View allAll Photos Tagged multiple
Multiple exposure of an entrance to the University of Sydney.
Nikon F4. Nikkor 50mm F1.2 lens. Bergger Pancro 400 35mm B&W film.
Multiple exposure of the water dripping from the fountain at Lions Park in Bowral. Also used Hoya Pop Colour filters too. Not used this film for this type of shot before.
Nikon F4. Nikkor 50mm F1.2 lens. CineStill 50 35mm C41 film.
Observation space in future. Triple exposure, at Tokyo Tower Observation deck.
Lomo LC-A+/Kodak EBX/X-Process
Multiple Saguaro cacti in the desert park in the greater Phoenix valley. These are massive in size when you compare them to the two hikers in the photo.
Granite Mountain Loop Trail hike to the Balanced Rock
IMG_5052&PSXr90DeHz0GPP2exHDRCompo
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© All Rights Reserved - Jim Goodyear 2017.
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Ningún grupo privado o grupo múltiple invita por favor
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Keine private Gruppe oder mehrere Gruppen laden bitte ein
Nenhum grupo privado ou grupo múltiplo convida por favor
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Using photographer Denise Ippolito's Soft/Sharp Multiple Exposure technique and trying out my recently acquired macro lens, this was one of the images I ended up with.
When it comes to photography, I only have three self-imposed rules that I'll never break...
1. I will never discard details by clipping the highlights and/or shadows, so I will always be a slave to my histogram. If I need to capture multiple different exposures and blend them together in Photoshop afterwards, then that is what I'll do.
2. I always try to capture (and edit) every photo as accurately as I am able to, as close as possible to what my eyes and brain experienced at the time. This is one of the reasons why I'd much rather shoot a multiple-image panorama at 50mm (the approximate focal-length of our eyes), than capturing everything in a single shot with (all the distortions of) an ultra-wide lens.
3. Despite the obvious temptation to use AI to assist in editing my photos, this will never be an option for me. Anyone who ever sees one of my photos should (hopefully) never question its authenticity. I will admit that the current AIs already produce images that are much more eye-catching and "perfect" than anything that I could ever capture, so my only option is to always remain as "real" as possible.
The biggest downside to these rules is that sometimes the most accurate representation of an amazing scene looks dull and boring (in 2-dimensions) on a phone and/or computer screen. This panorama is a good example of that. The histogram is bunched-up towards the middle, with no danger of clipping any details. It would be easy to stretch out the histogram to brighten this pano and make it "pop" a lot more, but would it still be real? I captured these photos about 30 minutes before sunrise. Yes it was very dark and yes this photo isn't that visually exciting, but yes... it is 100% real.
That's all that matters to me.
This is what flowers look like. No, really.
Keep in mind that things (in this case ‘Hollyhocks’) exist in time as well as space and therefore one must combine the two in order to begin to see the phenomenon of reality.
If you do this often enough you may sometimes start to wonder about the very fabric of existence. Well, I do, you might not, if you know what’s good for you.
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Usual caveats etc.
Ten hand-held exposures taken in a 90 degree arc (or thereabouts) blended together in Photoshop.
Hollyhocks at Highdown Gardens, Sussex.