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Three female statues carrying offerings and walking in a procession. They are wearing long, white, tight, wrap-around dresses with one shoulder strap. It shows the fashion of the time.

Painted wood

Old Kingdom, 6th dynasty, Reign of Pepi I

Provenance: Tomb of Niankh-Pepi Kem, Meir, Assiut

 

Textile Gallery at the NMEC

National Museum of Egyptian Civilization, Cairo

 

Wooden tomb models were deposited as grave goods in the tombs and burial shafts. They included a wide variety of wooden figurines and scenes, such as boats, granaries, baking and brewing scenes and butchery scenes.

 

NMEC National Museum of Egyptian Civilization, Fustat Cairo

I joined the NMEC Youth Works Outreach to the Fil-Chinese Home for the Aged Women at Valenzuela City today (July 3, 2011). She is one of the residents there and their story is the same - one of loneliness, depression, feeling of uselessness and unwanted. May we share the love of Christ to them.

The only props used in the silent drama presentation during our outreach to the home for the aged women.

Family Business Inc : Roadmap to Success with Pastor Dennis Sy of Victory Greenhills will join BIZPRO Seminar at New Millennium Evangelical Church

Saqqara Mastaba #3035.

 

Hemaka: high official during the reign of Horus Den, fifth king of the 1st Dynasty (c.2873-2859 BCE).

 

National Museum of Egyptian Civilization (NMEC), Cairo; (unlabelled) Inventory #s, J69919, ?, 69920, 69923.

Grupo : Ana Almeida

Diogo Lopes

João Seabra

Joana País

Rúben Duarte

 

As fotografias não se encontram no tamanho original devido ao facto de termos tido que as comprimir para caberem na galeria, se os professores necessitarem das imagens originais para uma melhor apreciação e avaliaç\ao, por favor contactem a Ana Almeida nmec 63863

In ancient Egypt, linen was by far the most common textile. It helped people to be comfortable in the subtropical heat. Linen is made from the flax plant by spinning the fibers from the stem of the plant. Spinning, weaving and sewing were very important techniques for all Egyptian societies. Plant dyes could be applied to clothing but the clothing was usually left in its natural color. Wool was known, but considered impure. Only the wealthy wore animal fibers that were the object of taboos. They were used on occasion for overcoats, but were forbidden in temples and sanctuaries.

Wikipedia

In Greek mythology, Niobe was a daughter of Tantalus and of either Dione, the most frequently cited, or of Eurythemista or Euryanassa, the wife of Amphion and the sister of Pelops and Broteas.

She was already mentioned in Homer's Iliad which relates her proud hubris, for which she was punished by Leto, who sent Apollo and Artemis to slay all of her children, after which her children lay unburied for nine days while she abstained from food. Once the gods interred them, she retreated to her native Sipylus, where Nymphs dance around the River Acheloos, and though turned to stone, she broods over the sorrows sent by the Gods.Later writers asserted that Niobe was wedded to Amphion, one of the twin founders of Thebes, where there was a single sanctuary where the twin founders were venerated, but in fact no shrine to Niobe.

Wikipedia

 

2nd Centuary AD

Luxor

The coffin of Nedjemankh is a gilded ancient Egyptian coffin from the late Ptolemaic Period. It once encased the mummy of Nedjemankh, a priest of the ram god Heryshaf.

 

The coffin is 181 cm long, 53 cm wide, and 28 cm deep. It combines cartonnage (linen, glue, and gesso), paint, gold, silver, resin, glass, wood, and leaded bronze. The lid is covered with vignettes illustrating funerary spells, and has an inscription invoking gold and silver; inside is a figure of Nut, the goddess of the sky, partially covered with silver foil. On the base of the coffin is a djed pillar.

 

Provenance

The coffin is believed to have been looted from Egypt in 2011. Before its true history was known, it was purchased by New York City's Metropolitan Museum of Art in July 2017 for 3.5 million euros, or about 3.95 million dollars.

 

The Met museum purchased the coffin from Christophe Kunicki, a Paris-based art dealer who advertised as specialising in "Mediterranean Antiquities", particularly "Greek, Roman, Egyptian and Near East antiquities". According to the ownership history received by the Met at the time, the coffin had been exported from Egypt in 1971 with a licence granted by the "Antiquities Organization / Egyptian Museum, Cairo. "It was said to have been among the stock of Habib Tawadrus, a dealer since at least 1936, who operated Habib & Company across from Cairo's Shepheard's Hotel; a representative for Tawadrus's heirs exported the coffin to Switzerland, with a translation of the export license provided in February 1977 by the German embassy in Cairo, for the use of the representative and new European owner. Egypt allowed the export of some antiquities before the passage of the Antiquities Protection Law of 1983. The museum believed the coffin remained in that family's collection until its 2017 purchase.

 

Return to Egypt

In February 2019, the Metropolitan Museum was approached by the New York County District Attorney's Office, which presented the museum with evidence provided by the Egyptian government that the dealer’s 1971 export license had been forged. Further evidence showed the coffin had been stolen in 2011 and its history was a fraud. The museum then shuttered the then-ongoing exhibition Nedjemankh and His Gilded Coffin, previously scheduled to run through April 21, 2019, and handed the coffin over to the Antiquities Repatriation Department of the Egyptian Ministry of Antiquities.

 

NMEC National Museum of Egyptian Civilization, Fustat Cairo

Mohammed Hassan, Sulmaya (Nubia Fund), Gihab, Vanessa (UNESCO), Fatma, Kimren

1 Thessalonians 5:17 Pray without ceasing.

 

I onced read a great truth - "We are strongest when we are on our knees in prayer." Pray, God listens. =)

Ancient Egyptians used various materials to make fabrics, such as linen, cotton and wool. During the Pre-dynastic Period, the Egyptians invented the loom to facilitate the weaving process, as the oldest depiction of the loom dates back to the Badari civilization.

A loom is a device used to weave cloth and tapestry. The purpose of any loom is to hold the warp threads under tension to facilitate the interweaving of the weft thread by using a wooden shuttle.

There were two types of looms in ancient Egypt: the horizontal loom, which was common in the Pre-dynastic Period and the Old Kingdom. But during the Middle Kingdom Egyptians invented the vertical loom, which occupies less area and gives more space to monitor the cloth during weaving.

Middle Kingdom, 11th dynasty

Provenance: el-Asasif, Luxor

(JE 46723)

 

Textile Gallery at the NMEC

National Museum of Egyptian Civilization, Cairo

 

This child has lost vision on one eye and has numerous ailments yet you can see his courage as he smiles and face his health problems. I was blessd to join Love-in-Action 2012 - Sharing God's love to the physically ill children of National Children's Hospital, Quezon City. A special outreach project of the NMEC Life Development Team in cooperation with the Rotary Club of Bagumbayan, Manila.

Patron: Judge (qadi) Zain al-Din Abu Bakr Muhammad bin Muhammad bin Ahmed bin Muzhar al-Ansari al-Shafi’i 1428-1488,

chancellor of Qāytbāy (Abu al-Nasr Sayf al-Din al-Ashraf Qāytbāy (the restored)) c.1416/1418-1496, Burji (Circassian) Mamluk Sultan of Egypt (r.1468–1496).

 

Islamic Monument #49

 

National Museum of Egyptian Civilization (NMEC), Cairo; Inventory #n/a

Patron: Judge (qadi) Zain al-Din Abu Bakr Muhammad bin Muhammad bin Ahmed bin Muzhar al-Ansari al-Shafi’i 1428-1488,

chancellor of Qāytbāy (Abu al-Nasr Sayf al-Din al-Ashraf Qāytbāy (the restored)) c.1416/1418-1496, Burji (Circassian) Mamluk Sultan of Egypt (r.1468–1496).

 

Islamic Monument #49

 

National Museum of Egyptian Civilization (NMEC), Cairo; Inventory #n/a

Statues depict women grinding wheat to prepare flour.

 

NMEC National Museum of Egyptian Civilization, Cairo

This unique statue depicts a man working in the bread industry as he grinds the wheat on the plate in order te prepare the flour.

Museum Notice

 

Old Kingdom 6th Dynasty 2345-2183 BC

Saqarra

Wood

Since the predynastic period, the ancient Egyptians have utilized tents constructed of matting, leather, and thick linen fabric as a temporary method of habitation. The everyday life scenarios revealed that tents were utilized by the ancient Egyptians on hunting trips and military campaigns, as well as as a temporary dwelling for deity statues in processions. In addition, tents were built up in the gardens and courtyards of houses for housewives to use during the last stages of pregnancy and delivery. In the hot summer days, tents and pavilions made of fine linen were erected beside the palaces’ lakes and gardens as a place for amusement and leisure. Furthermore, aristocrats and affluent individuals would place a baldachin made of matting or leather in front of their tombs for purification ceremonies, and it would eventually be buried with the corpse.

When Emile Brugsch and Ahmed Kamalc found the Deir el-Bahari cache (TT 320) in 1881, Brugsch discovered this one-of-a-kind tent buried in one of its corridors, still retaining its bright colors because it was made entirely of applique colored leather, and decorated with carefully cut-out leather ornaments and texts fixed on a different color piece of leather. These writings depict Isetemkheb II’s delightful company with God Khonsu Lord of Thebes, Goddess Mut, and the deities of the other world amid the fragrance of flowers and perfumes from Punt.

It is noteworthy as it is the sole tent from ancient Egypt that has survived to the present day.

This tent was built between 1046 and 1037 BCE for the funeral purification of Isetemkheb II, the daughter of the army general and Amun high priest Masaherta and Amun chantress Tayuheret, and the granddaughter of King Pinudjem I of the 21st dynasty. Notable, Isetemekheb II held the rank of superior of the harem of Min, Horus, and Isis in Akhmim and was one of the numerous princesses in the family to have this name.

Although Isetemkheb II’s”coffin has yet to be unearthed, her cousin Pinudjem II’s coffin was discovered in the Deir el-Bahari cache and is currently exhibited within the baldachin.

Museum Notice

Isma'il Pasha of Egypt

 

"My country is not longer only in Africa; we are now part of Europe, too. It is therefore natural for us to abandon our former ways and to adopt a new system adapted to our social conditions".

National Museum of Egyptian Civilization , September 2022

This coffin was amongst the group of coffins and mummies discovered within the Royal Cache at Deir el-Bahari (TT320) in 1881.

 

From his initial resting place (KV7) to the Deir el-Bahari cache (TT320), the mummy of Rameses II was removed from his original tomb and moved to the tomb of his father, Seti I (KV17). The body of Ramesses II remained in his father’s tomb for over 80 years before the KV17 cache was moved to the tomb of Ahmose-Inhapi. This latter tomb was used as a hidden cache for just over 40 years before the mummies’ final transfer to the Royal Cache at TT320 in year 11 of Shoshenq II’s reign. (arce.org/coffin-ramesses-ii/)

 

National Museum of Egyptian Civilization (NMEC): Inventory #CG 61020.

Pen-Hery was responsible for measuring the agricultural areas an ddetermining the state properties and temples. He appears holding a twisted rope topped by the head of a ram of the god Amun. Ropes were among one of the main tools for measuring.

Museum notice.

New Kingdom 19th Dynasty

Karnak

Granite

 

Egyptians used treated ropes 100 cubits long called

the “rod of cord” (nwh) divided by knots, as shown in the scene from Menna’s tomb (c. 1400-

1350 B.C.). The “rod of cord” was considered divine and thus was stored in a cache bearing

the sacred ram’s head of Amun

These loaves made of wheat flour were found in the tombs of the workmen who lived in the village of Deir el-Medina. These are just some of the many types of bread loaves made by the ancient Egyptians. The bread provided sustenance for the deceased throughout eternity.

New Kingdom, 19th dynasty

Provenance: Deir el-Medina

 

NMEC National Museum of Egyptian Civilization, Fustat Cairo

 

Group of statues of the protective goddesses that were found in the tomb of Amenhotep II. They were responsible for protecting the body of the king in his afterlife journey.

They are Wadjet (depicted as a cobra),Nekhbet (vulture), Meretseger (winged Cobra) plus Hathor and Mehet-Weret (cows) the goddesses of Heaven.

New Kingdom 18th Dynasty 1550 - 1295 BC

Valley of the Kings

Thebes

Painted Wood

National Museum of Egyptian Civilization (NMEC), Cairo; no label.

The Douche (Dush) Treasure wasfound in 1989 inside a pottery vessel hidden in the Roman fort walls of the Temple dedicated to Serapis, Isis and Harpocrates. Temple.

 

The necklace consists of 187 gold plates, weighing 363 grams .

 

Roman

2nd C AD

 

National Museum of Egyptian Civilization , September 2022

Stavros

 

National Museum of Egyptian Civilization , September 2022

Thutmose III (Tuthmosis or Thothmes), sometimes called Thutmose the Great, was the sixth pharaoh of the Eighteenth Dynasty.

Officially, Thutmose III ruled Egypt for almost 54 years and his reign is usually dated from 28 April 1479 BC to 11 March 1425 BC, from the age of two and until his death at age fifty-six; however, during the first 22 years of his reign, he was coregent with his stepmother and aunt, Hatshepsut, who was named the pharaoh. While he was shown first on surviving monuments, both were assigned the usual royal names and insignia and neither is given any obvious seniority over the other.

Thutmose served as the head of Hatshepsut's armies. During the final two years of his reign, he appointed his son and successor, Amenhotep II, as his junior co-regent. His firstborn son and heir to the throne, Amenemhat, predeceased Thutmose III.

Wikipedia

 

New Kingdom 18th Dynasty 1550-1295

Karnak

Black Granite

NMEC National Museum of Egyptian Civilisation, Cairo

The Douche (Dush) Treasure wasfound in 1989 inside a pottery vessel hidden in the Roman fort walls of the Temple dedicated to Serapis, Isis and Harpocrates. Temple.

 

The necklace consists of 187 gold plates, weighing 363 grams .

 

Roman

2nd C AD

 

This model shows an apartment building of three stories and was given as an offering in a temple, perhaps to ask for protection for the house.

The original would have been made in mudbrick. The wave in the walls was deliberate, helping to support the building and stabilise it in case of earthquake.

Museum Notice.

Greco-Roman 332 BC - AD 395

Sakha, Kafre el-Sheikh

Limestone

 

From the top left:

Tag 22, 8 numerals;

Tag 38, 12 numerals;

Tag 149, scorpion;

Tag 146, tree or plant;

Tag 147 palm frond;

Tag 129, heron on palace facade;

Tag 63, the pr wr shrine of Upper Egypt & an elephant(?);

Tag 78, Falcon and an elephant;

Tag 153, unknown;

Tag 131, Crested ibis;

Tag 135, Ibis, hills and serpent;

Tag 143, A tree, a serpent, a row of hills;

Tag 152, unknown;

Tag 154, unknown;

Tag 79, Falcon and a canid?

 

From: Leeman, Diane ABYDOS TOMB U-j OF PREDYNASTIC EGYPT Abydos Tomb U-j, 2008 found at: www.academia.edu/40714174/ABYDOS_TOMB_U_j_OF_PREDYNASTIC_...

 

The National Museum of Egyptian Civilization (NMEC), Cairo; no label

The Douche (Dush) Treasure wasfound in 1989 inside a pottery vessel hidden in the Roman fort walls of the Temple dedicated to Serapis, Isis and Harpocrates.

 

The necklace consists of 187 gold plates, weighing 363 grams .

 

Roman

2nd C AD

NMEC National Museum of Egyptian Civilisation, Cairo

Oops a bit late of a submission. I had to tweak this pic to vary the sharpnness and the colors but I really love this capture of the moment. Happy Sliders Sunday!!!

 

After weeks of playing, and praising and parenting, NMEC's Bouncing Blessings classes for the summer came to a close.

 

Unlike traditional church-based Sunday school classes, graduation was capped off with swimming and pool play with little plastic balls thrown in - all in the 4th floor classroom. :)

 

Happy Sliders Sunday!!!

New Millennium Evangelical Church main santuary in Dramatic mode....

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