The thing that surprised me the most about it? How light it is. It's a feather. I guess I should have known. It is all plastic. If anyone has any tips with this camera, I'm all ears. I would love to hear advice!!!
I'm adding this to the push the sliders group. This looks nothing like the original.It's overprocessed to death. So, that must mean many sliders were pushed. Jordy didn't say which sliders to push!!!
Oh, and I added a photo of phoenix as well grabbing the camera from me. She really likes Diana.
Happy Sunday!!!
Góraszka 2009
Overprocessed? Maybe a bit, but there's nothing fancy I've done here, really. The histogram was extremely compressed in the original picture (it was shot against the sun -- there was no choice), so pretty much all I did here was using the levels & curves tool to stretch the histogram, with a slight S curve for contrast. Save for some sharpening with Nikon's Picture Control setting and minor color boosting, that's it. I have to admit I kind of like it like this, although for next batch I'll try to keep this in check and not go so far into surrealism. ;)
There's more where that came from, naturally. I shot 8 GB of raws on the D300 and 3 GB of raws on the D80 during Saturday. :)
happy sunday!
we have had storms lately, electrical with fierce lightning and thunder but the skies... oh the skies... are glorious.
and the rain is refreshing.
my garden is growing like crazy!
More experiments with HDR. This is just HDR - I converted it to B&W within the HDR program. Hopefully as time goes on they will start to have less of this overprocessed feel. Thoughts? Comments? Suggestions? I am open to anything to help speed up this processing process with HDR and B&W and creating more dynamic photos but without looking overprocessed. P1070561_HDR.jpg