View allAll Photos Tagged modularsynthesizer
MASTERCLASS
Wednesday, April 21, 2016
6:30pm
Institute of Contemporary Art
Robert Aiki Aubrey Lowe taught a masterclass for Penn students in ICA's auditorium, followed by a performance in the Rodney McMillian exhibition. The sound system used in the performance was built by House of Roots.
Organized by Eugene Lew (Instructor, MUSC 275: Musica Practica / Elettronica Viva) and Anthony Elms (ICA, Chief Curator).
web.sas.upenn.edu/electronicmusic/
icaphila.org/programs/7968/concert-robert-aiki-aubrey-lowe
----
Sponsored by the Institute of Contemporary Art, the Provost's Interdisciplinary Arts Fund, and the Department of Music at the University of Pennsylvania.
---
Robert Aiki Aubrey Lowe (b. 1975) is an artist and multi instrumentalist that combines voice and patch pieces with modular synthesizer for spontaneous performances. His live performances and recordings emphasize the physicality of sound to usher listeners into a trancelike state.
Lowe has often performed under the moniker of Lichens. and in collaboration with Ben Russell, Ben Rivers, Rose Lazar, Hisham Akira Bharoocha, Tarek Atoui, Ben Vida, Mark Borthwick, Lucky Dragons, Alan Licht, Michael Zerang, Doug Aitken, Patrick Smith, Monica Baptista, Lee Ranaldo, White/Light, Kevin Martin, OM, Tyondai Braxton, David Scott Stone, Genesis P-Orridge and Rose Kallal, as well as many others.
Photo by Wing T. Dyana So.
In the course of Ars Electronica Home Delivery, visitors were invited to see how genarate sounds with a modular synthesizer.
Find out more about Ars Electronica Home Delivery:
ars.electronica.art/homedelivery/en/
Credit: Ars Electronica - Robert Bauernhansl
My ai generated art creation; inspired by the BBC Radiophonic Workshop of the late 1950s to early 70s.
Mixing Desk with Orange Phones.
The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes
My ai generated art creation; inspired by the BBC Radiophonic Workshop of the late 1950s to early 70s.
The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil
Across the main mixing desk.
The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes
A vintage Paia modular synthesiser.
The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes
ARP 2500 and Moog Modular.
The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes
My ai generated art creation; inspired by the BBC Radiophonic Workshop of the late 1950s to early 70s.
Yamaha CS80 Buttons
The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes
The Mighty ARP Odyssey - grunged by me!!!
The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes
Stacked Roland Beat Boxes.
The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes
The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil
The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil
PERFORMANCE
Wednesday, April 21, 2016
6:30pm
Institute of Contemporary Art
Robert Aiki Aubrey Lowe taught a masterclass for Penn students in ICA's auditorium, followed by a performance in the Rodney McMillian exhibition. The sound system used in the performance was built by House of Roots.
Organized by Eugene Lew (Instructor, MUSC 275: Musica Practica / Elettronica Viva) and Anthony Elms (ICA, Chief Curator).
web.sas.upenn.edu/electronicmusic/
icaphila.org/programs/7968/concert-robert-aiki-aubrey-lowe
----
Sponsored by the Institute of Contemporary Art, the Provost's Interdisciplinary Arts Fund, and the Department of Music at the University of Pennsylvania.
---
Robert Aiki Aubrey Lowe (b. 1975) is an artist and multi instrumentalist that combines voice and patch pieces with modular synthesizer for spontaneous performances. His live performances and recordings emphasize the physicality of sound to usher listeners into a trancelike state.
Lowe has often performed under the moniker of Lichens. and in collaboration with Ben Russell, Ben Rivers, Rose Lazar, Hisham Akira Bharoocha, Tarek Atoui, Ben Vida, Mark Borthwick, Lucky Dragons, Alan Licht, Michael Zerang, Doug Aitken, Patrick Smith, Monica Baptista, Lee Ranaldo, White/Light, Kevin Martin, OM, Tyondai Braxton, David Scott Stone, Genesis P-Orridge and Rose Kallal, as well as many others.
Drum kit in the Live Room.
The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes
MASTERCLASS
Wednesday, April 21, 2016
6:30pm
Institute of Contemporary Art
Robert Aiki Aubrey Lowe taught a masterclass for Penn students in ICA's auditorium, followed by a performance in the Rodney McMillian exhibition. The sound system used in the performance was built by House of Roots.
Organized by Eugene Lew (Instructor, MUSC 275: Musica Practica / Elettronica Viva) and Anthony Elms (ICA, Chief Curator).
web.sas.upenn.edu/electronicmusic/
icaphila.org/programs/7968/concert-robert-aiki-aubrey-lowe
----
Sponsored by the Institute of Contemporary Art, the Provost's Interdisciplinary Arts Fund, and the Department of Music at the University of Pennsylvania.
---
Robert Aiki Aubrey Lowe (b. 1975) is an artist and multi instrumentalist that combines voice and patch pieces with modular synthesizer for spontaneous performances. His live performances and recordings emphasize the physicality of sound to usher listeners into a trancelike state.
Lowe has often performed under the moniker of Lichens. and in collaboration with Ben Russell, Ben Rivers, Rose Lazar, Hisham Akira Bharoocha, Tarek Atoui, Ben Vida, Mark Borthwick, Lucky Dragons, Alan Licht, Michael Zerang, Doug Aitken, Patrick Smith, Monica Baptista, Lee Ranaldo, White/Light, Kevin Martin, OM, Tyondai Braxton, David Scott Stone, Genesis P-Orridge and Rose Kallal, as well as many others.
Photo by Wing T. Dyana So.
Arp 2500 Controls
The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes
The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes
A Polymoog close-up.
The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes
ARP 2500
The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes
The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes
Korg MS50, ARP Solina and a Polymoog - taken at an arty angle. Sort of.
The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes
Orange Phones and Serge Modular Synthesizer.
The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes
PERFORMANCE
Wednesday, April 21, 2016
6:30pm
Institute of Contemporary Art
Robert Aiki Aubrey Lowe taught a masterclass for Penn students in ICA's auditorium, followed by a performance in the Rodney McMillian exhibition. The sound system used in the performance was built by House of Roots.
Organized by Eugene Lew (Instructor, MUSC 275: Musica Practica / Elettronica Viva) and Anthony Elms (ICA, Chief Curator).
web.sas.upenn.edu/electronicmusic/
icaphila.org/programs/7968/concert-robert-aiki-aubrey-lowe
----
Sponsored by the Institute of Contemporary Art, the Provost's Interdisciplinary Arts Fund, and the Department of Music at the University of Pennsylvania.
---
Robert Aiki Aubrey Lowe (b. 1975) is an artist and multi instrumentalist that combines voice and patch pieces with modular synthesizer for spontaneous performances. His live performances and recordings emphasize the physicality of sound to usher listeners into a trancelike state.
Lowe has often performed under the moniker of Lichens. and in collaboration with Ben Russell, Ben Rivers, Rose Lazar, Hisham Akira Bharoocha, Tarek Atoui, Ben Vida, Mark Borthwick, Lucky Dragons, Alan Licht, Michael Zerang, Doug Aitken, Patrick Smith, Monica Baptista, Lee Ranaldo, White/Light, Kevin Martin, OM, Tyondai Braxton, David Scott Stone, Genesis P-Orridge and Rose Kallal, as well as many others.
A mysterious looking ARP nook.
The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes
Yamaha CS80 and Korg Delta
The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes
A vintage EMS VCS3, also known as The Putney. Came to prominence through being used by Brian Eno in his Roxy Music days in the early 1970's.
The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes
The Modular Wall.
The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes
In the course of Ars Electronica Home Delivery, visitors were invited to see how genarate sounds with a modular synthesizer.
Find out more about Ars Electronica Home Delivery:
ars.electronica.art/homedelivery/en/
Credit: Ars Electronica - Robert Bauernhansl
Korg PS3100
The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes
Synclavier sitting quietly in a corner minding it's own business.
The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes
Tom Oberheim, Oberheim Electronics
Dave Smith, Sequential Circuits, Dave Smith Instruments
Don Buchla, Buchla & Associates
Roger Linn, Linn Electronics, Roger Linn Design
Roland CR-78 - the sound of John Foxx.
The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes
Airböurne Synthesizer System. It consists of two parts:
Synthesizer Airböurne AVS-04A (right) and Synthesizer Expander Airböurne AVS-04B (left).
My ai generated art creation; inspired by the BBC Radiophonic Workshop of the late 1950s to early 70s.
An analogue mixing desk.
The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes
Modular Close-Up
The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes
4 Voice Modular Synthesizer, Cabinet B, with 2 VCO, 4 VCF, 4 AHDSR, 4 Stereo VCA, 2-4 Ringmodulators, Noice Sources, 2 Random CV generators and one four phase LFO. This Synthesizer is developed and manufactured by Martin Hollinger from Synthorama, Switzerland in October 2006.
MASTERCLASS
Wednesday, April 21, 2016
6:30pm
Institute of Contemporary Art
Robert Aiki Aubrey Lowe taught a masterclass for Penn students in ICA's auditorium, followed by a performance in the Rodney McMillian exhibition. The sound system used in the performance was built by House of Roots.
Organized by Eugene Lew (Instructor, MUSC 275: Musica Practica / Elettronica Viva) and Anthony Elms (ICA, Chief Curator).
web.sas.upenn.edu/electronicmusic/
icaphila.org/programs/7968/concert-robert-aiki-aubrey-lowe
----
Sponsored by the Institute of Contemporary Art, the Provost's Interdisciplinary Arts Fund, and the Department of Music at the University of Pennsylvania.
---
Robert Aiki Aubrey Lowe (b. 1975) is an artist and multi instrumentalist that combines voice and patch pieces with modular synthesizer for spontaneous performances. His live performances and recordings emphasize the physicality of sound to usher listeners into a trancelike state.
Lowe has often performed under the moniker of Lichens. and in collaboration with Ben Russell, Ben Rivers, Rose Lazar, Hisham Akira Bharoocha, Tarek Atoui, Ben Vida, Mark Borthwick, Lucky Dragons, Alan Licht, Michael Zerang, Doug Aitken, Patrick Smith, Monica Baptista, Lee Ranaldo, White/Light, Kevin Martin, OM, Tyondai Braxton, David Scott Stone, Genesis P-Orridge and Rose Kallal, as well as many others.
Photo by Wing T. Dyana So.