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In-camera multiple exposures experiment
伴
Thank you everyone for your visit, favorites and comments.
2022-06-13 & 2022-06-07 Taipei City, Taiwan and 2022-04-17 Kinmen, Fujian, Rep. of China © copyright by May Lee 廖藹淳
Taken at the Eastbourne Lantern Festival. The lanterns were created by Same Sky Charity and were installed in the Pavilion Gardens.
Funded by the European Regional Development Fund, via the Welcome Back Fund.
The lanterns, ranged from botanical inspired creations to colourful creatures and royal displays to celebrate the the Queen’s 70th year, following her ascent to the throne in February 1952.
Thankfully I got to see it the evening before Storm Eunice hit our shores with up to 122 mph winds.
Museo Guggenheim, Bilbao, Vizcaya, País Vasco, España.
El Museo Guggenheim Bilbao (en euskera, Guggenheim Bilbao Museoa; en inglés, Guggenheim Museum Bilbao) es un museo de arte contemporáneo diseñado por el arquitecto canadiense Frank O. Gehry y localizado en la villa de Bilbao (País Vasco), España. Es uno de los museos vinculados en régimen de franquicia o colaboración con la Fundación Solomon R. Guggenheim. Fue inaugurado el 18 de octubre de 1997 por el rey Juan Carlos I de España.
Las negociaciones para la construcción del museo entre las autoridades públicas de la comunidad autónoma del País Vasco y los directivos de la Fundación Guggenheim comenzaron en febrero de 1991. El acuerdo se firmó a finales de ese año, seleccionándose el arquitecto y el emplazamiento del edificio a mediados de 1992. Desde su inauguración en 1997, el museo ha recibido una media superior al millón de visitantes anuales, causando un impacto extraordinario en la economía y la sociedad vasca, impulsando el turismo en la región y promoviendo la revitalización de múltiples espacios públicos y privados en la villa, además de mejorar la imagen de la ciudad. Todo este fenómeno, bautizado por los medios de comunicación como «efecto Guggenheim» o «efecto Bilbao», ha puesto de relieve la importancia del turismo cultural, y ha generado un efecto de emulación en otros países, con desiguales resultados.
La característica más llamativa del museo es el innovador edificio en el que se emplaza, constituido por formas curvilíneas y retorcidas, recubiertas de piedra caliza, cortinas de cristal y planchas de titanio. Cuenta con una superficie total de 24.000 m², de los cuales 10.540 m² están reservados para las exposiciones, distribuidos en 19 galerías, siendo el museo con más metros expositivos del Estado. Se ubica a orillas de la ría de Bilbao, en una zona denominada Abandoibarra, junto al puente de La Salve, que está rodeado por una torre hueca.
Tanto el edificio como su colección permanente pertenecen a las autoridades vascas. El 3 de diciembre de 2014 el patronato del Museo Guggenheim Bilbao aprobó renovar por otros 20 años la colaboración con la Fundación Solomon R. Guggenheim de Nueva York, suscrita en 1994 y cuya vigencia vencía el 31 de diciembre.
Diseñado por el gabinete de arquitectos de Frank Gehry, fue abierto al público en 1997 y alberga exposiciones de arte de obras pertenecientes a la fundación Guggenheim y exposiciones itinerantes. Muy pronto el edificio se reveló como uno de los más espectaculares edificios deconstructivistas. El diseño del museo y su construcción siguen el estilo y métodos de Frank Gehry. Como muchos de sus trabajos anteriores la estructura principal está radicalmente esculpida siguiendo contornos casi orgánicos. El museo afirma no contener una sola superficie plana en toda su estructura. Parte del edificio es cruzado por un puente elevado y el exterior está recubierto por placas de titanio y por una piedra caliza que fue muy difícil de encontrar (al final se logró encontrar en Huéscar, Granada) de un color similar a la que se utilizó para construir la Universidad de Deusto.
El edificio visto desde el río aparenta tener la forma de un barco rindiendo homenaje a la ciudad portuaria en la que se inscribe. Sus paneles brillantes se asemejan a las escamas de un pez recordándonos las influencias de formas orgánicas presentes en muchos de los trabajos de Gehry. Visto desde arriba, sin embargo, el edificio posee la forma de una flor. Para su diseño el equipo de Gehry utilizó intensamente simulaciones por ordenador de las estructuras necesarias para mantener el edificio, consiguiendo unas formas que hubieran sido imposibles de realizar unas pocas décadas antes.
Mientras que el museo domina las vistas de la zona desde el nivel del río, su aspecto desde el nivel superior de la calle es mucho más modesto por lo que no desentona con su entorno de edificios más tradicionales.
The Guggenheim Museum Bilbao (in Basque, Guggenheim Bilbao Museoa; in English, Guggenheim Museum Bilbao) is a contemporary art museum designed by Canadian architect Frank O. Gehry and located in the town of Bilbao (Basque Country), Spain. It is one of the museums linked by franchise or collaboration with the Solomon R. Guggenheim Foundation. It was inaugurated on October 18, 1997 by King Juan Carlos I of Spain.
The negotiations for the construction of the museum between the public authorities of the autonomous community of the Basque Country and the directors of the Guggenheim Foundation began in February 1991. The agreement was signed at the end of that year, selecting the architect and the location of the building mid-1992. Since its inauguration in 1997, the museum has received an average of more than a million visitors per year, causing an extraordinary impact on the Basque economy and society, boosting tourism in the region and promoting the revitalization of multiple public spaces and in the town, in addition to improving the image of the city. All this phenomenon, baptized by the media as the "Guggenheim effect" or "Bilbao effect", has highlighted the importance of cultural tourism, and has generated an effect of emulation in other countries, with uneven results.
The most striking feature of the museum is the innovative building in which it is located, made up of curvilinear and twisted shapes, covered in limestone, glass curtains and titanium plates. It has a total area of 24,000 m², of which 10,540 m² are reserved for exhibitions, distributed in 19 galleries, making it the museum with the most exhibition meters in the State. It is located on the banks of the Bilbao estuary, in an area called Abandoibarra, next to the La Salve bridge, which is surrounded by a hollow tower.
Both the building and its permanent collection belong to the Basque authorities. On December 3, 2014, the Board of Trustees of the Guggenheim Museum Bilbao approved renewing for another 20 years the collaboration with the Solomon R. Guggenheim Foundation of New York, signed in 1994 and whose validity expired on December 31.
Designed by the firm of architects of Frank Gehry, it was opened to the public in 1997 and houses art exhibitions of works belonging to the Guggenheim Foundation and traveling exhibitions. Very soon the building was revealed as one of the most spectacular deconstructivist buildings. The design of the museum and its construction follow the style and methods of Frank Gehry. Like many of his earlier works the main structure is radically sculpted following almost organic contours. The museum claims not to contain a single flat surface in its entire structure. Part of the building is crossed by an elevated bridge and the exterior is covered by titanium plates and by a limestone that was very difficult to find (in the end it was found in Huéscar, Granada) of a similar color to the one used for build the University of Deusto.
Seen from the river, the building appears to have the shape of a ship, paying homage to the port city in which it is part. Its glossy panels resemble the scales of a fish, reminding us of the organic shape influences present in much of Gehry's work. Seen from above, however, the building has the shape of a flower. Gehry's team extensively used computer simulations of the structures needed to support the building for its design, achieving shapes that would have been impossible a few decades earlier.
While the museum commands views of the area from river level, its appearance from the upper street level is much more modest, fitting in with its setting of more traditional buildings.
Siphonaptera are an interesting group of parasitic insects. They’re also known as fleas.
Which has nothing at all to do with the picture save that the flower is a type of Erigeron called Mexican Fleabane.
I took this up by the church today. The presence of this plant puzzles. As far as I know there are no Mexicans in the village… and, although I am South American I can assure you I don’t have fleas. So why would the church have fleabane planted nearby? Ah well… the puzzles of rural life.
The plant is better called gardenersbane I think as it can be invasive: it self-sows as if there is no tomorrow (which, on reflection, is probably true if I am around :) ).
The picture is a ten-image in-camera multiple-exposure using the twist-click-twist-click technique which I have been having a lot of fun with recently (and that should serve as a warning for the wary!).
This is for the Friday Flora group and also my 100x project on Motion today as it involves camera motion.
PS Sorry for the title: the creative juices tonight were somewhat... juiced :(
Thank you for taking the time to look. I hope you enjoy the image (without getting dizzy). Happy Freitagsblümchen and 100x :)
[Ten-image in-camera multiple exposure, rotating around the lens axis.
Developed in Capture One for detail and colour, increasing saturation, contrast and clarity as multiple exposures of this sort need.
Processed in Affinity with a little help from Nik Color Efex (lens and blur vignettes, soft focus and glamour glow, with colour and contrast correction.]
No private group or multiple group invites please!
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Class 150 diesel multiple unit No. 150234 stands on the blocks at St Ives station with the 12:18 service from St Erth on Friday 15th February 2013.
I see from Google Street View that the telephone kiosk on the left has since been removed.
Do Class 150s still work the St Ives branch in 2023? I suspect they probably do.
© Ten Years After archive series 2023.
Colors Of 77 Photo Zine (Vol.3)
This time, I distorted time and space or something more...featuring beautiful Japanese autumn.
An empty parking garage offers a lot of squares. After HDR with Lightroom I enhanced the squares in the picture using the iColorama app. This allowed me to keep the different shades of grey in the shot while removing details. This gave the desired effect showing the squares of different colors.
Took this during our trip to the family reunion last week.
In answer to Skip Moore's question, the colors in this corridor morph, and go through a wide range of colors ever few seconds.
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....or multiverse.
Shot with FE 55mm f1.8 ZA, at a mere 281g.
Gear nuts loved to complain about this lens and take pictures in broad daylight at wide opened apertures against a high contrast background to support their highfalutin assertions that LoCA (Longitudinal Chromatic Aberration) is this lens’ achilles heel. Gear nuts are probably also mostly “purists”, non believers of the art of post processing.
Fact is, this lens is small but yet has high resolution, great color, fast and accurate AF and smooth bokeh. It was however rather overly expensive at launch yet it’s the only lens I’ve retained from my initial foray into full frame mirrorless system 7 years ago having sold off the FE 28mm f2.0 with its 21mm converter, FE 16-35mm f4.0 ZA OSS and FE 24-70mm f4.0 ZA OSS.
Meanwhile, OM system (previously Olympus) is getting ready to release a new flagship OM-1, apparently it will use a BSI Stacked sensor; m.dpreview.com/news/6861091273/sony-semiconductor-reveals...
OM-1 appears to have the same 20mp resolution and 12bit depth, doubtful there will be any meaningful improvement in dynamic range hence personally that 1,000+ AF points or so many multiples of fps is of limited meaning since high ISO performance will remain inferior to larger sensor rivals.
OM-1 should be a proper, meaningful upgrade from E-M1 MKii which the E-M1 Mkiii was certainly not.
What may be more meaningful is how the camera can leverage on all that speed for handheld multi-shot frame merging/averaging to further reduce noise, improve color and increase resolution.
This is a positive sign that m43 will still be around. Still have and enjoy shooting with my m43 lenses, let’s see how this OM-1 pans out.
OM-1 is a also sign that the stacked sensor is coming to smaller sensor cameras, before long we should see a stacked sensor APS-C camera.
Only a mirrorless stacked sensor can truly replace the separate PDAF module of a DSLR.
Multiple cascades on Afon Lloer give plenty of opportunities for variety of shots. It is a bit tricky to fit in Tryfan and the valley as well, but the location is brilliant. If only weather cooperated...
Photo of oil droplets from the oil & water macro abstract photography assignment captured via Minolta MD Macro Rokkor-X 100mm F/4 lens. Inside the creative halls of the 494 ∞ Labs. Early August 2021.
Exposure Time: 1/8 sec. * ISO Speed: ISO-200 * Aperture: F/8 * Bracketing: None * Color Temperature: 2600 K * Plug-In: Sharp Pop * Adaptor: 1:1 Extension Tube
Beinwell, Symphitum officinale
Die Blüten verändern ihre Farbe mit dem Alter. von Rot ( Knospe ) über rosa und blau verblassen sie zu fast weiß.