View allAll Photos Tagged obfuscation
A lost taillight that I thought would look cool with the green. I like the leaves obfuscating the light because it makes it difficult to tell exactly what it is. The first realization is based on color, nothing else.
4me4you features ‘Towards a Blue Room’.
Artist: Timothy Lai
4me4you recently had the privilege of experiencing the captivating exhibition at Josh Lilley Gallery featuring the works of Timothy Lai. Lai's paintings, much like the subjects they depict, reside in a realm of perpetual transformation, hovering delicately between the tangible and the abstract, between revelation and retreat. Inspired by Chet Baker's poignant rendition of Blue Room, Lai's artistry celebrates the nuanced moments of domesticity—some mundane, others turbulent—that define the human experience. Each canvas serves as a vessel for the essence of suspended time, inviting viewers to decipher the subtle clues and profound implications embedded within.
Lai assumes the role of a conductor, orchestrating an intimate symphony of visual narratives that demand active participation from the observer. Through techniques of camouflage and pixelation, he veils his subjects, blurring the boundaries between viewer and viewed. In safeguarding their vulnerability, Lai initiates a dialogue on the intricate dynamics of subjectivity, where the relinquishment of individual identity converges with the emergence of collective consciousness. As witnesses to his artistry, we are propelled into the roles of reluctant bystanders, silent mediators, or compassionate companions, navigating the uncharted waters of human connection with patience and empathy.
Spanning a diverse array of larger vignettes and intimate compositions, Lai employs the compositional frame as a tool for dissecting barriers—both societal and self-imposed—that shape our existence. Drawing from a rich tapestry of historical and visual references, he reimagines the act of masking as a conduit for deeper introspection and nuanced discourse. From religious rites of enshroudment to the deliberate obfuscation of truth in contemporary art, Lai challenges conventional notions of concealment, inviting viewers to confront the complexities of perception and identity.
"Towards a Blue Room" serves as a profound exploration of confluence, probing the liminal spaces where boundaries blur and possibilities unfold. In Lai's masterful strokes, dissolution intertwines with protection, reflection merges with exposure, offering glimpses into the kaleidoscopic nature of human experience. Each brushstroke beckons us to traverse the threshold between certainty and ambiguity, forging new pathways of understanding and connection.
In essence, Lai's work transcends the confines of traditional artistry, offering a kaleidoscopic lens through which to interpret the intricacies of the human condition. As we immerse ourselves in the labyrinth of his creations, we are reminded of the profound power of art to illuminate, provoke, and ultimately, unite us in our shared journey towards understanding.
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Draft Resolution October 24, 2009 .
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NO TO USE OF ARMY & AIR FORCE AGAINST NAXALITESBranding 'left wing extremism' as the most serious threat to internal security, the PrimeMinister Manmohan Singh led Govt. is unleashing serious onslaught on certain areas ofthe country where such forces are strong. Armed forces of the country are being pressedinto this attack. Nearly one lakh Special Forces are being trained by the Army for thepurpose. Govt. spokesmen are obfuscating the role of the Army in this offensive..
Rashtriya Rifles and ITBP are being thrown in. Air Force has been given permission for.
firing in "self-defense". This last word is being added only to confuse the people. Whereis the question of "self-defense" when Air Force is being asked to take part in offensiveactiop.? Air Force helicopters are being readied for attack and will carry special "Garuda"Air Force personnel who are being given combat role. .
Union Home Minister P. Chidambaram is articulating the strategy of "capture, hold,develop" against areas where Naxalites, to begin with CPI (Maoist), are strong. He isechoing US Gen. McChrystal's Afghanistan strategy, essentially a strategy ofoccupation.In this vision development comes last and it has not come for last over 62 years. And it is.
even now being used to camouflage what is essentially a move to deprive the people oftheir right to livelihood. .
Everyone within the Government and outside is in agreement that the tribal areas of the.
country are underdeveloped. Lots of money has been spent in the name of developmentofthese regions, but the money has simply evaporated and there is no record ofwhere it.
has gone. The people of these areas remain deprived of the most basic food, education.
and health services. Despite these areas having been in the 'hold' of .
'democratically'elected governments since 1947, this is the status of development. The root cause ofthepresent struggles are the policies being implemented by the rulers since 1947, which are.
in the interests ofa handful and opposed to the interests ofthe vast multitude..
It is a fact that vast majority ofIndian people are suffering from poverty, deprivation and.
deteriorating conditions. Poor peasants and workers are subj ected to the violence of.
landlords, their henchmen, police forces and forest officials. The government has givenup even the pretense of land reforms and is even taking away the land ofpeasants in thename ofdevelopment, for SEZs and for exploitation of mineral wealth. The Indian statehas stood for the exploitation and oppression ofthe vast populace and is suppressing the.
struggles of peasants and workers. It is revealing that an establishment which turns a.
blind eye towards, and even sponsors the weapons of landlords and ruling parties andpoliticians, launches a propaganda blitz against the resistance by the people against.
attacks on their livelihood and land. The Govt. is resorting to distortions, exaggerationsand even utter falsehoods in its propaganda to justify its new offensive. .
It is ironical that rather than rectifying the problems being drawn attention to by people'sstruggles (including those led by the Maoists), the government decides to stamp out thedissidence by using the armed forces. Along with this Army action goes enactment ofanti-democratic laws, indiscriminate arrests, torture, intimidation and fake encounters. .
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Feeling less like reading a book and more like having a conversation with a friend over a good beer, this cuts through all the silliness, scare tactics and obfuscation and gives them as close of a reality dose as they can handle before that bundle of joy drops into their world. Cost: $8.99
4me4you features ‘Towards a Blue Room’.
Artist: Timothy Lai
4me4you recently had the privilege of experiencing the captivating exhibition at Josh Lilley Gallery featuring the works of Timothy Lai. Lai's paintings, much like the subjects they depict, reside in a realm of perpetual transformation, hovering delicately between the tangible and the abstract, between revelation and retreat. Inspired by Chet Baker's poignant rendition of Blue Room, Lai's artistry celebrates the nuanced moments of domesticity—some mundane, others turbulent—that define the human experience. Each canvas serves as a vessel for the essence of suspended time, inviting viewers to decipher the subtle clues and profound implications embedded within.
Lai assumes the role of a conductor, orchestrating an intimate symphony of visual narratives that demand active participation from the observer. Through techniques of camouflage and pixelation, he veils his subjects, blurring the boundaries between viewer and viewed. In safeguarding their vulnerability, Lai initiates a dialogue on the intricate dynamics of subjectivity, where the relinquishment of individual identity converges with the emergence of collective consciousness. As witnesses to his artistry, we are propelled into the roles of reluctant bystanders, silent mediators, or compassionate companions, navigating the uncharted waters of human connection with patience and empathy.
Spanning a diverse array of larger vignettes and intimate compositions, Lai employs the compositional frame as a tool for dissecting barriers—both societal and self-imposed—that shape our existence. Drawing from a rich tapestry of historical and visual references, he reimagines the act of masking as a conduit for deeper introspection and nuanced discourse. From religious rites of enshroudment to the deliberate obfuscation of truth in contemporary art, Lai challenges conventional notions of concealment, inviting viewers to confront the complexities of perception and identity.
"Towards a Blue Room" serves as a profound exploration of confluence, probing the liminal spaces where boundaries blur and possibilities unfold. In Lai's masterful strokes, dissolution intertwines with protection, reflection merges with exposure, offering glimpses into the kaleidoscopic nature of human experience. Each brushstroke beckons us to traverse the threshold between certainty and ambiguity, forging new pathways of understanding and connection.
In essence, Lai's work transcends the confines of traditional artistry, offering a kaleidoscopic lens through which to interpret the intricacies of the human condition. As we immerse ourselves in the labyrinth of his creations, we are reminded of the profound power of art to illuminate, provoke, and ultimately, unite us in our shared journey towards understanding.
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