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Sex education was the inspiration for Blue Lines by Stefanie Moore, who is being mentored by Tim Firth (Calendar Girls) and Mike Heath (Write for the Stage) in The Hive, supported by Arts Council England.

 

Blue Lines will be performed at The King's Ams in Salford and The way Theatre and Studio in Atherton 15-20 July 1pm, 6pm, 7pm, 8pm, 9pm.

 

Photograph by Craige Barker. www.craigebarker.com/mcrfring19

 

Want to take part as a writer, performer or venue? Register your show in April to get in the brochure. Contact gmfringe@gmail.com for more details or visit www.greatermanchesterfringe.co.uk

 

Greater Manchester Fringe takes place every July at a wide variety of venues in Greater Manchester. Tickets go on sale every year on 1 May.

Open Access Week poster in the wild!

A fakir singer at Poush Mela, Santiniketan

Birbhum district

 

Fakirs of Bengal

Ever since Islam came to Bengal in the 13th century it participated, via a merging of Sufi inputs with vernacular strands of Vaisnavism (Vishnuism), tantrism and local folk cults, in a very rich blend of religious beliefs and practices in the lower strata of the society. The Fakir (Sufi ascetic), as a sub-section of the Bengali Bául with a more or less defined Muslim identity, are at present the largest group in Bengal perpetuating this form of 'Islamic syncretistic tradition'.

 

Lalan Shah or Lalan Fakir (?1774-?1890) is a product and proponent of purely Bengali syncretism. His writings and his teachings tell a story of merging Hinduism and Islam into a universalistic religion transcending the boundaries of any single religion.

 

The Hindu Bául and the Muslim Fakir share the same tenets of an mystic quest based on the intimate human-divine connection within every human being, cultivated through a philosophy and practices that emphasize the human body as locus and means for finding the essence of God. The path is taught in the traditional guru-disciple relationship where the guru is like the figure of the Sufi saint, in whom the divine is accomplished, merged with the human. More: openaccess.leidenuniv.nl/bitstream/handle/1887/17365/ISIM...

  

From the session "Scientific Impact and Open Access" at ESOF 2014, Copenhagen.

From the session "Scientific Impact and Open Access" at ESOF 2014, Copenhagen.

From the session "Scientific Impact and Open Access" at ESOF 2014, Copenhagen.

A protest organiser speaks to the assembeld #noTTIP protesters gathered outside the London branch of the European Commission and European Parliament in Smith Square during the #noTTIP (Trans-Atlantic Trade Investment Partnership) protest.

 

This photo © Pete Riches

Do not reproduce, alter, re-transmit, blog or otherwise exploit my images without my written permission. I remain at all times the copyright owner of this image.

 

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Open Source Software Workshop

 

Leading Open Source Developers in the Region to Deliver the Workshop

Jump into the world of apps, source codes and transformative innovation - it's the world of open source software.

From the session "Scientific Impact and Open Access" at ESOF 2014, Copenhagen.

A student presents the results of the group work discussion: suggested open access policy wording and some ideas for open access advocacy campaign in Zambia

Roll dough out - plain dough in two equal halves, orange dough with a small bit as a thin roll and the rest rolled flat.

These are the Terracotta female figures from Helladic, Mycenaean. They were made from terracotta clay in approximately ca. 1400–1300 B.C during the Late Helladic IIIA period.

According to the museum they were donated by the Fletcher Fund in 1935 and are on view at The Met Fifth Avenue in Gallery 151 under the Accession Number 35.11.17. They are described as three terracottas under the dimensions H. 4 1/4 in. (10.8 cm)

www.metmuseum.org/art/collection/search/253494?searchFiel...

 

Library stacks at Yangon University Library.

From the session "Scientific Impact and Open Access" at ESOF 2014, Copenhagen.

This 18th century piece from Greek Islands, Cyclades, Paros is titled Band.

This embroidered textile is made of Medium Silk on cotton. It’s dimensions are L. 36 x W. 18 inches (91.4 x 45.7 cm). Credited in 1933 as Gift of George D. Pratt. This art is in Met under the accession number: 33.98.

www.metmuseum.org/art/collection/search/222966?searchFiel...

 

Small-patch irrigated agriculture in dogon area. Onions are grown in this instance.

 

This is a sahel-type landscape, as can be seen in the background. Farming on this land requires quite a lot of effort.

 

From an article by Walter van Beek:

 

Another, quite spectacular example is onion farming on the plateau. The Dogon are justly famous for it. When water is trapped behind a barrage, the Dogon have the immediate border of this small man-made lake to cultivate. Often this is just naked rock. From kilometres away they bring in soil to lay on the rock. Then small stones are sought, cut and lined up in order to mark out the cultivation squares. Manure and fertilizer are added to the soil, and flnally the bulbs are planted. Then the actual work starts, watering the fields by carrying pots or calabashes from the well or lake to the field, each full morning for three months. It is a Herculean task, but one deemed normal for the Dogon. So even the inhospitable rock is in principle usable, and - if so defined - the Dogon will yegere, manage, too, in order to make it usable.

 

open culture (http://prezi.com/edxdn5ltael-/)

Éditeurs scientifiques : Amélie Le Bihan, Pierre-Marie Blanc, Frank Braemer, Jacqueline Dentzer-Feydy et François Villeneuve

 

Colloques et journées d’études, 1

 

Beyrouth, Presses de l’Ifpo, 2013

 

e-ISBN : 978-2-35159-337-0

 

Consulter en ligne en Openaccess : ifpo.revues.org/2809

Prix epub : 3 €

 

Figure 1 from Regulation of Tumor Growth and Metastasis: The Role of Tumor Microenvironment published in Cancer Growth and Metastasis

#science #open access #cancer #tumor #metastasis

Bake at a lowish temperature until they're cooked but not brown. Cool on a rack and enjoy.

From the session "Scientific Impact and Open Access" at ESOF 2014, Copenhagen.

Grand Central Rail | Class 180 (180104) | East Boldon, Sth Tyneside, Durham Coast Line

 

Grand Central Class 180 'Adelante' 180104 working the 5A64 0913 Tyne S.S. to Sunderland. It will then go on to form the 1A64 0955 Sunderland to London Kings Cross service.

 

Saturday 13th of December 2025.

Grand Central 180104 sits in the suburban shed at London Kings Cross, platform 9.

From the session "Scientific Impact and Open Access" at ESOF 2014, Copenhagen.

From the session "Scientific Impact and Open Access" at ESOF 2014, Copenhagen.

Presenting open access repository plans at Al-Quds Open University (Palestine) December 2015

Open Access Week posters in the wild! Basement of Heller Hall.

 

Copy of this poster

Digitally Open: Innovation and Open Access Forum

Promoting Openness in Today's Digital World

From the session "Scientific Impact and Open Access" at ESOF 2014, Copenhagen.

From the session "Scientific Impact and Open Access" at ESOF 2014, Copenhagen.

"Band" was created in the 18th century on the Greek Islands of Cyclades and Paros. This vivid textile is made of silk on cotton and it depicts several important figures with red accents and details. This piece is 36 in tall by 18 in wide and it was obtained by The Met as a gift of George D. Pratt in 1933. Its accession number is 33.98 and images of this work found on The Met webpage are available in the public domain.

www.metmuseum.org/art/collection/search/222966?searchFiel...

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