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„Der größte Lump im ganzen Land ist und bleibt der Denunziant“:
"Bei Nichtbeachtung bitten wir um Information an 0699 123 38065 um die zuständigen Behörden zu informieren!"
:: Я фотограф, Nikon photographs, Nikon photographers, 写真家, фотограф, photographer, фото, rumoto, fine art, photography, Fotografie, Fotográfico, Fotografo, Nikon, Nikon DSLR, Nikon FX, stunning, supershot, Hinterberg, Bad Mitterndorf, Steiermark, Österreich, Styria, Austria, Αυστρία, Австрия, Europe, countryside, outdoor, alpine region, Alpenregion, A Picture Of Austria, holiday, tourism, Urlaub, Ferien, Erholung, Wintersport, Kuraufenthalt, posters, Poster, Schilder, sign, geschlossen, Hunde, no dogs, Hunde verboten,
Denunzianten werden gebeten... Bad Mitterndorf AT (c) Bernard Egger :: rumoto images 0361
I haven't been keeping up to date with my non-dog pics, and it seems I haven't even been taking them some weeks, but I'm okay with that :-)
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photographer |► Bernard Egger profile.. • collections.. • sets..
traveling | Россия | Europe | classic sportscars & motorcycles
location | Bad Mitterndorf, Styria 💚 AT
📷 | No camping :: rumoto images # 0348
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If a photographer can’t feel what he is looking at, then he is never going to get others to feel anything when they look at his pictures.
holiday, tourism, Urlaub, Ferien, Erholung, Kuraufenthalt, Bürgermeister, Rechtsgrundlage, Übernachten, Aufenthalt, Stellplatz, Differenzierung, Lagern, Rasten, Kampieren, Zelten, Campen, Camping, Campingbegriff, Freizeitrecht, Tourismusrecht, Landescampinggesetz, touristische Freiheit, Recht auf Erholung, unerwünscht, Campinggesetz, Vorschriften, Verbote, Aufenthaltsverbot, Betretungsverbot, Kampierverbot, Beschränkungen, Wohnwagen, Wohnmobil, Mobilheim, Dachzelt, Anhänger, Ladung, Bodennähe, Stehen, Wandern, hausungebunden, mobil, Mindestverweildauer, tatbestandsmäßig, bloßes Aufstellen, andere Zwecke, ergänzende Gegenstände, Campingmöbel, Griller, Markise,
Children's play area, Canal Walk, Stockbridge, Chichester.
_MX59679p
All Rights Reserved © 2025 Frederick Roll
Please do not use this image without prior permission
Today we took a ride to clear our brains.
Needed some sun and a dose of laughter
to counterbalance the stressful week just past.
This did it!
“He that lies down with dogs, shall rise up with fleas.”
~ Benjamin Franklin ~
#12by12challenge11
Challenge #11 -Tribute to Romeo, no olvidado
Photograph something that you have had in your mind for years and you just can't let go.
– Alejandro Cartagena
I haven't been keeping up to date with my non-dog pics, and it seems I haven't even been taking them some weeks, but I'm okay with that :-)
Frame was in pretty tough condition when found, had been repainted black with a hand painted picture of a naked woman on the seat tube,, phew!
The frame has been repainted and decaled as it was in 1975 and has found a great new home.
The lug cutter was Gary Sinkus, aka " Vitus Sky-Lo-Lo " aka "The Bicycle Priest"
Gary was quite a colorful sort, who could do a wonderfuly crisp cut out!
In Auburn, Indiana, on September 22nd, 2019, at the northeast corner of West Edge Drive and Cindy Street, at the "West Edge Park" mobile home park.
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Getty Thesaurus of Geographic Names terms:
• Auburn (2030961)
• DeKalb (county) (1002320)
Art & Architecture Thesaurus terms:
• Canis familiaris (species) (300250130)
• fences (site elements) (300005044)
• mobile home parks (300000326)
• red (color) (300311118)
• rules (300027458)
• signs (declatory or advertising artifacts) (300123013)
• yellow (color) (300127794)
Wikidata items:
• 22 September 2019 (Q57350552)
• exclamation mark (Q166764)
• Fort Wayne–Huntington–Auburn Combined Statistical Area (Q57891214)
• Northern Indiana (Q7058433)
• September 22 (Q2889)
• September 2019 (Q47087604)
• solicitation (Q2785824)
• Treaty of Greenville (Q767317)
Library of Congress Subject Headings:
• Wooden fences (sh98005803)
Sign saying "No Smoking, No Dogs, No Photos" and altered to add "No Bongos"
taken on 16/5/2010 at the Tattoo Circus mini festival in Camberwell, London, UK
Lovely autumnal light in the woods, as captured with the wide angle.
Hand-held & searching for the perfect exposure under a mid-morning canopy.
Find out more at Pelcomb Portraits
Seems you may only consume your dogs inside this restaurant. We had just had a very pleasant quick lunch inside this restaurant in Kadina when we spotted this sign on the way out - brought a smile but not very dog friendly. We didn't eat any dogs, hot or otherwise. Kadina is a country town about 150 km north west of Adelaide.
(This 'No Dogs' policy is in stark contrast to many restaurants around Adelaide which provide water dishes for their canine guests in outdoor eating areas.)
Restaurant sign, Kadina, South Australia
Signs on Townfield Lane, Winwick, Warrington, Cheshire.
There's always room for one more sign, don't you think?
When you've finished reading them all, whatever you came for will have finished or closed.😊
A (copyright free) photo of a sign prohibiting access to dogs.
This photo was made by me, and can be used completely for free. If you really like the photo, feel free to give give credits to my personal portfolio (stockypics.com/free-stock-photo-dogs-prohibited-sign/). Any links to my portfolio website are greatly appreciated.
I try to make photos of a wide variety of subjects, so I can help people that need photos for their blog or website.
If you happen to have any questions, feedback or tips, please let me know in the comments :)
Heading up Church Street in Beaumaris (off Castle Street). For a late afternoon explore of the town centre.
St Mary's and St Nicholas's Church
St Mary and St Nicholas Church, Beaumaris, is a fourteenth century Grade I listed building in Beaumaris, Anglesey, Wales.
The church was founded around 1330 to serve the new town.
It retains a 14th-century decorated nave, with four-bay arcades, although the chancel was rebuilt around 1500 in Perpendicular style. The west tower is of four stages, with a battlemented parapet. The upper section was remodelled in the early 19th century. The north vestry and south porch are probably nineteenth century. The exterior is mainly Perpendicular.
There are sixteenth century chancel stalls, also the coffin and lid of Joan, wife of Llywelyn ab Iorwerth and illegitimate daughter of King John. There are late fifteenth to early sixteenth century misericords, although with eight 1902 replacements. It is likely the old misericords came from the friary at Llan-faes. The church also contains the tomb of William Bulkeley, (died c. 1490), deputy constable of the castle, and of his wife. This is made of Midlands alabaster. A number of monuments to leading seventeenth century Establishment figures adorn the chancel east wall.
St Mary's and St Nicholas's is located in a large churchyard, with Church Street to the east and Steeple Lane to the west.
Church of SS Mary and Nicholas
History
Built c1330 to serve the borough of Beaumaris, founded in 1296. Alterations were made in the early C16, including the addition of an embattled parapet and insertion of Perpendicular windows externally, and a tie-beam roof internally. The N vestry was probably added in the C17 and the porch had been built by 1817. In 1825 the church was repaired by John Hall, architect of Bangor, who also rebuilt the upper stage of the tower. Restoration in 1902 was by G.F. Bodley, architect of London. This work included replacement of some windows and renewal of roofs. Internal furnishings are also mostly of this date, when C19 galleries were removed.
Exterior
Decorated and Perpendicular style parish church comprising an aisled nave with S porch, lower chancel and W tower. Mainly of coursed stone with freestone dressings and battlements concealing the roofs, of flat pitch. The 2-storey porch, of which the added upper storey is of more random rubble, has a 2-centred arch with continuous chamfer and hood mould, and double boarded doors. Above is a 2-light window with wooden Y-tracery and diamond leaded glazing. In the W side wall is a blocked narrow Tudor-headed doorway. The buttresed S aisle has windows replaced in 1902. To the L of the porch is a window with 2-light Y-tracery in a C14 opening retaining hood mould and weathered head stops. To the R of the porch are two 2-light Decorated windows in earlier openings with weathered hood moulds and head stops. The nave has a clerestorey of 5 early C19 round windows with quatrefoils, and a single C16 3-light square-headed window. The E wall of the aisle has a larger 4-light 4-centred Perpendicular window. The 3-bay buttressed chancel has a diagonal SE buttress, and the battlements are enriched by tall crocketed pinnacles. It has 3-light Tudor-headed Perpendicular windows. The E window is 5-light Perpendicular, above the blocked segmental arch (or relieving arch) of a former crypt.
On the N side is a lean-to vestry occupying the 2 E bays of the chancel. It has a plain coped parapet and slate roof. It has a pointed E doorway, of which the hood mould partly missing, and double boarded doors. On the N side are 2 pointed windows with hood moulds and Gothic small-pane sashes with intersecting glazing bars. Above the vestry are 3-light square-headed windows with hood moulds and sunk spandrels, of the C16 or possibly C17. To the R of the vestry the chancel has a Perpendicular 3-light window similar to the S.
In the N aisle the wall has clearly been heightened, distinguishable by the change to larger stone blocks above window level. The wall has a central and angle buttresses. It has three 2-light Decorated windows with so-called "Kentish tracery" in C14 openings with hood moulds and head stops. A C14 pointed doorway R of centre has a continuous chamfer, and boarded door. The nave clerestorey has two C16 3-light windows. The aisle W window is 2-light Perpendicular and the S aisle has a modern 2-light square-headed W window.
The 3-stage tower has angle buttresses in the lower stage. The S side has a pointed doorway with hood mould, and a studded door. Above it is a cusped window. The W side has a loop below a cusped window. The N side is similar but has stair loops to the turret on the NE side. The middle stage, which is stepped in on the W side, has similar windows. On the E face is the line of an earlier, steeper, nave roof. The upper stage, rebuilt in 1825, has large 2-light Y-tracery belfry openings with louvres, and big clock faces at parapet level. The parapet has coped battlements and broad crocketed corner pinnacles.
Interior
The porch has a single cross beam on corbelled brackets. The C14 nave pointed S doorway has a continuous chamfer with hood mould and head stops, and recessed modern doors. Above the doorway is the line of an earlier porch roof.
The nave has 4-bay C14 arcades with octagonal piers, moulded capitals, and 2-centred arches with linked hood moulds, which have head stops on the S side only. The renewed cambered tie-beam roof does not follow the nave bay structure. It is 7 bays, with beams on corbelled brackets, bold painted bosses, some of which are original, and plastered panels with moulded ribs. There is no tower arch, but a pointed doorway and door with strap hinges. At the W end of the nave is an organ loft on panelled wooden posts, and with a panelled front enriched by open quatrefoils in roundels. The chancel arch is comparatively low, suggesting heightening of the nave in the late medieval period, comprising 2 orders of continuous roll moulding to a 2-centred arch with hood mould and plain stops (probably intended for carving but not carried out). Aisles have C19 trusses on corbelled brackets and boarded ceilings. In the N aisle is an ogee headed piscina, of which the former corbelled bowl has been broken off. In the S aisle the piscina also has a broken bowl, under an ogee head of which the crockets are partly missing.
The chancel has a renewed cambered tie-beam roof similar to the nave, but with curved ends forming brackets bearing painted shields, painted and carved bosses in the centre, and painted and moulded plaster panels. Above the altar the former ceilure is a 4-centred panelled ceiling with moulded and painted plaster panels.
Of furnishings, the outstanding feature are the choir stalls of c1500, probably brought here from Llanfaes Priory. The stall ends have Gothic panelling and poppy heads, and the fronts have blind Gothic panels. Seats have rounded backs and angels on the arm rests. There are 19 contemporary misericords, all with winged angels but with different heads to the supporters, and a 20th dated 1902 in similar style. The C19 octagonal font has slender clustered shafts forming the stem, and a bowl with deeply cut Gothic panels. Pews of 1902 have ends with linenfold panelling. The pulpit has similar detail. The S aisle chapel has a brass communion rail. The sanctuary has a communion rail post 1947, and diaper work to the floor. A mid C20 wood-panelled Gothic reredos has fluted shafts surmounted by angels in prayer.
There are a large number of memorials. The most significant are the medieval memorials in the porch and N aisle. The porch contains a stone coffin and lid with high-relief effigy of Joan (d 1237), wife of Llywelyn the Great and daughter of King John. It was originally at the nearby Franciscan Friary of Llanfaes, but after the Dissolution was put to mundane use until it was rescued and taken to Baron Hill in 1808, as recorded on 2 plaques, in English and Latin respectively, and finally to the church. In the N aisle is a late C15 alabaster chest tomb with full-length effigies, and the chest enriched with weepers (in the form of saints) under canopies alternating with blank shields, formerly painted. The figures are said to be William Bulkeley (d c1490) and his wide Elen Gruffydd of Penrhyn, or alternatively Rowland Bulkeley (d 1537) and his wife Alice.
In the chancel N wall is a Gothic stone tablet erected in 1809 commemorating David Hughes (d 1609), who established the town's first school in 1603 and under whose will almshouses were built in 1613 at Elusendai in Llanfaes parish. It has clustered shafts and pointed arch framing Welsh and English inscription panels surmounted by an urn. Beneath it is a brass plaque to Anne Owen (d 1694) with Coat of Arms, and to its R a small late medieval brass to Richard Bulkeley and his wife Elizabeth of c1530, in a shallow arched recess with sunk spandrels. Further R is a sarcophagus-type tablet to Capt Hugh Rowlands Williams (d 1795). A freestanding classical memorial to Charlotte Williams Bulkeley (d 1829) is by John Ternouth of London. A sculpture of a kneeling woman stands on a high base with English and Welsh inscriptions. Within the sanctuary is a high-relief memorial to Baron Bulkeley of Beaumaris (d 1822) by Richard Westmacott of London. It has a bust on a pedestal, and a mourning woman comforted by a hooded female figure bearing a cross.
In the E wall of the chancel is a memorial to Margaret Jones (d 1609) comprising a Latin inscription in an arched panel. The sides have motifs such as spade and scythe, and skull and cross bones, in relief. It is surmounted by a fluted entablature, achievement and orb finials. On the R side of the E wall is a memorial to Thomas Caesar (d 1632), comprising inscription panel, angels facing outwards to the sides, scrolled pediment with achievement and skulls R and L. Below it is a simple but large slab commemorating William Thwaytes (d 1563). In the chancel S wall is an oval inscription panel to Wynn Howard (d 1796). A marble Gothic wall tablet under a crocketed ogee arch is to Hugh Davis (d 1821) and niece (d 1869), and a marble inscription panel to Charles Yorke (d 1897) is signed (Yarwood?), the name partly worn away.
At the E end of the nave N wall, above the pulpit, is a Tudor-Gothic tablet to Rowland Williams (d 1836), by Robert Johnson of London. It has an arched panel flanked by clustered shafts, above a frieze of quatrefoils in lozenges. On the corresponding S side of the nave are brasses to William Turner (d 1904) and to the Rev Thomas Kyffin (d 1909) by Jones and Willis.
In the S aisle the N side of the chapel has a classical wall tablet to Margaret Hughes (d 1697). It has Ionic columns, apron with garland, entablature and achievement flanked by finials. On the corresponding S side is a monument to Owen Owen (d 1833) and family by Spence of Liverpool. Its panel is spanned by an arched wreath and has an apron with coat of arms.
Other monuments are simpler. In the S aisle, beginning at the E end, are tablets to the Rev Owen (d 1831), Lieutenant John Russell (killed 1918), Henry & Harriet Selwyn (d 1831 by drowning in a shipwreck off Beaumaris) by J. Harris of Bath, a brass to Charles Stanhope (d 1895), and tablets commemorating Mary Hyde Page (d 1794) and Lewis Evans (d 1711). The W wall has a tablet to Thomas Williams (d 1739). In the N aisle, beginning at the E end, are tablets commemorating John Spencer (d 1823) and wife, comprising 2 panels with pilasters and achievement, Hester Meyrick (d 1840), a double inscription panel to William Turton (d 1841) and Richard Turton (d 1835), Ann Ferrier (d 1849), a brass to Emily Greville (d 1900), comprising a cross intertwined with flowers, and tablets commemorating Samuel Hollyman (d 1728) and John Williams (d 1734).
Several windows have stained glass. The E window depicts the Crucifixion, post 1918 and possibly by J.C. Bewsey. In the chancel S wall the E end window has fragments of medieval glass, and the window adjacent to it shows the Coronation of the Virgin and Nativity, post 1918 and signed by J.C. Bewsey. The aisles have E windows by C.E. Kempe, depicting Nativity to the S and the Angel and the Shepherds to the N. In the S aisle windows are early C20 windows, of which the easternmost window depicts the presentation of Jesus at the Temple, and the westernmost window Moses and Noah, by C.E. Kempe. In the N aisle the early C20 easternmost window depicts the New Testament scenes 'suffer little children' and 'this is my beloved son', by Wailes and Strang of Newcastle-on-Tyne. The westernmost window, of similar date, depicts SS Peter and Paul, by Kempe & Tower.
Reasons for Listing
Listed grade I as an outstanding and well-preserved medieval parish church.
sign - Dim Cwn / No Dogs
è vietato vietare.. diceva un vecchio adagio Anarchico di qualche tempo fa...
è tempo di tornare a vivere... e sognare....
it.youtube.com/watch?v=UM7EPnhHtu0
"Fuori in giardino dove abbiamo piantato i semi
c'è un albero vecchio come me
i rami erano cuciti coi colori del verde
il suolo si è alzato e ha superato le sue ginocchia
Dalle crepe della pelle mi sono arrampicato in cima
Ho salito l'albero per vedere il mondo
quando i colpi di vento sono venuti per soffiarmi giù
io mi sono aggrappato così forte come tu ti eri aggrappata a me
Perchè, ho costruito una casa
per te
per me
Fino a quando è scomparsa
da me
da te
E ora, è tempo di partire e ritornare alla polvere..
The Cinematic Orchestra
After leaving Haddon Hall we stopped off at Caudwell's Mill Craft Centre. It was a flour mill powered by water.
At Rowsley is a unique, grade II* listed historic roller flour mill. Powered by water from the river Wye, one or more mills have stood on this site for at least 400 years. The present mill was built in 1874 by John Caudwell and run as a family business for over a century.
The mill was purchased by a charitable trust and has been operated by them for over forty years.
At Caudwell’s Mill, grain was milled by the same process used at the giant modern mills which now provide most of the flour for our bread, but here production was on a scale and at a speed that is both easier to understand and which did not damage the flour.
mill interiorThe mill is a complete fascinating automatic ‘machine’ on four floors and usually runs daily. Most of the machinery is earlier than 1914 and is still driven by belts (often leather) and pulleys from line shafts. Elevators and Archimedean screws abound. The wheat enters the first roller mill, then the “grist” produced is “elevated” to the top floor where it enters the first plansifter. From there the graded product is passed to more roller mills and the process continued. The 22 pairs of roller mills, two purifiers and the four plansifters ensured the flour was fine enough to be sold to bakers.
The mill was originally powered by two water wheels which drove 8 pairs of millstones in the flour mill and 3 pairs in the provender (animal feed) mill. After the installation of the roller mills the water wheels did not provide enough power and water turbines replaced the water wheels. Initially a 35 HP “Trent” turbine was installed in 1887 to drive the flour mill. This was still not powerful enough for the new plant and a “Francis” turbine of 80 HP replaced it in 1914 driving the flour mill via a line shaft in the cellar. Driving the provender (animal feed) mill and most of the wheat cleaning plant is a 50 HP “Little Giant” installed in 1898, which, now generates the electricity used in the mill.
There are numerous displays, descriptions and hands-on models throughout the mill to make your visit enjoyable and informative. It is ideal to show children those fascinating mechanical features not to be seen elsewhere and to explore how wheat is turned into flour.
The mill shop sells over 25 types of flour and 8 types of oat product in sizes from 1 kg to 25 kg, together with yeast and biscuits.
No Dogs sign
This year I will be doing a 52 week project for NOT dogs! That's right, no dogs allowed in these photos (don't worry, both Zephyr and Buzz will have 12 month projects, so you will still get to see both of them). Although this group does not have any theme (except no dogs), I wanted to have a theme for my project so I decided to do something else near and dear to me - my home.
Tom and I are both very rooted in our home. We live on 20 acres in the country and we love the house, the land, our gardens, our birds, our woodlands - we really love our home. So over the next 52 weeks, I will try to show why we love it so much, all the things that make it so special and that make it OUR HOME.
So please, come on in and see my home!