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Modified FJ Holden taken at the 50th Anniversary of the FB Holden held at Wrigley Reserve in South Australia 2010
more at www.carsaroundadelaide.com/Classic_Car_photos_Adelaide/Ge...
Modified version of a photograph taken from a window of the ETN coach running between the city of Querétaro and Mexico City.
Vajra is a Sanskrit word meaning both thunderbolt and diamond. Additionally, it is a weapon which is used as a ritual object to symbolize both the properties of a diamond (indestructibility) and a thunderbolt (irresistible force).
It is also known as Bajra/बज्र (Nepali), vajram (Tamil), bojro (Bengali), bajra (Malay), dorje (Tibetan), dorji (Dzongkha), wajra (Indonesian), jīngāng, 金刚 (Chinese), geumgangjeo (Korean), kongōsho (Japanese) and Очир ochir / Базар Bazar (Mongolian).
The vajra is essentially a type of club with a ribbed spherical head. The ribs may meet in a ball-shaped top, or they may be separate and end in sharp points with which to stab. The vajra is used symbolically by the dharma traditions of Buddhism, Jainism and Hinduism, often to represent firmness of spirit and spiritual power. The use of the vajra as a symbolic and ritual tool spread from India along with Indian religion and culture to other parts of Asia.
EARLY DESCRIPTIONS
IN THE RIGVEDA
The earliest mention of the vajra is in the Rigveda, a part of four Vedas. It is described as the weapon of Indra, the god of heaven and the chief deity of the Rigvedic pantheon. Indra is described as using the vajra to kill sinners and ignorant persons. The Rigveda states that the weapon was made for Indra by Tvastar, the maker of divine instruments. The associated story describes Indra using the vajra, which he held in his hand, to slay the asura Vritra, who took the form of a serpent.
On account of his skill in wielding the vajra, some epithets used for Indra in the Rigveda were Vajrabhrit (bearing the vajra), Vajrivat or Vajrin (armed with the vajra), Vajradaksina (holding the vajra in his right hand), and Vajrabahu or Vajrahasta (holding the vajra in his hand). The association of the Vajra with Indra was continued with some modifications in the later Puranic literature, and in Buddhist works. Buddhaghosa, a major figure of Theravada Buddhism in the 5th century, identified the Bodhisattva Vajrapani with Indra.
IN THE PURANAS
Many later Puranas describe the vajra, with the story modified from the Rigvedic original. One major addition involves the role of the Sage Dadhichi. According to one account, Indra, the king of the deva was once driven out of devaloka by an asura named Vritra. The asura was the recipient of a boon whereby he could not be killed by any weapon that was known till the date of his receiving the boon and additionally that no weapon made of wood or metal could harm him. Indra, who had lost all hope of recovering his kingdom was said to have approached Shiva who could not help him. Indra along with Shiva and Brahma went to seek the aid of Vishnu. Vishnu revealed to Indra that only the weapon made from the bones of the sage Dadhichi would defeat Vritra. Indra and the other deva therefore approached the sage, whom Indra had once beheaded, and asked him for his aid in defeating Vritra. Dadhichi acceded to the deva's request but said that he wished that he had time to go on a pilgrimage to all the holy rivers before he gave up his life for them. Indra then brought together all the waters of the holy rivers to Naimisharanya, thereby allowing the sage to have his wish fulfilled without a further loss of time. Dadhichi is then said to have given up his life by the art of yoga after which the gods fashioned the vajrayudha from his spine. This weapon was then used to defeat the asura, allowing Indra to reclaim his place as the king of devaloka.
Another version of the story exists where Dadhichi was asked to safeguard the weapons of the gods as they were unable to match the arcane arts being employed by the asura to obtain them. Dadhichi is said to have kept at the task for a very long time and finally tiring of the job, he is said to have dissolved the weapons in sacred water which he drank. The deva returned a long time later and asked him to return their weapons so that they might defeat the asura, headed by Vritra, once in for all. Dadhichi however told them of what he had done and informed them that their weapons were now a part of his bones. However, Dadhichi, realising that his bones were the only way by which the deva could defeat the asura willingly gave his life in a pit of mystical flames he summoned with the power of his austerities. Brahma is then said to have fashioned a large number of weapons from Dadhichi's bones, including the vajrayudha, which was fashioned from his spine. The deva are then said to have defeated the asura using the weapons thus created.
There have also been instances where the war god Skanda (Murugan) is described as holding a vajra. Skanda is also the name of a Bodhisattva in Mahayana Buddhism who wields a vajra.
IN VAJRAYANA BUDDHISM
In Buddhism the vajra is the symbol of Vajrayana, one of the three major branches of Buddhism. Vajrayana is translated as "Thunderbolt Way" or "Diamond Way" and can imply the thunderbolt experience of Buddhist enlightenment or bodhi. It also implies indestructibility, just as diamonds are harder than other gemstones.
In Tantric Buddhism (Vajrayana) the vajra and ghanta (bell) are used in many rites by a lama or any Vajrayana practitioner of sadhana. The vajra is a male polysemic symbol that represents many things for the tantrika. The vajra is representative of upaya (skilful means) whereas its companion tool, the bell which is a female symbol, denotes prajna (wisdom). Some deities are shown holding each the vajra and bell in separate hands, symbolizing the union of the forces of compassion and wisdom, respectively.
In the tantric traditions of Buddhism, the vajra is a symbol for the nature of reality, or sunyata, indicating endless creativity, potency, and skillful activity. The term is employed extensively in tantric literature: the term for the spiritual teacher is the vajracharya; one of the five dhyani buddhas is vajrasattva, and so on. The practice of prefixing terms, names, places, and so on by vajra represents the conscious attempt to recognize the transcendental aspect of all phenomena; it became part of the process of "sacramentalizing" the activities of the spiritual practitioner and encouraged him to engage all his psychophysical energies in the spiritual life.
An instrument symbolizing vajra is also extensively used in the rituals of the tantra. It consists of a spherical central section, with two symmetrical sets of five prongs, which arc out from lotus blooms on either side of the sphere and come to a point at two points equidistant from the centre, thus giving it the appearance of a "diamond sceptre", which is how the term is sometimes translated.
Various figures in Tantric iconography are represented holding or wielding the vajra. Three of the most famous of these are Vajrasattva, Vajrapani, and Padmasambhava. Vajrasattva (lit. vajra-being) holds the vajra, in his right hand, to his heart. The figure of the Wrathful Vajrapani (lit. vajra in the hand) brandishes the vajra, in his right hand, above his head. Padmasambhava holds the vajra above his right knee in his right hand.
SYMBOLISM
The vajra is made up of several parts. In the center is a sphere which represents Sunyata, the primordial nature of the universe, the underlying unity of all things. Emerging from the sphere are two eight petaled lotus flowers. One represents the phenomenal world (or in Buddhist terms Samsara), the other represents the noumenal world (Nirvana). This is one of the fundamental dichotomies which are perceived by the unenlightened. The physical manifestation of the vajra, also called dorje in this context, is the male organ.
Arranged equally around the mouth of the lotus are two, four, or eight creatures which are called makara. These are mythological half-fish, half-crocodile creatures made up of two or more animals, often representing the union of opposites, (or a harmonisation of qualities that transcend our usual experience). From the mouths of the makara come tongues which come together in a point.
The five-pronged vajra (with four makara, plus a central prong) is the most commonly seen vajra. There is an elaborate system of correspondences between the five elements of the noumenal side of the vajra, and the phenomenal side. One important correspondence is between the five "poisons" with the five wisdoms. The five poisons are the mental states that obscure the original purity of a being's mind, while the five wisdoms are the five most important aspects of the enlightened mind. Each of the five wisdoms is also associated with a Buddha figure. (see also Five Wisdom Buddhas)
The following are the five poisons and the analogous five wisdoms with their associated Buddha figures:
IN POPULAR CULTURE
Param Vir Chakra, India's highest war time military decoration has a motif of Vajra, the mythic weapon of Indra created by the bones donated by sage Dadhichi, as tribute to his sacrifice.
Bangalore Metropolitan Transport Corporation Volvo B7RLE services are called as vajra.
In the fictional Hachibushū Legend of Heavenly Sphere Shurato, Shurato has a black vajra as his main weapon.
The word vajra is given to a fictional species of alien insects that serve as the main antagonists in the anime Macross Frontier.
In Soul Eater, Vajra is Asura's weapon.
Dorje is the name of a Brighton area rock band.
It is the nickname of the Indian Air Force aircraft Mirage 2000.
WIKIPEDIA
Disney Store doesn't seem to like going all out on Tiana, so I did what I could to make her stand out. I added her veil, and soft net fabric to put over her dress and under to give it a full, magical look.
Also when I got her, her gloves were misshapen, so I turned them into sleeves. I like the outcome.
Modified Toyota Hilux called JACKPOT @ the Brisbane Autosalon, September 2007.
Picture by Glen Holdaway
1968 Modified Reliant Scimitar GT - TMM 931F - with 5.0 Litre V8 supercharged powerplant, seen at the 41st Scottish Borders Historic Motoring Extravaganza, held at Thirlestane Castle, Lauder, Scotland, June 2013.
incoming search terms modified cars wallpapers kia rio modified cars
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www.imodification.net/incoming-search-terms-modified-cars...
Though the B-52 was originally going to be retired in favor of the XB-70 Valkyrie, delays (and eventual cancellation) of that project meant that the B-52 would have to soldier on for longer than originally thought. With this in mind, Boeing designed the "final" variant of the Stratofortress, the B-52H.
While externally similar to the "short-tail" B-52G, the B-52H incorporated a number of changes. The biggest change was in powerplant: rather than the J57 turbojets used by other B-52 variants, the H used TF33 turbofans, which were quieter and more fuel efficient, hence longer-ranged. The avionics were likewise updated, and the tail armament was switched from quad .50 caliber machine guns to a single M61A1 Vulcan 20mm gatling cannon. The first B-52H entered USAF service in 1961.
No one anticipated that the B-52H would be in service for the next 50 years. Tt maintained the strategic bomber role during the Vietnam War while older B-52Ds and B-52Gs were sent to Southeast Asia, after the former were retired in 1980, B-52Hs also partially assumed conventional bombing missions. Their main function, however, was as cruise missile carriers; H models were capable of carrying 12 cruise missiles, either nuclear or conventional. Though it once more maintained the nuclear deterrent role during the First Gulf War, as the B-52G fleet was gradually retired due to arms treaties, the H model also began to be involved in attacks, both launching cruise missiles and by dropping "iron" bombs. H models have seen service over Iraq on several occasions, as well as Kosovo and Afghanistan. Alongside the B-1B Lancer and B-2A Spirit, B-52Hs remain the USAF's primary bomber, despite their age--the B-52 is projected to remain in service as late as 2040, by which time the aircraft in service will be 80 years old.
This model depicts a B-52H in the earlier years of its service, wearing the SIOP camouflage scheme carried in the 1970s and into the 80s. The undersides were painted nuclear antiflash white. This aircraft belongs to the 2nd Bomb Wing based at Barksdale AFB, Louisiana. As there was no 1/72 kit of the B-52H, Bary converted the Monogram B-52D kit to an H, including modifying the tail, nose and engines. Note the EB-57E for scale!
This is the only Richardson 'Candle' in the Centre of old Cambridge that was modified and updated in the 1990s in an attempt to improve the lighting from this 1957 vintage fluorescent installation, without having to resort to replacing the famous Candles. However, the conversion was deemed unsuccessful and no other Candles were converted. In 2009 with an impending PFI street lighting renewal scheme in the offing, the Candle installation is still under threat.
From Streetlighting-UK:
‘A single post top Candle was removed and upgraded in accordance with the Speirs And Major Street Lighting Strategy document. Instead of using four fluorescent tubes, it uses two metal halide bulbs in a specially designed optical system'.
www.simoncornwell.com/lighting/install/cambridge/rc/index...
Modified Car Wallpaper
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I filed down the front face of the cylindrical cable end. I tapered the lower edge quite a bit. Now, a normal tug on the cable pops it out easily.
The central glass was modified with the old patterened emergency exit. It gives a cute look to this bus.
I slightly modified the STAPs made by Lego. I replaced the medium blue on the larger one with dark blue, and I think it fits in a little better with other Separatist vehicles. I also changed the color of the engines. The main change I made to the brown one was I changed the footrest to be a 1x2 jumper, making the size a little better, and removing the ugly studs on the bottom. I also changed the stand, but that was only since I used the official piece for another blue one (I made two of each, but couldn't fit them all in the pic).
modified car
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