View allAll Photos Tagged modularsynthesizer
The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes
revised [2009.01.19] : it appears some have been inspired enough by this photograph to consider migrating to a new cabinet for their own 208. without modification, the mechanism which helps the legs prop up the cabinet up can interfere with the backplane cards in the 208 when collapsed...
the center boat is the only boat which has a possibility to contain the 208, and only if the e-series power bus board is replaced with another bus board (or modified- nothing i can recommend *cough*). the trick of this bit is compounded by the fact that the center boat's bus board holds an additional purpose (aside from powering modules): it has the necessary accomidations for the power switch and e-series program cards.
i'm not inclined to put forth a detailed disclosure of the "surgeon's log" which brought me success...i feel it would be grotesquely irresponsible of me to recommend this to anyone.
The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes
The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil
The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes
PERFORMANCE
Wednesday, April 21, 2016
6:30pm
Institute of Contemporary Art
Robert Aiki Aubrey Lowe taught a masterclass for Penn students in ICA's auditorium, followed by a performance in the Rodney McMillian exhibition. The sound system used in the performance was built by House of Roots.
Organized by Eugene Lew (Instructor, MUSC 275: Musica Practica / Elettronica Viva) and Anthony Elms (ICA, Chief Curator).
web.sas.upenn.edu/electronicmusic/
icaphila.org/programs/7968/concert-robert-aiki-aubrey-lowe
----
Sponsored by the Institute of Contemporary Art, the Provost's Interdisciplinary Arts Fund, and the Department of Music at the University of Pennsylvania.
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Robert Aiki Aubrey Lowe (b. 1975) is an artist and multi instrumentalist that combines voice and patch pieces with modular synthesizer for spontaneous performances. His live performances and recordings emphasize the physicality of sound to usher listeners into a trancelike state.
Lowe has often performed under the moniker of Lichens. and in collaboration with Ben Russell, Ben Rivers, Rose Lazar, Hisham Akira Bharoocha, Tarek Atoui, Ben Vida, Mark Borthwick, Lucky Dragons, Alan Licht, Michael Zerang, Doug Aitken, Patrick Smith, Monica Baptista, Lee Ranaldo, White/Light, Kevin Martin, OM, Tyondai Braxton, David Scott Stone, Genesis P-Orridge and Rose Kallal, as well as many others.
4 Voice Modular Synthesizer, Cabinet B, with 2 VCO, 4 VCF, 4 AHDSR, 4 Stereo VCA, 2-4 Ringmodulators, Noice Sources, 2 Random CV generators and one four phase LFO. This picture shows the pcb's of the complete electronic part (without power supply and interface), which contains around 9500 components ...
This Synthesizer is developed by Martin Hollinger from Synthorama, Switzerland in 2006 and this 2nd model was manufactured in March 2011.
The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes
The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil
The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil
The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil
4 Voice Modular Synthesizer, Cabinet A, with 2 VCO, 4 VCF, 4 AHDSR, 4 Stereo VCA, 2 LFO and a 4 channel output mixer. This picture shows the rear side with the 4 Channel Midi Matrix, the inputs Midi, CV, Gate and Trigger and also the connectors to the Synthesizer part AVS-04B and the Sequencer AMS-496.
This Synthesizer is developed by Martin Hollinger from Synthorama, Switzerland in 2006 and this 2nd model was manufactured in March 2011.
The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes
The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil
Matrix Sequencer Airböurne AMS-496.
Digital Sequencer for 4 tracks with up to 96 notes per track. The Sequencer allows to control note length, glide, volume and pan of each track separately.
The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil
The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil
The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil
Drum Machine and Synth Heaven setup in the Muffwigger Store. Check out my Youtube Channels Modular Wild and Raul's World of Synths for more Eurorack.
Eurorack Modular Systems setup in the Muffwigger Store. Check out my Youtube Channels Modular Wild and Raul's World of Synths for more Eurorack.
Keyboard 184 in it's boxes with the original manual.Extrememly rare to find,and even if you find one,who still has it's original boxes?
The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil
The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil
MASTERCLASS
Wednesday, April 21, 2016
6:30pm
Institute of Contemporary Art
Robert Aiki Aubrey Lowe taught a masterclass for Penn students in ICA's auditorium, followed by a performance in the Rodney McMillian exhibition. The sound system used in the performance was built by House of Roots.
Organized by Eugene Lew (Instructor, MUSC 275: Musica Practica / Elettronica Viva) and Anthony Elms (ICA, Chief Curator).
web.sas.upenn.edu/electronicmusic/
icaphila.org/programs/7968/concert-robert-aiki-aubrey-lowe
----
Sponsored by the Institute of Contemporary Art, the Provost's Interdisciplinary Arts Fund, and the Department of Music at the University of Pennsylvania.
---
Robert Aiki Aubrey Lowe (b. 1975) is an artist and multi instrumentalist that combines voice and patch pieces with modular synthesizer for spontaneous performances. His live performances and recordings emphasize the physicality of sound to usher listeners into a trancelike state.
Lowe has often performed under the moniker of Lichens. and in collaboration with Ben Russell, Ben Rivers, Rose Lazar, Hisham Akira Bharoocha, Tarek Atoui, Ben Vida, Mark Borthwick, Lucky Dragons, Alan Licht, Michael Zerang, Doug Aitken, Patrick Smith, Monica Baptista, Lee Ranaldo, White/Light, Kevin Martin, OM, Tyondai Braxton, David Scott Stone, Genesis P-Orridge and Rose Kallal, as well as many others.
Photo by Wing T. Dyana So.
MASTERCLASS
Wednesday, April 21, 2016
6:30pm
Institute of Contemporary Art
Robert Aiki Aubrey Lowe taught a masterclass for Penn students in ICA's auditorium, followed by a performance in the Rodney McMillian exhibition. The sound system used in the performance was built by House of Roots.
Organized by Eugene Lew (Instructor, MUSC 275: Musica Practica / Elettronica Viva) and Anthony Elms (ICA, Chief Curator).
web.sas.upenn.edu/electronicmusic/
icaphila.org/programs/7968/concert-robert-aiki-aubrey-lowe
----
Sponsored by the Institute of Contemporary Art, the Provost's Interdisciplinary Arts Fund, and the Department of Music at the University of Pennsylvania.
---
Robert Aiki Aubrey Lowe (b. 1975) is an artist and multi instrumentalist that combines voice and patch pieces with modular synthesizer for spontaneous performances. His live performances and recordings emphasize the physicality of sound to usher listeners into a trancelike state.
Lowe has often performed under the moniker of Lichens. and in collaboration with Ben Russell, Ben Rivers, Rose Lazar, Hisham Akira Bharoocha, Tarek Atoui, Ben Vida, Mark Borthwick, Lucky Dragons, Alan Licht, Michael Zerang, Doug Aitken, Patrick Smith, Monica Baptista, Lee Ranaldo, White/Light, Kevin Martin, OM, Tyondai Braxton, David Scott Stone, Genesis P-Orridge and Rose Kallal, as well as many others.
Photo by Wing T. Dyana So.