View allAll Photos Tagged modularsynthesizer

PERFORMANCE

Wednesday, April 21, 2016

6:30pm

Institute of Contemporary Art

 

Robert Aiki Aubrey Lowe taught a masterclass for Penn students in ICA's auditorium, followed by a performance in the Rodney McMillian exhibition. The sound system used in the performance was built by House of Roots.

 

Organized by Eugene Lew (Instructor, MUSC 275: Musica Practica / Elettronica Viva) and Anthony Elms (ICA, Chief Curator).

 

web.sas.upenn.edu/electronicmusic/

 

icaphila.org/programs/7968/concert-robert-aiki-aubrey-lowe

 

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Sponsored by the Institute of Contemporary Art, the Provost's Interdisciplinary Arts Fund, and the Department of Music at the University of Pennsylvania.

 

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Robert Aiki Aubrey Lowe (b. 1975) is an artist and multi instrumentalist that combines voice and patch pieces with modular synthesizer for spontaneous performances. His live performances and recordings emphasize the physicality of sound to usher listeners into a trancelike state.

 

Lowe has often performed under the moniker of Lichens. and in collaboration with Ben Russell, Ben Rivers, Rose Lazar, Hisham Akira Bharoocha, Tarek Atoui, Ben Vida, Mark Borthwick, Lucky Dragons, Alan Licht, Michael Zerang, Doug Aitken, Patrick Smith, Monica Baptista, Lee Ranaldo, White/Light, Kevin Martin, OM, Tyondai Braxton, David Scott Stone, Genesis P-Orridge and Rose Kallal, as well as many others.

 

PERFORMANCE

Wednesday, April 21, 2016

6:30pm

Institute of Contemporary Art

 

Robert Aiki Aubrey Lowe taught a masterclass for Penn students in ICA's auditorium, followed by a performance in the Rodney McMillian exhibition. The sound system used in the performance was built by House of Roots.

 

Organized by Eugene Lew (Instructor, MUSC 275: Musica Practica / Elettronica Viva) and Anthony Elms (ICA, Chief Curator).

 

web.sas.upenn.edu/electronicmusic/

 

icaphila.org/programs/7968/concert-robert-aiki-aubrey-lowe

 

----

 

Sponsored by the Institute of Contemporary Art, the Provost's Interdisciplinary Arts Fund, and the Department of Music at the University of Pennsylvania.

 

---

 

Robert Aiki Aubrey Lowe (b. 1975) is an artist and multi instrumentalist that combines voice and patch pieces with modular synthesizer for spontaneous performances. His live performances and recordings emphasize the physicality of sound to usher listeners into a trancelike state.

 

Lowe has often performed under the moniker of Lichens. and in collaboration with Ben Russell, Ben Rivers, Rose Lazar, Hisham Akira Bharoocha, Tarek Atoui, Ben Vida, Mark Borthwick, Lucky Dragons, Alan Licht, Michael Zerang, Doug Aitken, Patrick Smith, Monica Baptista, Lee Ranaldo, White/Light, Kevin Martin, OM, Tyondai Braxton, David Scott Stone, Genesis P-Orridge and Rose Kallal, as well as many others.

 

The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes

In the course of Ars Electronica Home Delivery, visitors were invited to see how genarate sounds with a modular synthesizer.

 

Find out more about Ars Electronica Home Delivery:

ars.electronica.art/homedelivery/en/

 

Credit: Ars Electronica - Robert Bauernhansl

The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil

A stack of synth porn if ever there was one.

 

The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes

A close-up of the pin-matrix panel of the VCS3.

 

The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes

Ben "Benge" Edwards and Neil Fellowes.

 

The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes

Looking across a crash cymbal, past the Roland Juno 60 into the main studio.

 

The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes

Oscilloscope

 

The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes

Piano Innards.

 

The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes

The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil

Roland VP330 Vocoder Plus

 

The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes

In the course of Ars Electronica Home Delivery, visitors were invited to see how genarate sounds with a modular synthesizer.

 

Find out more about Ars Electronica Home Delivery:

ars.electronica.art/homedelivery/en/

 

Credit: Ars Electronica - Robert Bauernhansl

Mixing Desk Innards.

 

The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes

In the course of Ars Electronica Home Delivery, visitors were invited to see how genarate sounds with a modular synthesizer.

 

Find out more about Ars Electronica Home Delivery:

ars.electronica.art/homedelivery/en/

 

Credit: Ars Electronica - Robert Bauernhansl

Mixing Desk Innards.

 

The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes

Mixing Desk Innards.

 

The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes

Roland System 700 VCO module 702D.View on the frontside.

The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes

PPG Waveterm - grunged by me!!!

 

The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes

The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil

Meet Mic and......erm......Mic.

 

The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes

PERFORMANCE

Wednesday, April 21, 2016

6:30pm

Institute of Contemporary Art

 

Robert Aiki Aubrey Lowe taught a masterclass for Penn students in ICA's auditorium, followed by a performance in the Rodney McMillian exhibition. The sound system used in the performance was built by House of Roots.

 

Organized by Eugene Lew (Instructor, MUSC 275: Musica Practica / Elettronica Viva) and Anthony Elms (ICA, Chief Curator).

 

web.sas.upenn.edu/electronicmusic/

 

icaphila.org/programs/7968/concert-robert-aiki-aubrey-lowe

 

----

 

Sponsored by the Institute of Contemporary Art, the Provost's Interdisciplinary Arts Fund, and the Department of Music at the University of Pennsylvania.

 

---

 

Robert Aiki Aubrey Lowe (b. 1975) is an artist and multi instrumentalist that combines voice and patch pieces with modular synthesizer for spontaneous performances. His live performances and recordings emphasize the physicality of sound to usher listeners into a trancelike state.

 

Lowe has often performed under the moniker of Lichens. and in collaboration with Ben Russell, Ben Rivers, Rose Lazar, Hisham Akira Bharoocha, Tarek Atoui, Ben Vida, Mark Borthwick, Lucky Dragons, Alan Licht, Michael Zerang, Doug Aitken, Patrick Smith, Monica Baptista, Lee Ranaldo, White/Light, Kevin Martin, OM, Tyondai Braxton, David Scott Stone, Genesis P-Orridge and Rose Kallal, as well as many others.

 

In the course of Ars Electronica Home Delivery, visitors were invited to see how genarate sounds with a modular synthesizer.

 

Find out more about Ars Electronica Home Delivery:

ars.electronica.art/homedelivery/en/

 

Credit: Ars Electronica - Robert Bauernhansl

Modular Close-Up

 

The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes

Mixing Console.

 

The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes

A Modular Sequencer.

 

The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes

The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil

The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil

An EMS VCS3 close-up.

 

The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes

Keyboard 184 on top with it's 2 original boxes and the original manual.It has 4 x cv and 4 x gate.Both cv and gate,Arpeggio clock in,Bender cv out and Total out provide both mini--jack as normal jack.So it can be used with the System 100M(mini-jack plugs) as with the System 700(normal jack plugs).

EMS Polysynthi - a true beauty to behold.

 

The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes

A Simmons Drum Kit taking a coffee break. One of the things I liked about this studio is that it is a WORKING studio - everything in it works and is used.

 

The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes

The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil

The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil

Close-up of a modular synthesizer that was on display at the Moogaplex during MoogFest 2011.

Modular Synthesizer.

 

The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes

A Serge and a plant.

 

The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes

The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes

Bits.

 

The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes

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