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The giant otter (Pteronura brasiliensis) is a South American carnivorous mammal. It is the longest member of the Mustelidae, or weasel family, a globally successful group of predators, reaching up to 1.7 m (5.6 ft). Atypical of mustelids, the giant otter is a social species, with family groups typically supporting three to eight members. The groups are centered on a dominant breeding pair and are extremely cohesive and cooperative. Although generally peaceful, the species is territorial, and aggression has been observed between groups. The giant otter is diurnal, being active exclusively during daylight hours. It is the noisiest otter species, and distinct vocalizations have been documented that indicate alarm, aggressiveness, and reassurance.
The giant otter ranges across north-central South America; it lives mostly in and along the Amazon River and in the Pantanal.
Its distribution has been greatly reduced and is now discontinuous. Decades of poaching for its velvety pelt, peaking in the 1950s and 1960s, considerably diminished population numbers. The species was listed as endangered in 1999 and wild population estimates are typically below 5,000. The Guianas are one of the last real strongholds for the species, which also enjoys modest numbers — and significant protection — in the Peruvian Amazonian basin. It is one of the most endangered mammal species in the neotropics. Habitat degradation and loss is the greatest current threat.
The giant otter shows a variety of adaptations suitable to an amphibious lifestyle, including exceptionally dense fur, a wing-like tail, and webbed feet. The species prefers freshwater rivers and streams, which are usually seasonally flooded, and may also take to freshwater lakes and springs. It constructs extensive campsites close to feeding areas, clearing large amounts of vegetation. The giant otter subsists almost exclusively on a diet of fish, particularly characins and catfish, but may also eat crabs, turtles, snakes and small caiman. It has no serious natural predators other than humans, although it must compete with other species, including the neotropical otter and caiman species, for food resources.
en.wikipedia.org/wiki/Giant_otter
I was really happy to see them in the wild! It was one of my dreams and goals of my last trip to Pantanal!
Wishing everyone a wonderful Tuesday!
Thanks a lot for your visits, comments, faves, invites, etc. Very much appreciated!
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Season Preview GP Elite, 13-01-2012
I was invited to the season preview of GP Elite and there were some pretty nice cars.
The blue MY11 Nissan GT-R next to a black MY08 Nissan GT-R while the sun was setting.
Become a fan on Facebook too: Thomas van Rooij Photography
If you're interested in having a photoshoot of your car, please contact me at:
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The hermit's hut is a modest wooden structure reminiscent of a simple, godly life. The walls of the Hut are lined with birch logs (previously they were decorated with illustrations) from the Bible, the roof was crowned with a turret with a wooden bell suspended from it. Such buildings were very popular in parks at the end of the 18th century. It is known that in some parks they even specially hired servants who, for a modest remuneration, lived in such huts, portraying hermits.
Amtrak 56 heads north through Newark on its way to New York and eventually, St. Albans Vermont. The modest platform here serves as a terminus for weekday SEPTA trains along with three Amtrak trains in each direction.
Remember 2009: 07 08 2009 , Sete
Total day album : portfotolio.net/patpardon/album/72157624440179825
...Une nouvelle série basée sur des séquence 5 images issues pour chaque séquence d'une sélection d’images prises dans une de mes 1ères journées photographiques en 2009
Toutes les photos ont été faites avec un modeste Samsung.
Merci à celui ci que j'ai épuisé, fini avec du Scotch pour son étanchéité ...
et qui m'a offert une "ouverture" au monde ! ...
... A new series based on sequence 5 images from each sequence a selection of pictures taken in a photo of my 1st day in 2009
All photos were made with a modest Samsung.
Thank you for this one I've exhausted, finished with Scotch for his seal ...
and offered me a "window" to the world!
Bryce Canyon National Park / Utah / USA
Leica c2, Agfa Chrome, 1996, dia scan
Album of USA: www.flickr.com/photos/tabliniumcarlson/albums/72157711998...
Santa Elena Augusta
Flavia Julia Helena Augusta
Diocesan Shrine of Our Lady on Thorns (Aranzazu)
Municipality of San Mateo
Province of Rizal
Philippines
SantaCruzang Bayan 2008
May 25, 2008
About SAINT HELENA
Venerated in:
Roman Catholicism
Eastern Orthodoxy
Oriental Orthodoxy
Lutheran
Anglicanism
Canonized:
Her canonization precedes the practice of formal Canonization by the Pope or the relevant Orthodox and Lutheran churches.
Feast:
Roman Catholic: August 18
Lutheran: May 21
Orthodox: May 19
Coptic Orthodox: 9 Pashons
**Finding of the True Cross: May 03
Symbol: Cross
Derivatives: St. Helena of Constantinople, St. Helen, St. Eleanor
Patronage: archeologists, converts, difficult marriages, divorced people, empresses
Flavia Julia Helena Augusta, also known as Saint Helena, Saint Helen, Helena Augusta or Helena of Constantinople (ca. 250 – ca. 330) was consort of Constantius Chlorus, and the mother of Emperor Constantine I. She is traditionally credited with finding the relics of the True Cross.
Family Life: Helena's birthplace is not known with certainty. The sixth-century historian Procopius is the earliest authority for the statement that Helena was a native of Drepanum, in the province of Bithynia in Asia Minor. Her son Constantine renamed the city "Helenopolis" after her death in 328, giving rise to the belief that the city was her birthplace. Although he might have done so in honor of her birthplace, Constantine probably had other reasons for doing so. The Byzantinist Cyril Mango has argued that Helenopolis was refounded to strengthen the communication network around his new capital in Constantinople, and was renamed to honor Helena, not to mark her birthplace. There is another Helenopolis, in Palestine, but its exact location is unknown. This city, and the province of Helenopontus in the Diocese of Pontus, were probably both named after Constantine's mother.
The bishop and historian Eusebius of Caesarea states that she was about 80 on her return from Palestine. Since that journey has been dated to 326–28, Helena was probably born in 248 or 250. Little is known of her early life. Fourth-century sources, following Eutropius' Breviarium, record that she came from a low background. Ambrose was the first to call her a stabularia, a term translated as "stable-maid" or "inn-keeper". He makes this fact a virtue, calling Helena a bona stabularia, a "good stable-maid". Other sources, especially those written after Constantine's proclamation as emperor, gloss over or ignore her background.
It is unknown where she first met her future partner Constantius. The historian Timothy Barnes has suggested that Constantius, while serving under Emperor Aurelian, could have met her while stationed in Asia Minor for the campaign against Zenobia. Barnes calls attention to an epitaph at Nicomedia of one of Aurelian's protectors, which could indicate the emperor's presence in the Bithynian region soon after 270. The precise legal nature of the relationship between Helena and Constantius is unknown: the sources are equivocal on the point, sometimes calling Helena Constantius' "wife", and sometimes calling her his "concubine". Jerome, perhaps confused by the vague terminology of his own sources, manages to do both. Some scholars, such as the historian Jan Drijvers, assert that Constantius and Helena were joined in a common-law marriage, a cohabitation recognized in fact but not in law. Others, like Timothy Barnes, assert that Constantius and Helena were joined in an official marriage, on the grounds that the sources claiming an official marriage are more reliable.
Helena gave birth to Constantine I in 272. In 293, Constantius was ordered by emperor Diocletian to divorce her in order to qualify as Caesar of the Western Roman Empire, and he was married to the step-daughter of Maximian, Theodora. Helena never remarried and lived in obscurity, though close to her only son, who had a deep regard and affection for her.
Constantine was proclaimed Augustus of the Roman Empire in 306 by Constantius' troops after the
latter had died, and following his elevation his mother was brought back to the public life and the imperial court, and received the title of Augusta in 325. Helena died in 330 with her son at her side. Her sarcophagus is on display in the Pio-Clementino Vatican Museum. During her life, she gave many presents to the poor, released prisoners and mingled with the ordinary worshippers in modest attire, exhibiting a true Christian spirit.
Sainthood: She is considered by the Orthodox and Catholic churches as a saint, famed for her piety. Her feast day as a saint of the Orthodox Christian Church is celebrated with her son on May 21, the Feast of the Holy Great Sovereigns Constantine and Helen, Equal to the Apostles. Her feast day in the Roman Catholic Church falls on August 18. Her feast day in the Coptic Orthodox Church is on 9 Pashons. Eusebius records the details of her pilgrimage to Palestine and other eastern provinces (though not her discovery of the True Cross). She is the patron saint of archaeologists. The names "Saint Eleanor" and "Saint Eleanora" are usually synonymous for Saint Helen.
Relic Discoveries: In 325, Helena was in charge of a journey to Jerusalem to gather Christian relics, by her son Emperor Constantine I, who had recently declared Rome as a Christian city. Jerusalem was still rebuilding from the destruction of Hadrian, a previous emperor, who had built a temple to Venus over the site of Jesus's tomb, near Calvary.
According to legend, Helena entered the temple with Bishop Macarius, ordered the temple torn down and chose a site to begin excavating, which led to the recovery of three different crosses. Refused to be swayed by anything but solid proof, a woman from Jerusalem, who was already at the point of death from a certain disease, was brought; when the woman touched a cross suddenly recovered and Helena declared the cross with which the woman had been touched to be the True Cross. On the site of discovery, she built the Church of the Holy Sepulchre, while she continued building churches on every Holy site.
She also found the nails of the crucifixion. To use their miraculous power to aid her son, Helena allegedly had one placed in Constantine's helmet, and another in the bridle of his horse. Helena left Jerusalem and the eastern provinces in 327 to return to Rome, bringing with her large parts of the True Cross and other relics, which were then stored in her palace's private chapel, where they can be still seen today. Her palace was later converted into the Santa Croce in Gerusalemme.
The reliquary of Jerusalem was committed to the care of Saint Macarius and kept with singular care and respect in the magnificent church which Saint Helen and her son built there. Saint Paulinus relates that, though chips were almost daily cut off from it and given to devout persons, yet the sacred wood suffered thereby no diminution. It is affirmed by Saint Cyril of Jerusalem, twenty-five years after the discovery, that pieces of the cross were spread all over the earth; he compares this wonder to the miraculous feeding of five thousand men, as recorded in the Gospel. The discovery of the cross would have happened in the spring, after navigation began on the Mediterranean Sea, for Saint Helen went the same year to Constantinople and from there to Rome, where she died in the arms of her son on the 18th of August of the same year, 326.
Reference:
“Rupertswood” in Sunbury on the outskirts of Melbourne is one of Australia's most important mansions, both historically and architecturally. Built as a residence for Sir William John Clarke (1831 – 1897), the first Australian born Baronet, in 1874 – 1876 it became a power seat in the great English tradition. The property covered an area of 31,000 acres. Today the estate has been greatly reduced due to subdivision to a more modest 1,100 acres.
Designed by local architect George L. Browne, "Rupertswood" is a 50 room bluestone mansion built for Sir William John Clarke by contractors George Sumner & Co. Designed in the Victorian Italianate style, the two storey mansion is surmounted by a 100 foot tower with a Mansard roof and widow's walk. The foundation stone for “Rupertswood” was laid on 29 August 1874 with some 1000 people in attendance. The house was completed in 1876. The grand entrance is paved with Victorian tessellated tiles and the house is flanked by splendid wide and shady verandahs on three sides. The ballroom was added in late 1881 or 1882. Interior decorations were carried out by Schemmel and Shilton. There are six magnificent stained glass panels made by Urie and Fergeson in 1874-76, considered some of the finest examples in the world. The elaborate mansion with its large estate demonstrates the important status of Clarke whose prominence as a colonist was recognised in 1882 by his appointment as a baronet.
William Sangster designed the gardens at “Rupertswood” originally covering an area of 99 acres, and once boasted tennis courts, croquet lawns and an underground fernery. “Rupertswood” also had its own private railway station where hundreds of guests to grand balls would arrive from Spencer Street. Balls, hunt meets and weekend house parties were frequent. Anyone of note, in Victorian and Edwardian society, was entertained by Sir John and Lady Eliza Clarke. Many historical figures visited “Rupertswood” during its history, including the then Duke and Duchess of York, (later to become King George V and Queen Mary), Australian opera singer Dame Nellie Melba and several Governors of Victoria. The estate also had its own half battery of horse artillery when Sir William John Clarke formed a small permanent force in 1885.
“Rupertswood” holds a place in the great sporting rivalry between Australia and England, as it was on a field at “Rupertswood” that the “Ashes” were created. On Christmas Eve of 1882, after a congenial lunch, Sir William Clarke suggested a social game between the English Cricket team and a local side, made up largely of “Rupertswood” staff. By all accounts, it was an enjoyable game with no one really keeping score, however, it was generally agreed that the English won. Pat Lyons, a worker at “Rupertswood”, clearly remembered the afternoon many years later. It was his understanding that Lady Clarke, at dinner that evening, had presented Ivo Bligh with a pottery urn. It was purported to contain the ashes of a burnt bail. This was a light hearted gesture to commemorate England's win at “Rupertswood”.
By 1922, “Rupertswood” had passed from the Clarke family into the possession of Hugh Victor McKay (1865 – 1926), a self-made millionaire, industrialist and inventor of “Sunshine Harvester”. His dream of owning “Rupertswood” had been realised, if however, a little short lived. He died at “Rupertswood” only four years after acquiring it. A short time later one of Australia's greatest pastoralist, Queenslander William Naughton acquired the property. One year later he sold the mansion and 1,100 acres to the Roman Catholic Salesian Order. The mansion then became a school for under privileged boys.
Today “Rupertswood” is open to the public. The mansion has undergone extensive restoration, with the help of interior designer and Victorian architecture specialist Jacqui Robertson, reinstating elaborate Victorian colour and decorative schemes, and operating as a boutique hotel.
Ce sont de véritables acrobates. Les mésanges bleues recherchent souvent leur nourriture suspendue à de fines branches, c'est pourquoi elles préfèrent les boules ou les anneaux de graisse. Malgré leur taille modeste, elles sont très batailleuses et généralement très agressives et elles n'hésitent pas à chasser de la mangeoire des espèces de même taille qu'elles, telles les mésanges noires ou nonnette. Quelquefois, elles osent même se mesurer à la mésange charbonnière pourtant plus grande. La mésange bleue menace les autres oiseaux en gonflant son plumage, ce qui la fait paraître plus grosse. Elles voyagent en troupes éparses en hiver, se disputant parfois pour se poser sur les distributeurs de graines et de noisettes disposés pour elles. Outre sa formidable capacité, propre à la famille des mésanges, d'ouvrir les graines en martelant leur coque, la mésange bleue se distingue par une autre méthode : elle incise la coque grâce à son bec tranchant et picore la graine morceau par morceau. En marquant des mésanges bleues, on s'est aperçu que plus d'une centaine pouvait se succéder dans un jardin, même si on n'en voit que quelques-unes à un moment donné.
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They are real acrobats. Blue tits often look for food hanging from thin branches, so they prefer balls or rings of fat. Despite their modest size, they are very aggressive and generally very aggressive and they do not hesitate to hunt from the manger species of the same size as they, such as black tits or nonnette. Sometimes, they even dare to measure themselves against the coal tit, yet larger. The blue tit threatens other birds by inflating its plumage, which makes it look bigger. They travel in scattered troops in winter, sometimes arguing to land on seed and nut dispensers arranged for them. In addition to its great ability, family-specific tits, to open the seeds by hammering their hull, the blue tit is distinguished by another method: it incises the hull with its sharp beak and peck the seed piece by piece. By marking blue tits, it was discovered that more than a hundred could succeed in a garden, even if we only see a few at a given moment.
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Week 20
(Teleidoscope - Week #17 "Mythology")
So I said a couple weeks back that I had created a couple images for a Theory of Knowlegde project that describe language through the medium of music and tie those interpretations of the songs to a visual aid. I choose to display my own pictures, with the songs that inspired them. I loved being able to show my pictures and add the soundtrack to it while looking at them, but my favorite part was seeing others share their favorite songs and they're personal connection with each song.
This image was based on my good friend Serena's project :) Serena is one of the most original, open minded, free spirited, wanderlust filled, artistic, and just plain whimsical people I know. Her music project reflected exactly that, with her description and interpretation of the song "Float On" by Modest Mouse being my favorite. She said it reminded her of jellyfish, and how they just float along and let the water push them without care. The song reminds her that in tough times, everything will be ok and we'll continue to float on. I've included her music choices below :)
Frederic Chopin - Nocturne In E Flat Major, Op.9 No.2
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I also chose to do this image for the Teleidescope theme of "Mythology" because Medusa is another word for jellyfish, and they are scientifically catigorized in the Subphylum Medusozoa :)
Sant'Alphio Garden, the hotel that we stayed in Giardini, Taormina, Sicily, Italy.
In a colorful garden setting, this relaxed hotel is a 4-minute walk from the beach, 1.9 km from Naxos Archaeological Park and 6 km from Taormina.
The modest rooms include satellite TV, Internet access and minifridges. Some have balconies with sea views.
Photographed these today from the Trans Canada Highway in Western Newfoundland. They were part of a small herd grazing on the newly uncovered vegetation.
If you're wondering why the back one's leg looks funny, well they are both splayed. You can see one on the left if you look carefully. Why are they like that? Simple. He (or she) is peeing. :-)
Explored! #269 #103 - Thanks so much everyone!
My mum bought me a couple of peacock feathers at the CLA Game Fair a week back for my macro photography. I did take some shots of them, but they were a little dull. They have been sat on my table since then.
Then, I saw Vickie's photo and thought, aah! I couldn't resist having a go.
I am an out and out copycat now, aren't I?
...sorry Vickie : /
An oil train heads eastbound past the Northstar Station in Coon Rapids and underneath the skyway. A couple of CSX motors briefly break the monotony of mainline moves on the Staples Sub.
Not a common colour for flowers eh?
I thought it looked interesting from the back...
Ammi Visnaga 'Green Mist' is an Egyptian wildflower similar to Queen Anne’s Lace.
It has longer stems, hardier blooms, and is lovely pale green.
Bishops Flower, Queen Annes are common names.
Bishop's Flower, or Queen Anne's Lace flowers are nectar rich and attractive to bees and butterflies.
Ammi ‘Casablanca’ is a wonderful border plant and good cut flower. It has larger, showier, more rounded umbels than Ammi majus.
Without doubt one of the best filler-foliage plants you can grow and a flower arrangers dream.
Ammi Casablance is easy to grow and adds a delicate airiness to any sunny or partially shaded border.
Caution: The sap from these plants can irritate the skin and may cause blistering when exposed to the sun.
Have another blooming day and thank you for your comments, M, (*_*)
For more: www.indigo2photography.com
IT IS STRICTLY FORBIDDEN (BY LAW!!!) TO USE ANY OF MY image or TEXT on websites, blogs or any other media without my explicit permission. © All rights reserved
Edificio in laterizio dalle dimensioni modeste, con una facciata quadrata rivestita d’intonaco che lo confonde alla facciata ad ali dell’Istituto Educativo Opere Pie San Sebastiano.
La chiesa primitiva fu costruita sullo scorcio del XV secolo dalla comunità del castello di Panicale: sull’architrave del portale si legge la frase:
“ECC(lesi)A S(anc)TI SEBAST(ian)I C(ast)RI PANICALIS“.
Accanto c’era un ospedale per la cura degli appestati.
La chiesa conserva al suo interno il famoso affresco del Martirio di San Sebastiano dipinto da Pietro Perugino (Città della Pieve 1450 c.a.- Fontignano 1523), il maggiore pittore umbro del Rinascimento.
Italia: Umbria, Panicale (PG)
The geometric structure of this modest little flower (which grows in abundance in our garden), with its Fibonacci spirals, is, imo, mind blowing.
8222
Visit : www.refordgardens.com/
From Wikipedia:
Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.
Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.
Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.
She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.
In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.
During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.
In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.
Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.
To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.
Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.
In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)
Visit : en.wikipedia.org/wiki/Elsie_Reford
Visit : www.refordgardens.com
LES JARDINS DE MÉTIS
Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.
Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.
Commission des lieux et monuments historiques du Canada
Historic Sites and Monuments Board of Canada.
Gouvernement du Canada – Government of Canada
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