View allAll Photos Tagged mixingdesk

The console, a Power PR 1017, a "radio special" model :

- 6 stero input with remote start

- a 4-in jingle section, each with remote start

- a DJ mic section with effect out

- a 6 channel mic section (for speaking booth)

- a telephone hybrid

The mike is a Shure SM 58.

 

La console est une Power PR 1017, complétement révisée.

- 6 entrées stéréo avec electro start

- une section jingle 4 voies avec electro start

- un tranche DJ avec insert effet

- une section 6 micros pour le studio

- un insert téléphonique.

Le micro est un SM 58 (Shure)

BartolomeyBittmann - 17.12.2015 - Jazzit:Musik:Club Salzburg zu Gast im Spiegelzelt im Rahmen des Winterfests2015. Weitere Fotos unter:

www.jazzfoto.at/konzertfotos15/_spiegelzelt/bartolomey_bi...

 

Besetzung:

Klemens Bittmann: violine, mandola;

Matthias Bartolomey: cello

 

www.winterfest.at/

  

All rights reserved - do not use in any way without permission.

This includes Tumblr!

EMI’s Recording Engineer Development Department (REDD) was established in 1955 by Abbey Road Studios technical engineer Lenn Page to address the needs of the then-new stereo format.

 

Within a year, the team’s efforts had led to the production of the REDD.1 console, Abbey Road's first dedicated stereo mixing system, which consisted of a REDD.8 mixer and a rack that housed its amplifiers and other components.

 

In 1957, its successor was created: The REDD.17, designed by Peter Burkowitz of EMI’s German affiliate EMI Electrola, was one of the first desks, with EQ on each of its eight channels. Like the REDD.1 it was both monophonic and stereophonic.

First Family recording sessions

Photos taken at the Alternative Village Fete 2012 on London's South Bank.

Our Midas Pro4

 

Nikon D40

Nikkor 24/2.8

 

Mixing Desk with Orange Phones.

 

The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes

Posted on PigPog: pigpog.com/2015/03/12/sounds-good/

 

Mixing desk ready for Hedluv and Passman.

It's certainly been a week for live music! Today was another 14 hour day in work, but this one was entirely voluntary. It was a performance by kids on the BTEC Music Course and they did a fifteen song set which was mighty eclectic.

 

I was, once again, on desk duty so the photo is another one of the mixing console.

 

I'm not sure how good the mixing was, but I do know that we didn't get a single squeal of feedback, which with eight live microphones I was very happy about. :D

Sony Oxford Mixing Desk XM Live

B l a c k M a g i c

The console, a Power PR 1017, a "radio special" model :

- 6 stero input with remote start

- a 4-in jingle section, each with remote start

- a DJ mic section with effect out

- a 6 channel mic section (for speaking booth)

- a telephone hybrid

The mike is a Shure SM 58.

 

La console est une Power PR 1017, complétement révisée.

- 6 entrées stéréo avec electro start

- une section jingle 4 voies avec electro start

- un tranche DJ avec insert effet

- une section 6 micros pour le studio

- un insert téléphonique.

Le micro est un SM 58 (Shure)

Across the main mixing desk.

 

The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes

A vintage Paia modular synthesiser.

 

The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes

Yamaha CS80 Buttons

 

The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes

The Mighty ARP Odyssey - grunged by me!!!

 

The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes

Stacked Roland Beat Boxes.

 

The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes

Kulttuurikeskuksen peruskorjauksen aikainen tapahtumatila

Another one from the archives.

Gorgeous Vandal are a sydney based pop outfit, and were shooting some stuff for their first album in their sound studio.

 

Strobist: 1 x Alien Bee B400 with reflector.

ARP 2500 and Moog Modular.

 

The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes

After seeing this in one of the studios at work, this is a picture I took to remind my colleagues not to put cups near the mixing desks. There are periodically cases of people spilling drinks into the console, which, funnily enough, never ends well!

 

Usually I would take a snap with my iPhone for such purposes, but seeing as I had my camera with me I figured I would do the admonishing in style! I do like the bokeh of the Fuji 35mm f1.4 ...

This old mixing desk was used by BBC for many years before a studio in Oslo bought it. Years later my band used it for mixing our debut-album

Drum kit in the Live Room.

 

The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes

control-room Studio 1, universele desk + Mac en PC waarmee Pro Tools, Nuendo of watevah bestuurd kan worden. top-of-the-bill

A Polymoog close-up.

 

The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes

ARP 2500

 

The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes

In October 2021, SiriusXM announced that the station would move to channel 73 on the SiriusXM service on November 3, and that the station's name would simultaneously change to '60s Gold.

The longest running (spinning?) DJ in satellite radio history, back to the early Pleistocene Era.... no, just kidding. The other originals from 2000 are Kenny Curtis, Kids Channel and Bill Wax-Bluesville.

 

Phlash Phelps at the Klotz DC-II audio-mixing console, XM Radio 60's on 6.

This shot was almost used in a Klotz data sheet, but ........

www.myspace.com/phlashphelps

en.wikipedia.org/wiki/Phlash_Phelps

Yes, it's duelling toy plastic guitars at work in a real recording studio...

Korg MS50, ARP Solina and a Polymoog - taken at an arty angle. Sort of.

 

The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes

A little promotion for my son's website. You can experience his mixes here.

He used this photo for his new website.

Who can resist a little bit of HDR when you have lights and colours like this?

 

The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes

venue: Reading festival dance stage

client: T.raumschmiere

First Family recording sessions

A mysterious looking ARP nook.

 

The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes

A vintage EMS VCS3, also known as The Putney. Came to prominence through being used by Brian Eno in his Roxy Music days in the early 1970's.

 

The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes

1 3 5 6 7 ••• 29 30