My son's semi-finished "gift box" art work... part of NMEC Sunday School's program to give their kids a chance to "gift" NMEC on its 11th founding anniversary.

The National Museum of Egyptian Civilization (NMEC), Cairo; Inventory #JE 70115 & JE 70116 (no lable).

The apron is formed of a belt of tiny faience beads in a geometric pattern. The two semi-oval pieces were probably the clasp and may have been covered with a plate bearing the name of Neferuptah. This apron was probably placed around the abdomen of the mummy of the princess, over the bandages.

Blue frit and faience

Middle Kingdom, 12th dynasty

Tomb of Neferuptah, Hawara

(JE 90189)

NMEC National Museum of Egyptian Civilization, Fustat Cairo

Patron: Judge (qadi) Zain al-Din Abu Bakr Muhammad bin Muhammad bin Ahmed bin Muzhar al-Ansari al-Shafi’i 1428-1488,

chancellor of Qāytbāy (Abu al-Nasr Sayf al-Din al-Ashraf Qāytbāy (the restored)) c.1416/1418-1496, Burji (Circassian) Mamluk Sultan of Egypt (r.1468–1496).

Islamic Monument #49

National Museum of Egyptian Civilization (NMEC), Cairo; Inventory #n/a

Appeared within the periods before the unification of Egypt, divided into:

- Naqada I, known for its red pottery with white decoration and geometric palettes for makeup

- Naqada II, pots are beige with red decoration, often featuring boats, birds, and human figures and slate palettes in animal form

- Naqada III, has plainer pottery and palettes but has a greater variety of statues and ritual objects

NMEC National Museum of Egyptian Civilization, Cairo

When the Ptolemaic state was established in Egypt, art that arose in Alexandria was in a purely classical style. Then it was soon mixed with ancient Egyptian art and its ancient traditions. Statues of the Ptolemaic kings appeared in Egyptian features mixed with artistic influences from ancient Greece. This statue depicts a queen from the Ptolemaic Period in a mixed style that expressed the merging of these two cultures together.

Graywacke

Ptolemaic Period

NMEC National Museum of Egyptian Civilization, Fustat Cairo

The Douche (Dush) Treasure wasfound in 1989 inside a pottery vessel hidden in the Roman fort walls of the Temple dedicated to Serapis, Isis and Harpocrates. Temple.

It consists of a gold Diadem, two bracelets and a necklace of 187 gold plates, weighing 363 grams .

The diadem is decorated with vine leaves and branches within a temple facade, his right hand is on the head of the god Harpocrate. Busts of the god Isis are surmounting the two columns and coming out of the two rosettes ending the decoration on both sides.

Roman

2nd C AD

Part of the main chapel in the church where I worship in.

Psalm 122:1

I was glad when they said to me, "Let us go to the house of the Lord."

Cairo Citadel de Saladin from NMEC National Museum of Egyptian Civilisation.

Pen-Hery was responsible for measuring the agricultural areas an ddetermining the state properties and temples. He appears holding a twisted rope topped by the head of a ram of the god Amun. Ropes were among one of the main tools for measuring.

Museum notice.

New Kingdom 19th Dynasty

Karnak

Granite

Egyptians used treated ropes 100 cubits long called

the “rod of cord” (nwh) divided by knots, as shown in the scene from Menna’s tomb (c. 1400-

1350 B.C.). The “rod of cord” was considered divine and thus was stored in a cache bearing

the sacred ram’s head of Amun

Funerary equipment of Sennedjem

New Kingdom, 19th dynasty

Tomb of Sennedjem TT1, Deir el-Medina

NMEC National Museum of Egyptian Civilization, Fustat Cairo

Patron: Judge (qadi) Zain al-Din Abu Bakr Muhammad bin Muhammad bin Ahmed bin Muzhar al-Ansari al-Shafi’i 1428-1488,

chancellor of Qāytbāy (Abu al-Nasr Sayf al-Din al-Ashraf Qāytbāy (the restored)) c.1416/1418-1496, Burji (Circassian) Mamluk Sultan of Egypt (r.1468–1496).

Islamic Monument #49

National Museum of Egyptian Civilization (NMEC), Cairo; Inventory #n/a

Princess Neferuptah is the daughter of king Amenemhat III. Her collection of jewellery is renowned for being one of the rarest and most beautiful collections of jewellery. It was discovered in her tomb in 1956 near her father's pyramid in Hawara at Fayum.

Gold, Carnelian, Faience

Middle Kingdom, 12th dynasty

Hawara, Fayum

NMEC National Museum of Egyptian Civilization, Fustat Cairo

Cosmetic equipment

Kohl pot

Kohl container

NMEC National Museum of Egyptian Civilization, Fustat Cairo

The Temple of Bastet on the south-eastern side of the road through Tell Basta is considered to be the most important structure on the siteof ancient Per-Bastet.

Built from red granite, some of the blocks found in the structure indicate that it was probably constructed on Old Kingdom foundations and may have had additions by Rameses II, but the temple is now greatly damaged and an exact plan has never been successfully produced.

A hoard of gold and silver vessels and jewellery was discovered by local workmen near the temple site in 1906, the earliest pieces dating to the Ramesside period. Some of these treasures were taken illicitly out of Egypt and were subsequently acquired by Berlin and the New York Metropolitan Museums. A second similar hoard was found later the same year a few metres from the site of the first discovery and is now in Cairo Museum.

egyptsites.wordpress.com

Silver with gold rim. Inscribed 'envoy to all foreign countries'

Also accessioned JE39867 in some articles

Saqqara Mastaba #3035.

Hemaka: high official during the reign of Horus Den, fifth king of the 1st Dynasty (c.2873-2859 BCE).

National Museum of Egyptian Civilization (NMEC), Cairo; (unlabelled) Inventory #s, J69919, ?, 69920, 69923.

Ancient Egyptians used various materials to make fabrics, such as linen, cotton and wool. During the Pre-dynastic Period, the Egyptians invented the loom to facilitate the weaving process, as the oldest depiction of the loom dates back to the Badari civilization.

A loom is a device used to weave cloth and tapestry. The purpose of any loom is to hold the warp threads under tension to facilitate the interweaving of the weft thread by using a wooden shuttle.

There were two types of looms in ancient Egypt: the horizontal loom, which was common in the Pre-dynastic Period and the Old Kingdom. But during the Middle Kingdom Egyptians invented the vertical loom, which occupies less area and gives more space to monitor the cloth during weaving.

Middle Kingdom, 11th dynasty

Provenance: el-Asasif, Luxor

(JE 46723)

Textile Gallery at the NMEC

National Museum of Egyptian Civilization, Cairo

NMEC National Museum of Egyptian Civilization, Fustat Cairo

Group of statues of the protective goddesses that were found in the tomb of Amenhotep II. They were responsible for protecting the body of the king in his afterlife journey.

They are Wadjet (depicted as a cobra),Nekhbet (vulture), Meretseger (winged Cobra) plus Hathor and Mehet-Weret (cows) the goddesses of Heaven.

New Kingdom 18th Dynasty 1550 - 1295 BC

Valley of the Kings

Thebes

Painted Wood

Mereret: daughter of Senusret III.

National Museum of Egyptian Civilization (NMEC), Cairo.

Shown at:

en.wikipedia.org/wiki/Amenemhat_III

National Museum of Egyptian Civilization (NMEC), Cairo; no label.

Appeared within the periods before the unification of Egypt, divided into:

- Naqada I, known for its red pottery with white decoration and geometric palettes for makeup

- Naqada II, pots are beige with red decoration, often featuring boats, birds, and human figures and slate palettes in animal form

- Naqada III, has plainer pottery and palettes but has a greater variety of statues and ritual objects

NMEC National Museum of Egyptian Civilization, Cairo

The National Museum of Egyptian Civilization is a large museum in the ancient city of Fustat, now part of Cairo, Egypt. The museum partially opened in February 2017 and displays a collection of 50,000 artefacts, presenting Egyptian civilization from prehistoric times to the present day.

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This scene is similar to that of the off-side panel, but the principal figures face the reverse way. The enemy that Thutmose IV is attacking is in figuration, apparently the same as that represented on the off-side panel but may be meant to represent another Asiatic tribe.

The king is here shown unaccompanied by the god Montu, but he is draped in a similar uniform and is overtaking two charioteers whom he has just caught by the hair of their heads, and abandoning the bow uses his battle-axe. In the place of the protecting goddess Nekhbyt in the off-side scene, we have here a figure of the hawk-god Horus. In this panel two of the enemy are represented full face and another individual is shown clad in long close-fitting drawers. The armoury here again is like that of the former panel.

NMEC National Museum of Egyptian Civilization, Fustat Cairo

I joined theNMEC Youth Works Outreach to the Fil-Chinese Home for the Aged Women at Valenzuela City today (July 3, 2011). She is one of the residents there and their story is the same - one of loneliness, depression, feeling of uselessness and unwanted. May we share the love of Christ to them.

Ancient Egyptians used to make wooden models expressing scenes from daily life as opposed to the traditional scenes depicted on tomb walls. This model depicts one of the textile-making workshops that illustrate the stages of its manufacture from separating the linen fibers, spinning them and then weaving them on a horizontal loom.

Painted wood

Middle Kingdom, 11th dynasty

Provenance: el-Asasif, Luxor

(JE 46723)

Textile Gallery at the NMEC

National Museum of Egyptian Civilization, Cairo

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Patron: Judge (qadi) Zain al-Din Abu Bakr Muhammad bin Muhammad bin Ahmed bin Muzhar al-Ansari al-Shafi’i 1428-1488,

chancellor of Qāytbāy (Abu al-Nasr Sayf al-Din al-Ashraf Qāytbāy (the restored)) c.1416/1418-1496, Burji (Circassian) Mamluk Sultan of Egypt (r.1468–1496).

Islamic Monument #49

National Museum of Egyptian Civilization (NMEC), Cairo; Inventory #n/a

The coffin of Nedjemankh is a gilded ancient Egyptian coffin from the late Ptolemaic Period. It once encased the mummy of Nedjemankh, a priest of the ram god Heryshaf.

The lid is covered with vignettes illustrating funerary spells and has inscriptions in gold and silver.

NMEC National Museum of Egyptian Civilization, Fustat Cairo

Since the predynastic period, the ancient Egyptians have utilized tents constructed of matting, leather, and thick linen fabric as a temporary method of habitation. The everyday life scenarios revealed that tents were utilized by the ancient Egyptians on hunting trips and military campaigns, as well as as a temporary dwelling for deity statues in processions. In addition, tents were built up in the gardens and courtyards of houses for housewives to use during the last stages of pregnancy and delivery. In the hot summer days, tents and pavilions made of fine linen were erected beside the palaces’ lakes and gardens as a place for amusement and leisure. Furthermore, aristocrats and affluent individuals would place a baldachin made of matting or leather in front of their tombs for purification ceremonies, and it would eventually be buried with the corpse.

When Emile Brugsch and Ahmed Kamalc found the Deir el-Bahari cache (TT 320) in 1881, Brugsch discovered this one-of-a-kind tent buried in one of its corridors, still retaining its bright colors because it was made entirely of applique colored leather, and decorated with carefully cut-out leather ornaments and texts fixed on a different color piece of leather. These writings depict Isetemkheb II’s delightful company with God Khonsu Lord of Thebes, Goddess Mut, and the deities of the other world amid the fragrance of flowers and perfumes from Punt.

It is noteworthy as it is the sole tent from ancient Egypt that has survived to the present day.

This tent was built between 1046 and 1037 BCE for the funeral purification of Isetemkheb II, the daughter of the army general and Amun high priest Masaherta and Amun chantress Tayuheret, and the granddaughter of King Pinudjem I of the 21st dynasty. Notable, Isetemekheb II held the rank of superior of the harem of Min, Horus, and Isis in Akhmim and was one of the numerous princesses in the family to have this name.

Although Isetemkheb II’s”coffin has yet to be unearthed, her cousin Pinudjem II’s coffin was discovered in the Deir el-Bahari cache and is currently exhibited within the baldachin.

Museum Notice

The tomb of Sennedjem can be considered as a collective, because at least three generations of the same family were united in the same chamber.

There were actually no less than twenty bodies discovered. Nine among them possessed very beautiful anthropoid, simple or double coffins, finely painted and varnished. They belonged to Sennedjem, his wife Iyneferti, his son Khonsu and his wife Tamaket; also of his other children : Parahotep, Taashsen, Ramose, Isis and finally, that of a small girl named Hathor. Eleven others did not have coffins. It is likely that these were the family's members not having had enough fortune to provide for themselves something other than shrouds and strips of fabric and to whom the head of the family offered to share his burial.

To this list, it is necessary to add two foetuses contained in uninscribed yellow wooden boxes.

www.osirisnet.net

NMEC Hymn Festival

Ancient Egyptians used to make wooden models expressing scenes from daily life as opposed to the traditional scenes depicted on tomb walls. This model depicts one of the textile-making workshops that illustrate the stages of its manufacture from separating the linen fibers, spinning them and then weaving them on a horizontal loom.

Painted wood

Middle Kingdom, from the Tomb of Meketre,

Tomb TT280, located in Sheikh Abd el-Qurna, part of the Theban Necropolis, is the burial place of the ancient Egyptian noble Meketre who was chancellor and chief steward during the reign of Mentuhotep II and Mentuhotep III, during the 11th Dynasty.

(JE 46723)

Textile Gallery at the NMEC

National Museum of Egyptian Civilization, Cairo

Tunic with scenes from ancient egyptian myths, including scene of goddess Isis as a patron of textile manufacture where she is spinning and weaving on a loom.

Roman period 2nd centuary AD

Saqqara

Linen

I joined the NMEC Youth Works Outreach to the Fil-Chinese Home for the Aged Women at Valenzuela City today (July 3, 2011). She is one of the residents there and their story is the same - one of loneliness, depression, feeling of uselessness and unwanted. May we share the love of Christ to them.

Since the predynastic period, the ancient Egyptians have utilized tents constructed of matting, leather, and thick linen fabric as a temporary method of habitation. The everyday life scenarios revealed that tents were utilized by the ancient Egyptians on hunting trips and military campaigns, as well as as a temporary dwelling for deity statues in processions. In addition, tents were built up in the gardens and courtyards of houses for housewives to use during the last stages of pregnancy and delivery. In the hot summer days, tents and pavilions made of fine linen were erected beside the palaces’ lakes and gardens as a place for amusement and leisure. Furthermore, aristocrats and affluent individuals would place a baldachin made of matting or leather in front of their tombs for purification ceremonies, and it would eventually be buried with the corpse.

When Emile Brugsch and Ahmed Kamalc found the Deir el-Bahari cache (TT 320) in 1881, Brugsch discovered this one-of-a-kind tent buried in one of its corridors, still retaining its bright colors because it was made entirely of applique colored leather, and decorated with carefully cut-out leather ornaments and texts fixed on a different color piece of leather. These writings depict Isetemkheb II’s delightful company with God Khonsu Lord of Thebes, Goddess Mut, and the deities of the other world amid the fragrance of flowers and perfumes from Punt.

It is noteworthy as it is the sole tent from ancient Egypt that has survived to the present day.

This tent was built between 1046 and 1037 BCE for the funeral purification of Isetemkheb II, the daughter of the army general and Amun high priest Masaherta and Amun chantress Tayuheret, and the granddaughter of King Pinudjem I of the 21st dynasty. Notable, Isetemekheb II held the rank of superior of the harem of Min, Horus, and Isis in Akhmim and was one of the numerous princesses in the family to have this name.

Although Isetemkheb II’s”coffin has yet to be unearthed, her cousin Pinudjem II’s coffin was discovered in the Deir el-Bahari cache and is currently exhibited within the baldachin.

Museum Notice

Small Cosmetic jars made of alabaster

NMEC National Museum of Egyptian Civilization, Fustat Cairo

Parts of life

Three female statues carrying offerings and walking in a procession. They are wearing long, white, tight, wrap-around dresses with one shoulder strap. It shows the fashion of the time.

Painted wood

Old Kingdom, 6th dynasty, Reign of Pepi I

Provenance: Tomb of Niankh-Pepi Kem, Meir, Assiut

Textile Gallery at the NMEC

National Museum of Egyptian Civilization, Cairo