View allAll Photos Tagged obsequios
©2012 Marcio Souza Photography | All Rights Reserved | Please do not use without my permission
©2012 Marcio Souza Photography | Todos os Direitos Reservados | Obséquio não usar esta imagem sem permissão.
Roman Ongpin & El 82 Memorabilia
Late 19th Century
Opening bid: P 250,000
Provenance:
Manila
Roman Ongpin Collection
Lot 158 of the Leon Gallery auction on 10 September 2016. For more information, please see www.leon-gallery.com
On March 1882, Roman Ongpin (1847-1912) founded the famous ‘El 82’, the first Filipino hardware store that sold goods at fixed prices. His shop also sold art supplies and was patronized by the local artists of the time. A staunch nationalist, Ongpin patronized all things Filipino and always wore the Barong Tagalog. His store also became a convenient meeting place for Filipinos and a source of propaganda updates and events of the day. During the Revolution, he secretly supported the Katipuneros and used his store as a conduit for the importation of arms and ammunition for the Filipino Army.
He continued his unwavering support to the Filipino cause even during the American colonial regime and was imprisoned for his patriotic ideas of freedom. Active in civic works, he was president of Asilo de Invalidos de Guerra, an institution for the disabled Philippine American War veterans and helped maintain the Gota de Leche, a charity organized to provide milk to needy infants. He was a staunch supporter of the fiery nationalist Isabelo de los Reyes, becoming the first treasurer of Union Obrera de Filipinas, a labor union. Don Roman married Pascuala Domingo, the granddaughter of the country's first artist Damian Domingo. They had nineteen children.
Included herewith are the following memorabilia:
(1) A wooden palette with “EL * 82” OBSEQUIO A SUS FAVORECEDORES” at upper left and oil painting of “a woman milking cow.”
(2) Circa 1890s, an old “’El 82’ OBSEQUIO A SUS FAVORECEDORES” wooden picture frame with three Spanish Philippines vintage photographs.
(3) Circa 1890s to early 1900s, another old wooden picture frame with two photos of Roman Ongpin and El 82 illustraded advertisements.
(4) Circa 1890s, “EL 82 / MANILA” 4-inch high bottle with embossed text.
(5) 1898 September 10 issue, La Independencia newspaper entire with “El 82” advertisement about the transfer of the shop to Calle San Jacinto num. 28, Manila.
(6) 1898 September 30 issue, La Independencia newspaper entire with “El 82” advertisement showing the list of products and corresponding volume or quantity and prices at the shop at Calle San Jacinto num. 28, Manila.
(7) Calendario Para El Ano de 1899 de El 82 Hechopara regular a los Parroquianos de estatienda. Manila Calle Rosario, Provisionalmente, S. Jacinto No. 28, Manila: 1898.
(8) Circa 1899, an old advertisement of “El 82” at Calle San Jacinto, numero 28, taken from the back cover of a book by Isabelo de los Reyes as indicated on reverse page.
(9) An old advertisement of “El 82” Almacen de Pinturas, Plaza de Binondo, Manila.
(10) 1908 June 6, “El 82” receipt on printed stationery amounting to P12.30, with rectangular marking of the branch of the paint shop at Colon 230, Manila.
(11) 1910 January 15, “El 82” receipt on printed stationery amounting to P2.05, with original signature of Roman Ongpin.
(12) 1911 November 14 issue, cover page of Renacimiento Filipino RevistaIlustrada magazine, Ano II, Num. 66, showing the new building of “El 82” located at Plaza Calderon de la Barca, Binondo, Manila, as designed by Architect Arcadio Arellano.
(13) An old advertisement of “El 82” in Plaza de Binondo, Manial showing a picture of the new building, taken from Renacimiento Filipino RevistaIlustrada magazine.
www.atcbsb.com.br All Rights Reserved | Please do not use this image without my written permission | Todos os Direitos Reservados | Obséquio não usar esta imagem sem permissão.
Roman Ongpin & El 82 Memorabilia
Late 19th Century
Opening bid: P 250,000
Provenance:
Manila
Roman Ongpin Collection
Lot 158 of the Leon Gallery auction on 10 September 2016. For more information, please see www.leon-gallery.com
On March 1882, Roman Ongpin (1847-1912) founded the famous ‘El 82’, the first Filipino hardware store that sold goods at fixed prices. His shop also sold art supplies and was patronized by the local artists of the time. A staunch nationalist, Ongpin patronized all things Filipino and always wore the Barong Tagalog. His store also became a convenient meeting place for Filipinos and a source of propaganda updates and events of the day. During the Revolution, he secretly supported the Katipuneros and used his store as a conduit for the importation of arms and ammunition for the Filipino Army.
He continued his unwavering support to the Filipino cause even during the American colonial regime and was imprisoned for his patriotic ideas of freedom. Active in civic works, he was president of Asilo de Invalidos de Guerra, an institution for the disabled Philippine American War veterans and helped maintain the Gota de Leche, a charity organized to provide milk to needy infants. He was a staunch supporter of the fiery nationalist Isabelo de los Reyes, becoming the first treasurer of Union Obrera de Filipinas, a labor union. Don Roman married Pascuala Domingo, the granddaughter of the country's first artist Damian Domingo. They had nineteen children.
Included herewith are the following memorabilia:
(1) A wooden palette with “EL * 82” OBSEQUIO A SUS FAVORECEDORES” at upper left and oil painting of “a woman milking cow.”
(2) Circa 1890s, an old “’El 82’ OBSEQUIO A SUS FAVORECEDORES” wooden picture frame with three Spanish Philippines vintage photographs.
(3) Circa 1890s to early 1900s, another old wooden picture frame with two photos of Roman Ongpin and El 82 illustraded advertisements.
(4) Circa 1890s, “EL 82 / MANILA” 4-inch high bottle with embossed text.
(5) 1898 September 10 issue, La Independencia newspaper entire with “El 82” advertisement about the transfer of the shop to Calle San Jacinto num. 28, Manila.
(6) 1898 September 30 issue, La Independencia newspaper entire with “El 82” advertisement showing the list of products and corresponding volume or quantity and prices at the shop at Calle San Jacinto num. 28, Manila.
(7) Calendario Para El Ano de 1899 de El 82 Hechopara regular a los Parroquianos de estatienda. Manila Calle Rosario, Provisionalmente, S. Jacinto No. 28, Manila: 1898.
(8) Circa 1899, an old advertisement of “El 82” at Calle San Jacinto, numero 28, taken from the back cover of a book by Isabelo de los Reyes as indicated on reverse page.
(9) An old advertisement of “El 82” Almacen de Pinturas, Plaza de Binondo, Manila.
(10) 1908 June 6, “El 82” receipt on printed stationery amounting to P12.30, with rectangular marking of the branch of the paint shop at Colon 230, Manila.
(11) 1910 January 15, “El 82” receipt on printed stationery amounting to P2.05, with original signature of Roman Ongpin.
(12) 1911 November 14 issue, cover page of Renacimiento Filipino RevistaIlustrada magazine, Ano II, Num. 66, showing the new building of “El 82” located at Plaza Calderon de la Barca, Binondo, Manila, as designed by Architect Arcadio Arellano.
(13) An old advertisement of “El 82” in Plaza de Binondo, Manial showing a picture of the new building, taken from Renacimiento Filipino RevistaIlustrada magazine.
Nuestra Señora de la Victoria – Niño Jesús de Praga
Chrám Panny Marie Vítězné - Pražské Jezulátko
La iglesia de Nuestra Señora de la Victoria es uno de los lugares de peregrinaje más famosos de República Checa. Es allí donde se encuentra la estatua de cera del Niño Jesús de Praga, de origen español y objeto de devoción para los pelegrinos del mundo entero.
El Niño Jesús de Praga es una estatuilla votiva de cera, de unos 47 cm de altura y que representa a Jesús Cristo en su etapa infantil. En su mano derecha el cristo hace una señal en signo de de bendición y en la izquierda porta un orbe real.
Procedente de España,esta estatuilla formaba parte de la dote recibida por la Duquesa María Manrique de Lara durante su boda con un noble checo en 1556. Su hija, Polyxena de Lobkowicz, regaló la estatua al monasterio de las monjas de las carmelitas descalzas, vinculada con la iglesia de Nuestra Señora de la Victoria. Numerosos milagros fueron atribuidos al Nino Jesús durante el periodo barroco, especialmente la protección de Praga durante el asedio de los suecos en 1639. En 1651, se organizaron procesiones en su honor por toda la ciudad antes de su coronación en 1655 por el arzobispo de Praga. Ella es aún hoy día objeto de culto de los pelegrinos del mundo entero.
Su famoso “vestuario” compuesto por más de cien vestidos preciosos recibidos como obsequio de anónimos o ilustres pelegrinos. Los más hermosos abrigos bordados, así como un gran número de objetos ligados al culto de la estatuilla se encuentran en el museo del Niño Jesús de Praga, ubicado en la iglesia, detrás del altar principal.
El edificio en sí mismo, con una historia particularmente agitada y orginal, es también una obra notable desde el punto de vista arquitectónico. Iniciada su construcción entre los años 1611-1613, este edificio fue uno de los primeros templos luteranos construido en Praga bajo el reinado del emperador Rodolfo II. Según las fuentes, el arquitecto era católico, probablemente Giovanni Maria Fillippi, quien era el arquitecto oficial de Rodolfo II. Muy importante en la historia de la arquitectura en Bohemiam el proyecto de Fillippi (conservado en el museo de la ciudad de Praga) fue directamente inspirado por la arquitectura contemporánea de Roma, principalmente por la fachada de la iglesia de la Trinidad de los Montes de Giacomo della Porta. Esta iglesia es considerada como una de las primeras proto-barrocas de praga, con su nave central abovedada y sus dos torres monumentales.
Todo cambia luego de 1620, después de la derrota checa de la Montaña blanca: la iglesia es entonces tomada a los protestantes y dada a la orden católica de las Carmelittas Descalzas y rebautizada con el nombre de Nuestra Señora de la Victoria. Las carmelitas modifican el plano de la iglesia, reorientándola de forma radical: inicialmente orientada hacia la colina de Petřín, la iglesia será entonces volteada hacia la calle. Una nueva fachada es construida, inspirada nuevamente por la arquitectura romana más contemporánea y por el modelo de Santa Maria della Victoria de Roma, cuya historia está también íntimamente ligada a la batalla de la Montaña Blanca. Las dos torres del proyecto de Fillippi ne fueron nunca terminadas y la antigua fachada fue remplazada por un coro muy tradicional, con arcos agudos góticos.
Visite la Iglesia de Nuestra Señora de la Victoria con un guía hispanohablante
Dirección:
Iglesia de Santa María de la Victoria - Chrám Panny Marie Vítězné
Karmelitská 9,
118 00 Praga 1 - Malá Strana
Notre Dame des Victoires - Petit Jésus de Prague
Chrám Panny Marie Vítězné - Pražské Jezulátko
L’église Notre-Dame-de-la-Victoire est l’un des lieux de pèlerinage les plus célèbres de République tchèque. C’est là que se trouve la statue de cire du Petit Jésus de Prague (ou Bambino di Praga) d’origine espagnole, objet de dévotion des pèlerins du monde entier.
Imprimer
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L’enfant Jésus de Prague (connu sous le nom de Bambino di Praga), est une statuette votive en cire d’une hauteur de 47 centimètres, représentant un Christ enfant aux traits charmants, dont la main droite fait un signe de bénédiction et la gauche tient une sphère surmontée d’une croix. Originaire d’Espagne, elle fut reçue en dot par la duchesse Maria Manrique de Lara lors de son mariage avec un noble tchèque en 1556. Sa fille, Polyxena de Lobkowicz, l’offrit en 1628 au monastère des carmes déchaussés liés à l’église Notre-Dame de la Victoire. De nombreux miracles lui furent attribués à l’époque baroque, notamment la protection de Prague lors du siège des Suédois en 1639. Elle fut portée en procession autour des églises de la ville en 1651, et solennellement couronnée en 1655 par l’archevêque de Prague. Elle fait toujours l'objet d'un culte fervent de pèlerins du monde entier.
Sa célèbre " garde-robe " est riche de plus d’une centaine de vêtements précieux offerts par des pèlerins illustres ou anonymes. Les plus beaux manteaux brodés, ainsi que de nombreux objets liés au culte de la statuette sont visibles au musée de l’enfant Jésus de Prague, situé dans l’église derrière l’autel principal, au premier étage.
Le bâtiment lui-même, à l’histoire mouvementée et originale, est remarquable au plan architectural. Commencé en 1611-1613, c’est l’un des premiers temples luthériens édifié à Prague sous le règne de l’empereur Rodolphe II pour les riches protestants habitant le quartier de Mala Strana. D’après les sources, son auteur est un architecte catholique, très probablement Giovanni Maria Fillippi, l’architecte officiel de Rodolphe II. Très important pour l’histoire de l’architecture en Bohème, le projet de Fillippi (conservé au musée de la ville de Prague) fut directement inspiré par l’architecture contemporaine de Rome, principalement par la façade de l’église de la Trinité des Monts de Giacomo della Porta. On considère cette réalisation comme la première église proto-baroque à Prague, avec sa nef centrale voûtée en berceau et ses deux tours monumentales.
Tout change après 1620, après la défaite tchèque de la Montagne Blanche : l’église est alors prise aux protestants, donnée à l’ordre catholique des carmes déchaussés et rebaptisée du nom de Notre-Dame de la Victoire. Les carmes modifient le plan de l’église en la réorientant radicalement : initialement tournée vers la colline de Petřín, l’église est désormais tournée vers la rue. Une nouvelle façade est édifiée, inspirée à nouveau par l’architecture romaine la plus contemporaine et le modèle de Santa Maria della Victoria de Rome dont l’histoire est elle-aussi intimement liée à la bataille de la Montagne blanche. Les deux tours du projet de Fillippi ne furent jamais terminées, et l’ancienne façade remplacée par un chœur très traditionnel, aux arcs brisés gothisants.
Adresse :
Eglise Notre-Dame des Victoires - Chrám Panny Marie Vítězné
Karmelitská 9,
118 00 Prague 1 - Malá Strana.
Roman Ongpin & El 82 Memorabilia
Late 19th Century
Opening bid: P 250,000
Provenance:
Manila
Roman Ongpin Collection
Lot 158 of the Leon Gallery auction on 10 September 2016. For more information, please see www.leon-gallery.com
On March 1882, Roman Ongpin (1847-1912) founded the famous ‘El 82’, the first Filipino hardware store that sold goods at fixed prices. His shop also sold art supplies and was patronized by the local artists of the time. A staunch nationalist, Ongpin patronized all things Filipino and always wore the Barong Tagalog. His store also became a convenient meeting place for Filipinos and a source of propaganda updates and events of the day. During the Revolution, he secretly supported the Katipuneros and used his store as a conduit for the importation of arms and ammunition for the Filipino Army.
He continued his unwavering support to the Filipino cause even during the American colonial regime and was imprisoned for his patriotic ideas of freedom. Active in civic works, he was president of Asilo de Invalidos de Guerra, an institution for the disabled Philippine American War veterans and helped maintain the Gota de Leche, a charity organized to provide milk to needy infants. He was a staunch supporter of the fiery nationalist Isabelo de los Reyes, becoming the first treasurer of Union Obrera de Filipinas, a labor union. Don Roman married Pascuala Domingo, the granddaughter of the country's first artist Damian Domingo. They had nineteen children.
Included herewith are the following memorabilia:
(1) A wooden palette with “EL * 82” OBSEQUIO A SUS FAVORECEDORES” at upper left and oil painting of “a woman milking cow.”
(2) Circa 1890s, an old “’El 82’ OBSEQUIO A SUS FAVORECEDORES” wooden picture frame with three Spanish Philippines vintage photographs.
(3) Circa 1890s to early 1900s, another old wooden picture frame with two photos of Roman Ongpin and El 82 illustraded advertisements.
(4) Circa 1890s, “EL 82 / MANILA” 4-inch high bottle with embossed text.
(5) 1898 September 10 issue, La Independencia newspaper entire with “El 82” advertisement about the transfer of the shop to Calle San Jacinto num. 28, Manila.
(6) 1898 September 30 issue, La Independencia newspaper entire with “El 82” advertisement showing the list of products and corresponding volume or quantity and prices at the shop at Calle San Jacinto num. 28, Manila.
(7) Calendario Para El Ano de 1899 de El 82 Hechopara regular a los Parroquianos de estatienda. Manila Calle Rosario, Provisionalmente, S. Jacinto No. 28, Manila: 1898.
(8) Circa 1899, an old advertisement of “El 82” at Calle San Jacinto, numero 28, taken from the back cover of a book by Isabelo de los Reyes as indicated on reverse page.
(9) An old advertisement of “El 82” Almacen de Pinturas, Plaza de Binondo, Manila.
(10) 1908 June 6, “El 82” receipt on printed stationery amounting to P12.30, with rectangular marking of the branch of the paint shop at Colon 230, Manila.
(11) 1910 January 15, “El 82” receipt on printed stationery amounting to P2.05, with original signature of Roman Ongpin.
(12) 1911 November 14 issue, cover page of Renacimiento Filipino RevistaIlustrada magazine, Ano II, Num. 66, showing the new building of “El 82” located at Plaza Calderon de la Barca, Binondo, Manila, as designed by Architect Arcadio Arellano.
(13) An old advertisement of “El 82” in Plaza de Binondo, Manial showing a picture of the new building, taken from Renacimiento Filipino RevistaIlustrada magazine.
www.atcbsb.com.br All Rights Reserved | Please do not use this image without my written permission | Todos os Direitos Reservados | Obséquio não usar esta imagem sem permissão.
Aeronave: Beechcraft B200 Super King Air
Operador: Privado
Local: Aeroporto Santa Genoveva Goiânia - SBGO
Prefixo: PT-WNN
Numero de Construção: BB1558
©2014 Icaro Roberto | All Rights Reserved | Please do not use this image without my written permission ©2014 Icaro Roberto | Todos os Direitos Reservados | Obséquio não usar esta imagem sem permissão.
Contato: icaro.roberto@aeroin.net
© 2016 Marcio Souza Photography | All Rights Reserved | Please do not use this image without my written permission ©2016 Marcio Souza Photography | Todos os Direitos Reservados | Obséquio não usar esta imagem sem permissão.
Roman Ongpin & El 82 Memorabilia
Late 19th Century
Opening bid: P 250,000
Provenance:
Manila
Roman Ongpin Collection
Lot 158 of the Leon Gallery auction on 10 September 2016. For more information, please see www.leon-gallery.com
On March 1882, Roman Ongpin (1847-1912) founded the famous ‘El 82’, the first Filipino hardware store that sold goods at fixed prices. His shop also sold art supplies and was patronized by the local artists of the time. A staunch nationalist, Ongpin patronized all things Filipino and always wore the Barong Tagalog. His store also became a convenient meeting place for Filipinos and a source of propaganda updates and events of the day. During the Revolution, he secretly supported the Katipuneros and used his store as a conduit for the importation of arms and ammunition for the Filipino Army.
He continued his unwavering support to the Filipino cause even during the American colonial regime and was imprisoned for his patriotic ideas of freedom. Active in civic works, he was president of Asilo de Invalidos de Guerra, an institution for the disabled Philippine American War veterans and helped maintain the Gota de Leche, a charity organized to provide milk to needy infants. He was a staunch supporter of the fiery nationalist Isabelo de los Reyes, becoming the first treasurer of Union Obrera de Filipinas, a labor union. Don Roman married Pascuala Domingo, the granddaughter of the country's first artist Damian Domingo. They had nineteen children.
Included herewith are the following memorabilia:
(1) A wooden palette with “EL * 82” OBSEQUIO A SUS FAVORECEDORES” at upper left and oil painting of “a woman milking cow.”
(2) Circa 1890s, an old “’El 82’ OBSEQUIO A SUS FAVORECEDORES” wooden picture frame with three Spanish Philippines vintage photographs.
(3) Circa 1890s to early 1900s, another old wooden picture frame with two photos of Roman Ongpin and El 82 illustraded advertisements.
(4) Circa 1890s, “EL 82 / MANILA” 4-inch high bottle with embossed text.
(5) 1898 September 10 issue, La Independencia newspaper entire with “El 82” advertisement about the transfer of the shop to Calle San Jacinto num. 28, Manila.
(6) 1898 September 30 issue, La Independencia newspaper entire with “El 82” advertisement showing the list of products and corresponding volume or quantity and prices at the shop at Calle San Jacinto num. 28, Manila.
(7) Calendario Para El Ano de 1899 de El 82 Hechopara regular a los Parroquianos de estatienda. Manila Calle Rosario, Provisionalmente, S. Jacinto No. 28, Manila: 1898.
(8) Circa 1899, an old advertisement of “El 82” at Calle San Jacinto, numero 28, taken from the back cover of a book by Isabelo de los Reyes as indicated on reverse page.
(9) An old advertisement of “El 82” Almacen de Pinturas, Plaza de Binondo, Manila.
(10) 1908 June 6, “El 82” receipt on printed stationery amounting to P12.30, with rectangular marking of the branch of the paint shop at Colon 230, Manila.
(11) 1910 January 15, “El 82” receipt on printed stationery amounting to P2.05, with original signature of Roman Ongpin.
(12) 1911 November 14 issue, cover page of Renacimiento Filipino RevistaIlustrada magazine, Ano II, Num. 66, showing the new building of “El 82” located at Plaza Calderon de la Barca, Binondo, Manila, as designed by Architect Arcadio Arellano.
(13) An old advertisement of “El 82” in Plaza de Binondo, Manial showing a picture of the new building, taken from Renacimiento Filipino RevistaIlustrada magazine.
Los concejales David Alonso, Juan Carlos Cenamor, Beatriz Alonso y Juan Manuel Álamo entregan obsequios a los participantes en ‘Legathlon’
Esteban Vicente entrega a María Cordon, Consejera Delegada del Grupo Quirón de un obsequio de los Diletantes de Bilbao
Roman Ongpin & El 82 Memorabilia
Late 19th Century
Opening bid: P 250,000
Provenance:
Manila
Roman Ongpin Collection
Lot 158 of the Leon Gallery auction on 10 September 2016. For more information, please see www.leon-gallery.com
On March 1882, Roman Ongpin (1847-1912) founded the famous ‘El 82’, the first Filipino hardware store that sold goods at fixed prices. His shop also sold art supplies and was patronized by the local artists of the time. A staunch nationalist, Ongpin patronized all things Filipino and always wore the Barong Tagalog. His store also became a convenient meeting place for Filipinos and a source of propaganda updates and events of the day. During the Revolution, he secretly supported the Katipuneros and used his store as a conduit for the importation of arms and ammunition for the Filipino Army.
He continued his unwavering support to the Filipino cause even during the American colonial regime and was imprisoned for his patriotic ideas of freedom. Active in civic works, he was president of Asilo de Invalidos de Guerra, an institution for the disabled Philippine American War veterans and helped maintain the Gota de Leche, a charity organized to provide milk to needy infants. He was a staunch supporter of the fiery nationalist Isabelo de los Reyes, becoming the first treasurer of Union Obrera de Filipinas, a labor union. Don Roman married Pascuala Domingo, the granddaughter of the country's first artist Damian Domingo. They had nineteen children.
Included herewith are the following memorabilia:
(1) A wooden palette with “EL * 82” OBSEQUIO A SUS FAVORECEDORES” at upper left and oil painting of “a woman milking cow.”
(2) Circa 1890s, an old “’El 82’ OBSEQUIO A SUS FAVORECEDORES” wooden picture frame with three Spanish Philippines vintage photographs.
(3) Circa 1890s to early 1900s, another old wooden picture frame with two photos of Roman Ongpin and El 82 illustraded advertisements.
(4) Circa 1890s, “EL 82 / MANILA” 4-inch high bottle with embossed text.
(5) 1898 September 10 issue, La Independencia newspaper entire with “El 82” advertisement about the transfer of the shop to Calle San Jacinto num. 28, Manila.
(6) 1898 September 30 issue, La Independencia newspaper entire with “El 82” advertisement showing the list of products and corresponding volume or quantity and prices at the shop at Calle San Jacinto num. 28, Manila.
(7) Calendario Para El Ano de 1899 de El 82 Hechopara regular a los Parroquianos de estatienda. Manila Calle Rosario, Provisionalmente, S. Jacinto No. 28, Manila: 1898.
(8) Circa 1899, an old advertisement of “El 82” at Calle San Jacinto, numero 28, taken from the back cover of a book by Isabelo de los Reyes as indicated on reverse page.
(9) An old advertisement of “El 82” Almacen de Pinturas, Plaza de Binondo, Manila.
(10) 1908 June 6, “El 82” receipt on printed stationery amounting to P12.30, with rectangular marking of the branch of the paint shop at Colon 230, Manila.
(11) 1910 January 15, “El 82” receipt on printed stationery amounting to P2.05, with original signature of Roman Ongpin.
(12) 1911 November 14 issue, cover page of Renacimiento Filipino RevistaIlustrada magazine, Ano II, Num. 66, showing the new building of “El 82” located at Plaza Calderon de la Barca, Binondo, Manila, as designed by Architect Arcadio Arellano.
(13) An old advertisement of “El 82” in Plaza de Binondo, Manial showing a picture of the new building, taken from Renacimiento Filipino RevistaIlustrada magazine.
© 2016 Marcio Souza Photography | All Rights Reserved | Please do not use this image without my written permission ©2016 Marcio Souza Photography | Todos os Direitos Reservados | Obséquio não usar esta imagem sem permissão.
Roman Ongpin & El 82 Memorabilia
Late 19th Century
Opening bid: P 250,000
Provenance:
Manila
Roman Ongpin Collection
Lot 158 of the Leon Gallery auction on 10 September 2016. For more information, please see www.leon-gallery.com
On March 1882, Roman Ongpin (1847-1912) founded the famous ‘El 82’, the first Filipino hardware store that sold goods at fixed prices. His shop also sold art supplies and was patronized by the local artists of the time. A staunch nationalist, Ongpin patronized all things Filipino and always wore the Barong Tagalog. His store also became a convenient meeting place for Filipinos and a source of propaganda updates and events of the day. During the Revolution, he secretly supported the Katipuneros and used his store as a conduit for the importation of arms and ammunition for the Filipino Army.
He continued his unwavering support to the Filipino cause even during the American colonial regime and was imprisoned for his patriotic ideas of freedom. Active in civic works, he was president of Asilo de Invalidos de Guerra, an institution for the disabled Philippine American War veterans and helped maintain the Gota de Leche, a charity organized to provide milk to needy infants. He was a staunch supporter of the fiery nationalist Isabelo de los Reyes, becoming the first treasurer of Union Obrera de Filipinas, a labor union. Don Roman married Pascuala Domingo, the granddaughter of the country's first artist Damian Domingo. They had nineteen children.
Included herewith are the following memorabilia:
(1) A wooden palette with “EL * 82” OBSEQUIO A SUS FAVORECEDORES” at upper left and oil painting of “a woman milking cow.”
(2) Circa 1890s, an old “’El 82’ OBSEQUIO A SUS FAVORECEDORES” wooden picture frame with three Spanish Philippines vintage photographs.
(3) Circa 1890s to early 1900s, another old wooden picture frame with two photos of Roman Ongpin and El 82 illustraded advertisements.
(4) Circa 1890s, “EL 82 / MANILA” 4-inch high bottle with embossed text.
(5) 1898 September 10 issue, La Independencia newspaper entire with “El 82” advertisement about the transfer of the shop to Calle San Jacinto num. 28, Manila.
(6) 1898 September 30 issue, La Independencia newspaper entire with “El 82” advertisement showing the list of products and corresponding volume or quantity and prices at the shop at Calle San Jacinto num. 28, Manila.
(7) Calendario Para El Ano de 1899 de El 82 Hechopara regular a los Parroquianos de estatienda. Manila Calle Rosario, Provisionalmente, S. Jacinto No. 28, Manila: 1898.
(8) Circa 1899, an old advertisement of “El 82” at Calle San Jacinto, numero 28, taken from the back cover of a book by Isabelo de los Reyes as indicated on reverse page.
(9) An old advertisement of “El 82” Almacen de Pinturas, Plaza de Binondo, Manila.
(10) 1908 June 6, “El 82” receipt on printed stationery amounting to P12.30, with rectangular marking of the branch of the paint shop at Colon 230, Manila.
(11) 1910 January 15, “El 82” receipt on printed stationery amounting to P2.05, with original signature of Roman Ongpin.
(12) 1911 November 14 issue, cover page of Renacimiento Filipino RevistaIlustrada magazine, Ano II, Num. 66, showing the new building of “El 82” located at Plaza Calderon de la Barca, Binondo, Manila, as designed by Architect Arcadio Arellano.
(13) An old advertisement of “El 82” in Plaza de Binondo, Manial showing a picture of the new building, taken from Renacimiento Filipino RevistaIlustrada magazine.
Roman Ongpin & El 82 Memorabilia
Late 19th Century
Opening bid: P 250,000
Provenance:
Manila
Roman Ongpin Collection
Lot 158 of the Leon Gallery auction on 10 September 2016. For more information, please see www.leon-gallery.com
On March 1882, Roman Ongpin (1847-1912) founded the famous ‘El 82’, the first Filipino hardware store that sold goods at fixed prices. His shop also sold art supplies and was patronized by the local artists of the time. A staunch nationalist, Ongpin patronized all things Filipino and always wore the Barong Tagalog. His store also became a convenient meeting place for Filipinos and a source of propaganda updates and events of the day. During the Revolution, he secretly supported the Katipuneros and used his store as a conduit for the importation of arms and ammunition for the Filipino Army.
He continued his unwavering support to the Filipino cause even during the American colonial regime and was imprisoned for his patriotic ideas of freedom. Active in civic works, he was president of Asilo de Invalidos de Guerra, an institution for the disabled Philippine American War veterans and helped maintain the Gota de Leche, a charity organized to provide milk to needy infants. He was a staunch supporter of the fiery nationalist Isabelo de los Reyes, becoming the first treasurer of Union Obrera de Filipinas, a labor union. Don Roman married Pascuala Domingo, the granddaughter of the country's first artist Damian Domingo. They had nineteen children.
Included herewith are the following memorabilia:
(1) A wooden palette with “EL * 82” OBSEQUIO A SUS FAVORECEDORES” at upper left and oil painting of “a woman milking cow.”
(2) Circa 1890s, an old “’El 82’ OBSEQUIO A SUS FAVORECEDORES” wooden picture frame with three Spanish Philippines vintage photographs.
(3) Circa 1890s to early 1900s, another old wooden picture frame with two photos of Roman Ongpin and El 82 illustraded advertisements.
(4) Circa 1890s, “EL 82 / MANILA” 4-inch high bottle with embossed text.
(5) 1898 September 10 issue, La Independencia newspaper entire with “El 82” advertisement about the transfer of the shop to Calle San Jacinto num. 28, Manila.
(6) 1898 September 30 issue, La Independencia newspaper entire with “El 82” advertisement showing the list of products and corresponding volume or quantity and prices at the shop at Calle San Jacinto num. 28, Manila.
(7) Calendario Para El Ano de 1899 de El 82 Hechopara regular a los Parroquianos de estatienda. Manila Calle Rosario, Provisionalmente, S. Jacinto No. 28, Manila: 1898.
(8) Circa 1899, an old advertisement of “El 82” at Calle San Jacinto, numero 28, taken from the back cover of a book by Isabelo de los Reyes as indicated on reverse page.
(9) An old advertisement of “El 82” Almacen de Pinturas, Plaza de Binondo, Manila.
(10) 1908 June 6, “El 82” receipt on printed stationery amounting to P12.30, with rectangular marking of the branch of the paint shop at Colon 230, Manila.
(11) 1910 January 15, “El 82” receipt on printed stationery amounting to P2.05, with original signature of Roman Ongpin.
(12) 1911 November 14 issue, cover page of Renacimiento Filipino RevistaIlustrada magazine, Ano II, Num. 66, showing the new building of “El 82” located at Plaza Calderon de la Barca, Binondo, Manila, as designed by Architect Arcadio Arellano.
(13) An old advertisement of “El 82” in Plaza de Binondo, Manial showing a picture of the new building, taken from Renacimiento Filipino RevistaIlustrada magazine.
©2014 Marcio Souza Photography | All Rights Reserved | Please do not use this image without my written permission ©2014 Marcio Souza Photography | Todos os Direitos Reservados | Obséquio não usar esta imagem sem permissão.
Lacrado de botellas de vino de Vindegarage Matarranya con sellos de lacre y lacre tradicional de Royal Lacre.
El lacre tradicional, es un material duro, de acabado brillante, se tiene que partir para poder abrir el documento o objeto sellado, es delicado.
Desarrollado con las fórmulas tradicionales de fabricación de lacre, aplicando un método de elaboración artesanal a base de materias primas naturales. La calidad final del producto, permite una fácil aplicación, con una elevada adherencia a cualquier tipo de superficie.
Aplicación en productos agroalimentarios de calidad: de tipo artesanal y línea gourmet, como imagen de marca habitual, o bien en ocasiones especiales: obsequios Navidad, ediciones limitadas, etc.
Mediante el sello con la marca, logotipo o identificador la empresa podrá personalizar su producto en: botellas, envases, latas, cajas de madera y paquetes, en mercados como el de vinos, vinagres, licores, aceites, conservas artesanas, turrones, chocolates y dulces.
www.instagram.com/vindegarage.matarranya/
Cacheté à la cire des bouteilles de vin de Vindegarage Matarranya avec cachets de cire à cacheter et latre tracicional de Royal Lacre.
La cire à cacheter traditionnelle, c'est un matériel dur, d'achevé brillant, il faut partir pour pouvoir ouvrir le document ou l'objet scellé, est délicat.
Développé avec les formules traditionnelles de fabrication de cire à cacheter, en appliquant une méthode d'élaboration artisanale en vertu des matières premières naturelles. La qualité finale du produit, permet une application facile, avec une adhérence élevée à n'importe quel type de surface.
Une application dans des produits agroalimentaires de qualité : d'un type artisanal et une ligne gourmet, comme image de marque habituelle, ou bien parfois spéciaux : obligeant le Noël, des éditions limitées, etc..
Au moyen du timbre sceau avec la marque, logotype ou identifiant l'entreprise pourra personnaliser son produit dans : des bouteilles, des paquets, des conserves, des caisses en bois, sur des marchés comme celui-là de vins.
Roman Ongpin & El 82 Memorabilia
Late 19th Century
Opening bid: P 250,000
Provenance:
Manila
Roman Ongpin Collection
Lot 158 of the Leon Gallery auction on 10 September 2016. For more information, please see www.leon-gallery.com
On March 1882, Roman Ongpin (1847-1912) founded the famous ‘El 82’, the first Filipino hardware store that sold goods at fixed prices. His shop also sold art supplies and was patronized by the local artists of the time. A staunch nationalist, Ongpin patronized all things Filipino and always wore the Barong Tagalog. His store also became a convenient meeting place for Filipinos and a source of propaganda updates and events of the day. During the Revolution, he secretly supported the Katipuneros and used his store as a conduit for the importation of arms and ammunition for the Filipino Army.
He continued his unwavering support to the Filipino cause even during the American colonial regime and was imprisoned for his patriotic ideas of freedom. Active in civic works, he was president of Asilo de Invalidos de Guerra, an institution for the disabled Philippine American War veterans and helped maintain the Gota de Leche, a charity organized to provide milk to needy infants. He was a staunch supporter of the fiery nationalist Isabelo de los Reyes, becoming the first treasurer of Union Obrera de Filipinas, a labor union. Don Roman married Pascuala Domingo, the granddaughter of the country's first artist Damian Domingo. They had nineteen children.
Included herewith are the following memorabilia:
(1) A wooden palette with “EL * 82” OBSEQUIO A SUS FAVORECEDORES” at upper left and oil painting of “a woman milking cow.”
(2) Circa 1890s, an old “’El 82’ OBSEQUIO A SUS FAVORECEDORES” wooden picture frame with three Spanish Philippines vintage photographs.
(3) Circa 1890s to early 1900s, another old wooden picture frame with two photos of Roman Ongpin and El 82 illustraded advertisements.
(4) Circa 1890s, “EL 82 / MANILA” 4-inch high bottle with embossed text.
(5) 1898 September 10 issue, La Independencia newspaper entire with “El 82” advertisement about the transfer of the shop to Calle San Jacinto num. 28, Manila.
(6) 1898 September 30 issue, La Independencia newspaper entire with “El 82” advertisement showing the list of products and corresponding volume or quantity and prices at the shop at Calle San Jacinto num. 28, Manila.
(7) Calendario Para El Ano de 1899 de El 82 Hechopara regular a los Parroquianos de estatienda. Manila Calle Rosario, Provisionalmente, S. Jacinto No. 28, Manila: 1898.
(8) Circa 1899, an old advertisement of “El 82” at Calle San Jacinto, numero 28, taken from the back cover of a book by Isabelo de los Reyes as indicated on reverse page.
(9) An old advertisement of “El 82” Almacen de Pinturas, Plaza de Binondo, Manila.
(10) 1908 June 6, “El 82” receipt on printed stationery amounting to P12.30, with rectangular marking of the branch of the paint shop at Colon 230, Manila.
(11) 1910 January 15, “El 82” receipt on printed stationery amounting to P2.05, with original signature of Roman Ongpin.
(12) 1911 November 14 issue, cover page of Renacimiento Filipino RevistaIlustrada magazine, Ano II, Num. 66, showing the new building of “El 82” located at Plaza Calderon de la Barca, Binondo, Manila, as designed by Architect Arcadio Arellano.
(13) An old advertisement of “El 82” in Plaza de Binondo, Manial showing a picture of the new building, taken from Renacimiento Filipino RevistaIlustrada magazine.
Junto con Eloísa Flores, el gobernador Padrés realizó entrega de obsequios y reconocimientos a los Diputados Infantiles 2010 en el Día del Niño.
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Hace Gobernador compromiso con la niñez sonorense
Hermosillo, Sonora.- Impulsar las transformaciones necesarias desde el gobierno para garantizar a la niñez un mejor futuro en Sonora, fue el compromiso que el Gobernador Guillermo Padrés Elías hizo con los menores en el marco de los festejos del Día del Niño.
“No hay mejor inversión que la misma educación, no hay mejor manera de distribuir el ingreso que a través de la misma educación, no hay mejor instrumento de justicia que la educación”, aseguró.
Por su parte, Misael Rodríguez Rendón, Presidente de la Diputación Infantil 2010, solicitó al Ejecutivo Estatal que se tome en cuenta a la infancia en las decisiones importantes de la comunidad.
“Al tomar parte de este programa los niños somos libres de tomar nuestras propias decisiones y buscar nuestro propio espacio de participación desde el inicio”, advirtió el menor mientras el Ejecutivo lo escuchaba sentado en primera fila.
El mandatario estatal, acompañado de su esposa Iveth Dagnino de Padrés, disfrutó de una tarde de convivencia y diversión con los 33 niños que fueron elegidos en el programa Diputado Infantil por un Día, del Congreso del Estado, en el evento que encabezó junto con la Diputada Eloísa Flores, Presidenta del Congreso Estatal.
La celebración fue en las instalaciones del Parque Infantil Sonora, en donde el mandatario aprovechó la oportunidad para platicar de primera mano con los menores, escuchar sus planteamientos y dejarles un mensaje.
“El Gobierno del Estado es y será siempre respetuoso y defensor de los ejercicios de los derechos fundamentales de los niños”, aseguró.
Después de felicitar a todos y cada uno de los niños, así como a sus padres y maestros, los exhortó a seguir estudiando y preparándose para convertirse en un futuro en ciudadanos de provecho.
Padrés Elías habló de la importancia de estos programas en coordinación con la Secretaría de Educación, fundamental para el desarrollo del futuro.
Destacó ante los niños, así como diputados y funcionarios, que en Sonora gozamos de un Estado fuerte, solido y con mucha madurez política.
El amor por Sonora, agregó, debe de prevalecer por encima de cualquier ambición personal.
“Sonora es y será siempre mucho más importante que cualquier anhelo personas, lo demostraron así todos los partidos, lo demostraron así todos los ciudadanos y espero que ustedes tomen eso como ejemplo y como base”, mencionó al retomar la experiencia del pasado proceso electoral.
También se contó con la participación de Eloísa Flores García, Presidenta de la Mesa Directiva del Congreso del Estado, destacando la importancia de cuidar a los niños y reconocer su importancia como líderes del futuro.
“Con gran admiración y orgullo les aplaudimos, por encima de todo nos sentimos orgullosos por la esperanza que ustedes representan, que ustedes son nuestro presente y son nuestro futuro”, externó.
Los pequeños también estuvieron acompañados de Sergio Yáñez Rueda, Vocal Ejecutivo de la Junta Local del IFE; Óscar Ochoa Patrón, Secretario de Educación y Cultura; Hilda Benítez, Consejera Presidenta del Consejo Estatal Electoral (CEE), así como de sus padres, maestros y el resto de los diputados de la presente legislatura local.
©2007-2017 Marcio Souza Photography | All Rights Reserved | Please do not use this image without my written permission ©20007-2017 Marcio Souza Photography | Todos os Direitos Reservados | Obséquio não usar esta imagem sem permissão.
En Cataluña tenemos una tradición: por San Jorge los hombres regalan una rosa a su pareja y las mujeres les obsequian con un libro. Una tradición que une el amor, la belleza y la cultura.
Para todas mis amigas vaya en su obsequio esta rosa virtual y para mis amigos he desempaquetado una vieja ilustración del Quijote de Doré y, para tod@s el epitafio de Dulcinea, la dama de Don Quijote. (También recordar que, el 23 de abril se conmemora el día mundial del libro, en homenaje a los dos grandes genios de la literatura universal, Shakespeare y Cervantes, que murieron en un 23 de abril)
Pd. Marmi, aunque esteís en Galicia, no le perdones la rosa a Andreu.
In Catalonia we have a tradition: for Saint George the men give a rose to their couple and the women give them with a book. A tradition that unites the love, the beauty and the culture.
For all my friends this virtual rose goes in its gift and it stops my friends I have unwrapped an old illustration of the Cuisse of I Gilded and, for tod@s the epitaph of Dulcinea, the lady of Don Quijote. (Also to remember that, April 23 are commemorated the world day of the book, in homage to the two big geniuses of the universal literature, Shakespeare and Cervantes that died in April 23).
La Catedral Metropolitana de Panamá es un templo católico localizado en el casco antiguo de la Ciudad de Panamá. Fue consagrada en 1796, aunque los trabajos de construcción iniciaron en 1688, 108 años antes. La catedral es la sede episcopal de la Arquidiócesis de Panamá.
La Catedral Metropolitana de Panamá es heredera de la Catedral erigida por el Papa Adriano VI en la gran casa del Cacique Cémaco, cuando los españoles lo enfrentaron y ofrecieron fundar una población dedicada a Santa María de la Antigua, en 1510. En 1513 se dicta la bula por la cual La Antigua se eleva al rango de Diócesis, y su iglesia al rango de Catedral, siendo su primer obispo Fray Juan de Quevedo.
Luego de ser abandonada Santa María la Antigua del Darién por orden de Pedro Arias de Ávila, quien en 1519 había fundado Panamá a la orilla del Mar del Sur, la catedral de la nueva población heredó el traslado de insignias, bulas y reliquias de la Antigua del Darién. Posterior al incendio ocasionado para librarse del pirata Henry Morganen 1671, la ciudad fue traslada al actual Casco Antiguo de la ciudad de Panamá en 1673 y con este traslado se dispone el levantamiento de una nueva Catedral, cuya construcción toma 108 años, es decir, de 1688 a 1796.
Es un edificio amplio, de alto techo en dos aguas. Posee dos torres rebocadas, alguna vez pintadas de rojo en su parte superior, con incrustaciones de madreperla que se consideraron las más altas de América Latina por mucho tiempo. Las paredes son de piedra, la fachada está tallada en estilo renacimiento con elementos clásicos de decorado (a lo que usualmente se llama estilo jesuítico). Tiene tres naves a las que se acceden directamente por tres puertas desde la fachada. Hay otras dos naves de capillas a las que faltan las divisiones respectivas.
El techo está sostenido por un verdadero bosque de cerca de 67 columnas cruciformes hechas de piedra y ladrillo. El santuario y el Santísimo están a 7 escalones sobre el nivel de las naves y aunque todo está pintado de blanco, esa sección, en lo alto, está pintado de celeste, colores de la Virgen.
Su retablo mayor es una obra de fines del Siglo XIX muy posiblemente realizada por maestros franceses que trabajaban para la construcción del Canal Interoceánico. Desde Darién a Panamá Viejo y de allí al sitio actual, vinieron las reliquias traídas de Sevilla de San Aurelio y San Getulio, en ambos casos, restos completos. Las campanas de la torre catedralicia de Panamá Viejo quedaron inservibles al derretirse parcialmente en el fuego de 1737, por lo que las campanas que hoy ostenta fueron de fabricación dieciochesca, como obsequios de antiguos obispos panameños que habían sido trasladados a América del Sur. Posee una Sacristía amplia, alguna vez de dos niveles, único edificio colonial panameño con cúpula. Bajo el santuario-santísimo hay dos habitaciones abovedadas, la Cripta de los Obispos. Desde la Sacristía se podía acceder a otra habitación inferior donde reposaron los archivos de la Catedral. Tiene 10 ventanas grandes y altas que desde principios del siglo XX se enriquecieron con hermosos vitrales influenciados por l'art decórative. Las lámparas actuales, de bronce dorado con diseño tradicional, fueron obsequiadas por la Arquidiócesis de Río de Janeiro. La catedral se levanta en el lado oeste de la Plaza Mayor. La rodea un amplio altozano a 6 escalones sobre el nivel de la calle y un escalón más para entrar al templo. Detrás está la antigua Casa.
Translated from Spanish to English
Panama Metropolitan Cathedral is a Catholic church located in the old town of Panama City . It was consecrated in 1796, although construction work began in 1688, 108 years earlier. The Cathedral is the episcopal see of the Archdiocese of Panama .
Panama Metropolitan Cathedral Cathedral is heir erected by Pope Adrian VI in the great house of the Cacique Cémaco, when the Spanish confronted him and offered to establish a town devoted to Santa Maria de la Antigua, in 1510 . In 1513 to promulgate the bull by which the former is elevated to the rank of diocese and his church to the rank of Cathedral, and became its first bishop, Fray Juan de Quevedo.
After being abandoned Santa Maria la Antigua del Darién in order of Pedro Arias de Avila , who in 1519 had founded the bank of Panama to the South Sea , the cathedral of the new town inherited the transfer of badges, bulls and relics of the former Darien. After the fire caused to get rid of the pirate Henry Morgane 1671, the city was moved to the current Old Town of Panama City in 1673 and this move provides for the lifting of a new cathedral, whose construction takes 108 years, ie 1688 to 1796.
The building is large, high gabled roof. Mortered has two towers, once painted red on top, inlaid with mother of pearl , which was considered the highest in Latin America for long. The walls are of stone, the facade is carved in Renaissance style with classic elements of the scene (what is usually called Jesuit style.) It has three ships to those served directly by three doors down from the facade. Two other ships of chapels at missing the respective divisions.
The roof is supported by a veritable forest of about 67 columns cruciform made of stone and brick. The shrine and the Blessed are 7 steps on the level of craft and although everything is painted white, that section at the top, is painted blue, the colors of the Virgin.
Its altarpiece is a work of most late nineteenth century, most likely by French teachers working for the construction of the Panama Canal. From Darien to Panama Viejo and then to the current site, came the relics brought from Seville to San Aurelio and San Getulio , in both cases, complete rest. The bells of the cathedral tower of Panama Viejo were useless to partially melt in the fire of 1737 , so that the bells were now manufacturing holds the eighteenth century, gifts of former Panamanian bishops who had been transferred to South America. It has a vestry wide, sometimes with two levels, only colonial building Panamanian leadership . Under the most holy shrine, there are two vaulted rooms, the Crypt of the Bishops. From the vestry had access to another room where they rested below the archives of the Cathedral. Has 10 big and tall windows that since the early twentieth century were enriched with beautiful stained glass decorative influenced by l'art. The current lamps of bronze gold traditional design, were donated by the Archdiocese of Rio de Janeiro . The cathedral stands on the west side of the Plaza Mayor. Surrounding a large hill to 6 steps on the street level and a step to enter the temple. Behind is the old house.
©2014 Marcio Souza Photography | All Rights Reserved | Please do not use this image without my written permission ©2014 Marcio Souza Photography | Todos os Direitos Reservados | Obséquio não usar esta imagem sem permissão.
El presidente de la Cámara de Comercio de Madrid y de CEIM, Arturo Fernández (segundo por la izquierda), obsequia al ministro de Economía de Panamá, Alberto Vallarino (segundo por la derecha). Junto a ellos, el embajador de Panamá en España, Álvaro Tómas (en el lateral izquierdo), y el vicepresidente primero de la Cámara, Miguel Corsino (en el lateral derecho).
Baltasar Ramos, industrial zaragozano, con el obsequio recibido de Federico Martín Bahamontes en una de sus visitas a Toledo.
©2015 Marcio Souza Photography | All Rights Reserved | Please do not use this image without my written permission ©2015 Marcio Souza Photography | Todos os Direitos Reservados | Obséquio não usar esta imagem sem permissão.
El mandatario estatal, convivió con representantes ganaderos al dar finalizado la 75 asamblea anual de la Unión Ganadera Regional de Sonora.
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Anuncia Gobernador Padrés apoyos extraordinarios para fortalecer al sector ganadero.
HERMOSILLO, SONORA, ABRIL 27 DE 2013.- Apoyos extraordinarios por más de 80 millones de pesos, anunció el Gobernador Guillermo Padrés en el marco de los trabajos de la 75 Asamblea Anual de la Unión Ganadera Regional de Sonora, (UGRS) para continuar fortaleciendo al sector ganadero.
En el teatro de la URGS a su máxima capacidad, el mandatario sonorense y el dirigente recién reelecto del gremio ganadero, Luis Sierra Maldonado, signaron los convenios de programa de apoyo entre el Gobierno del Estado y el Gremio Ganadero para el 2013, ejercicio de colaboración anual por medio del cual el Estado ha invertido en los últimos 4 años más de 170 millones de pesos.
“Quiero reiterarles el compromiso del Gobierno del Estado y del mío propio para seguir colaborando con la Unión Ganadera Regional, ustedes son muy importantes para el crecimiento y el desarrollo de Sonora”, señaló el Gobernador Guillermo Padrés,
Los convenios de apoyo contemplan 25 millones de pesos para la rehabilitación de caminos vecinales, una bolsa de 40 millones de pesos entre Estado y Federación para el mejoramiento genético; 10 millones de pesos para el programa de semilla y 5 millones de pesos para subsidiar el alimento del ganado y la transportación del mismo.
El Jefe del Ejecutivo también anunció que con el apoyo federal se destinarán 10 millones de pesos para equipar y perforar los pozos de abrevaderos, y se comprometió a realizar todos los trámites para apoyar a todos los productores del sur para que eleven el status de sanidad y darle mayor valor a sus animales.
El Gobernador Padrés, agradeció el respaldo del Presidente Enrique Peña Nieto y al Secretario de SAGARPA, Enrique Martínez y Martínez para lograr estos apoyos en beneficio del sector ganadero y seguir contribuyendo al crecimiento y desarrollo del Estado.
“Los felicito por darle rumbo, fortaleza y unidad a este patrimonio que tenemos todos los ganaderos y los sonorenses, que es la Unión Ganadera Regional” , expresó el mandatario sonorense.
Recordó que durante su gobierno, desde el 2009 a la fecha se ha firmado convenios de colaboración con la Unión Ganadera Regional por un monto superior a los 170 millones de pesos.
"Somos y seremos parte del esfuerzo que hacen los ganaderos, el Gobierno va a apoyar a todos los ganaderos para que puedan seguir creciendo y que sigan dándonos esa distinción de ser de los mejores estados en la mejora genética y la calidad de la carne", dijo el Gobernador en entrevista posterior.
Por su parte, Luis Sierra Maldonado, en informe de actividades subrayó el apoyo del Gobierno del Estado durante los últimos tres años, en los cuales se ha logrado posicionar a Sonora como líder en el status sanitario y gracias a ello hoy la actividad ganadera está más sólida y con más activos.
“El trabajo coordinado con su gobierno, ha permitido a nuestra organización tener siempre a un aliado con el único fin de fortalecer a una actividad orgullo de Sonora y del País”, señaló.
En esta 75 asamblea de la UGRS, el Gobernador Padrés y el líder ganadero, entregaron la medalla al Mérito Ganadero por su destacada trayectoria a Juan de Dios Gastelum, Amador Ronquillo Meléndrez y Filiberto Figueroa García.
A la asamblea anual de la Unión Ganadera, acudieron Oswaldo Cházaro Montaño, presidente de la Confederación Nacional de Organizaciones Ganaderas; el Alcalde Alejandro López Caballero; el Secretario de SAGARHPA, Héctor Ortiz Ciscomani; el delegado de SAGARPA, Prisciliano Meléndrez Barrios; Sinecio Magaña Ortiz, comandante del 24 Batallón de infantería de la Cuarta Zona Militar; y los presidentes de las asociaciones ganaderas locales y de todo el Estado.
De igual forma estuvieron Gustavo Rodríguez Cabrales, Presidente de la Unión Ganadera Regional de Baja California Norte; Pedro Rúben Ferreiro de la Unión Ganadera Regional de Chihuahua; Adrian de la Garza Tijerina y Faustino Hernández Álvarez, líderes de los ganaderos de Nuevo León y Sinaloa respectivamente.
"Feliz Feliz no cumpleaños a ti a tu!"
Gracias por hacer mi "año nuevo" fantástico. Este es un obsequio de mi a tu. Descarga con click derecho y usalo de fondo de pantalla.
Aeronave: Airbus A330-223
Operador: TAP Portugal
Local: Aeroporto Internacional de Guarulhos André Franco Montoro - SBGR
Prefixo: CS-TOG
Numero de Construção: 312
©2014 Icaro Roberto | All Rights Reserved | Please do not use this image without my written permission ©2014 Icaro Roberto | Todos os Direitos Reservados | Obséquio não usar esta imagem sem permissão.
Contato: icaro.roberto@aeroin.net
Roman Ongpin & El 82 Memorabilia
Late 19th Century
Opening bid: P 250,000
Provenance:
Manila
Roman Ongpin Collection
Lot 158 of the Leon Gallery auction on 10 September 2016. For more information, please see www.leon-gallery.com
On March 1882, Roman Ongpin (1847-1912) founded the famous ‘El 82’, the first Filipino hardware store that sold goods at fixed prices. His shop also sold art supplies and was patronized by the local artists of the time. A staunch nationalist, Ongpin patronized all things Filipino and always wore the Barong Tagalog. His store also became a convenient meeting place for Filipinos and a source of propaganda updates and events of the day. During the Revolution, he secretly supported the Katipuneros and used his store as a conduit for the importation of arms and ammunition for the Filipino Army.
He continued his unwavering support to the Filipino cause even during the American colonial regime and was imprisoned for his patriotic ideas of freedom. Active in civic works, he was president of Asilo de Invalidos de Guerra, an institution for the disabled Philippine American War veterans and helped maintain the Gota de Leche, a charity organized to provide milk to needy infants. He was a staunch supporter of the fiery nationalist Isabelo de los Reyes, becoming the first treasurer of Union Obrera de Filipinas, a labor union. Don Roman married Pascuala Domingo, the granddaughter of the country's first artist Damian Domingo. They had nineteen children.
Included herewith are the following memorabilia:
(1) A wooden palette with “EL * 82” OBSEQUIO A SUS FAVORECEDORES” at upper left and oil painting of “a woman milking cow.”
(2) Circa 1890s, an old “’El 82’ OBSEQUIO A SUS FAVORECEDORES” wooden picture frame with three Spanish Philippines vintage photographs.
(3) Circa 1890s to early 1900s, another old wooden picture frame with two photos of Roman Ongpin and El 82 illustraded advertisements.
(4) Circa 1890s, “EL 82 / MANILA” 4-inch high bottle with embossed text.
(5) 1898 September 10 issue, La Independencia newspaper entire with “El 82” advertisement about the transfer of the shop to Calle San Jacinto num. 28, Manila.
(6) 1898 September 30 issue, La Independencia newspaper entire with “El 82” advertisement showing the list of products and corresponding volume or quantity and prices at the shop at Calle San Jacinto num. 28, Manila.
(7) Calendario Para El Ano de 1899 de El 82 Hechopara regular a los Parroquianos de estatienda. Manila Calle Rosario, Provisionalmente, S. Jacinto No. 28, Manila: 1898.
(8) Circa 1899, an old advertisement of “El 82” at Calle San Jacinto, numero 28, taken from the back cover of a book by Isabelo de los Reyes as indicated on reverse page.
(9) An old advertisement of “El 82” Almacen de Pinturas, Plaza de Binondo, Manila.
(10) 1908 June 6, “El 82” receipt on printed stationery amounting to P12.30, with rectangular marking of the branch of the paint shop at Colon 230, Manila.
(11) 1910 January 15, “El 82” receipt on printed stationery amounting to P2.05, with original signature of Roman Ongpin.
(12) 1911 November 14 issue, cover page of Renacimiento Filipino RevistaIlustrada magazine, Ano II, Num. 66, showing the new building of “El 82” located at Plaza Calderon de la Barca, Binondo, Manila, as designed by Architect Arcadio Arellano.
(13) An old advertisement of “El 82” in Plaza de Binondo, Manial showing a picture of the new building, taken from Renacimiento Filipino RevistaIlustrada magazine.
Roman Ongpin & El 82 Memorabilia
Late 19th Century
Opening bid: P 250,000
Provenance:
Manila
Roman Ongpin Collection
Lot 158 of the Leon Gallery auction on 10 September 2016. For more information, please see www.leon-gallery.com
On March 1882, Roman Ongpin (1847-1912) founded the famous ‘El 82’, the first Filipino hardware store that sold goods at fixed prices. His shop also sold art supplies and was patronized by the local artists of the time. A staunch nationalist, Ongpin patronized all things Filipino and always wore the Barong Tagalog. His store also became a convenient meeting place for Filipinos and a source of propaganda updates and events of the day. During the Revolution, he secretly supported the Katipuneros and used his store as a conduit for the importation of arms and ammunition for the Filipino Army.
He continued his unwavering support to the Filipino cause even during the American colonial regime and was imprisoned for his patriotic ideas of freedom. Active in civic works, he was president of Asilo de Invalidos de Guerra, an institution for the disabled Philippine American War veterans and helped maintain the Gota de Leche, a charity organized to provide milk to needy infants. He was a staunch supporter of the fiery nationalist Isabelo de los Reyes, becoming the first treasurer of Union Obrera de Filipinas, a labor union. Don Roman married Pascuala Domingo, the granddaughter of the country's first artist Damian Domingo. They had nineteen children.
Included herewith are the following memorabilia:
(1) A wooden palette with “EL * 82” OBSEQUIO A SUS FAVORECEDORES” at upper left and oil painting of “a woman milking cow.”
(2) Circa 1890s, an old “’El 82’ OBSEQUIO A SUS FAVORECEDORES” wooden picture frame with three Spanish Philippines vintage photographs.
(3) Circa 1890s to early 1900s, another old wooden picture frame with two photos of Roman Ongpin and El 82 illustraded advertisements.
(4) Circa 1890s, “EL 82 / MANILA” 4-inch high bottle with embossed text.
(5) 1898 September 10 issue, La Independencia newspaper entire with “El 82” advertisement about the transfer of the shop to Calle San Jacinto num. 28, Manila.
(6) 1898 September 30 issue, La Independencia newspaper entire with “El 82” advertisement showing the list of products and corresponding volume or quantity and prices at the shop at Calle San Jacinto num. 28, Manila.
(7) Calendario Para El Ano de 1899 de El 82 Hechopara regular a los Parroquianos de estatienda. Manila Calle Rosario, Provisionalmente, S. Jacinto No. 28, Manila: 1898.
(8) Circa 1899, an old advertisement of “El 82” at Calle San Jacinto, numero 28, taken from the back cover of a book by Isabelo de los Reyes as indicated on reverse page.
(9) An old advertisement of “El 82” Almacen de Pinturas, Plaza de Binondo, Manila.
(10) 1908 June 6, “El 82” receipt on printed stationery amounting to P12.30, with rectangular marking of the branch of the paint shop at Colon 230, Manila.
(11) 1910 January 15, “El 82” receipt on printed stationery amounting to P2.05, with original signature of Roman Ongpin.
(12) 1911 November 14 issue, cover page of Renacimiento Filipino RevistaIlustrada magazine, Ano II, Num. 66, showing the new building of “El 82” located at Plaza Calderon de la Barca, Binondo, Manila, as designed by Architect Arcadio Arellano.
(13) An old advertisement of “El 82” in Plaza de Binondo, Manial showing a picture of the new building, taken from Renacimiento Filipino RevistaIlustrada magazine.
©2013 Marcio Souza Photography | All Rights Reserved | Please do not use this image without my permission
©2013 Marcio Souza Photography | Todos os Direitos Reservados | Obséquio não usar esta imagem sem permissão.
©2014 Marcio Souza Photography | All Rights Reserved | Please do not use this image without my written permission ©2014 Marcio Souza Photography | Todos os Direitos Reservados | Obséquio não usar esta imagem sem permissão.
Aeronave: Boeing 767-432(ER)
Operador: Delta Airlines
Local: Aeroporto Internacional de Guarulhos André Franco Montoro - SBGR
Prefixo: N838MH
Numero de Construção: 29711
©2014 Icaro Roberto | All Rights Reserved | Please do not use this image without my written permission ©2014 Icaro Roberto | Todos os Direitos Reservados | Obséquio não usar esta imagem sem permissão.
Contato: icaro.roberto@aeroin.net