An intersection of green and orange - lichen-covered tree branches reflected in a peaty pool.

Blog: Glen Affric.

Copyright (C) Tim Haynes 2015.

Thanks for viewing my image, if you’re interested in more images from Earl Adams Photography check out my website at www.earladamsphotography.com, and “Like” my photography page on Facebook at www.facebook.com/EarlAdams.Photography

While visiting with our friends in Milwaukee I caught this simple and tender everyday kind of moment between a father and his son.

(shot with a camera mounted speedlite bounced off a wall camera left, with a slow enough shutter speed to get the orange incandescent light from the hallway to the right)

Metal bowl in fridge with grapes.

Notes: Canon New F-1, Canon FD 135mm f/2.5 S.C. at f/2.5, FUJIFILM FUJICOLOR 200. Processing and scanning by Walgreens (Noritsu equipment) with adjustments in Lightroom and Photoshop. Upsampled for extra tasty goodness.

Mixed lighting; facing NE with window behind camera (western exposure, overcast afternoon) and light in refrigerator.

I left in the two vertical streaks. I dunno. It was easier that way.

Nikon D4, Nikkor 85mm f1.4G. 1 sec + flash + big fan. Demonstration of mixed lighting for students.

Setup shot

Lighting: 40x40cm softbox model left (look at catcheyes), 3 bare model lamps model right and behind.

Thanks for viewing my image, if you’re interested in more images from Earl Adams Photography check out my website at www.earladamsphotography.com, and “Like” my photography page on Facebook at www.facebook.com/EarlAdams.Photography

London, June 2016

i have a few sets im working on that i shot with irishwhiskey. here is a preview. more to come soon.

Went with some members of the MCC to shoot mya in some CBD haunts.

Model:

Sketchy

Camera:

Nikon D300 Digital SLR

Nikon 18-70mm f/3.5-4.5G DX

1/40s f/8.0 ISO400 46mm

White Balance - 3200K

Strobist:

Minolta 5600HS 1/8 Power, Full CTO, camera right

Minolta 4000AF 1/2 Power, Full CTO, camera left

Nikon SB-20 and Nikon SB-25 Full Power, behind subject facing wall

RPS Studio wireless triggers

Description:

I have scouted this location a few times. It's close to our local grocery store, under an automotive bridge. A creek runs through this short walking path below the shopping center. The graffiti looked like a cool background to take a few shots. I decided to make the white balance super blue and shot the subject with CT orange filters to finish the effect.

I really like finding new places to shift the white balance and mess with strobe gels. This was a really nifty project and it only took half an hour to get to, setup, and shoot. The post work was done in Aperture and I used Viveza to tweak some of the colors around, which took an additional half hour.

My only complaint was I wish I had brought a third and/or fourth stand to stand off the background light sources and perhaps split them on either side or something. The effect was cool, but it was a little too blown out on the lower rocks.

Click Here to see the setup for this shoot.

Two stitched images, high-ISO for the person.

Curculio glandium (Coleptera, Curculionidae) sitting on an oak leaf.

Handheld shot at 2.4x magnification, the subject lit with one diffused flash. The background's grey given by the underexposed cloudy sky.

View it large!

London, May 2016

Another unusual composition, from within the cave adjacent to Bow Fiddle rock. Something about the rugged rockery and singular tyre seem to suit a monochrome conversion.

Sunset and showers - beautiful warm pink light despite the rain pouring down.

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Best seen as large as possible,

View On Black / View biggest version available

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Nikon N8008s

Nikkor AF 35-70mm zoom lens

Tiffen 52mm 81A Warming Filter

Kodak Portra 400

Jobo C-41 Press Kit

Epson V500

An improptu shoot in Melbourne's Docklands precinct.

Unedited photo.

Im not a huge fan of flower photographs but maybe I could be. This is more an exercise for indoor lighting and aperture settings. This was midday light camera right(diffused through white curtain) and strobe through umbrella camera left. Light is so complicated! I'll get there! :)

A simple studio tulip macro.

Northfield, OH USA

Shooting with the Fuji well after sunset out at the beach is such a splendidly different experience.

The very last bit of light in the sky just bleeds onto the subject.

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Fuji Xe-1

35mm f/1.4

Lightroom adjustments/Heavily Modified VSCO presets

Model: Kristina Eriksen

Model - Paige Austin

Support our work on Patreon or Ko-Fi

Purchase prints on Shootproof

Fuji Colour Negative Film

Despite both James and I being full of nasty bugs this weekend Chester Beltowski and Bruce Richardson came up to visit us this weekend, so I took the opportunity to get this portrait of Chester before they left.

Mixed light

1 full spectrum

a row of overhead halogens

remote triggered dual flash heads

(1 bounced off of a silver reflector, 1 through gauze)

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All of my images are under protection of all applicable copyright laws. Unauthorized use and/or duplication of this material without express and written permission from myself is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to dK.i Photography and Edward Kreis with appropriate and specific direction to the original content (website). I can be contacted through the contact link provided on this website.

I tried out the high ISO performance under EXR feature in Fuji X10 when I visited the pet store on Sunday. I still have to explore more into this EXR feature.

EXR is the proprietary technology built into the sensor from Fujifilm.

The user manual did not discuss this EXR in details. I read on the internet and I understand that it is meant to be a hardware solution for extending the dynamic range in the exposure. Fujifilm said it is optimizing the image quality in terms of resolution, ISO, noise and dynamic range.

I found that the image size is automatically reduced when using this EXR feature in camera.

The mixed lighting in the pet store is tricky and I shot through the glass of aquarium. May be this has fooled the camera metering.

I found the picture is a little over-exposed and I have done a little tonal curve adjustment to reveal more mid-tones.

The result is very satisfactory I think when we know that this is a compact camera and we are shooting at ISO 1600.

Happy Tuesday!

Recientemente me he echado una nueva amiga llamada Nikon D3 que me tiene enamorado. Esta foto es de mi primer trabajo con ella, sobre la exposición de José Damasceno en el Museo Nacional Centro de Arte Reina Sofia. De fondo se aprecian los letreros luminosos de una de las obras llamada "Organograma" instalada sobre la fachada del museo.

A factory on the banks of Exeter Canal, that I first saw a few months ago and have been meaning to have another look. First time I had the wrong lens, an old 50mm prime which was too long to fit much in. Only slightly better with a zoom with 35mm at the wider end this time, must remember to take a wider angle next time :~)

I think this place recycles paper and it pumps out steam 24 hours a day, making quite a sight at night with all the yard lights illuminating it. Tricky one to photograph though, there is a lot of junk around obstructing a clear view from most angles.

Nikon N8008s

Nikkor AF 35-70mm zoom lens

Tiffen 52mm 81A Warming Filter

Kodak Portra 400

Jobo C-41 Press Kit

Epson V500

Wurzelholz und Taucher im Samarangersee (Tirol/Österreich)