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Network Rail (National Logistics Unit) W.H. Davis Limited JZA (design code JZ002A) 45.5 tonne wagon number NLU93678 arrives at the Corus Northern Service Centre at Castleton within the additional 08:30 Bescot Engineers Siding to Castleton Rail Welding Depot (6Z37) formed of a rail delivery train hauled by Freightliner Limited General Motors ‘JT42CWR’ Type 5 Co-Co class 66/6 diesel-electric locomotive number 66609. Monday 2nd October 2006

 

Note, 66609 was on lease from Porterbrook Leasing Company Limited

 

Ref no PA020481

Reg, YR11 DJU

 

Aim & shot from the hip.

 

Would have been happy if the ''Tree cutting gang'' !

Network Rail HSTs 43062 and 43014 at Newcastle

One of Network Rails Inter-City 125 sets with powercar 43062 on the front and LNER liveried 43299 on the rear, seen here passing through abandoned Greatham station the North East of England .

Networks don't perform malicious acts. Evil clowns and people who take them seriously do.

 

The source image for the world map in this cartoon is an image in the public domain available from Wikimedia.

In September 2010 ReachOut held a meet up for the Youth Advisory Network for the first time.

It was my honor to work as a volunteer photographer at Sunday night's Renal Support Network Teen Prom, an event created for teen kidney patients by RSN founder, Lori Hartwell, who missed her own prom due to kidney disease.

 

Jack Black and Kyle Gass of "Tenacious D" (and other celebrities) are dedicated supporters of RSN and the teen patients. This prom attendee asked Jack & Kyle to make goofy faces in their photo with her. Jack & Kyle played for the prom crowd, then stayed to sign autographs and take photos with everyone.

 

More photos in comments.

Network Warrington VDL/Wright Merit 37 arrives at the Scotland Rd stop 7 August 2012 showing the offside advertising for The Breezer ticket for the Orford and Dallam routes.

www.facebook.com/networksband

 

Off camera flash: 1 x Canon430EXii on half power, band front

 

Mirrored from a good site, forgot the name. --- talon

51 DK55HMO VDL SB120 / Wright Merit in Warrington

Yeah i bet when my grandfather thinks of social networking he might come up with something like this.

network hub and patch cables

Vaseline Clinical Therapy has created its own word of mouth project, called Prescribe the Nation.

The idea behind the project was to give Vaseline Clinical Therapy lotion to one Alaskan woman and to ask her to lather it on everyone she loved.

In the end, 1,000 of her community’s 6,000 residents switched to Vaseline Clinical Therapy lotion.

network of branches, to every single node of leaves ... rendered dream-like in the premonsoon wind.

 

see my other favourite trees @ www.flickr.com/photos/nevilzaveri/sets/72157602269541024/

 

www.nevilzaveri.com

The business end of a network cable.

2013PAD 321/365 (17/11)

The Network Brothers (Bjørn + Rune Semundseth)

Tom Price, who was born in London in 1981, studied at Chelsea College of Art and the Royal College of Art Sculpture School. In 2009 he was featured on BBC Four television documentary, Where is Modern Art Now? He was awarded the Arts Council England Helen Chadwick Fellowship. In 2010 he featured on BBC Four’s, How to Get A Head in Sculpture. He was also included in 10 Magazine’s Ten Sculptors You Should Meet. His statues, which are currently on display at Yorkshire Sculpture Park, trace the evolution of Price’s approach to the male figure.

 

The exhibition at YSP employs bronze statuary in ways that subvert the tradition of sculpture. Bronze statues traditionally represent individuals of great significance within canons and traditions of thought and practice. The British tradition can be linked to an interest in similar practices employed in the Classical civilisations. Usually commemorated in this way are white men, typically in public places in Britain of civic interest. A well-known example would be the statues that can be found in Trafalgar Square in London. Price’s statues represent anonymous subjects: black men in the street, along with images from print media. The status of these anonymous subjects is raised by referencing the tradition of bronze statuary in this way and thereby subverts the power relations of the hierarchies reflected.

 

A nine foot tall bronze statue with black patina of a young black man stands in the grounds of YSP. Its title is Network. He is broad-shouldered and dressed in urban clothing. The subject is glancing at his mobile phone. His downcast features subvert the tradition of representing heroic, powerful figures by impressing for his vulnerability. While the figure is charismatic for the great scale of its dimensions, it is also modest: powerful and powerless at the same time.

 

Price continues to use the scale of the statues to undermine both the sculptural tradition employed and the hierarchical inequities implied. Elsewhere in this exhibition the visitor is invited to view male nudes – the first male figures made by Price. Mounted on plinths, the viewer might expect a representation of a famous aristocrat or politician. The small scale of the nudes speaks of vulnerability, as does the posture of the figures. Their features indicate a lugubrious weariness. These powerless nudes are given the titles of roads in Brixton (Price’s home). The streets themselves are, somewhat ironically, named after individuals of significance within canons of thought and practice in Western culture.

 

Price is interested in the mental narratives that result in the individual’s reaction, formed of subconscious and conscious assumptions and judgements, when we first meet someone. He explores posture, expression and status with the use of bronze statues and the relevance they have to current ways of thinking and behaving. Bronze heads can be found displayed on plinths. They are sprayed with car paint, thus adding a contemporary edge to what might have been an old or even ancient representation. Where a heroically arranged physiognomy might be expected, again that same downcast vulnerability is overwhelmingly detectable. Price employs one of the oldest media to be manipulated by man and makes an extremely relevant appeal to contemporary understanding and empathy.

 

Tom Price, until 27 April, Bothy Gallery & Lakeside, Yorkshire Sculpture Park, Wakefield, WF4 4LG.

 

Daniel Potts

- See more at: www.aestheticamagazine.com/blog/review-tom-price-yorkshir...

465 931 approaching Lewisham with an Orpington service on 5th May 2022.

On 13 April 1987 passenger service of 11 shuttle trains daily between Corby and Kettering, usually operated by a single DMU, was reintroduced with local council subsidy, More than 100,000 people used the service within the first 12 months and an extension to Leicester was proposed. However, the service became unreliable and the council withdrew its subsidy, leading Network Southeast to withdraw the service on 2 June 1990

free pic no repro fee

Kay Foley from Eli Lilly ,Following from the success of Sheryl Sandberg’s book Lean In, the Chartered Accountants Cork Society invited a group of prominent Cork women to share their stories. The event, Cork Women Leaning In took place in the River Lee Hotel. The women that shared their experiences included Kay Foley, Eli Lilly, Gillian Keating, Cork Chamber President and Honor Moore, Deloitte.

pictures Gerard McCarthy 087 8537228

more info contact Fiona Collins 087 2196935

Network Warrington ADL Enviro 200 bodied ADL E20D, 218 SN11 FFP

An uprooted tree presented a photo opportunity.

home network, cable, linksys, voip, motorola

Switch for the home network.

Image Taken At Student-Athlete Networking Event, Tuesday, September 17, 2019, Boone Pickens Stadium, Stillwater, OK, Courtney Bay/OSU Athletics.

Seating moquette as used by Network SouthEast across their fleet of trains.

Another sighting of the 06:36 Great Northern Peterborough to London Kings Cross Class 365 diagram (reporting code 1P05). Here, No.365538 leads Nos.365522 and 365530 towards Holme Green crossing, south of Biggleswade, on 22nd September 2020.

@ Cutler Naval Radio Station, Maine

 

The masts of this antenna array are about 300 m tall. They are part of the US Navy's Very Low Frequency communication system, which is able to keep radio contact with submarines, even while they are submerged.

 

A remnant of Network SouthEast outside Charing Cross station

© B. de los Arcos.

 

If you would like to use this image, please credit the creator as follows:

 

'Network' by B. de los Arcos is released under CC BY

 

and link to both this location and the relevant license.

With EM2 1502 in Dutch livery at Basingstoke Open Day September 1987. Scanned from a slide taken by the late Carl Berry.

Infraestructura eléctrica proveniente de una central nuclear.

 

Electricity infrastructure becoming from a nuclear power plant.

This is my network at home... with Star network and Bus network. Computers over 18 years.

Seen at Crewe Station

16th February 2018

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