View allAll Photos Tagged negative
The negative space was what I had in mind when I took this photo. However, when I looked at it on the computer screen it looked wrong so I decided to do something I wouldn't normally dream of doing; I flipped the image. This led to a little bit of necessary jiggery-pokery in Photoshop as the labels on the girl's Hunter wellingtons were then the wrong way round so I had to fiddle a bit to correct them. Anyway, this young lass was in the tender of a steam ploughing engine which was giving a practical demonstration on the hillside known as Hook Bank.
Sandwiched in between two days of constant rain, Saturday was definitely the best day to visit the three-day Welland Steam Rally as the show was cancelled on Sunday because of the adverse weather conditions.
opobs.wordpress.com/2015/07/26/people-and-the-two-hour-qu...
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Kodak T400CN shot at ISO200
Black and white negative in 120 format shot as 6×6
Push processed one stop
Flotsam mooringKodak T400CN shot at ISO200. Black and white negative in 120 format shot as 6×6. Push processed one stop.
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More at: emulsive.org/photography/flotsam-mooring-kodak-t400cn
Filed under: #Mediumformat #Photography
Postings to the Themed Alphabets group during the "negative space" theme.
a. urbanmkr, b. LeoL30, c. Claudecf, d. cutesmallfuzzy, e. urbanmkr, f. docksidepress, g. LeoL30, h. Monceau, i. urbanmkr, j. Monceau, k. urbanmkr, l. Monceau, m. LeoL30, n. mag3737, o. urbanmkr, p. Claudecf, q. Monceau, r. mag3737, s. Claudecf, t. Monceau, u. badjonni, v. Claudecf, w. docksidepress, x. Monceau, y. ChrisB in SEA, z. urbanmkr
Created with fd's Flickr Toys.
Eliot Malumuth. I lost track of the days and forgot to upload a few negative spaces photos, so I'm doing it late.
Source: livinghistories.newcastle.edu.au/nodes/view/32432
Thomas James Rodoni was born in 1882 at Hotham East, Victoria, to Swiss and Irish parents. While living in Sydney in August 1914 as a man of 31, Rodoni joined the first Australian Imperial Force that would engage in the Great War: the Australian Naval & Military Expeditionary Force.
A week after enlisting, Rodoni’s company embarked on the HMAS Berrima and sailed to German New Guinea among a fleet with orders to seize two wireless stations and to disable the German colonies there.
Rodoni’s unofficial photographs – many of them “candid” shots, captured in the moment – are a rare glimpse of this pivotal moment in Australia’s history. He has documented the energetic atmosphere of prewar Sydney and its surrounds, from civilian and military marches to battleships docked in Sydney Harbour, with accompanying crowds of people brought together for these special events. His camera voyaged with him on the expedition to the Pacific region, taking images both from the ship’s deck and then again on dry land after disembarking.
Rodoni was stationed in New Guinea for five months with the AN&MEF after the successful capture of territory from the German forces. His striking images are testament to his ease with the camera, and the ease of his fellow servicemen around this avid amateur photographer. He used his camera to record daily events and significant moments in the expedition, and made several group portraits of the officers and soldiers in his company. Yet his images also suggest a genuine curiosity for the foreign people and places where he was stationed, and a love of the photographic medium in which he practiced during this early period of the war.
After leaving New Guinea with the AN&MEF and returning home to Australia in January 1915, Rodoni left the force to work in a Small Arms Factory manufacturing munitions for the war. He soon married and settled in Newcastle with his wife, Catherine Annie Wilson, and had four children: Thomas, Mary, Jim and William (Bill).
The wider collection of glass plate negatives – over 600 in total and with many views of Newcastle and its surrounds is an incredible legacy to Thomas Rodoni and his family.
Rodoni died in 1956 as a result of a car accident in Waratah, Newcastle.
The original negatives are held in Cultural Collections at the Auchmuty Library, University of Newcastle (Australia).
You are welcome to use the images for study and personal research purposes. Please acknowledge as Courtesy of the Rodoni Archive, University of Newcastle (Australia)" For commercial requests you must obtain permission by contacting Cultural Collections.
If you are the subject of the images, or know the subject of the images, and have cultural or other reservations about the images being displayed on this website and would like to discuss this with us please contact Cultural Collections.
If you have any further information on the photographs, please leave a comment.
These images are provided free of charge to the global community thanks to the generosity of the Bill Rodoni & Family and the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: dl.dropboxusercontent.com/u/21528529/veradeaconform.jpg
Paper: 10 x 30 cm, painted with aquarelle pencils
Grid: 16 x 40 x 40 triangles
Model: Eric Gjerde
Book: Origami Tessellations p. 99 -102
Back.
I couldn't think of what to do for a 365 photo today - totally lacking in ideas.
I thought. "That's a pretty negative attitude!" … So I took a negative photo using the CamWow app on my iPhone :)
Lok Ma Chau, July 1972.
There are a ton of photos on Flickr taken at this spot-it was the closest you could get to "red" China in 1972. To see this was the reason I went on a rather boring tour of the New Territories.
just giving negative burning a shot, see what it seems like. the photo infact is the ex, but coincidently was the first negative i found. fitting really. ha.
Reclaimed negative from Fuji FP-100B instant film sheet.
*I accidentally scanned it as a colour negative at first, but quite like the effect, looks a bit like a cyanotype :-)
This is from a pack of black & white instant film I shot last year, before realising I could reclaim a negative from the peel-off part.
These two glass negatives were found in a junk shop in Huntsville, AL. They were tucked away in a corner, underneath a few old canvas paintings. I happened upon them by pure chance, shuffling through the odds and ends of the shop. They look to me like they are from the late 1800s or right at the turn of the century, judging from the dress and from the film process used that was popular at the time (ambrotypes, I think?). I scanned the plates in with my scanner and then reversed them in Ps. The detail of the images is spectacular and the plates (4x5s) haven't degraded very much over the years.
Any help to identify and pinpoint the time period would be greatly appreciated!
Playing around with an abstract shot, just used the negative setting on SilkyPix, I really like how it looks.
Digitised image from the Town Hall Photographer's Collection - GB127.M850
The Town Hall Photographer’s Collection is a large photographic collection held in Manchester City Council’s Central Library archives, ranging in date from 1956 to 2007.
The collection consists of tens of thousands of images, covering the varied areas of work of Manchester Corporation and latterly, Manchester City Council.
The photographs were taken by staff photographers, who were tasked to document the work of Corporation/Council departments and, in doing so, captured many aspects of Manchester life and history, including significant changes to the Manchester landscape.
The collection includes many different formats from glass negatives, to slides, prints, CDs and even a couple of cine films.
What is especially exciting is that the majority of these images have never before been available in a digital format and therefore have only ever been seen by a handful of people.
A team of dedicated Staff and Volunteers are currently working on the systematic digitisation of the negatives held within the collection.
This album represents the result of their work to date.
I've always been fascinated by negative space, so here is my attempt at drawing a character that's mostly not there.
Drawn in Photoshop on the graphic tablet.
Want to see more? Check out my new blog! All the cool kids are doing it!
Bain News Service,, publisher.
Mrs. Josephus Daniels
[between ca. 1915 and ca. 1920]
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Title from unverified data provided by the Bain News Service on the negatives or caption cards.
Forms part of: George Grantham Bain Collection (Library of Congress).
Format: Glass negatives.
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.25438
Call Number: LC-B2- 4355-12