View allAll Photos Tagged offwhite
Gorgeous off white based vintage silk kimono fabric with light purple and gold swirl design.
This fabric has traditional Japanese woven design.
This is a normal adult size and suits for any hair style :)
Using a white subject, offwhite wall, and a creepy Domo Kun in the background, I wanted to showcase just how dramatic the flash gels that came with my diffuser are. These came with the Opteka SB-110.
I dipped this bowl in a shino glaze, I can't remember the exact name of it offhand. It is one of the worst glazes to use at the studio, it takes a long time to dry, and even when waxed, is a pain to remove from the bottom. I like the results however, so I still use it a lot. :)
These are the first set of roving dreads I've made. I say set loosely as they are made to go together but no where near the amount of dreads needed to cover a head ^-^
They are made of off-white roving and I dyed them by dipping them in vinager and egg dyes (boiling ^-^) I left some in longer than others to get a variation in green/blue colors.
I started designing things related to the phrase Not Necessarily Elfin because it is unreasonably funny to me (It's from this parody of 90s music icons done by Rasputina. I never really got it, most of the 90s music icons being slightly before my time - I hadn't seen, for example, a documentary about Bjork wherein she walks through desolate wild places in designer clothes, so I wouldn't get the reference - or even know it was a specific reference - until much later. But then, as may be obvious from the fact that I would watch a documentary about Bjork, I love Bjork, and had all the pleasure of sort of rediscovering these things in the 2010's because I'd been alive and fairly precocious musicwise but too young to notice them first time around), and now it's gone out of control. I'm obsessed with timeless-looking, natural gear that has just a hint of a fantasy element, just that little wabisabi touch of faint exuberant magic. Which we then gruffly deny, saying it's Not Necessarily Elfin. This is from earlier - last year? - but it fits, and goes well with the other textured pale things I've been working on.
to my flickr friends ^_^
sweet girls...
Creativa ,, şãÐ FέëŁίήg ,, ©Truth Hurts ,, FaYoOrA ,, q8_3aloooya
1、Product specification
Appearance: Offwhite granular
Content of Dimethomorph: ≥50.0±2.5%
PH: 6.0~9.0
Wettability: ≤60 seconds
Suspensibility: ≥85%
Persistent foam (in water after 1 minute): ≤20mL
Dustiness: Almost dust free.
2、Registration status in China
ICAMA registration certificate No.: PD20082659
Manufacturing License No.: HNP 32244-D3700
3、Product use
◆Mode of action
Local systemic fungicide with good protectant and antisporulant activity. Only the (Z)- isomer is intrinsically active, but, because of rapid interconversion of isomers in the light, it has no advantage over the (E)- isomer in practice. Dimethomorph moves up the treated plant stem and into growing leaves.
◆Crops & target diseases (CROP, DISEASE, RECOMMENDED RATE)
•Cucurbits, Downy mildew, 250-300g/ha
•Grapevines, Downy mildew, 250-350g/ ha
•Lettuce/onion, Downy mildew, 250-300g/ha
•Potatoes, Late blight, 250-300g/ha
•Cucumber, Blight & downy mildew, 250-300g/ha
•Hot pepper, Blight, 200-300g/ha
•Tobacco, Black shank, 200-300g/ha
•Rape, Downy mildew, 200-300g/ha
•Taro, Blight, 200-300g/ha
◆Compatibility
Dimethomorph can be mixed with many fungicides and insecticides but is not compatible with strongly acidic or strongly alkaline solutions.
◆Phytotoxicity
Dimethomorph was slightly phytotoxic to Eucalyptus sieberi at dosages of 1.2 mg a.i./mL. There was no evidence of significant phytotoxicity of the formulation on other target crops. .
As time passes, our love only grows more beautiful.
This is part of the bouquet my husband got me for our most recent wedding anniversary. I put them in the guest room to keep them away from our cat and was surprised to find them nearly as beautiful dried out and withered as they were when they were vibrant and young. Though time changes all things, some things only change from beauty to beauty.
Shapped into a somewhat bowly bottom shape, at the same time, the walls are brought out the same distance. If everything was still centered up to this point, it's not too bad a step, the hard part is getting a bottom the shape you want. Of course there is room in this step for things to go off center.
The most fun step, pulling up the clay fairly vertical. If it was any bit off center in the previous steps, you might now feel the wrath. it would be hard to se in a picture, but now one part of the wall would be higher than the other, and the whole ensemble would be tricky to work with.
In this case, I was lucky, and it was fairly centered.