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Accidental 12 exposures in New York.

First Exposure:

SONY DSLR-A550

1/10s

f/6.3

ISO 200

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250mm (35mm equivalent: 375mm)

Sigma 18-250mm F3.5-6.3 DC OS HSM

 

Second Exposure:

SONY DSLR-A550

1/10s

f/6.3

ISO 200

-----

250mm (35mm equivalent: 375mm)

Sigma 18-250mm F3.5-6.3 DC OS HSM

I love this photo, but it's hard for me not to concentrate on the technical flaws.

 

Partly still Summer, partly Autumn.

Occasional Flickr post these days to keep a presence

AP Art Studio Skeleton Study.

In camera multiple exposure

 

multiple exposures

 

Kodak 35mm 400 Arista

Pentax K1000, SMC Pentax FA 320mm Zoom lens

C-41 color process ©2013auxiliofaux

 

a 5 exposure HDR of one of the nicest fords you'll ever see. and what a parking spot! check out the reflection in the back window

sometimes distance makes things all a jumble..

A Dogs' leash that had caught my attention.

Decide upon an emotion you wish to convey, use that as your guide to build your story.

— Ian Teh

 

Ian adds…

“One of photography’s greatest strengths is its ability to emote through its ability to suggest. How would you frame your image based on the emotion you have decided upon? What colours will you use (or not)? What details will you include (or not)? What elements will be a constant recurrence in your story? These are just some of the thoughts that you could ponder upon. This reductive process helps define a framework that will guide you into capturing that distinct emotional note you are looking for in your story.”

 

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Emotion: Devotion

 

multiple exposures

 

Kodak 35mm 400 Arista

Pentax K1000, SMC Pentax FA 320mm Zoom lens

C-41 color process ©2013auxiliofaux

 

Processed with VSCOcam

Odd how strange reflective moods suddenly pop up and vanish just as quickly. The way a melody and lyrics can suddenly be found from 40 years or more earlier on the tip of your tongue.

Multiple exposure shot.

multiple exposure. In camera multiple exposure. No photoshop.

The Ragged Iris is the star of the show "Here Lies Titania.." etc etc.

Photo by: Alex Baril

Taken with a Canon EOS 3000

35 mm Film

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