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Suddenly the temperature dropped and the daylight seemed to swirl away into an indistinct, fog-like darkness. At the same time the air was torn apart by a frantic whirring sound, like a thousand grinding gear-wheels suffused by furious rushes of steam. Tiny arcs of purple lightning began to crackle through the aether as a great electrical wind twisted the air into some sort of strange, other-worldly vortex. As the very fabric of reality itself seemed to spin away into oblivion, I stared in horror at the centre of that churning maelstrom, where, piece by piece, the terrible apparition slowly materialised. Was this the vanguard of the evil Dr. Fulgurite's long threatened Clockwork Army? or something more terrifying even than that...
No. It was just a nice, friendly man in a steampunk costume that I chatted to during a visit to the Victorian Brickworks Museum at Bursledon. His name is Steve.
Thirteen hand-held exposures representing 21 seconds of March 26th, 2019.
Usual caveats and all that.
This rather stylish pair appeared before my very eyes at Bursledon Brickworks Museum. As you can see, their steam-powered materialisation caused some gentle ripples in the space-time continuum.
Luckily the distortions didn't last too long, although they did make me feel very hungry, and I had to go and buy a sandwich and a cake from the very fine museum refectory soon afterwards. Dimensional warping can do that to you.
Fourteen hand-held exposures representing twenty-four seconds of March 26th, 2019. Shot at the Victorian Brickworks Museum, Bursledon.
This is a multiple exposure of an umbrella clothesline that was laying on the floor. Happy Slider Sunday!
A grey and drizzly day here - this is based on the wonderful folds in the trunk of a beech tree I pass when walking through a local graveyard
* This is the real geology of the Malaspina Gallery on Gabriola Island in British Columbia's Salish Sea. It has been rearranged entirely in-camera with multiple exposures and camera movement, and tweaked in Lightroom. I've emphasized the true granular grit of the sandstone walls and of the smoother mudstone "bars," which are thin layers between sandstone units. The dark, skull-like pits in the pale, skull-like sandstone jumped out at me, and thus this image was born. The theme and symbolism seem to epitomize the Covid Age and other aspects of our time.
* Voici la véritable géologie de la galerie Malaspina, sur l'île Gabriola, dans la mer des Salish, en Colombie-Britannique. Elle a été entièrement réorganisée à l'aide de multiples expositions et de mouvements de caméra, puis peaufinée dans Lightroom. J'ai mis en valeur le grain granuleux des parois de grès et les « barres » de mudstone, plus lisses, qui forment de fines couches entre les unités de grès. Les fosses sombres, semblables à des crânes, creusées dans le grès pâle, m'ont interpellé, et c'est ainsi que cette image est née. Le thème et le symbolisme semblent incarner l'ère de la Covid et d'autres aspects de notre époque.
If you stand still for long enough while looking down the straight, the cars themselves tend to fade into the background as the roar of the engines fills the air around you.
I suspect it’s something to do with the excitement of the race. Failing that it’s the amount of Castrol R you inhaled as you walked around the paddock before the race began.
Petrol head indeed.
追焦 多重曝光 實驗
A panning + multiple exposures experiment
街拍
2023-01-05 追焦+多重曝光
選個喜歡的背景，坐下來 ，邊看人邊拍。
新的實驗；將追焦圖檔當底圖，加曝兩次現場夜燈--亂成這副樣子。
下次要找別的元素來重曝.。想用重曝讓女孩穿花衣，而周遭曝其他的元素。
Thank you everyone for your visit, favorites and comments.
2023-01-05 @ Taipei City, Taiwan, Rep. of China © copyright by May Lee 廖藹淳
Just riding in a car, seeing everything pass by, houses, trees and the eternal light that turns and twists as the car is changing its road. Winter is coming to an end.