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Gallery opening of Bear and Bird's Evil vs. Good
On exhibit: October 2 – November 14, 2015
Opening Night Artist Reception: Friday, October 2, 2015 from 6-10pm
We invited all South Florida artists to contribute a piece that showed some sort of dark and light conflict.
Support the South Florida local art scene!
Featuring artwork by: Abby Jame; Adam Forero; Alex Gerstenkorn; Alex Merly; Alice Acedia; Allan Pierce; Amy Koenig; Ana Garcia; Ananda Yeshua; Andrea Jones; Andrew Lechuga; Andy Farinas; Angelica Busk; Aysha Marie Zouain; Barbarasaurus; Beyssa Buil; Bobby Neal Furedi; Bpresil; Brian Reedy; Carlos Garcia; Cassandra Gonzalez; Catherine Shapiro; Chantal Gabriel; Chibi Hippo; Christine Schongar; Chun Lo; Copper Sphinx; Cortez Valencia; Cristina Larcada; Cruz Valencia; Cynthia Goodman; Davey Graham; Debbie Rao; Diana E. Perez; Dibbie Jane; Diego Rua; Edurne Uribe; Emily Wenzel; Endian Escott; Erin Cavanaugh; Erin O’Dea; Ex McGruder Prescott Harrison III; Felicita Devin; Flor Brito; Frackoon; Genevra Collier; Gianna DiBartolomeo; Grace Chesnut; Hayley Angus; Heather Wood; I Heart NailArt; Ian M. Santos; IdeaStorm Media; Irene Contramaestre; JAB; JeffMadeIt; Jenna Beahn; John Paul Tanner; Jon Gonzalez Abellan; Jonathan C. Diaz; Jonathan Cocks; Jonathan Reid; Jorge Ballester; Julie Camino Photography; Karl Johnsen; Kat Manderfield; Kay Chimel; Kerry Sisselman; Kerry Tichenor; Kimberly Vaughan; Kreisten Suskey; Krysten Deidrick; Lailee Goodman; Laura Garcia; Letisia Cruz; Love Love Goose; Mad God Kaos; Manda Micro; Mandi Sorren; Maranesi; Melly Pereda; Michael Anthony Reiter; Michael Hernandez; Michael Slabaugh; Mikey Quesada; Miniver Patrice; MissMachineArt; Moxie Nox; Natasha Clark; Nigetsue; Nir Vinograd; No, this is David.; Olivia Escott; Patricia Glassman; PeeWee; pKeane; Purificación; Rachel Galvin; Randohf Vidaurreta; Rebecca Baranet; RemiJin; Rey Acevedo; Rikki Wright; Robert Korttonen; Rolando Guillama; Rosemary Jane; Salomon O. Carrasco; Sandra Diaz; Sarah Uriarte; Shane Weaver; Shawn Escott; Sommer Wood; Steven C. Imas; Steven Kurtz; Stibi Art; Summer December; T-Ray; Tanya Lopez; Tasha Milano; TattoosByTK; Tatyana Correa; Tiffany Binns; Tim Murphy; Ursalina Aguilar; Veronica Christiansen; Victoria Alvarez; Violeta Caloor; Wajima Alvarado; Walter Gee; Wen-Ju Chien; William Fushark Muniz; Willo Segersbol; Yessica Lepe; Zac Ensign; Zafy and more!
Opportunistic picture from office car park on Aug 13th 2014 with Canon G15. Colour saturation was not boosted!
A little gift for my mother-in-law. She loves lighthouses, but I absolutely cannot afford the new Ideas motorized lighthouse. A fun exercise in micro buildings and landscape!
Micro mill at Walatowa Timber Industries (WTI) mill facility, where the U.S. Department of Agriculture (USDA) Forest Service (FS) Santa Fe National Forest (SFNF) and the Pueblo of Jemez have worked together to utilize the timbers harvested from USDA restoration work such as the Southwest Jemez Restoration Project and the proposed Rio Chama Collaborative Forest Landscape Restoration Program (CFLRP) to help supply harvested timber is processed into wood pellets for heating, poles for utilities, Ponderosa Pine, Douglas Fir, White Fir and Spruce beams and vigas for conventional and traditional home building, ties for railroads, posts for fences, milled lumber, mulch and firewood, in Jemez Pueblo, NM, Sept 10, 2019.
The Southwest Jemez Collaborative Forest Landscape Restoration Project is a long-term forest and watershed restoration strategy to increase the landscape's resilience to severe wildfire and other large-scale disturbances. The landscape area is approximately 210,000 acres in the Southwest Jemez Mountains (SWJM) comprising the entire upper Jemez River watershed and including 110,000 acres on the Santa Fe National Forest, the 86,000-acre Valles Caldera National Preserve, the Pueblo of Jemez Pueblo, and additional parcels of state, private, and tribal lands. The project area includes ponderosa pine, mixed conifer, aspen and piñon-juniper forests as well as grasslands, meadows, riparian areas and aquatic habitats. The effect of human activities has significantly changed the ecological complexion of the landscape within the Jemez Mountains. Over time, the suppression of natural wildfires has dramatically altered the diversity, age, and productivity of native plant species. The forests have experienced dramatic increases in tree densities, thick understories, and ground litter. Decades of livestock grazing have left river and creek embankments without enough vegetation to hold the soil and shade the waterways to provide optimal temperatures for native trout and other aquatic species. Invasive plants and noxious weeds have encroached across the landscape, diminishing the quality, quantity and diversity of native forage for both wildlife and livestock. The overall goal is to restore the forest to conditions that were common to this geographical area prior to the first European contact. The SWJM project was designed to meet four primary purposes:
•Restore the forest's resilience to wildfire and other disturbances by using low-intensity fire to return fire to the landscape
•Protect cultural resources
•Improve wildlife habitat, watershed and riparian conditions, vegetation diversity and water quality
•Create local economic development opportunities
The program allows Walatowa Timber Industries (WTI) mill to process and sell the harvested timber. WTI produces wood pellets, poles for utilities, Ponderosa Pine, Douglas Fir, White Fir and Spruce beams and vigas for conventional and traditional home building, ties for railroads, posts for fences, milled lumber, mulch and firewood.
The USDA FS Santa Fe National Forest (SFNF) have worked with the Pueblo of Jemez on the Collaborative Forest Landscape Restoration Program (CFLRP) that encourages the collaborative, science-based ecosystem restoration of priority forest landscapes. This helps to reduce the threat of wildland fire through hazardous fuels removal, promotes forest health through reducing insect infestation and disease, and the harvest of timber will go to the tribe’s nearby Walatowa Timber Industries mill.
For more information please see:
USDA.gov
FS.usda.gov/detail/santafe/landmanagement/projects/?cid=stelprd3826396
FS.fed.us/restoration/CFLRP/
USDA Photo by Lance Cheung with permission of the Pueblo of Jemez.
Exposition
VERNISSAGE PUBLIC : MER 21 MAI - 18:00
L’infini n’a de cesse de nous fasciner, qu’il soit petit ou grand. Ses représentations comme ses perceptions ont été dernièrement bouleversées par le numérique.
Les données d’aujourd’hui sont reproductibles sans limite et la miniaturisation des processeurs augmente en permanence nos capacités. En conséquence, notre appréhension du monde augmentée remet perpétuellement en jeu les échelles. On s’est tous habitué à se propulser au sein de vues satellites et à parcourir le globe virtuellement en quelques clics jusqu’à l’inexploré...
Les progrès scientifiques, en accélération comme toute la société, bénéficient des effets de la circulation instantanée des données et de capacités de calculs toujours plus puissants. Le web accueille de nouveaux micro-processeurs connectés à chaque instant et donne accès à un champ lui aussi en croissance permanente.
En quelques années de nouveaux infinis sont apparus et sont eux-même pris dans une expansion incontrôlable. L’exposition Micro Macro s’intéresse à ces phénomènes contemporains, au travers d’un parcours d’œuvres d’artistes internationaux.
Commissariat : Charles Carcopino
Co-production : Le Manège Maubeuge et La Maison des Arts de Créteil
This teeny tiny swoon block finishes at 2" square - which means the HSTs finish at 1/4"!! I set it on point inside a thing pink border and matchstick quilted it with some variegated thread.
Read more here: www.13spools.com/2014/06/naptown-stitchers-micro-swoon.html
"Persöhnliche Aufzeichnungen Thomas Kubeck, SEK-Einheit "0G": "Wir sind auf dem Weg, auf die Alois Dimpferlmoser über zu setzen, um mit ihr ins Einsatzgebiet zu reisen. Ganz wohl ist mir nicht bei dem Gedanken, dass wir uns in ein Versteck einschleichen sollen, das so schwer gesichert ist, dass wir uns mit einem ehemaligen Kriegsschiff nähern müssen, aber wenn es jemand schafft, da rein zu kommen, und dir Köpfe dieses namenlosen Syndikats ohne viel Blutvergießen festzunehmen, dann sind wir das... wenn nicht vorher was schief geht.
Dieser Pütz scheint allerdings ein ausgefuchster, alter Hase zu sein, ich hoffe er ist wirklich so umsichtig, und besonnen, wie man so hört.
So wie es aussieht sind jetzt beide Schiffe an einander gedockt, die Anderen packen bereits ihre Sachen.
Eintrag Ende"
Micromaßstab der Goliath ( flic.kr/p/r5AWik ) von Rogue Bantha , ich hoffe es gefällt
der Hintergrund ist von der Seite der NASA
*
*
[image: Coloured scanning electron micrograph (SEM) of a single dust mite
among skin scales in
housedust]
*They may look like monsters from a horror film, but these tiny creatures
inhabit our homes, clothes and even our bodies. A new book, 'Micro
Monsters', showcases some of the planet's most horrible insects and
microscopic beasts. British author and trained zoologist, Tom Jackson, spent
three months compiling the images in the book. Scientists coated the tiny
creatures in gold, froze them in liquid nitrogen and fired a beam of
electrons at the subjects from a scanning electron microscope to reveal the
incredible detail*
*Coloured scanning electron micrograph (SEM) of a single dust mite among
skin scales in housedust*
[image: Coloured scanning electron micrograph (SEM) of a human head louse
with an egg]
*"I wanted to get together all the most gruesome and beastly pictures I
could," said 38 year-old Tom from Bristol. "This book shows children
everything that's around them at home, the garden and the playground."*
*A human head louse with an egg*
[image: Coloured scanning electron micrograph (SEM) of a brown ant biting a
blade of grass]
*"The pictures I'm most pleased with are the close-up portraits of insects
that show the intricate details of their eyes, mandibles and even the hairs
on their heads," said Tom*
*A brown ant biting a blade of grass*
* *
* *
[image: Coloured scanning electron micrograph (SEM) of a maggot
head]
*"I've tested the book out on my son Ned and it hasn't given him any bad
dreams, in fact he loves it. In particular Ned likes like the nasty worms."*
*A maggot head*
* *
* *
[image: Coloured scanning electron micrograph (SEM) of an earwig on a
leaf]
*In scanning electron microscopy, a beam of electrons is fired at the
subjects. Electrons have shorter wavelengths than lights waves so smaller
objects can be captured.*
*An earwig on a leaf*
* *
* *
[image: Coloured scanning electron micrograph (SEM) of a European
hornet]
*Micro Monsters is shortly to be launched in the UK by Amber Books*
*A European hornet*
* *
* *
[image: Coloured scanning electron micrograph (SEM) of the head of a daddy
long legs]
*A daddy long legs*
* *
* *
[image: Coloured scanning electron micrograph (SEM) of two water bears (or
tardigrades, microscopic, water-dwelling
creatures)]
*Two water bears (or tardigrades, microscopic, water-dwelling creatures*
* *
* *
[image: Coloured scanning electron micrograph (SEM) of a pill
woodlouse]
*A pill woodlouse*
* *
* *
[image: Coloured scanning electron micrograph (SEM) of a grain
weevil]
*A grain weevil*
* *
* *
[image: Coloured scanning electron micrograph (SEM) of a stable
fly]
*A stable fly*
* *
* *
[image: Coloured scanning electron micrograph (SEM) of a fruit
fly]
*A fruit fly*
* *
* *
[image: ...A coloured scanning electron micrograph (SEM) of a female Lucilia
blowfly laying her eggs. Author and trained zoologist, Tom Jackson spent
three months compiling the 3D pictures. Using scanning electron microscopy,
he coated them in gold and deep froze them in liquid nitrogen before firing
a beam of electrons at the subjects. Micro Monsters is shortly to be
launched in the UK by Amber
Books]
*A female Lucilia blowfly laying her eggs*
* *
* *
[image: A coloured scanning electron micrograph (SEM) of a female yellow
fever mosquito. A new book shows in intricate detail the mini-beasts that
inhabit our homes, clothes and even our bodies. Micro Monsters features over
80 of the world's most horrible insects and microscopic beasts with
full-colour annotated photographs, lively accompanying texts and facts and
figures...]
*A female yellow fever mosquito*
* *
* *
[image: Coloured scanning electron micrograph (SEM) of a tsetse
fly]
*A tsetse fly*
* *
* *
[image: Coloured scanning electron micrograph (SEM) of an aphid (Greenfly)
feeding on a leaf]
*An aphid (Greenfly) feeding on a leaf*
* *
* *
[image: Coloured scanning electron micrograph (SEM) of a bluebottle
fly]
*A bluebottle fly*
* *
* *
[image: Coloured scanning electron micrograph (SEM) of a yellow dung
fly]
*A yellow dung fly*
* *
* *
[image: Coloured scanning electron micrograph (SEM) of a long-horned
beetle]
*A long-horned beetle*
* *
* *
[image: Coloured scanning electron micrograph (SEM) of a hover
fly]
*A hover fly*
CHIYAAN
Alain Bosetti, président du salon des micro-entreprises. 9, 10, 11 octobre au Palais des Congrès à Paris, France.
Credits to DarthNick and ACPin for the inspiration.
‪#‎hsquared‬ ‪#‎h20‬ ‪#‎h3‬ #phlug #teamchiu
Nikon F3 | Nikon 60mm micro | Kodak Gold 200
Digitized with Digital Olympus OM-1 | Valoi Easy 35
Home developed in Cinestill C-41
Negative Lab Pro v3.1.1 | Color Model: Frontier | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Mix | LUT: Frontier
Nuestro mundo es grande, pero si miramos a lo mas chico nos deja ver que aun es mucho mas grande de lo que pensamos.
Mycena Micro mushroom on the bark of an ancient oak. These micro mushrooms are only about 2-3mm high and may only last a day.
Near Canandaigua, NY, Fuji x10
Small sensor digital image taken 2 years ago, but I came across it again and liked it...
This was one of the smallest Classic Space sets ever made, and was not available in the US. Building the tiny sets presents a unique challenge, as it's hard to get much detail without bulking up the model too much. The rear of this craft had an anomaly: transparent blue used for the engines. This color was not used in Classic Space until 1981 when it was paired with white vehicles.