View allAll Photos Tagged multipleexposure
taken with mamiya universal with a polaroid mount.
photo by: myspace.com/aritarita
the film expired in 2001.
My wife loves a jigsaw puzzle more than me on occasion I am certain! I have promised her that I will not hide any pieces again.
Taken on a brownie 44a tampered with to fit 35mm instead of 127. It has a fixed ap and shutter speed and no indicator of frames and continuous wind, so overlapped frames and double exposed. Out of date Kodak Ultra and hand processed with Tetenal. Guesswork!
Like my other star trails, this is also a compilation of 13 eight-minute exposures taken from 5:27 to 7:12 pm on New Years Eve.
The exposures were 8 minutes each at f/4, ISO 100 using a 50mm lens on my Canon 40D. You can see a collage of the images used here.
Cropped and post processed.
For more startrails, see my Black, as Night set. To understand how and why I create the exposure from a stack of images, see my treatise on startrails.
-- Copyright 2008, 2009 Steven Christenson
All rights reserved = don't use it without written permission.
The air is warm in the daytime and chill in the evening. The smell of the early morning has altered, the mist can be seen, Winter is not far behind.
Feelings from the last week in September, Bidart, 2020.
my first multiple exposure, albeit a mistake. i think there are about 6 in here. miraculously, the negative wasn't overexposed and i got this print back! i can make out a few faces and such, but that's it. karla found sean's glasses in here (twice); what can you see?
Week 2 in the Dogwood 2017 challenge. Straight out of Camera... very challenging. I had the bright spark idea to do multiple exposures in camera and see what I can get. Decided to stop as I'm obsessing and starting to fall behind. So candy floss clouds over some street trees shot from my front yard. Not entirely satisfied but I need to move on already...haha!
I cannot see the frame numbers through the red window of the Adox with this film (Shanghai GP3 - the backing paper is black with pale blue numbers), so had no idea whether I was winding on enough ... well, obviously not.
Then I set up up a copying stand and photographed the negatives on a homemade lightbox. I haven't adjusted the odd WB as I like the sepia effect.
There was a decision to be made about how to capture the frames, and I decided to start as if from the "correct" beginning; it could be done differently, which would produce a different effect. Perhaps I'll try that one rainy day.
I think a series of happy accidents has created something rather strange and beautiful ...
I'm working on a new series after almost 2 years since my last. These photos are still more like sketches than anything.
multiple exposures
35mm film
I can't take both of the moon and buildings clearly at one time, so I took multiple exposure shot.
多重露光で。
Nikon D300 / AF-S VR Zoom-Nikkor ED 70-300mm F4.5-5.6G(IF)
The output from and Light & Land Workshop, Impressions of London
The Tank area in the basement of the Tate Modern, multiple exposure in camera
aspen, colorado
1978
community fashion show
(double exposure)
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
Thanks for stopping by and view this photo. The reason for posting this photo on Flickr is to learn so if you have constructive feedback regarding what I could do better and / or what I should try, drop me a note I would love to hear your input.
View On Black the way it should be seen!
-- Let the sound of the shutter always guide you to new ventures.
© 2014 Winkler
IAPP Member: US#12002