View allAll Photos Tagged mixingdesk
Im Aufnahmeraum des Radiostudios (Dokumentationsstätte ehemaliger Ausweichsitz der Landesregierung NRW)
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In the recording room of the radio studio (Documentation site of the former alternative seat of the state government of North Rhine-Westphalia)
Q: How many buttons does a DJ have to press ????
A: Just one - the listeners!
Its amazing that we used to use 6 jingle machines each costing over 1,500 pounds back in 1984 - which used to take NAB carts (you can see some of those top left) each of which could hold a maximum of around 5 minutes of audio - we must have had over a thousand Carts in the studio at any one time. Today a single 200Gb hard disc, which is about the same size as one Cart, will hold all those jingles AND the complete music library!!!!
Ese Okorodudu listening to a playback in the control room at RAK Studio 2 in London, 20th August 2018.
This custom-built 16-track EMI desk (circa 1971) used to reside in Studio 2 at Abbey Road.
It is the very desk that Pink Floyd used on "Dark Side of The Moon". A real piece of history.
Here you can see this desk with Pink Floyd guitarist Dave Gilmour:
I was trying out my iPhone 11's ultrawide camera recently, seeing if I could get any half decent shots with it in anything other than bright sunlight. It is sort of possible, but not with Apple's in-built Camera app; this tends to apply a huge amount of denoising and other sorts of processing which results in extremely mushy images.
This was taken from within Lightroom Mobile which does a lot less processing of the files.
This was with the studio lights turned right up, and balancing the phone on the top of a chair for some vague stability.
It's still nowhere near the quality of what I can get with my other proper cameras, but it's a passable alternative, and great to have that 13mm equivalent focal length for wide shots like this.
For anyone that doesn't know, I'm a sound engineer at the BBC in London, and since the pandemic I've still been going in to the studio every day to record, edit and mix programmes made by Radio Current Affairs. These days I've been making our weekly programmes like More Or Less, The Briefing Room and How To Vaccinate The World, all on Radio 4.
I've always felt in awe of someone who can put music together using the push of a button, the spin of a turntable, the twist of a dial and the movement of a slider.
Since coronavirus and lockdown I decided I wanted to stay in the same studio every day at work and not have anyone else using it. It helps me feel a little bit safer and happier about coming into the building everyday.
I went with the end studio, S48, and I’ve been pretty happy there for the past three months. I get to have it nice and chilly, plus I have the lights set to an ‘art gallery’ level of dimness which suits my light-sensitive eyes nicely. I've shot this view before, and this is merely an update of a very similar snap of the studio which I took 5 years ago. This time I have the small benefit of shooting on a tripod at the camera's base ISO ...
KROKE - live aus dem Jazzt Musik Club - vom 29.11.2015 - weitere Fotos unter:
www.jazzfoto.at/konzertfotos15/kroke/Index.htm
Besetzung:
Tomasz Kukurba: vla, voc
Jerzy Bawol: acc
Tomasz Lato: db
This was once my workhorse. A 24 channel Allen and Heath GL4 that was made in 1995. After 19 years of use, it was time to retire her, and she has not seen the light of day until today, 3 year on. There is still white tape with my writing on it in place.
I still have no computer, so I am unable to process images from my Canon DSLR so this was taken using my Samsung J5 phone, and processed in Lightroom on an Android tablet.
This custom-built 16-track EMI desk (circa 1971) used to reside in Studio 2 at Abbey Road.
It is the very desk that Pink Floyd used on "Dark Side of The Moon". A real piece of history.
From in front of the main desk, looking to the Modular Wall.
The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes
'The Recording Session'
Shot with constant LED light through glass, camera left
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dogwood.photography/52weekchallenge2017.html
Week 1 Story: Rule of Thirds
The rule of thirds is the first compositional rule most photographers learn; but most don't know why they learn it. The rule of thirds is amazing for telling a story. Tell a story using rule of thirds.
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Wide angle shot of a Neve Mixing Desk. This is a low res version, higher resolution are on my Smug Mug gallery: recordproduction.smugmug.com/Music/Recording-Studios/Rock...
Now available to purchase from my Getty Collection here www.gettyimages.co.uk/Search/Search.aspx?assettype=image&...
Many thanks to Dan Berry and his brother Simon for helping us get these shots :)
The Furry Mayhem merchandise coming soon... feltmistress.bigcartel.com/