View allAll Photos Tagged obfuscation
Beijing Military Museum.
My latest project (even though I haven't finished any of the others) is going to be on Red Tourism - the transformation of the CCP's history/myth/obfuscations into what the Chinese like to call 'places of interest'. These sites are spread across the country, usually comprising former Communist bases from a time when they were just a struggling guerilla force. 'Red Tourism' is the government's plan to attract visitors to these often deprived areas, whilst simultaneously burnishing their own image and advertising the so-called 'national spirit'.
Next up, a visit to Xibaipo, a revolutionary village where Mao planned his 'peaceful liberation' of Beijing.
"From Politicians to marketers, from advocacy groups to brands - Everyone seeks to convince others has an incentive to distort, exaggerate or obfuscate the facts." ~ Unesco
“PYRAMID COMPLEX” - Curiosity Sol 1281 NavCam
Image Designation: NLB_511217298EDR_F0531284NCAM07753M
Link: mars.jpl.nasa.gov/msl-raw-images/proj/msl/redops/ods/surf...
Anomaly hunters have learned that NASA/JPL will often overlook anomalies on the horizon. We therefore take our time to examine the “far reaches” of an image for items that escape detection by their AI software and human operator intervention.
Such is the case in this particular image. Some two miles (estimated) from the rover’s navigation cameras, pyramidal shapes catch the eye in our first view. Zooming in, our second view reveals what appears to be a pyramid complex showing at least three distinct pyramids.
As we go to hyper zoom, we can clearly see walls forming right angles and archways on the lower level of the pyramid on the right. These are not “just rocks”, folks. If you thought you were viewing an image taken on earth, you would immediately identify it for what it is: a pyramid complex with walls and apparent doorways.
It’s just possible that NASA/JPL is purposely allowing more non-fractal items to slip through their obfuscation gauntlet as part of their so-called “soft disclosure” efforts. Whatever the case, more and more anomalies are right there in front of our eyes for those who will take the time to look!
001,002, two shots of a window sill from the interior of a possible residential building. Interior is covered in plants possibly fichus type plants. Outside the building are a variety of plants, possibly palm trees and cypress or oak trees. On one side of the window sill is wood paneling. 003, shot of the interior of a possible residential type building, such as a private home. Architecture style is a mix of modernist and ecological or sustainable. Floor is covered in carpet including stairwell. Wooden beams and high placed windows allow in a lot of light. A variety of plants and flora cover the floor, walls, and even wooden beams on top of the interior, ranging from palms to fichus plants, to ferns. 004-009,013,016-018, multiple shots of two females, one standing and one sitting in a possible storage room area. Woman sitting down is older and has short light hair and wears a floral patterned outfit. Standing woman has short dark hair and wears a semi formal outfit. Both of them hold and admire a porcelain type diorama of female children in Victorian or Edwardian outfits with the faces obfuscated. Desk lamps, ceiling lamps, boxes and other objects such as a mobile made of small pots occupy the background. 010,014,015, three shots of a window sill that holds a glass stained diorama of an arch with a top with the Christian symbol of a cross on it. In the middle of the arch is a representation of a dove and a small fountain, most likely representing the Christian concepts of the Holy Spirit and Baptism. Setting is most likely a church or other religious institution. 011,012, two shots of a entrance way of a possible residential environment, such as a private home. Door is made out of wood and glass. Large window sills hang overhead. A hat stand sits by the door with hats on it. A large potted plant sits by hat stand. Floor is made of stone but as it descends is covered in carpet. Outside is a large oak tree.
Artist | Salvador Dalí (1904-1989 in Spain)
Title | The Anthropomorphic Tower (1930)
pastel on paper
65 x 50 cm
Exhibitor | Art Institute of Chicago
www.artic.edu/artworks/118662/the-anthropomorphic-tower
Salvador Dalí created Anthropomorphic Tower at a time in his career when he aligned himself with the Surrealists and began to produce dreamlike images charged with sexual desires and anxieties. This pastel relates to a painting of the same year called The Great Masturbator (now in the Museo nacional centro de arte Reina Sofia, Madrid). While in the painting the torso is clearly male and the head female, the pastel obfuscates each form’s sexual identity. Here the palette on the right is more subdued, in contrast with the color of the tower-penis in the upper left, which is so bright as to appear almost spot lit. Dalí used the motif several times during this period. Could the figure with closed eyes on the right be dreaming or hallucinating the image of the Anthropomorphic Tower<.em>? Dalí’s image is open to interpretation, which is at the heart of Surrealist art.
AIC466
We spent Tuesday morning at the Museum of Science and Industry, a museum we'd remembered visiting as kids. The website advertized a mirror maze that I hoped would be sort of cool. Dude. DUDE. That mirror maze was the COOLEST THING EVER. We got to the museum pretty much the second it opened, which meant we were the first people into the maze. For a few minutes, it was just the two of us in this otherworldly space. The room lighting changed colors really gradually while ambient music played, and the pattern of the mirrors was further obfuscated by repeating arches and lines on the floor. These pictures really don't do it justice at all. Eventually, other people started trickling in and soon the maze was echoing with delighted people squealing, "Wait, you're real?! I thought you were in the mirror!" It was so much fun; I could have stayed in there all day!
-- Pk.
We spent Tuesday morning at the Museum of Science and Industry, a museum we'd remembered visiting as kids. The website advertized a mirror maze that I hoped would be sort of cool. Dude. DUDE. That mirror maze was the COOLEST THING EVER. We got to the museum pretty much the second it opened, which meant we were the first people into the maze. For a few minutes, it was just the two of us in this otherworldly space. The room lighting changed colors really gradually while ambient music played, and the pattern of the mirrors was further obfuscated by repeating arches and lines on the floor. These pictures really don't do it justice at all. Eventually, other people started trickling in and soon the maze was echoing with delighted people squealing, "Wait, you're real?! I thought you were in the mirror!" It was so much fun; I could have stayed in there all day!
-- Pk.
It just occured to me, that this may actually be the same word as ham. Obfuscation by spelling, I thought.
Turns out it's not.
A.Word.A.Day
with Anu Garg
subfusc
PRONUNCIATION:
(sub-FUSK)
MEANING:
adjective: Dark, drab, or gloomy.
noun: Dark, formal clothing worn at some universities for exams and special occasions.
ETYMOLOGY:
From Latin subfuscus (brownish) sub- (slightly) + fuscus (dark) which also shows up in the word obfuscate. Also see the color fuscous.
USAGE:
"It darkened at Jil Sander, where Belgian designer Raf Simons produced clothes for a cloudy summer in deep, subfusc shades."
Avril Groom; Bags of Style for Well-heeled; The Australian (Sydney); Oct 1, 2008.
"The programme, a rather subfusc combination of Beethoven and Brahms, was traditional."
Andrew Clements; Leipzig Go/Chailly; The Guardian (London, UK); Sep 7, 2007.
Part of the 214-foto shoot @ the Hofvijver, Buitenhof, Den Haag @ 24-07-07, from 20:45 - 23:30.
"Just as many men measure their stature through their recognition, distinction, memorability and fame, so do I measure my stature through my anonymity, obscurity, insignificance and obfuscated infamy. Shrouded in a cloak of shadows, I am all that I want you to think I am, yet nothing, ephemeral, transient as a wisp of air, or perhaps a faint breeze. As I please, I let my elusory image slip from your mind with ease. For this, and nothing less, I say my stature is that of any, and many men."
Rather than say "dumping effluent into this river", who would not say "overpumping"?
What 'emergency'?
It has happened increasingly frequently in recent years.
Perhaps it is not 'emergency' but 'convenient'?
By clustering together, zebra demonstrate how their striping pattern help obfuscate a predator's ability to single any one animal out.
"From Politicians to marketers, from advocacy groups to brands - Everyone seeks to convince others has an incentive to distort, exaggerate or obfuscate the facts." ~ Unesco
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Bitcoin Mixers: How Do They Work and Why Are They Used? twitter.com/DrakeBeuyet Bitcoin Bitcoin Mixers: How Do They Work and Why Are They Used? Bitcoin offers pseudonymity to users by design. But in order to be completely anonymous, you’ll need to use tools like bitcoin mixers. Centralized vs. decentralized mixers There are two main types of bitcoin mixers: Centralized mixers: like Blender.io. Decentralized mixers: such as Wasabi and JoinMarket. Centralized mixers are companies that will accept your bitcoin and send back different bitcoins for a fee. While they offer an easy solution for tumbling bitcoin, they also still present a privacy challenge, as while the links between “incoming” and “outgoing” bitcoin will not be public, the mixer itself will still have a record that connects the transactions. Meaning that in the future the company could give up those records and reveal a users' connection to the coins. Decentralized mixers employ protocols such as CoinJoin to fully obscure transactions via either a coordinated or peer-to-peer method. Basically, the protocol allows a large group of users to join together an amount of bitcoin (i.e. 100 people want to mix 1 bitcoin each) and then redistribute it so everyone gets 1 bitcoin back, but no one can tell who got what or where it came from. Problems with using mixers Mixers are not without their flaws. It’s unlikely that someone else in the mixer sent the exact amount of bitcoin as you, minus the tumbler’s fee. If a law enforcement agency knows the address used by its first suspect, and if the second suspect is the only one to have received a little less of a specific amount, it’s not going to be too hard to reconnect the flow of money. This problem becomes harder to solve the more people use the mixer. Some exchanges don’t allow mixed bitcoin to enter or leave exchanges. Since exchanges can identify mixers, they label mixed bitcoin ‘tainted." Binance, for instance, has blocked withdrawals to Wasabi, a privacy-preserving bitcoin wallet that integrates a popular mixing service called CoinJoin. Other popular bitcoin mixers include Samourai and JoinMarket. It’s important to note that not all mixing services are legitimate, and some are far less effective at obscuring financial transactions than others. Be sure to do your research before using a mixer. Are bitcoin mixers illegal? The ability to obfuscate bitcoin transactions makes mixers an obvious hotbed for money laundering, attracting the likes of tax dodgers and criminals interested in hiding the proceeds of illegal activity. The question of whether using these services is illegal depends on which jurisdiction you are based in. In February 2021, then-U.S. Deputy Assistant Attorney General Brian Benczkowski said that using mixers to hide crypto transactions “is a crime.” Two months later, U.S. authorities arrested Roman Sterlingov, aka the Russian-Swedish founder of bitcoin tumbling service “Bitcoin Fog,” for helping people launder $335 million. In August 2021, Larry Harmon, the owner of a bitcoin mixer called Helix, pleaded guilty to helping darknet market criminals launder around $300 million. New anti-money laundering rules, like the Financial Action Task Force’s “travel rule” and the European Union’s AMLD-5 directive, will make laundering money tougher, and could make bitcoin tumblers less viable for people who want to join in the wider crypto economy – the sort that relies on popular exchanges accepting your coins. youtu.be/a9b1xz-5lFw
C'mon, Selworthy. Your war memorial needs attention with some water and a soft-ish brush. The patina of age can sometimes be attractive, but eventually the form of, and the words on, a memorial will be obfuscated. In this Great War centenary year maybe a little attention.... Minolta Hi-Matic AF.
"From Politicians to marketers, from advocacy groups to brands - Everyone seeks to convince others has an incentive to distort, exaggerate or obfuscate the facts." ~ Unesco
001,002, two shots of a window sill from the interior of a possible residential building. Interior is covered in plants possibly fichus type plants. Outside the building are a variety of plants, possibly palm trees and cypress or oak trees. On one side of the window sill is wood paneling. 003, shot of the interior of a possible residential type building, such as a private home. Architecture style is a mix of modernist and ecological or sustainable. Floor is covered in carpet including stairwell. Wooden beams and high placed windows allow in a lot of light. A variety of plants and flora cover the floor, walls, and even wooden beams on top of the interior, ranging from palms to fichus plants, to ferns. 004-009,013,016-018, multiple shots of two females, one standing and one sitting in a possible storage room area. Woman sitting down is older and has short light hair and wears a floral patterned outfit. Standing woman has short dark hair and wears a semi formal outfit. Both of them hold and admire a porcelain type diorama of female children in Victorian or Edwardian outfits with the faces obfuscated. Desk lamps, ceiling lamps, boxes and other objects such as a mobile made of small pots occupy the background. 010,014,015, three shots of a window sill that holds a glass stained diorama of an arch with a top with the Christian symbol of a cross on it. In the middle of the arch is a representation of a dove and a small fountain, most likely representing the Christian concepts of the Holy Spirit and Baptism. Setting is most likely a church or other religious institution. 011,012, two shots of a entrance way of a possible residential environment, such as a private home. Door is made out of wood and glass. Large window sills hang overhead. A hat stand sits by the door with hats on it. A large potted plant sits by hat stand. Floor is made of stone but as it descends is covered in carpet. Outside is a large oak tree.
001,002, two shots of a window sill from the interior of a possible residential building. Interior is covered in plants possibly fichus type plants. Outside the building are a variety of plants, possibly palm trees and cypress or oak trees. On one side of the window sill is wood paneling. 003, shot of the interior of a possible residential type building, such as a private home. Architecture style is a mix of modernist and ecological or sustainable. Floor is covered in carpet including stairwell. Wooden beams and high placed windows allow in a lot of light. A variety of plants and flora cover the floor, walls, and even wooden beams on top of the interior, ranging from palms to fichus plants, to ferns. 004-009,013,016-018, multiple shots of two females, one standing and one sitting in a possible storage room area. Woman sitting down is older and has short light hair and wears a floral patterned outfit. Standing woman has short dark hair and wears a semi formal outfit. Both of them hold and admire a porcelain type diorama of female children in Victorian or Edwardian outfits with the faces obfuscated. Desk lamps, ceiling lamps, boxes and other objects such as a mobile made of small pots occupy the background. 010,014,015, three shots of a window sill that holds a glass stained diorama of an arch with a top with the Christian symbol of a cross on it. In the middle of the arch is a representation of a dove and a small fountain, most likely representing the Christian concepts of the Holy Spirit and Baptism. Setting is most likely a church or other religious institution. 011,012, two shots of a entrance way of a possible residential environment, such as a private home. Door is made out of wood and glass. Large window sills hang overhead. A hat stand sits by the door with hats on it. A large potted plant sits by hat stand. Floor is made of stone but as it descends is covered in carpet. Outside is a large oak tree.
"From Politicians to marketers, from advocacy groups to brands - Everyone seeks to convince others has an incentive to distort, exaggerate or obfuscate the facts." ~ Unesco
001,002, two shots of a window sill from the interior of a possible residential building. Interior is covered in plants possibly fichus type plants. Outside the building are a variety of plants, possibly palm trees and cypress or oak trees. On one side of the window sill is wood paneling. 003, shot of the interior of a possible residential type building, such as a private home. Architecture style is a mix of modernist and ecological or sustainable. Floor is covered in carpet including stairwell. Wooden beams and high placed windows allow in a lot of light. A variety of plants and flora cover the floor, walls, and even wooden beams on top of the interior, ranging from palms to fichus plants, to ferns. 004-009,013,016-018, multiple shots of two females, one standing and one sitting in a possible storage room area. Woman sitting down is older and has short light hair and wears a floral patterned outfit. Standing woman has short dark hair and wears a semi formal outfit. Both of them hold and admire a porcelain type diorama of female children in Victorian or Edwardian outfits with the faces obfuscated. Desk lamps, ceiling lamps, boxes and other objects such as a mobile made of small pots occupy the background. 010,014,015, three shots of a window sill that holds a glass stained diorama of an arch with a top with the Christian symbol of a cross on it. In the middle of the arch is a representation of a dove and a small fountain, most likely representing the Christian concepts of the Holy Spirit and Baptism. Setting is most likely a church or other religious institution. 011,012, two shots of a entrance way of a possible residential environment, such as a private home. Door is made out of wood and glass. Large window sills hang overhead. A hat stand sits by the door with hats on it. A large potted plant sits by hat stand. Floor is made of stone but as it descends is covered in carpet. Outside is a large oak tree.
"From Politicians to marketers, from advocacy groups to brands - Everyone seeks to convince others has an incentive to distort, exaggerate or obfuscate the facts." ~ Unesco
4me4you features - ‘HISTORIES IN FLUX’.
Artist: Tim Kent
4me4you recently had the pleasure of visiting JD Malat Gallery to view "Histories in Flux," a new series of oil paintings by the acclaimed artist Tim Kent.
The paintings exhibited at JD Malat Gallery are reflections of what the artist describes as "playing with art history." These fragmented yet visually coherent compositions of vast interiors, sculptures, historical figures, and classical nudes blur, disconnect, and reshape before the viewer's eyes, critically engaging with the systemic power structures that Western art history has fortified, but which contemporary art must continuously challenge.
"Histories in Flux" presents twelve psychologically charged portraits, architectural depictions of estates, and cultural institutions that highlight key issues related to class, access, privacy, and consumption. Kent both resists and highlights the conformity inherent in traditional painting genres, attuned to contemporary issues. His work transforms and dissects Baroque and Georgian interior spaces, revealing an ominous past with its own dimensional terrain.
Kent's playful engagement with genre—specifically the nude, portraiture, interiors, and narrative painting—results in the distortion of old art historical systems, merging tradition with the contemporary. This imbues his work with subtle criticisms that sever traditional roles of authority. His grid-like fragmentations suggest an empirical reaction from the viewer, turning the once harmonious genre of chamber painting into a realm of architectural dissonance. As Kent states, “The perspective grid becomes a visual metaphor for the interconnectivity of how we construct our visual world and it’s influences across every level of existence.”
These obscured historic scene scapes challenge our understanding of history. Busts, portraits, monuments, museum spaces, and estates serve as vessels for thematic parallels deeply rooted in classism, elitism, and power dynamics. Through his portrayal of these traditional art historical archetypes, Kent exposes the controversial and often overlooked narratives woven into the fabric of art history's canon. While institutional spaces proudly showcase their collections as symbols of cultural education and progress, beneath this veneer lies a concealed tapestry of colonial dominance, imperial knowledge systems, class stratification, and labor obfuscation. Kent's compositions unearth these underlying complex networks, dismantling and deconstructing familiar symbols of tradition. By layering their veneer of opulence and allure with shadows and uncertainties, he transforms these once-celebrated spaces into stark objects that challenge viewers to confront the uncomfortable realities obscured by centuries of glorification.
“PYRAMID COMPLEX” - Curiosity Sol 1281 NavCam
Image Designation: NLB_511217298EDR_F0531284NCAM07753M
Link: mars.jpl.nasa.gov/msl-raw-images/proj/msl/redops/ods/surf...
Anomaly hunters have learned that NASA/JPL will often overlook anomalies on the horizon. We therefore take our time to examine the “far reaches” of an image for items that escape detection by their AI software and human operator intervention.
Such is the case in this particular image. Some two miles (estimated) from the rover’s navigation cameras, pyramidal shapes catch the eye in our first view. Zooming in, our second view reveals what appears to be a pyramid complex showing at least three distinct pyramids.
As we go to hyper zoom, we can clearly see walls forming right angles and archways on the lower level of the pyramid on the right. These are not “just rocks”, folks. If you thought you were viewing an image taken on earth, you would immediately identify it for what it is: a pyramid complex with walls and apparent doorways.
It’s just possible that NASA/JPL is purposely allowing more non-fractal items to slip through their obfuscation gauntlet as part of their so-called “soft disclosure” efforts. Whatever the case, more and more anomalies are right there in front of our eyes for those who will take the time to look!
Even in 2020 it was very difficult for me to read and understand these celestial diagrams. I can't really say what transpired between then and now; however all of a sudden I can now look at these celestial diagrams and partially understand them.
It appears that these celestial sub-cultures were so advanced in the methodology of understanding the energy levels within and around our planet's atmosphere; what takes place on and around our terra firma is basically irrelevant unless severe weather conditions and unforeseen cataclysmic events obfuscate their higher connection to these celestial energy pathways leading outside of our atmosphere.
The blue/gray pyramidal structure on the base of this horizon line is perhaps a non-entity diagram of what exists within the Dark Matter above these Energy Grid mounds. These non-entity structures that are not visible to the naked eye appear to serve as a modern antenna or satellite dish that connects the celestials with these higher level energy transit lines allowing them physical transit beyond our atmosphere using these energy pathways maintained by this energy grid mound system built across the globe. The plasma of the Dark Matter above the energy grid mounds existing across the globe; using an example like a large extended energy grid mound like "Skinwalker Ranch"; and this energy grid structure within Skinwalker Ranch is perhaps the best example because of the recent 3-dimensional research they conducted in the Dark Matter above the Ranch. My mound which I live on is far too small to be a super-conductor like "Skinwalker Ranch". I have had personal experiences on my mound that perhaps help show the potential of these energy grid mounds to help show that these energy lines exist and continue to be ever-present. My personal experiences are on a micro scale in comparison to what they have experienced on Skinwalker Ranch, Utah"; however the micro diagrams that I have found on the stones from my mound site I can hope helps us better understand our Energy Grid mound system across the globe for a collective higher purpose.
What this diagram appears to be explaining is that this non-entity structure that exists within the Dark Matter above our ancient energy grid mounds appear to pull energy from the ground (Tesla Effect) allowing these upper level energy flows to come closer to the Earth's terra firma within the geographic regions surrounding and above the ancient energy grid mounds and form an apex at the peak of this non-entity structure within the Dark Matter plasma that cannot be with the naked eye. When the atmospheric conditions are favorable with perhaps minimal energy output these portals can be stimulated to open and close at will; also shown by specific light aura, echoes, and orbs that show up in photos from my site. What has been experienced across the globe is when the physical integrity of these energy grid mounds are disrupted; these celestial entities are alerted and they take grave concern when this energy grid system is damaged or altered by human control. Based on my own personal experiences; all the celestials really expect and demand is for our modern world to respect these mound entities as ultra important not only for the celestial community, but also for the stability and integrity of those living on the terra firma surface where these energy grid mounds exist.
I think what we are witnessing with the recent experiments that have been conducted on Skinwalker Ranch is a learning process, and must be conducted slowly because of the inherit dangers learning about this celestial energy grid system existing within and across our globe. I don't know how I have come to know this, however containing and heralding this connective energy can only be used for good; otherwise our connection to this energy grid system will immediately be shut down. We must be respectful and careful entering into better understanding this celestial energy grid system....... If that makes any sense at all.
There is a connected infinite celestial beauty and awareness that comes from these ancient energy grid mounds, and learning of this higher connective celestial system that reaches deep into the extended universe with this energy grid mound system this is truly a gift from God; however at the same time these mounds and this energy grid system can be extremely fragile, and if this gift is not taken care of and respected; this gift could potentially be rescinded. Enough said. Once again I have have had many personal experiences on the mound which I live, and have learned to accept this underlying premise of full respect, only because of what I have personally witnessed. When they are ready to show us the next level; it will be on their timing, not ours. Perhaps the time is now, or not???
North America
McDonalds prints nutritional info on hash brown wrapper, but makes it completely indecipherable by using code of strange icons
- Taken at 9:37 AM on June 24, 2007 - cameraphone upload by ShoZu
I am beginning to feel that it is conceivable that as previously mentioned, a grim "great filter" solution to the Fermi Paradox could be effected by the development of technology which models the world itself: mass communication.
If the world is as Ernst Mach claims, and Einstein assumed, a theory about our sensations-- a lot of shared nurdlings regarding the big mirror -- then this would make sense of creation myths using words (the world is a narrative) such as in the Bible and mixing (the world is sensation mixed with symbols) such as in the Record of Ancient Matters, and also
1 disclose itself through an epidemic of self-awareness shared over...
2 be threatened by the use of the same self-destructive hidden-in-plain-sight obfuscation technique used at the individual level to hide the creation of value, at a global level, via...
the same mass media, such as radio and television transmissions that would otherwise have reached other civilisations on other planets.
In other news, a gentleman with a dry mouth announced six days ago that America would see another Pearl Harbour in the coming week.
I have children.
001,002, two shots of a window sill from the interior of a possible residential building. Interior is covered in plants possibly fichus type plants. Outside the building are a variety of plants, possibly palm trees and cypress or oak trees. On one side of the window sill is wood paneling. 003, shot of the interior of a possible residential type building, such as a private home. Architecture style is a mix of modernist and ecological or sustainable. Floor is covered in carpet including stairwell. Wooden beams and high placed windows allow in a lot of light. A variety of plants and flora cover the floor, walls, and even wooden beams on top of the interior, ranging from palms to fichus plants, to ferns. 004-009,013,016-018, multiple shots of two females, one standing and one sitting in a possible storage room area. Woman sitting down is older and has short light hair and wears a floral patterned outfit. Standing woman has short dark hair and wears a semi formal outfit. Both of them hold and admire a porcelain type diorama of female children in Victorian or Edwardian outfits with the faces obfuscated. Desk lamps, ceiling lamps, boxes and other objects such as a mobile made of small pots occupy the background. 010,014,015, three shots of a window sill that holds a glass stained diorama of an arch with a top with the Christian symbol of a cross on it. In the middle of the arch is a representation of a dove and a small fountain, most likely representing the Christian concepts of the Holy Spirit and Baptism. Setting is most likely a church or other religious institution. 011,012, two shots of a entrance way of a possible residential environment, such as a private home. Door is made out of wood and glass. Large window sills hang overhead. A hat stand sits by the door with hats on it. A large potted plant sits by hat stand. Floor is made of stone but as it descends is covered in carpet. Outside is a large oak tree.
This complex is the most important archaeological center in the Urubamba Valley, after Ollantaytambo and Pisac. The ruins are impressive, although the conservation of the site is inferior to that of Ollantaytambo or Pisac, because they are older.But unlike the places mentioned above Huchuy Qosqo has a peculiar architecture: the buildings have been built on polished stone bases of fine finish, with clay plaster (they are the best preserved parts) and the highest floors are made of adobe.There is a kallanka (rectangular enclosure that could measure up to 70 meters long and that were important state centers where Inca officials were staying) of at least 40 to 50 meters long. Also a remarkable building with two stone floors and an adobe upper one. There are also large terraces, a very large square and a large Inca gate through which a very well preserved road leads from Tambomachay.INFORMATION OF HUCHUY QOSQO TREKThe Hispanic chronicles indicate that Huchuy Qosqo (probably a site known in Inca times as Caquia Jaquijahuana) was the work and favorite place of the Inca Wiracocha. To this, Maria Rostworoski adds, in her work "History of Tahuantinsuyo", that this sovereign strengthened the conquest over the villages of the Urubamba Valley and that he chose as his successor his son Inca Urco who, dizzy from power and vice, He proved to be totally unable to govern. The Inca royalty was very obfuscated with this election and tried to conspire to impose another son of Wiracocha, Prince Cusi Yupanqui. Social unrest and tension increased every day and to make everything worse, the darkest night fell over Cuzco: the Chancas reached the gates of the capital and were willing to destroy it. It is the year of 1438. Wiracocha leaves the city to his fate and, accompanied by his son Inca Urco, takes refuge in its palaces in the Urubamba Valley, among which was Huchuy Qosqo.After the Hispanic conquest, Gonzalo Pizarro found here the mummy that supposedly belonged to the Inca Wiracocha and ordered it burned. The descendants of the Inca kept the ashes in a jar that many years later the chronicler Polo de Ondegardo would discover.
“PYRAMID COMPLEX” - Curiosity Sol 1281 NavCam
Image Designation: NLB_511217298EDR_F0531284NCAM07753M
Link: mars.jpl.nasa.gov/msl-raw-images/proj/msl/redops/ods/surf...
Anomaly hunters have learned that NASA/JPL will often overlook anomalies on the horizon. We therefore take our time to examine the “far reaches” of an image for items that escape detection by their AI software and human operator intervention.
Such is the case in this particular image. Some two miles (estimated) from the rover’s navigation cameras, pyramidal shapes catch the eye in our first view. Zooming in, our second view reveals what appears to be a pyramid complex showing at least three distinct pyramids.
As we go to hyper zoom, we can clearly see walls forming right angles and archways on the lower level of the pyramid on the right. These are not “just rocks”, folks. If you thought you were viewing an image taken on earth, you would immediately identify it for what it is: a pyramid complex with walls and apparent doorways.
It’s just possible that NASA/JPL is purposely allowing more non-fractal items to slip through their obfuscation gauntlet as part of their so-called “soft disclosure” efforts. Whatever the case, more and more anomalies are right there in front of our eyes for those who will take the time to look!
"From Politicians to marketers, from advocacy groups to brands - Everyone seeks to convince others has an incentive to distort, exaggerate or obfuscate the facts." ~ Unesco
"From Politicians to marketers, from advocacy groups to brands - Everyone seeks to convince others has an incentive to distort, exaggerate or obfuscate the facts." ~ Unesco
My super-rant ahead: The common belief of how trees became petrified is a myth of science. Petrified wood, and all the formations of the US Southwest, are brimming with strong evidence of a world-wide flood that covered the earth several thousand years ago, and quickly burried these trees under mud and sediment. The cystalization process was quite quick, compared to accepted scientific timeframes. (Info for that here: earthage.org/EarthOldorYoung/scientific_evidence_for_a_worldwide_flood.htm)
There is ample evidence for this account, but that evidence is ignored, so you won't hear any of it in the media. Or if you do hear it, it's derided with all manner of logical falacies and strawman arguments to discredit, and make the other positions look weak and ill-conceived. It's no wonder that the common man doesn't give such arguments a second thought, trusting "the experts" instead.
However, giving attention to the other side of such arguments would expose the flimsy foundations of mainstream science (i.e. beliefs like: everything came from nothing, big bang, evolution, universe/earth are billions of years old, no god, we are insignificant specs of dust in an endless universe, this reality and all you see is just convenient coincidence, etc).
Mainstream science is very much a faith-based religion, albeit a well disguised one. They have woven a false belief system with just enough truth sprinkled in to keep people invested in it, as the one-and-only possible view of how the world works and our place in it. This system continues to push the mainstream narrative without question, ignoring evidence, obfuscating, leading public opinion away from questioning the version of reality they're given, and away from the overwhelming proof of there being One true Creator of all things, our significance and our purpose in His design.
Science has been built on a foundation of deceit through its heavily controlled and funded, but extremely dumbed-down egocentric legions of scientists (scientific priests) for centuries to give the public a form of stiffled scientific advancement, while keeping them ignorant, and dismissive of anything that stands to question the foundational beliefs of science. Scientists who DO question and consider exposing the problems with their "on the shoulders of giants" textbook assumptions, face ridicule in their industries and career suicide.
This is why I always say, if you care to get closer to the truth of earth's past, humanity's past, the purpose of life, and where we're going, you have to accept that truth is never given so easily. But since most of us want it to be that easy, the con artists running this world are only too happy to oblige, at your expense.
Truth has to be diligently sought out, outside of mainstream circles. media, academia and the well funded religion of science will never admit that they've been wrong. Too much is at stake, too many jobs and industries, cultures, false religions and manmade institutions would be disrupted or dissolve entirely. That won't be allowed to happen, so the chrarade will continue.
Yeshua (Jesus) said, "I am the way, and the truth, and the life. No one comes to the Father but through Me."
The road to the truth is in Him, and He reveals these things to us if we strip away the layers of nonsense we've been taught all our lives.
Blue Mesa,
Painted Desert