View allAll Photos Tagged millennials
The shot was taken during my break yesterday.St Paul's Chapel is in the center and the Millennium Hotel is the structure with the reflection.
"Is it okay?? Will it explode??"
"You just need a jump! Your battery's dead. Try to start it now."
"It's dead!?! Did I kill it??"
"Bones, I told you not to help. Millennials cannot string rational thoughts together, much less manage an automobile."
"I know that, Ilia, but this is so simple! Listen... what did you say your name was??"
"Snowflake Easytrigger."
"Okay... Snowflake... your battery is de-... doesn't have a charge. So I have it hooked to my battery. Just try to start your Jeep and we should be able to jump it."
"You're going to jump my Jeep!?"
"Oh, for..."
"Just unhook the cables, Bones, and let's go. You may want to phase her also, to ease everyone's misery."
"When I drove it here, it was fine! Do you think this is because of climate change??"
"JUST START YOUR JEEP!!"
"You're yelling at me???"
"Where's that phaser...?"
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A year of the shows and performers of the Bijou Planks Theater.
Road Legends
1958 Edsel Citation
1:18
Maisto
2005 Jeep Grand Cherokee
1:18
Mego
Star Trek: The Motion Picture
Dr. McCoy
Ilia
1979
Olivastro Millenario in Sardegna
(Nel territorio di Luras sono presenti degli olivastri millenari.
In particolare in località Santu Baltòlu di Karana, presso la chiesetta di campagna dedicata a San Bartolomeo, è situato il più vecchio di questi olivastri, che dai luresi viene confidenzialmente e rispettosamente chiamato S'ozzastru. Esso presenta una circonferenza di 12 metri a circa m. 1,30 da terra ed è alto 8 metri. La sua età, secondo alcuni esperti, è stimata tra i 3.000 ed i 4.000 anni, risultando così l'albero più vecchio d'Italia ed uno dei più vecchi d'Europa.
Nel 1991, questo "patriarca della natura", è stato dichiarato Monumento naturale ed inserito con decreto ministeriale, per la regione Sardegna, nella lista di "venti alberi secolari", uno per ogni regione italiana.)
This trio of Millennial friends are having a nice, warm get-together over coffee and cigarettes at a Los Angeles coffee house. Not a human voice could be heard. The person in the foreground (and several others) appear to be some sort of androids with the electricity emerging from their skulls manifesting as colored lights. It looks good! What is odd is that they would get together and then start using their smart phones to.....do what? Message other people? Watch a baseball game?
This is odd and rude behavior where I come from. To me, this is no different than in 1973 getting together with a couple of friends after work and then everyone pulls out a paperback book and starts reading it or starts writing a letter to someone. Same thing. Exactly. What has changed is what is considered to be polite and thoughtful behavior as well as perhaps the degree of interest people actually have about their friends' lives.
February 26, 2011
Nikon D70 with Nikkor AF 35mm f/1.8
part of 'The Third Millennial Cross'
DSC_0262
For maximum effect, click the image, to go into the Lightbox, to view at the largest size; or, perhaps, by clicking the expansion arrows at top right of the page for a Full Screen view.
Don't use or reproduce this image on Websites/Blog or any other media without my explicit permission.
© All Rights Reserved - Jim Goodyear 2018.
I just happened to come across this wedding party in London over the weekend and thought it made for a nice photo.
It's on the Millennium Bridge looking north from the Tate Modern to St Paul's Cathedral which is vaguely visible in the mist.
part of 'The Third Millennial Cross'
DSC_0286PSXstrtnAtoLvl
For maximum effect, click the image, to go into the Lightbox, to view at the largest size; or, perhaps, by clicking the expansion arrows at top right of the page for a Full Screen view.
Don't use or reproduce this image on Websites/Blog or any other media without my explicit permission.
© All Rights Reserved - Jim Goodyear 2018.
In a scene resembling the early 2000s, BNSF L-RDV0711 splits the signals at CP 343.6 hot on the heels of Amtrak 21 during their return journey to Cleburne with a pair of BNSF H1s, a warbonnet, and an H2 providing power.
The grain silos looming in the background were built in the mid-20th century and have long been abandoned, rotting away in the hot Texas sun.
July 10, 2026
Fort Worth, TX
The exterior of the bean .
It sits by the Gehry bandsheel/theatre but is actualyl a sculpture by Anish Kapoor.
--Varosliget--
-Vajdahunyad Castle is a castle in the City Park of Budapest (Varosliget). It was built in 1896 as part of the Millennial Exhibition which celebrated the 1,000 years of Hungary since the Hungarian Conquest of the Carpathian Basin in 895. The castle was designed by Ignác Alpár to feature copies of several landmark buildings from different parts the Kingdom of Hungary, especially the Hunyad Castle in Transylvania (now in Romania). As the castle contains parts of buildings from various time periods, it displays different architectural styles: Romanesque, Gothic, Renaissance, and Baroque. Originally, it was made from cardboard and wood, but it became so popular that it was rebuilt from stone and brick between 1904 and 1908. Today, it houses the Museum of Hungarian Agriculture, the biggest agricultural museum in Europe.
Hi Aliens!
I made you all the most millennial button pins of all time.
You get 10 relatable phrases on one texture change hud!
You can pick up your own at Anthem today, 9/3!
www.zerohedge.com/news/2016-08-15/ugly-truth-about-millen...
East Village
Photography’s new conscience
Started using digicams lately, here's one using the Sony cyber-shot DSC-P100 from 2004.
Will be adding all these full sets on Patreon:
patreon.com/posts/72308150
Much more digicams to come.
Rovingian Ritualistic Textural Patterns - Millennial Cultural Craft Traditions recreated by Daniel Arrhakis (2026)
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Rovingian Ritualistic Textural Patterns
Ancient cultural traditions and crafts recreated.
Pseudo-writing and symbolic language
The pseudo-writing and patterns are usually symbolic: they combine lines and dots, abstract figures, and geometric (or stylized) forms. They do not adhere to a specific language; they are personal creations of each Rovingian monk, reflecting their experience and spiritual journey.
Craft Origins and References
In most cases, these motifs are inspired by ancient patterns and ancient craft traditions, still preserved today by various peoples. They appear in:
- Tapestries and fabrics produced on ancient looms;
- Embroidery and linen or wool pieces;
- Paintings on wood and ancient murals;
- Metalwork and jewelry
Contemplation, collection, and synthesis
These elements are born from deep contemplation, but also from an accumulated heritage: traditions and records collected in different cultures, temples, and ruins. On pilgrimages, field research, and spiritual quests, nomadic monks observe, adapt, and synthesize motifs that become part of their ritual and artistic repertoire.
Rovingian Nomadism
Rovingian nomadism is not just a personal spiritual quest: it is also a quest for our collective cultural and ritualistic legacy, as a conscious and creative humanity.
In this journey, the monk acts as a "curator of the soul": not only creating, but preserving and reorganizing the aesthetic memory of humanity through personal synthesis.
What makes these patterns unique?
Their singular character is based on the balance between three pillars:
- Collective heritage: the use of ancient techniques (looms, embroidery, murals) that connects the work to a vast temporal lineage.
- Pseudo-writing: strokes and dots that suggest a language, but communicate beyond words—a "calligraphy of the spirit" that is felt, rather than read.
- Nomadic synthesis: each monk functions as a living filter; they do not copy ruins or fabrics—they metabolize them through contemplation to create something new.
Thus, it is an art that transforms craftsmanship into ritual—and observation into prayer.
Many Rovingian monks produce objects and artistic pieces based on these concepts, which is also a form of income.
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Padrões Texturais Ritualísticos Rovingianos
Tradições e arte artesanal cultural milenar recriadas.
Pseudoescrita e linguagem simbólica
A pseudoescrita e os padrões são, muitas vezes, simbólicos: combinam traços e pontos, figurações abstratas e formas geométricas (ou estilizadas). Não obedecem a uma linguagem específica; são criações pessoais de cada monge rovingiano, refletindo a sua experiência e o seu percurso espiritual.
Origens e referências artesanais
Na maioria dos casos, estes motivos inspiram-se em padrões antigos e em tradições artesanais milenares, ainda hoje preservadas por diversos povos. Surgem em:
- Tapeçarias e tecidos produzidos em teares antigos;
- Bordados e peças de linho ou de lã;
- Pinturas em madeira e murais antigos.
- Trabalhos em metal e joalharia
Contemplação, recolha e síntese
Estes elementos nascem de uma contemplação profunda, mas também de uma herança acumulada: tradições e registos recolhidos em diferentes culturas, templos e ruínas. Em peregrinações, pesquisas de campo e buscas espirituais, os monges nómadas observam, adaptam e sintetizam motivos que passam a integrar o seu repertório ritual e artístico.
O nomadismo rovingiano
O nomadismo rovingiano não é apenas uma busca espiritual pessoal: é também uma procura pelo nosso legado cultural e ritualístico coletivo, enquanto humanidade consciente e criadora.
Nesse percurso, o monge atua como uma “curadoria da alma”: não apenas cria, mas preserva e reorganiza a memória estética da humanidade através de uma síntese pessoal.
O que torna estes padrões únicos
O seu caráter singular assenta no equilíbrio entre três pilares:
- Herança coletiva: uso de técnicas milenares (teares, bordados, murais) que liga a obra a uma linhagem temporal vasta.
- Pseudoescrita: traços e pontos que sugerem uma linguagem, mas comunicam para além das palavras — uma “caligrafia do espírito” que se sente, em vez de se ler.
- Síntese nomadista: cada monge funciona como um filtro vivo; não copia ruínas ou tecidos — metaboliza-os pela contemplação para criar algo novo.
Assim, trata-se de uma arte que transforma o artesanato em ritual — e a observação, em oração.
Muitos monges rovingianos produzem objetos e peças artísticas com base nestes conceitos, sendo igualmente uma forma de rendimento.
Shooting Film
My son Josh with his first film camera. A beautiful Pentax ME. This portrait was taken to accompany my latest Blog titled “Millennials and the film revival?” Taken in Langley British Columbia Canada this film image captured with a Mamiya RB67 medium format camera and Ilford HP5 film
Exclusive Gacha Set at The Dark Style Fair (Flair For Events)
Taxi: maps.secondlife.com/secondlife/Flair%20for%20Events/98/31/33
RARE Top (Maitreya, Hourglass, Freya)
RARE Shorts (Maitreya, Hourglass, Freya)
Common Necklaces, Hat, Bento Rings (fit Maitreya/Slink/Belleza hands)
Olivastro Millenario in Sardegna --- 2 Scatti uniti in Photomatix PRO, 2 shots merged with Photomatix PRO.
(Nel territorio di Luras sono presenti degli olivastri millenari.
In particolare in località Santu Baltòlu di Karana, presso la chiesetta di campagna dedicata a San Bartolomeo, è situato il più vecchio di questi olivastri, che dai luresi viene confidenzialmente e rispettosamente chiamato S'ozzastru. Esso presenta una circonferenza di 12 metri a circa m. 1,30 da terra ed è alto 8 metri. La sua età, secondo alcuni esperti, è stimata tra i 3.000 ed i 4.000 anni, risultando così l'albero più vecchio d'Italia ed uno dei più vecchi d'Europa.
Nel 1991, questo "patriarca della natura", è stato dichiarato Monumento naturale ed inserito con decreto ministeriale, per la regione Sardegna, nella lista di "venti alberi secolari", uno per ogni regione italiana.)
(10/20/16)
I miss doing "Series" Posts so I'm in the middle of working on one now. Might change the name of the group but so far, I like it. I hope you guys tune in on whats to come !
With the recent drop of Got7's album and the rapid success of my other fave BTS, I decided I wanted to do a girl group album "photo shoot" series. I love how its turning out and its really getting me back into the swing of things. And I also hope Monso keeps making Korean inspired hair because I LOVE THEM ALL! <3
Hugs&kisses -Ashlie. <333
Update: 10/29/16
Debut Single
Nanananananana by Millennial Maidens Coming Soon !
I'm so excited for you guys to see this series; and I think I did it at the perfect time. With the comeback of TWICE, it couldn't be more appropriate.
This series was inspired by alot of things, Girls Generation (name), TWICE (number of girls and about half of the memebers lol) Got7's Jackson Wang, (Jaclyn, who was featured in a past post) Red Velvet, SISTAR and BTS. I hope you guys enjoy this, as much as I have making this. :D
Excerpt from www.k11musea.com/about-k11-musea/:
Located at Victoria Dockside, K11 Art and Cultural District of Tsim Sha Tsui, K11 MUSEA is Hong Kong’s pioneering cultural-retail landmark. Inspired by ‘A Muse by the Sea’, K11 MUSEA is designed to enrich the new consumer’s daily life through the power of creativity, culture and innovation.
A destination 10 years in the making, K11 MUSEA was crafted by renowned entrepreneur Adrian Cheng together with 100 Creative Powers, a roster of more than 100 international architects, artists and designers who sought to create the ultimate space for all to embark on a “journey of imagination”. Since opening its doors in 2019, the museum-worthy landmark has ushered in a new era of cultural retail which speaks to the growing consumer demand for immersive experiences in art, culture, nature and commerce.
K11 Group was founded by renowned entrepreneur Adrian Cheng in 2008 with a social mission to incubate talent and propagate culture. In creating Victoria Dockside, K11 Art and Cultural District — K11 Group’s most ambitious project to date — Cheng’s vision is to inspire global millennials through establishing K11 MUSEA as the Silicon Valley of Culture, while facilitating a broader discussion on the interconnectedness of creativity, culture and innovation.
K11 MUSEA is located at the heart of Victoria Dockside,K11 Art and Cultural District. The art and design district is built on a historic site formerly known as Holt’s Wharf, a freight and logistics hub that transformed Hong Kong into one of the busiest ports in the world. Paying tribute to Hong Kong’s unique history and cultural cosmopolitanism, K11 MUSEA is committed to incubating the local cultural scene with a world-class rotation of art events, collaborations, experiences, and workshops throughout the year.
The architecture of K11 MUSEA was designed by Kohn Pedersen Fox and James Corner Field Operations in collaboration with 100 Creative Powers, including Rotterdam-based OMA and Hong Kong-based architecture studios LAAB and AB Concept.