View allAll Photos Tagged onlyone
Green pear standing out from a line of red apples. The concepts depicted in this image are nutrition, good food choices, balanced diet, good for you, being different, unique, stick out, being singled out.
Laundry in the River - A woman in Southern India prepares to wash some clothes in a river in India. To Download this image without watermarks for Free, visit: www.sourcepics.com/free-stock-photography/3884-laundry-in...
Moteur 4 temps
4 strokes
4 cylindres en V à 15°
4 cylinders in V at 15°
Seul exemplaire connu
It's the onlyone known
Salon de la moto de Munster 2007
I was the first to arrive at the empty Capital Bikeshare docking station at around 6:20 AM today. I had a 6:30 appointment to get an MRI at Washington Radiology, nearby on K Street. It only took me 15 minutes to get from Columbia Heights to 19th and L Streets NW.
Die Zeit kommt wieder, wo alles zufriert. Mein Hund liebt dieses Wetter und gibt dann so richtig Gas.
Burlington, Vermont USA • Oddly, this structure had only one wall of fieldstone (about to be buried). ∆ After removing the high fence to the north, a way was made for larger dump trucks to supply clean fill for the basement hole.
Previously: ∞ RIP • Demolition is complete. ∆ This was a ca.1895 abandoned, wood frame, 2-story manufacturing shop which sat behind the small apartment block (6-16 N Winooski Ave) in which I currently live. ∞ Because the location is accessible only through a narrow alley, the debris has been crushed by the excavator and hauled out, one wheelbarrow at a time, to a small cart pulled by just a pick-up truck.
☞ See a photoset documenting this Historic Teardown.
Testimonial submitted by statigr.am/onlyone_christina
Date: 9/18/2013
Hair length check; It really works almost 4 inches @hairfinity hair growth from inside and out! @char___maine @living4a_purpose !
London EC4
The Square Mile - City of London
Richard Roger's pile bang next to Christopher Wren's St Stephen Walbrook
Here it is Wren as geometrician who dominates, for the design of the building is based on a series of abstract figures that in the complexity of their formal interaction recall the structures of Byzantium. Within a rectangular outline is nested a square space defined by twelve columns and covered by a huge dome. The circular base of the dome is not carried, in the conventional way, by pendentives formed above the arches of the square, but on a circle formed by eight arches that spring from eight of the twelve columns, cutting across each corner in the manner of the Byzantine squinch."
(Marvin Trachtenberg and Isabelle Hyman. Architecture: from Prehistory to Post-Modernism. p382.)
------------------------
St. Stephen’s Defined
What makes this Church so remarkable, however, is not the delicacy of the plasterwork or the accuracy of the geometry, but the subtlety of the space which that geometry defines.
Wren’s churches were intended to be what he called ‘auditories’, in which everyone present could see, hear and feel themselves part of the congregation. A well-lit interior was imperative, with the minimum of obstruction from internal supports.
By the eighteenth century, the building was famous all over Europe. When Lord Burlington went to Rome to see fine buildings, he was met by the Italian sculptor-architect, Canova, who congratulated him on coming from London to which, he said, he would gladly return to feast his eyes once more on St. Paul’s Cathedral, Somerset House,and, most of all, St. Stephen Walbrook. Burlington had to admit that he did not know the last, and Canova sent him back to look at it, saying ‘we have nothing to touchit in Rome’. Sir John Sommerson has described the Church as ‘the pride of English architecture, and one of the few City churches in which the genius of Wren shines in full splendour’. Sir Nikolaus Pevsner lists it as one of the ten most important buildings in England.
in 1672 onlyone church was begun, and that was St.
Stephen Walbrook. It is probable that theunique character of this Church is connected both with the date of its commencement and with the fact that it was Wren’s own parish church (he lived at No. 15 Walbrook).
In retrospect we can say that Wren was bound to design a masterpiece in 1672, and it was a fortunate parish that requested him then to proceed.
The Moment of Truth
Like all great works of art, St. Stephen’s is of its time, and our sense of history requires that we recognise its associations with a great age; but again like all great works of art, it has something about it that is timeless, and its message, indeed its very survival, must be the
concern of us all.
Professor Kerry Downes
London EC4
The Square Mile - City of London
Richard Roger's pile bang next to Christopher Wren's St Stephen Walbrook
Here it is Wren as geometrician who dominates, for the design of the building is based on a series of abstract figures that in the complexity of their formal interaction recall the structures of Byzantium. Within a rectangular outline is nested a square space defined by twelve columns and covered by a huge dome. The circular base of the dome is not carried, in the conventional way, by pendentives formed above the arches of the square, but on a circle formed by eight arches that spring from eight of the twelve columns, cutting across each corner in the manner of the Byzantine squinch."
(Marvin Trachtenberg and Isabelle Hyman. Architecture: from Prehistory to Post-Modernism. p382.)
------------------------
St. Stephen’s Defined
What makes this Church so remarkable, however, is not the delicacy of the plasterwork or the accuracy of the geometry, but the subtlety of the space which that geometry defines.
Wren’s churches were intended to be what he called ‘auditories’, in which everyone present could see, hear and feel themselves part of the congregation. A well-lit interior was imperative, with the minimum of obstruction from internal supports.
By the eighteenth century, the building was famous all over Europe. When Lord Burlington went to Rome to see fine buildings, he was met by the Italian sculptor-architect, Canova, who congratulated him on coming from London to which, he said, he would gladly return to feast his eyes once more on St. Paul’s Cathedral, Somerset House,and, most of all, St. Stephen Walbrook. Burlington had to admit that he did not know the last, and Canova sent him back to look at it, saying ‘we have nothing to touchit in Rome’. Sir John Sommerson has described the Church as ‘the pride of English architecture, and one of the few City churches in which the genius of Wren shines in full splendour’. Sir Nikolaus Pevsner lists it as one of the ten most important buildings in England.
in 1672 onlyone church was begun, and that was St.
Stephen Walbrook. It is probable that theunique character of this Church is connected both with the date of its commencement and with the fact that it was Wren’s own parish church (he lived at No. 15 Walbrook).
In retrospect we can say that Wren was bound to design a masterpiece in 1672, and it was a fortunate parish that requested him then to proceed.
The Moment of Truth
Like all great works of art, St. Stephen’s is of its time, and our sense of history requires that we recognise its associations with a great age; but again like all great works of art, it has something about it that is timeless, and its message, indeed its very survival, must be the
concern of us all.
Professor Kerry Downes
London EC4
The Square Mile - City of London
Richard Roger's pile bang next to Christopher Wren's St Stephen Walbrook
-------------------------------------------
Here it is Wren as geometrician who dominates, for the design of the building is based on a series of abstract figures that in the complexity of their formal interaction recall the structures of Byzantium. Within a rectangular outline is nested a square space defined by twelve columns and covered by a huge dome. The circular base of the dome is not carried, in the conventional way, by pendentives formed above the arches of the square, but on a circle formed by eight arches that spring from eight of the twelve columns, cutting across each corner in the manner of the Byzantine squinch."
(Marvin Trachtenberg and Isabelle Hyman. Architecture: from Prehistory to Post-Modernism. p382.)
------------------------
St. Stephen’s Defined
What makes this Church so remarkable, however, is not the delicacy of the plasterwork or the accuracy of the geometry, but the subtlety of the space which that geometry defines.
Wren’s churches were intended to be what he called ‘auditories’, in which everyone present could see, hear and feel themselves part of the congregation. A well-lit interior was imperative, with the minimum of obstruction from internal supports.
By the eighteenth century, the building was famous all over Europe. When Lord Burlington went to Rome to see fine buildings, he was met by the Italian sculptor-architect, Canova, who congratulated him on coming from London to which, he said, he would gladly return to feast his eyes once more on St. Paul’s Cathedral, Somerset House,and, most of all, St. Stephen Walbrook. Burlington had to admit that he did not know the last, and Canova sent him back to look at it, saying ‘we have nothing to touchit in Rome’. Sir John Sommerson has described the Church as ‘the pride of English architecture, and one of the few City churches in which the genius of Wren shines in full splendour’. Sir Nikolaus Pevsner lists it as one of the ten most important buildings in England.
in 1672 onlyone church was begun, and that was St.
Stephen Walbrook. It is probable that theunique character of this Church is connected both with the date of its commencement and with the fact that it was Wren’s own parish church (he lived at No. 15 Walbrook).
In retrospect we can say that Wren was bound to design a masterpiece in 1672, and it was a fortunate parish that requested him then to proceed.
The Moment of Truth
Like all great works of art, St. Stephen’s is of its time, and our sense of history requires that we recognise its associations with a great age; but again like all great works of art, it has something about it that is timeless, and its message, indeed its very survival, must be the
concern of us all.
Professor Kerry Downes
Two pieces of fruits on white with taupe brown background. The concepts depicted in this image are nutrition, good food choices, balanced diet and good for you.