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Mauvaise macro d'une pièce de 1 centime d'Euro (16mm de diamètre) sur un capteur "APS". Le grossissement calculé est de 0,68x, oui mais vu sur un écran de 27 pouces ça fait 15x !
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Bad macro shot of a 1 Euro cent coin (16mm diameter) on a "APS" sensor. Calculated magnification ratio is 0.68x, OK but seen on a 27" screen that makes 15x!
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Mala macro de un moneda de un centimo de Euro (16mm de diametro) en un sensor "APS". Aumento calculado de 0,68x, vale pero visto en una pantalla de 27 pulgadas nos da 15x!
Crystal Export From India-Manufacturer & Wholesaler of New Age Products, Gemstone Products, Metaphysical Products, Gemstone Jewellery, Silver Jewelery, Chakra jewllery, Chakra Pendants, Pendulums, Healing Wands Etc With Low cost and high quality
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Title: The tongue of time, and star of the states: : a system of human nature, with the phenomena of the heavens and earth. : American antiquities, remains of giants, geology, volcanoes, Egyptian and Indian magic, diet, dress, drinks, diseases, sleep, somnambulism, trances, resuscitation. : Also an account of persons with two souls, and of five persons who told colors by the touch
Creator: Comstock, Joseph
Publisher: Hartford: : [s.n.]
Sponsor: Emory University, Woodruff Health Sciences Center Library
Contributor: Emory University, Woodruff Health Sciences Center Library
Date: 1840
Language: eng
Description: Relief prints
Checklist Amer. imprints
Includes index
Electronic reproduction
Former owner: Daniel Wadsworth
Stained leather binding with gold stamping and cream colored endpapers
HEALTH: Added as part of 2008 Rare Book Project
digitized
The online edition of this book in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Publications Program
If you have questions concerning reproductions, please contact the Contributing Library.
Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
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Artist MIRZA AJANOVIC: Painting With Light ,.
FROM OPUS: Painting Light in Motion, FROM GRAND OPUS: Painting with Light, Rhythm and Movement Painting, Music of light, painter of light, Painting Music, Visual expression of music in Photography, ART Avant-garde, Painting with Light, Motion ART, Interrupted, graffiti/street-art, ART Avant-garde, Avant-garde Painting with Light, Motion ART, Painting with MOTION Light, Motion artist, Shadows Dance, Metaphysics ART, Spirituality, Transcendental ART, Mystic ART, Mystical Photography, Fine ART Photography, Artist MIRZA AJANOVIC Photography, Acutely observed realism brought a new level of emotional intensity, Observation of physical and psychological reality… Perception beyond Appearance’s, POETIC Photography, Symbolism, Transcendental ART surrealism, Perception Internal, Perception Beyond the Veil, Perception beyond any veil; including the veil of religion, ""I've brought you a mirror. Look at yourself and remember me."" - Jalaluddin Rumi Artist MIRZA AJANOVIC Fine ART Photography, .
www.wix.com/artajanovic/MIRZA.
These Pictures are Actually Not Photoshopped,
Raw is the inside,
outside is the muse,
Inside and outside,
together they intertwine.
Inside, the reflection of the outside
Outside, the projection of the inside.
Call it different, absurd maybe.
This is irony at work.
Hi, guys! Merry Christmas, y'all! Uhmm, I've been reflecting so much for a while now since I've read a book that is beyond reality nor fantasy. All of this, everything you see is a reflection of our inside and everything that's outside is a projection of our own silly world.This world has been just about us. On a positive note, though, I think all the arts that we see may be a reflection of what we see outside which reflects us and our nature. It is all kind of web that points to some absurd focal point. How absurd is that? A web entangles to a single point? What the heck?! But the photo just reflects the metaphor of a film and the process in producing an image, an art perhaps. It is all crazy, all dumb, all shit, but it's beautiful.
Artist MIRZA AJANOVIC: Painting Light in Motion Run InTo,.
FROM OPUS: Painting Light in Motion, FROM GRAND OPUS: Painting with Light, Rhythm and Movement Painting, Music of light, painter of light, Painting Music, Visual expression of music in Photography, ART Avant-garde, Painting with Light, Motion ART, Interrupted, graffiti/street-art, ART Avant-garde, Avant-garde Painting with Light, Motion ART, Painting with MOTION Light, Motion artist, Shadows Dance, Metaphysics ART, Spirituality, Transcendental ART, Mystic ART, Mystical Photography, Fine ART Photography, Artist MIRZA AJANOVIC Photography, Acutely observed realism brought a new level of emotional intensity, Observation of physical and psychological reality… Perception beyond Appearance’s, POETIC Photography, Symbolism, Transcendental ART surrealism, Perception Internal, Perception Beyond the Veil, Perception beyond any veil; including the veil of religion, ""I've brought you a mirror. Look at yourself and remember me."" - Jalaluddin Rumi Artist MIRZA AJANOVIC Fine ART Photography, .
www.wix.com/artajanovic/MIRZA.
These Pictures are Actually Not Photoshopped, images are not cropped..
Pyrite, otherwise known as “fool’s gold,” is an iron sulfide compound with a cubic “crystal habit.” The crystal habit refers to the external shape of a crystal, and thus you can see the nigh-perfect cube in this particular sample. Not even nature gets it right all the time. ☺ Metaphysically, pyrite is known as a protective, shielding stone that is an excellent amulet against harm and danger
This Uparatna (Gemstone) is found in limestone mines. It is also called Titanite gemstone. Though this stone is lustrous but it is still not usually used in ornaments. This Uparatna is very fragile.
If you wants to read more please click on this link : astrobix.com/astroblog/post/titanite-gemstone-sphene-gems...
Metaphysical Healing Properties Of Green Agate
Green agate is used primarily in the health and well-being of the eyes. Of volcanic origin, the fire element is very accentuated, acting as a source of inspiration and creativity. According to gemmotherapy, green agates have an important meaning for the balance between emotions and the physical body, so they are very suitable for fighting psychosomatic diseases. Green agate is also used since time immemorial to enhance fertility, helping to prevent abortions and discomfort during pregnancy. Agates can be used in any direction to attract change. If we use it in the center it brings balance, health, and connection with the earth element. In the east, it helps protect children and in the southeast, it enhances fertility.
Metaphysical Healing Properties Of Green Agate
Agate is found on nearly every continent, making it widely available and relatively affordable. It’s wide natural distribution also contributed to its rich lore. Some of the first accounts of Green Agate in esoteric cultures appeared in Ancient Egypt. They used it for everything from decorative vessels to jewelry. Later, its use spread to other civilizations. A multi-faceted stone such as this can hold many different meanings. However, the primary meaning of Green Agate always revolves around the concept of balance. The properties of Green Agate can help promote balance in your life, allowing you to reckon with your emotional being and physical health.
crystalsbyrob.online/2021/05/08/metaphysical-healing-prop...
The Metaphysical Plot Device delivers a cabinet-within-a-cabinet solution, providing necessary relief from the chaotic creativity purveyed by other wonderboxen. Justin Hall invites you to understand less by viewing the story of the MPD construction, which details how a video loop played off a Raspberry Pi through an LCD screen fronted by painted dollhouse cabinets could emerge from pataphysical efforts to upend our understanding of entertainment and enlightenment. As other wonderboxen wiggle here in nested cabinets, the context for our current reality becomes clear: the Pataphysical Slot Machine is actually part of the Metaphysical Plot Device. We will unveil this wonderbox as part of our Pataphysical Slot Machine exhibit at the Mill Valley Library on October 2, 2015. Learn more at htttp://pataphysics.us
Thanks to Bvlgari ( Bulgari )
Abstract Portrait Painting from Portrait Fashion Photography
Metaphysical Painting
Pittura metafisica
Enigma
Metafisica
Metaphysics
Triangulism Art
Triangolismo
Surrealism
Surrealismo
Minimalism
Minimalismo
Individualism
Individuality
Humanism
Giorgio de Chirico
Arnold Böcklin
Arthur Schopenhauer
Friedrich Nietzsche
Artwork to Sell by Artist
Buy Original Artwork
La chiesa dei Gesuiti a Venezia, composizione di luci, ombre, colori, linee e forme -
Gesuiti's Church in Venice,
composition of lights, shadows, colours, lines and shapes
SARAJEVO WAR 1992; Sea of Dead,
BOSNIA in Tragic WAR,
OPUS; Sarajevo City of Light, City Life,
POETIC Beauty and Strength of the Human Spirit,
ARTIST Mirza Ajanovic POETIC Photography,
Picture is based on light and darkness counterpoints, with elements of Chiaroscuro. Observation of physical and psychological reality… while ... acutely observed realism brought a new level of emotional intensity, Strong, dramatic expression, Symbolism, Metaphysics ART, Perception beyond Appearance’s, TransRealism,
Members of my all-time favorite class during my years at Elizabethtown College -- Metaphysical Poetry.
Amy Rawcliffe, Becky Schaffer, Jamie Hudzik, Dr. Martin, J. Nathan Matias, and Brian Hess.
I miss that class.
Artist MIRZA AJANOVIC: Painting With Light, Shadows dance,
FROM OPUS: Painting Light in Motion, FROM GRAND OPUS: Painting with Light, Rhythm and Movement Painting, Music of light, painter of light, Painting Music, Visual expression of music in Photography, ART Avant-garde, Painting with Light, Motion ART, Interrupted, graffiti/street-art, Avant-garde Painting with Light, Motion ART, Painting with MOTION Light, Motion artist, Shadows Dance, Metaphysics ART, Spirituality, Transcendental ART, Mystic ART, Mystical Photography, Fine ART Photography, Artist MIRZA AJANOVIC Photography, Acutely observed realism brought a new level of emotional intensity, Observation of physical and psychological reality… Perception beyond Appearance’s, POETIC Photography, Symbolism, Transcendental ART surrealism, Perception Internal,
Perception Beyond the Veil, Perception beyond any veil; including the veil of religion,
""I've brought you a mirror. Look at yourself and remember me.""
- Jalaluddin Rumi
Artist MIRZA AJANOVIC Fine ART Photography,
These Pictures are Actually Not Photoshopped,
Ancient, Antico, Antique, Greek, Roman, Antiquities, Grecia, Roma, Rome
Sculpture Sketch, Sketches, Schizzo, Scultura, Schizzi, Disegno, Figure, Figura
Figure Sketching, Anatomy Sketching, Anatomia
Triangulism Art, Triangolismo - Arte Metafisica, Metaphysics, Enigma, Minimalism, Individualism, Humanism, Expressionism
Leon XLVII Artwork to Sell by Artist,
Buy Original & Print Drawing / Painting / Sketch,
Thanks to Paola Kudacki, Porter Magazine
Dymanic Modern Minimal Portrait Painting from Portrait Fashion Photography
Triangulism Art, Triangolismo |
Arte Metafisica, Metaphysics, Enigma |
Individualism, individuality, Individualismo |
Humanism, Umanesimo |
Expressionism, Espressionismo |
Surrealism Surrealismo |
Abstract Art, Arte Astratta |
Minimalism, Minimalismo |
Giorgio de Chirico
Arnold Böcklin
Arthur Schopenhauer
Friedrich Nietzsche
Leon XLVII, Artwork to Sell by Artist
Buy Original & Print Drawing / Painting / Sketch
Manhattan, New York, NY | Hartford, CT | USA
Impressionismo, Impressionism
"The papacy inspires the same sentiment like the Roman goddess, Queen of Heaven, and leads its followers to consider Eve's sin in the same way as paganism did. as paganism. In the canon of the Mass, the most solemn service in the Roman
missal, we find the following expression in the apostrophe to the fault of our first parents:
"O beata culpa,quas talem meruisti Redemptorem!"
O blessed fault, which has provided us with such a Redeemer. -
The idea contained in these words is entirely pagan. Here's what they boil down to: "Thanks be to Eve, whose fault whose fault has obtained for us the glorious Savior." -
The idea of a primordial tradition emerged in Germany in the early 19th century as a consequence of the discovery of the great Eastern sacred texts: it enabled the universal claims of the biblical narrative to be transposed by assigning it a common ancestor with India, Persia and China. In fact, his approach remained marked by his Catholic training and the notion of apostolic tradition based on the two sources of truth: the Scriptures and transmission through the chain of the priesthood."This is the great connection between the physical and the and the spiritual, the earthly and the supersensible, which he wanted to present, as well as the way, which the
the path that man must take through his developing cognitive abilities the path that man must take through his developing cognitive abilities if he wants to ascend from the earthly to the spiritual. to the spiritual. This is a question that man must always ask himself. Schiller had presented this problem in his own witty way in the "Letters on the Aesthetic Education of Man".
This treatise, only little known and studied, is a
treasure trove for the one who sets out to solve this riddle. Goethe was inspired by it to express himself on the same question and he did so in the fairy tale "Green Snake and the beautiful Lily", which he later added to the "Unterhaltungen deutscher Ausgewanderten" (conversations of German emigrants). The fairy tale "Green Snake and the beautiful lily" shows the development of the human soul to ever higher insight,
All human soul forces can develop, not only the human thinking faculty. All soul forces, also feeling and willing, can penetrate into the objective secrets of the world. But they must learn to
must learn to switch off.
anthroposophie.byu.edu/vortraege/053_16.pdf
"In itself, the reality which we now call 'Christian religion' existed even among the ancients, and was present from the beginning of the human race until Christ came in the flesh; and it is in consequence of this coming, that the true religion existing from all time, began to be called Christian."
- Saint Augustine, Retractaciones, I, XII, 3
"My heart has become capable of every form: it is a pasture for gazelles and a convent for Christian monks, and a temple for idols, and the Kaabah of the pilgrim, and the table of the Thorah and the book of the Qorân. I am the religion of Love, whatever road its camels take; my religion and my faith are the true religion."
Ibn Arabi (Tarjumân al-Ashwâq)
"As far as religions are concerned, only transcendent unity, achieved from above, is valid: the unity that results from the recognition of the One Tradition beyond its various particular and historical forms, the recognition of the constant metaphysical contents that present themselves in various guises - like so many translations into several "languages" - in the world's multiple religions and sacred traditions. The prerequisite, then, is an "esoteric" understanding of what manifests itself in the confusing and sometimes contradictory variety of religions and traditions. Encounter, therefore, can only take place at the top, at the level of elites capable of grasping the inner, transcendent dimension of the various traditions; then unity would automatically follow, and "dialogues" could take place without disturbing the limits proper to each tradition at the level of "base" and external doctrine. But there is nothing of the kind in the recent reformist initiatives that have given rise to "ecumenical euphoria". It's essentially a matter of simple tolerance that more or less renounces dogma."
Julius Evola (1898-1974)
For René Guénon, religious practice in general concerns only the exoteric, essentially social and moral, aspect of the Primordial Tradition. His knowledge is therefore intended to go beyond the religious point of view, without denying it, but assuming it in its entirety19. Epistemologically speaking, for traditionalists, metaphysical knowledge is not simply a matter of reason, but of intellectual intuition, which is supra-rational20. Knowledge of this hidden truth is therefore aimed at "metaphysical realization" through traditional initiatory rites that are distinct from mere religious rites and inaccessible to the majority. Christianity is, however, an exception for Frithjof Schuon and Jean Borella, for whom Christian sacraments are indeed initiatory. Be that as it may, the Traditional Method is in many respects a "method which is the opposite of a method, since it maintains the secrets, the trials". Beyond his rejection of modernity, Guénon rejected the autonomy and primacy of reason, in contradiction to the entire evolution of Western thought since the end of the Middle Ages, in favor of a purely spiritual "intellectual intuition". Such an approach led him to view the entire cosmos as an illusion destined to dissolve into divine unity at the end of time. These choices gave rise to two complementary features essential to the development of his system: 1) the existence of an original revealed datum, which the work of reason had first commented on and then distorted, and which he called "primordial Tradition", long predating Judeo-Christianity; a tradition handed down from master to disciple since the dawn of time; 2) the central role attributed to the forces of evil, the only "motor of history" driving the world into a slow, ineluctable "descent".
The concept of "intellectual intuition" is rather difficult to grasp. Guénon also rejects mysticism. Does this "intellectual intuition" correspond to the spirit of the classical body-soul-spirit triptych (with reason referring to the body and mysticism to the soul)? Things change when we consider, beyond the method of approach, the nature of knowledge: what Guénon calls pure intellectual intuition is immediate access to "Deity", to use Master Eckhardt's language, beyond the revealed God. It refers to that identification with God himself which led the Sufi master al-Hallaj to martyrdom, and to what other great spiritualists, recognized by Guénon himself as esoteric, have called mysticism.
www.cairn.info/revue-la-chaine-d-union-2007-1-page-18.htm
The Two Babylons, subtitled Romanism and its Origins, is a book that started out as a religious pamphlet published in 1853 by the Presbyterian Free Church of Scotland theologian Alexander Hislop (1807–65). Its central theme is the argument that the Catholic Church is the Babylon of the Apocalypse which is described in the Bible.[1] The book delves into the symbolism of the image which is described in the Book of Revelation – the woman with the golden cup – and it also attempts to prove that many of the fundamental practices of the Church of Rome, and its Modus Operandi in general, stem from non-scriptural precedents. It analyzes modern Catholic holidays, including Christmas and Easter, and attempts to trace their roots back to pagan festivals. It also attempts to show that many other accepted doctrines (such as Jesus' crucifixion on a Cross) may not be correct. Hislop provides a detailed comparison of the ancient religion which was established in Babylon (allegedly by the Biblical king Nimrod and his wife, Semiramis) by drawing on a variety of historical and religious sources, in order to show that the modern Papacy and the Catholic Church are the same system as the Babylon that was mentioned by the apostle Paul in the first century (when he commented on the iniquity that was already creeping into the 1st century Christian church and the author of Revelation. Most modern scholars have rejected the book's arguments as erroneous and based on a flawed understanding of the Babylonian religion, but variations of them are accepted among some groups of Christian religious evangelical Protestants. The book was expanded in 1858, going through many editions. A 3rd edition was published in 1862, a 7th in 1871, (thus, a mere six years after the author's death, four successive posthumous editions had already appeared), and a popular edition in 1903.
Description
Hislop builds on the Panbabylonian school of Hyperdiffusionism, which was common in the 19th century, to argue that Classical and Ancient Near Eastern civilization took its inspiration from Babylon. From this he derives the argument that the mystery religions of Late Antiquity were actually offshoots of one ancient religion founded at the Tower of Babel. Panbabylonism has since been relegated to pseudohistory by 20th-century scholars. Much of Hislop's work centers on his association of the legendary Ninus and his semi-historical wife Semiramis with the Biblical Nimrod as her husband and her son, with their incestuous male offspring being Tammuz. Hellenistic histories of the Ancient Near East tended to conflate their faint recollections of the deeds of ancient kings into legendary figures who exerted far more power than any ancient king ever did. In Assyria, they invented an eponymous founder of Nineveh named Ninus, who supposedly ruled 52 years over an empire comparable to the Persian Empire at its greatest extent. Ninus' wife Semiramis was in turn a corruption of the historical figure Shammuramat, regent of the Neo-Assyrian Empire from 811 BC.[10] Hislop takes Ninus as a historical figure and associates him with the Biblical figure Nimrod, though he was not the first to do so. The Clementine literature made the association in the 4th Century AD. An influential belief throughout the Middle Ages was that Ninus was the inventor of idolatry,[11] a concept that Hislop clearly drew upon. However, Hislop wrote before the historical records of the ancient near east had been thoroughly decoded and studied, that cast doubt in the decades after he wrote whether there was any such figure as Ninus, and the Greek authors whom he quoted lacked credibility on the subject. The Two Babylons heavily relies on Austen Henry Layard's publications of his excavations at Nineveh, which had only been just discovered in 1851. This gave his work an appearance of being well-researched at the time of its publication. For example, Hislop linked the name of Easter with Astarte, the Phoenician fertility goddess by citing Layard's recent discovery of Astarte's Assyrian name, Ishtar, which Hislop took to be "identical" to Easter. What means the term Easter itself? It is not a Christian name. It bears its Chaldean origin on its very forehead. Easter is nothing else than Astarte, one of the titles of Beltis, the queen of heaven, whose name, as pronounced by the people Nineveh, was evidently identical with that now in common use in this country. That name, as found by Layard on the Assyrian monuments, is Ishtar.
Relief of the Babylonian goddess Ishtar, whose name Hislop incorrectly claimed to be the root behind the English word Easter
Hislop's claim that Easter is derived from Ishtar is rejected by historical linguists and is an example of folk etymology. Philologists derive the word Easter from Old English Ēostre, the name of a West Germanic goddess. Ēostre derives from the Proto-Germanic goddess name *austrōn-, whose name in turn derives from the Proto-Indo-European deity and personified dawn *h₂ewsṓs (from the Proto-Indo-European root *aus-, meaning 'to shine' and thus 'dawn, east'). Other dawn goddesses who developed from *h₂ewsṓs include Latin Aurora, Ancient Greek Eos, and Vedic Sanskrit Ushas.[14][15][16] Ishtar, however, is unrelated. Ishtar is a Semitic name of uncertain etymology, possibly taken from the same root as Assyria, or from a semitic word meaning "to irrigate". Hislop ultimately claimed to trace Catholic doctrines back to the worship of Nimrod, asserting that the Catholic Church represented Whore of Babylon of the Book of Revelation and that "the Pope himself is truly and properly the lineal representative of Belshazzar." He claimed that the Christogram IHS, the first three Greek letters in the name of Jesus, represented Latin characters standing for Isis, Horus and Seb.
Analysis
In the note by the editor of the 7th edition, which was published in 1871, it was claimed, "that no one, so far as we are aware, has ventured to challenge the accuracy of the historical proofs adduced in support of the startling announcement on the title page." Since then, however, there have been many who have challenged the accuracy of Hislop's claims. For example, Lester L. Grabbe has highlighted the fact that Hislop's entire argument, particularly his association of Ninus with Nimrod, is based on a misunderstanding of historical Babylon and its religion.[4] Grabbe also criticizes Hislop for portraying the mythological queen Semiramis as Nimrod's consort, despite the fact that she is never even mentioned in a single text associated with him, and for portraying her as the "mother of harlots",[4] even though this is not how she is depicted in any of the texts where she is mentioned. In 2011, a critical edition was published. Although Hislop's work is extensively footnoted, some commentators (in particular Ralph Woodrow) have made the assertion that the document contains numerous misconceptions, fabrications, logical fallacies, unsubstantiated conspiracy theories, and grave factual errors.
Influence
Some fundamentalist Protestants still regard Hislop's book as proof that the Roman Catholic Church is, in fact, the continuation of the ancient Babylonian religion. In 1921 A. W. Pink confidently asserted that Hislop's work had "proven conclusively that all the idolatrous systems of the nations had their origin in what was founded by that mighty Rebel, the beginning of whose kingdom was Babel."[20] Jehovah's Witnesses' periodical The Watchtower frequently published excerpts from it until the 1980s.[21][better source needed] The book's thesis has also featured prominently in the conspiracy theories of racist groups such as The Covenant, The Sword, and the Arm of the Lord and other fringe groups. Anti-Catholic Evangelical publisher Jack Chick endorsed the book, and his store still offers it. non-primary source needed] A number of Seventh-day Adventists still use The Two Babylons as source material. An example is the somewhat controversial Walter Veith, who still use the conclusions from Hislop's book to support his articles published at the website "Amazing Discoveries". Adventist magazine Spectrum, however, dismisses Veith as a conspiracy theorist. As well, various viral image posts have appeared on the internet, usually in neopagan or atheist spaces, citing Hislop's theory of Easter being etymologically derived from Ishtar, as well as adding in more misleading pieces such as claiming Ishtar's symbols were the "bunny" and the "egg". This view has been echoed by the Richard Dawkins Foundation for Reason and Science, who has since redacted the claim.[
en.wikipedia.org/wiki/The_Two_Babylons
This book has been reissued many times. Its first publication was in 1916. The edition I read was printed in 1965. The title has one of those old lengthy subtitles underneath it: “Or, the Papal worship proved to be the worship of Nimrod and his wife.” I guess the subtitle about sums it up. The author carefully examines the various elements of Roman Catholicism and concludes in each case that it has its foundation in the ancient religion and practices of old Babylon as opposed to New Testament Christianity. The topics covered include: mitres, robes, candles, rosaries, statues, crosses, fishes, festivals, doctrines, developments and much more. It is pretty comprehensive, at least up until the date when it was written. The book will also go some way to explaining the origins of ‘the gods’ showing that they were founded upon the patriarchs and their deeds. The style of this book is more suited to academics and particularly those who are familiar with classical mythology. Neither of which describes myself and I would have to admit that much of the finer detail went over my head. The book can be made easier to comprehend and considerably shortened by not reading the frequent and lengthy footnotes. Why am I recommending this book? Well, quite simply the subject matter in hand is of such vital importance to God’s children. Many through woeful ignorance have been seduced into thinking that Catholicism is somehow ‘Christian’. This book is something of a standard work when it comes to exposing, not just a few ‘errors’ in Catholicism, but the entire system for what it is really all about. From both history and doctrine Mr Hislop shows overwhelmingly that the origins and practices of this religion are founded upon ancient Babylonian mysticism. Whether it is through this particular book or one of the many others that have been ably written on this subject I think that every one who is a believer in the biblical Gospel should acquaint himself with the facts of what that religion is really all about. There is no inference whatsoever in this book that anyone should have cause to despise catholic people. It focuses purely on the facts of the development of the system and concludes, just as many others do, that God has one specific word to those who are caught up with this ‘Alternative Church’ – “Come out of her, my people, that ye be not partakers of her sins.” In conclusion, this particular book may not be the one for everyone on this subject, but those with a slightly more academic bent will appreciate the carefully researched detail and its presentation.
www.newtestamentpattern.net/book-reviews/expose/the-two-b...
Primordial Tradition is Perennialism's idea that a single metaphysical truth intrinsically links all sacred traditions to an original revelation, the cause of which is non-human (divine). This truth, intrinsic to all traditions, constitutes the unique "Universal and Unanimous Tradition "1, which can be discovered through the multiple symbolic, mythical and ritual correspondences shared by the various sacred traditions of mankind.Developing the concept of Perennis Philosophia, the concept of Primordial Tradition has been theorized and problematized in contemporary times by the "School of Tradition "2 . This school is made up of writers, philosophers, anthropologists, historians and essayists from various religious denominations, whose founder and principal representative is the metaphysician René Guénon. For him, Primordial Tradition refers to humanity's oldest tradition, of meta-historical origin, which is "common to all authentic and 'orthodox' traditions, whose traces and signs appear very legibly in the symbols, rites and myths "3 of the various "traditional forms" or observable religions. Primordial Tradition is a concept that refers to the founding myths of mankind's various sacred traditions, such as the earthly paradise of the Bible, the Golden Age of Greco-Roman mythology or the Hindu krita yugaAS 1. Intimately linked to intuitive and intellectual knowledge of the "Ultimate Principle", Primordial Tradition thus designates a state of spiritual being that man lost during the Fall, and which he must regainAS 2 through metaphysical knowledge, both speculative (oral or written teaching) and operative (ritual initiation). The traditionalist imaginary is thus attentive to what each observable orthodox tradition says, and draws from their common account of a golden age the conclusion of a "Revelation, or primitive illumination of human thought". The starting point is therefore that the unity of the Principle of reality, God, is matched by the unity of a primordial revelation, expressed and revealed in the various sacred traditions of mankind. The traditionalist therefore gives equal credence to the accounts of the different "religions" as legitimate testimonies to the same original metaphysical experience. The "Traditional Method" thus endeavours to "discover an essential unity or equivalence of symbols, forms, myths, dogmas and disciplines beyond the varied expressions that the contents may have in the different historical traditions", with the aim of "bringing out the universal character of a symbol or teaching by comparing it with other corresponding symbols belonging to other traditions, in order to establish the presence of something superior and anterior to each of these formulations, different from each other, but nevertheless equivalent". The School of Tradition's approach is therefore not limited to the religious realm, but penetrates what it considers to be its inner, metaphysical aspect. From this perspective, the "synthesis" it intends to make of the various doctrinal expressions is not a "syncretism", as it does not intend to mix rites, symbols or myths, but to draw comparisons between them. Indeed, "Syncretism consists in bringing together, from the outside, elements that are more or less disparate and which, seen in this way, can never really be unified; in short, it's just a kind of eclecticism, with all that eclecticism always entails in terms of fragmentation and incoherence. This is something purely external and superficial; the elements taken from all sides and brought together artificially in this way only ever have the character of borrowings, incapable of being effectively integrated into a doctrine worthy of the name. Synthesis, on the other hand, is essentially performed from within; by this we mean that it properly consists in considering things in the unity of their very principle, in seeing how they derive and depend on this principle, and thus uniting them, or rather becoming aware of their real union, by virtue of a link that is all interior, inherent in what is deepest in their nature."
Oil on canvas
37 3/4 x 27 3/4" (95.9 x 70.5 cm)
Great Metaphysical Interior - Giorgio Chirico 1917
The Museum of Modern Art - MoMA
11 West 53 Street - New York, NY 10019-5497
The Metaphysical Poets edited by Helen Gardner
1Penguin first edition published in 1957 in the Penguin Poets series
The body of light, sometimes called the 'astral body'[a] or the 'subtle body,'[b] is a "quasi material"aspect of the human body, being neither solely physical nor solely spiritual, posited by a number of philosophers, and elaborated on according to various esoteric, occult, and mystical teachings. Other terms used for this body include body of glory, spirit-body, luciform body, augoeides ('radiant body'), astroeides ('starry or sidereal body'), and celestial body.The concept derives from the philosophy of Plato: the word 'astral' means 'of the stars'; thus the astral plane consists of the Seven Heavens of the classical planets. The idea is rooted in common worldwide religious accounts of the afterlife in which the soul's journey or "ascent" is described in such terms as "an ecstatic, mystical or out-of body experience, wherein the spiritual traveller leaves the physical body and travels in their body of light into 'higher' realms." Neoplatonists Porphyry and Proclus elaborated on Plato's description of the starry nature of the human psyche. Throughout the Renaissance, philosophers and alchemists, healers including Paracelsus and his students, and natural scientists such as John Dee, continued to discuss the nature of the astral world intermediate between earth and the divine. The concept of the astral body or body of light was adopted by 19th-century ceremonial magician Éliphas Lévi, Florence Farr and the magicians of the Hermetic Order of the Golden Dawn, including Aleister Crowley. Plato and Aristotle taught that the stars were composed of a type of matter different from the four earthly elements - a fifth, ethereal element or quintessence. In the astral mysticism of the classical world the human psyche was composed of the same material, thus accounting for the influence of the stars upon human affairs. In his commentaries on Plato's Timaeus, Proclus wrote; Man is a little world (mikros cosmos). For, just like the Whole, he possesses both mind and reason, both a divine and a mortal body. He is also divided up according to the universe. It is for this reason, you know, that some are accustomed to say that his consciousness corresponds with the nature of the fixed stars, his reason in its contemplative aspect with Saturn and in its social aspect with Jupiter, (and) as to his irrational part, the passionate nature with Mars, the eloquent with Mercury, the appetitive with Venus, the sensitive with the Sun and the vegetative with the Moon. Such doctrines were commonplace in mystery-schools, Gnostic and Hermetic sects throughout the Roman Empire, and influenced the early Christian church. Paul's Second Epistle to the Corinthians contains a reference to the astral plane or astral projection:"I know a man in Christ who fourteen years ago was caught up to the third heaven. Whether it was in the body or out of the body I do not know—God knows." Neoplatonism is a branch of classical philosophy that uses the works of Plato as a guide to understanding religion and the world. In the Myth of Er, particularly, Plato rendered an account of the afterlife which involved a journey through seven planetary spheres and then eventual reincarnation. He taught that man was composed of mortal body, immortal reason and an intermediate 'spirit'.[10] Neoplatonists agreed as to the immortality of the rational soul but disagreed as to whether man's "irrational soul" was immortal and celestial ("starry", hence astral) or whether it remained on earth and dissolved after death. The early Neoplatonist Porphyry (3rd century) wrote of the Augoeides, a term which is encountered in the literature of Neoplatonic theurgy. The word originates from Ancient Greek and has been interpreted as deriving from 'αυγο', meaning 'egg', or 'αυγή', meaning 'dawn', combined with 'είδηση', indicative of 'news' or 'a message', or with 'εἴδωλον', an 'idol' or 'reflection'.[citation needed] Thomas Taylor commented on Porphyry's use of the term: For here he evidently conjoins the rational soul, or the etherial sense, with its splendid vehicle, or the fire of simple ether; since it is well known that this vehicle, according to Plato, is rendered by proper purgation 'augoeides', or luciform, and divine. Synesius, a 4th-century Greek bishop, according to Isaac Myer equated the divine body with 'Imagination' (phantasia) itself, considering it to be "something very subtle, yet material," referring to it as "the first body of the soul." Building on concepts described by Iamblichus and Plotinus, the late Neoplatonist Proclus (5th century), who is credited as the first to speak of subtle planes, posited two subtle bodies, vehicles, or 'carriers' (okhema), intermediate between spirit and the physical body. These were:
the augoeides okhêma, 'luminous vehicle' or 'body of light', which he identified as the immortal vehicle of the rational soul.
the pneumatikon okhêma, 'pneumatic vehicle' or 'body of breath', indwelling the vital breath (pneuma), which he identified as the mortal vehicle of the irrational soul. (cf. pneumatic). Renaissance medicine and magic.Renaissance magic was a resurgence in Hermeticism and Neo-Platonic varieties of the magical arts which arose along with Renaissance humanism in the 15th and 16th centuries CE. During the Renaissance period, magic and occult practices underwent significant changes that reflected shifts in cultural, intellectual, and religious perspectives. C. S. Lewis, in his work on English literature, highlighted the transformation in how magic was perceived and portrayed. In medieval stories, magic had a fantastical and fairy-like quality, while in the Renaissance, it became more complex and tied to the idea of hidden knowledge that could be explored through books and rituals. This change is evident in the works of authors like Spenser, Marlowe, Chapman, and Shakespeare, who treated magic as a serious and potentially dangerous pursuit.
en.wikipedia.org/wiki/Renaissance_magic
Look at the universal world full of the light of the sun. Look at the light in the world’s matter full of all the universal forms and forever changing. Subtract, I beg you, matter from the light and put the rest aside : suddenly you have soul, that is, incorporeal light, replete with all the forms, but changeable.Ficino describes this tenuous form as being of aether or quintessence, the fifth element, spirit, and says that it has a "fiery and starry nature."[e] He also refers to it as the 'astral body,' intermediate between spirit and the body of matter. Such ideas greatly influenced the Renaissance medicine of Paracelsus (1493–1541) and Servetus (1509/11–1553).[20] John Dee (1527–1608/9), a student of Ficino, based his natural philosophy on Ficino and the Medieval optical theories of Roger Bacon, William of Ockham, John Peckham, and Vitello; according to Szulakowska "specifically for his ideas concerning the radiation of light rays and the effects of the planetary and stellar influences on the earth." Dee was also influenced by the Arabian philosopher Al-Kindi, whose treatise De radiis stellarum wove together astrology and optical theory, which inspired Dee's Propaedeumata Aphoristica. In Dee's system of Enochian magic, there were three main techniques: invocation (prayer), scrying (crystal-gazing), and traveling in the body of light. Isaac Newton's occult studies. Isaac Newton (1642–1726/27), despite his renown for his scientific pursuits, held an alchemist's perspective. In the early 18th century, he speculated that material bodies might be transformed into light, connecting this idea with the 'subtle body' of alchemy. Much of what are known as Isaac Newton's occult studies can largely be attributed to his study of alchemy. From a young age, Newton was deeply interested in all forms of natural sciences and materials science, an interest which would ultimately lead to some of his better-known contributions to science. His earliest encounters with certain alchemical theories and practices were during his childhood, when a twelve year old Isaac Newton was boarding in the attic of an apothecaries shop. During Newton's lifetime, the study of chemistry was still in its infancy, so many of his experimental studies used esoteric language and vague terminology more typically associated with alchemy and occultism.It was not until several decades after Newton's death that experiments of stoichiometry under the pioneering works of Antoine Lavoisier were conducted, and analytical chemistry, with its associated nomenclature, came to resemble modern chemistry as we know it today. However, Newton's contemporary and fellow Royal Society member, Robert Boyle, had already discovered the basic concepts of modern chemistry and began establishing modern norms of experimental practice and communication in chemistry, information which Newton did not use. Much of Newton's writing on alchemy may have been lost in a fire in his laboratory, so the true extent of his work in this area may have been larger than is currently known. Newton also suffered a nervous breakdown during his period of alchemical work. Newton's writings suggest that one of the main goals of his alchemy may have been the discovery of the philosopher's stone (a material believed to turn base metals into gold), and perhaps to a lesser extent, the discovery of the highly coveted Elixir of Life. The elixir of life (Medieval Latin: elixir vitae), also known as elixir of immortality, is a potion that supposedly grants the drinker eternal life and/or eternal youth. This elixir was also said to cure all diseases. Alchemists in various ages and cultures sought the means of formulating the elixir.
en.wikipedia.org/wiki/Elixir_of_life
Newton reportedly believed that a Diana's Tree, an alchemical demonstration producing a dendritic "growth" of silver from solution, was evidence that metals "possessed a sort of life." Within the last few hundred years, some alchemists have adopted the Tree of Life from the Kabbalah. This knowledge is not used by all alchemists, which is fine, but a basic working knowledge of it can go very far for one's progress, of this I am certain. The Tree of Life serves as a sort of spiritual road map between the physical world and the Absolute, or God. There are different levels of consciousness, each associated with a particular rate of vibration (slower vibrations for lower levels, higher rates for higher levels, eventually reaching to infinity or the Absolute), a planet, and a metal. You can apply this to work both in spagyrics and mineral alchemy, as you can see for yourself just where on the Tree these particular plants or ores/substances are located. As another application, the Tree of Life can be stretched out into a line, levels 1 through 10, ten on the bottom, 1 at the top. Level 10, our physical reality, is the most mundane. Between it and the higher worlds is the first Veil, guarded by our own Guardian of the Threshold, our own morality. Based on the state or evolution of that morality, we can access higher worlds through mysticism (one avenue of which is alchemy). If our intent is noble, our Guardian will allow us access to the higher worlds, the level accessible based on our spiritual evolution. Levels 9 to 7 constitue the Lunar Astral world; Levels 6 to 4 constitute the Solar Astral world; and Levels 3 to 1 constitute the Buffer between the Created worlds and the Absolute.
ethekarius.wixsite.com/alchemy/treeoflife
Some practices of alchemy were banned in England during Newton's lifetime, due in part to unscrupulous practitioners who would often promise wealthy benefactors unrealistic results in an attempt to swindle them. The English Crown, also fearing the potential devaluation of gold because of the creation of fake gold, made penalties for alchemy very severe. In some cases the punishment for unsanctioned alchemy would include the public hanging of an offender on a gilded scaffold while adorned with tinsel and other items.
en.wikipedia.org/wiki/Isaac_Newton%27s_occult_studies
Franz Anton Mesmer (1734–1815) borrowed from Newton's more occult theories with the intention of finding medical applications. He also built on the work of Richard Mead (1673–1754), who hypothesized that due to the astral nature of the human body, it is subject to an "all‐pervading gravitation emanating from the stars." Mesmer expanded this concept, hypothesizing that bodies were subject to a form of magnetism emanating from all other bodies, not just the stars, which he called 'animal magnetism,' describing it as a "fluid which is universally widespread and pervasive in a manner which allows for no void, subtly permits no comparison, and is of a nature which is susceptible to receive, propagate, and communicate all impressions of movement."[f] Mesmer's theories influenced the Spiritualist traditions. Helena Blavatsky (1831–1891) wrote of the Augoeides, though her own theories of the astral body were derived from the subtle body traditions of Eastern mysticism. The most substantial difference consisted in the location of the immortal or divine spirit of man. While the ancient Neoplatonists held that the Augoeides never descends hypostatically into the living man, but only more or less sheds its radiance on the inner man – the astral soul – the Kabalists of the Middle Ages maintained that the spirit, detaching itself from the ocean of light and spirit, entered into man's soul, where it remained through life imprisoned in the astral capsule.
Ceremonial magic Éliphas Lévi. In the mid-nineteenth century the French occultist Éliphas Lévi (1810–1875) introduced the term 'astral light' in his Dogme et rituel de la haute magie (1856), and wrote of it as a factor he considered of key importance to magic, alongside the power of will and the doctrine of correspondences. Lévi developed a full theory of the 'sidereal body' which for the most part agrees with the Neoplatonic tradition of Proclus, Iamblichus, Plotinus, and Porphyry, though he credited Paracelsus as his source. He considered the astral light to be the medium of all light, energy, and movement, describing it in terms that recall both Mesmer and the luminiferous aether. Lévi's idea of the astral was to have much influence in the English-speaking world due to being adopted by the Hermetic Order of the Golden Dawn and by Aleister Crowley, who believed himself to be Lévi's reincarnation and promoted a number of ideas from his works, including his idea of the true self or True Will, much of his system of ceremonial magic, and his theories of the astral plane and the body of light.
Florence Farr and the Golden Dawn. The Hermetic Order of the Golden Dawn, a secret magical order originating in 1888 in Victorian England, describes the subtle body as "the Sphere of Sensation." Florence Farr (1860–1917) developed the Golden Dawn education system, succeeded William Wynn Westcott as "Chief Adept in Anglia," and wrote several of the Order's secret instruction papers, called the "Flying Rolls." Her magical motto was Sapientia Sapienti Dona Data (Latin: 'Wisdom is a gift given to the wise'). Farr's writings, signed with the initials of her motto 'SSDD', studied the ten parts of a human being which she said were described in ancient Egyptian writings, including the Sahu, the elemental or astral body; the Tet or Zet, the spiritual body or soul; and the Khaibt, the sphere or aura, radiating from the Sahu, and symbolised by a fan. Farr wrote that the ancient Egyptian adepts "looked upon each body, or manifested being, as the material basis of a long vista of immaterial entities functioning as a spirit, soul and mind in the formative, creative and archetypal worlds." She described how the Khaibt forms a sphere around a human being at birth.The occultist Israel Regardie (1907–1985) published a collection of Golden Dawn magical texts which state that "the whole sphere of sensation which surroundeth the whole physical body of a man is called 'the magical mirror of the universe'. For therein are represented all the occult forces of the universe projected as on a sphere..." Regardie connects the Sephiroth of the Qabalistic Tree of Life to this sphere as a microcosm of the universe. The Kabbalistic concept of the Nephesch ('psyche') is seen as "the subtle body of refined Astral Light upon which, as on an invisible pattern, the physical body is extended." The tree of life is mentioned in the Book of Genesis; it is distinct from the tree of the knowledge of good and evil. After Adam and Eve disobeyed God by eating fruit from the tree of the knowledge of good and evil, they were driven out of the Garden of Eden. Remaining in the garden, however, was the tree of life. To prevent their access to this tree in the future, Cherubim with a flaming sword were placed at the east of the garden. In the Book of Proverbs, the tree of life is associated with wisdom: "[Wisdom] is a tree of life to them that lay hold upon her, and happy [is every one] that retaineth her."In Proverbs 15:4, the tree of life is associated with calmness: "A soothing tongue is a tree of life; but perverseness therein is a wound to the spirit. Jewish mysticism depicts the tree of life in the form of ten interconnected nodes, as the central symbol of the Kabbalah. It comprises the ten Sefirot powers in the divine realm. The panentheistic and anthropomorphic emphasis of this emanationist theology interpreted the Torah, Jewish observance, and the purpose of Creation as the symbolic esoteric drama of unification in the sefirot, restoring harmony to Creation. From the Renaissance onwards, Kabbalah became incorporated as tradition in Christian Western esotericism as Hermetic Qabalah.
en.wikipedia.org/wiki/Tree_of_life
The occultist Aleister Crowley (1875–1947), the founder of the new religious movement Thelema, translated augoeides literally as 'egg message' and connected it with 'the Knowledge & Conversation of the Holy Guardian Angel' or 'higher & original (egg) genius' associated with each human being. He stressed that the body of light must be built up though the use of imagination, and that it must then be animated, exercised, and disciplined. According to Asprem (2017): The practice of creating a "body of light” in imagination builds on the body-image system, potentially working with alterations across all of its three modalities (perceptual, conceptual, and affective): an idealized body is produced (body-image model), new conceptual structures are attached to it (e.g., the doctrine of multiple, separable bodies), while emotional attachments of awe, dignity, and fear responses are cultivated through the performance of astral rituals and protections from "astral dangers" through the simulation of symbols and magical weapons. Crowley explains that the most important practices for developing the Body of Light are: The fortification of the Body of Light by the constant use of rituals, by the assumption of god-forms, and by the right use of the Eucharist. The purification and consecration and exaltation of that Body by the use of rituals of invocation.
The education of that Body by experience. It must learn to travel on every plane; to break down every obstacle which may confront it. According to Crowley, the role of the body of light is broader than simply being a vehicle for astral travel — he writes that it is also the storehouse of all experience.
en.wikipedia.org/wiki/Body_of_light
Enlightenment or God-realization is the highest aspect of our human potential for growth in body, mind, and spirit. According to many esoteric traditions, as we awaken to our oneness with God, bodily changes occur, most dramatically in the higher phases of enlightenment. In the final phase, the body is alchemically changed from flesh into light, becoming immortal. Enlightenment becomes a literal fact through the transubstantiation of flesh and blood into an immortal body of light. Various traditions have different names for this transubstantiated form, including the light body, the resurrection body, the solar body, and the diamond body. In this article, we will look at this phenomenon from a cross-cultural and evolutionary perspective. We will also consider questions such as; what is the relationship between death and resurrection? What is meant by the terms "ascended masters" and "illuminati"? We will look at Christianity as a Western enlightenment tradition whose purpose is to enable people to develop psychophysically through resurrection to become Christed god-men and god-women. Toward the end, we will look the Shroud of Turin as evidence of bodily transubstantiation and the perfection of the human race. From Transfiguration to Transubstantiation. The model of human consciousness I will be using is essentially drawn from the ancient yogic chakra model of consciousness, which posits seven stages of development that correspond to each of the chakras. Enlightenment is the highest. The American spiritual teacher Sapta Na Adi Da Samraj (formerly known as Adi Da and Da Free John, among other names; born Franklin A. Jones) divides this phase into three substages: transfiguration, transformation, and translation. With transfiguration, the body-mind is pervaded by what he calls Divine Radiance as the person abides in God-realization. Transformation is characterized by the manifestation of extraordinary powers and faculties (sometimes called siddhis), such as psychic healing capacities, genius, and longevity, as spontaneous expressions of further permeation of the body-mind by Divine Radiance. Translation removes the individual from space-time altogether and returns him to what I call the Preluminous Void, the unmanifest state of existence before God said "Let there be light." I believe this model, though valuable, is incomplete. Therefore I would like to suggest adding a next-to-last stage before translation: transubstantiation, or attaining the light body. This is the culmination of the entire evolutionary process of higher human development. It results in a deathless body of light, the perfection of the human body-mind, and it is the subject of this article. The True Nature of Resurrection...Sacred traditions and metaphysical schools of thought generally agree that reality is multileveled and that each level of reality is composed of different energies or of matter with different degrees of vibration and density. In their totality, these energies and forms of matter constitute a spectrum of substance. At one end of the spectrum is purely physical matter; at the other end is pure spirit prior to its manifestation as matter and energy. This spectrum of substance is one of the two primal forms of God constituting the cosmos. The other is the spectrum of consciousness. Together, they are the inner and outer aspects of reality, the subjective and objective, the intention and extension of God. Through our body-mind, we humans partake of all levels of reality, although we are generally unaware of the higher ones. Nonetheless, we retain the potential to awaken to the full spectrum of our being as consciousness and substance. Furthermore, we have a form or container or vehicle for our consciousness on each of those levels—a vehicle that is composed from the substance of that level. Collectively these are called energy bodies. They can be seen as nested one within the other, and all are resident within the physical body, although their energies may extend beyond it. Our physical body of flesh, blood, and bone is merely the container through which we function at the level of reality we know as ordinary space-time. At death, as the physical body decomposes, the other bodies withdraw from it, and the consciousness continues to function in other levels of reality. Those energy bodies have been given various names by various traditions. In one tradition they are termed the gross, the subtle, and the causal levels and bodies. In another they are the physical, the vital, the emotional, the mental, and the spiritual levels and bodies. In yet another they are termed koshas or "sheaths" of finer and finer substance enfolding the physical body. Still more names could be given from still other metaphysical systems. Here are some of the names given to the "highest" or "final" energy body in various traditions: In the Christian tradition it is called "the resurrection body" or "the glorified body." St. Paul called it "the celestial body" or "spiritual body." In Sufism it is called "the most sacred body" (wujud al-aqdas). In Taoism it is called "the diamond body," and those who have attained it are called "the immortals" and "the cloudwalkers." In Tibetan Buddhism it is called "the light body."
In some mystery schools it is called "the solar body."
In Rosicrucianism it is called "the diamond body of the temple of God." In Tantrism and yoga it is called the "the vajra body," "the adamantine body" and "the divine body."
In Vedanta it is called "the superconductive body."
In Kriya yoga it is called "the body of bliss." In Gnosticism and Neoplatonism it is called "the radiant body." In the alchemical tradition, it is called "the glory of the whole universe" or the "golden body." In the Hermetic Corpus it is called "the immortal body" (soma athanaton). In ancient Egypt it was called the akh.
In Old Persia it was called "the indwelling divine potential" (fravashi or fravarti). In the Mithraic liturgy it was called "the perfect body" (soma teleion). In the philosophy of Sri Aurobindo it is called "the Divine Body," composed of supramental substance. As I see it, these are different terms for the same ultimate stage of human development. If I understand these terms correctly, they refer to the condition in which a human being, by a combination of personal effort and divine grace, attains a deathless state through the transubstantiation or alchemical transmutation of his or her ordinary fleshly body. The traditions speak of the process in different ways. Is the immortal body created or released, attained or manifested? Is it preexistent within the individual, so that the gross matter of the body and the other energy bodies are simply "burned" away? Or is the gross matter of the body altered through a process not yet recognized by physical science that changes the atoms of flesh into something unnamed on the periodic table of elements? Is there more than one route to the perfected human body-mind?
These are provocative questions, but I have no definitive answers to offer here. I am seeking answers, and I welcome whatever information readers may have to share. Attaining Immortality. Whatever the process may be, it enables the transubstantiated individual to operate within ordinary space-time through an immortal vehicle of consciousness. Unlike biological flesh, that deathless body is no longer carbon-based. Rather it is composed of a finer, more ethereal form of energy substance unknown to conventional physics but long known to metaphysics. For a human individual, this condition is the most exalted phase of higher human development. The person has become fully manifested as what he or she inherently is: a form of God. Such people have been recognized throughout history as "god-men" and "god-women." If we share a common human nature, then what is possible for one is possible for all, at least theoretically. For humanity in a collective sense, then, the body of light is the final stage of evolution, the perfection of man, the complete manifestation of the Mystical Body of Christ. Attaining the body of light is an alternative to death or, more correctly, the conquest of death. As Dr. Charles Musas put it in an article in Astrologia (vol. 1, no. 2, 1974), which I quoted in my book Kundalini, Evolution, and Enlightenment: The most ancient Egyptian teachings were concerned with an occult science—now lost and as yet far beyond the reach of our technology—whereby while still in this life, the carbon-based body, by suitable extradimensional radiation, could be transformed into the new type of energy-substance and form the imperishable, radiant body. In this manner, the initiate so treated could enter into a higher dimensional objective world...without the trauma of physical death. Jesus and the Body of Light. The best-known example of transubstantiation of the human body-mind is Jesus of Nazareth. I regard Christianity as an enlightenment tradition whose true purpose is to enable people to become Christed. That is, Christianity has (or had) both a theory and a practice for attaining enlightenment in the highest degree. But that understanding has been lost in the institutional forms and sects that have arisen over doctrinal and ritualistic differences that are not essential to the process of growth to Christhood. It is important for fundamentalists to realize this fact, but it is also important for transpersonalists, integralists, and secular spiritualists who dismiss certain inner truths about Christianity and thereby overlook the possibility of connecting with a Western enlightenment tradition whose roots extend at least to ancient Egypt. Fundamentalist Christians often speak about the blood sacrifice of Jesus. They declare that his shedding of blood was a mighty act of salvation. A hymn asks, "Are you washed in the blood of the Lamb?" It asks whether the listener is cleansed from sin and redeemed from eternal damnation by accepting the blood sacrifice of Jesus as the sign of his rulership of creation.
With all due respect, that view of Jesus and Christianity is naive, literalistic, and superficial. It is an exoteric understanding of a situation that actually requires an esoteric understanding. In other words, conventional Christianity has the teaching, but not the key that unlocks its meaning. I will explain. Contrary to what many Christian fundamentalists believe, I would like to suggest that the resurrection of Jesus did not involve reconstitution of his flesh, blood, and bone into a functioning biological organism. It was not the restoration of his physical body or the reanimation of a decomposing corpse. Similar examples of this fallacious fundamentalism may be seen in ancient China and in Orthodox Judaism. In ancient China, I have read, it was common for men to save their cut hair and fingernails on a lifelong basis so that upon the person's death they could be placed in the grave or tomb in order to be ready for use in restoring that person's body to life. Likewise, in Orthodox Judaism it is believed that the Messiah will resurrect dead bodies upon his coming, so Orthodox Jews retain even amputated body parts for burial with the person. No matter what form this literalism takes, it needs to be corrected with insight and understanding. There is no need to collect body parts. Doing that is an entirely superfluous and literal-minded view that misdirects one's energy and consciousness. Nor is there any need to be "washed in the blood of the Lamb." The important thing is, as the Bhagavad Gita puts it, to "fix your heart on God" and then invoke the Holy Spirit, the Shekhinah, the goddess Kundalini, or whatever devotional form your particular tradition may provide. Support that with moral behavior, contemplative practice, cultivation of the mind, works of social goodness and civic responsibility. In other words, live a life of integral practice so that your entire being—body, mind and spirit—is oriented to the attainment of enlightenment. God will take care of the rest. However, "the rest," according to esoteric traditions, includes advanced practices that are for all intents and purposes unknown to the exoteric forms of those traditions—the churches, temples, mosques, etc., where conventional worship prevails and enlightenment-knowledge is generally regarded as craziness or heresy. It is not a matter of having all your body parts collected; dead flesh is dead flesh. It is a matter of enlivening your energy bodies so that, through spiritual refinement, the dross is removed and the "highest" body is developed to the point of complete self-mastery. Then you can cast off the flesh body through the death process, but without the trauma of dying. You release the light body from its fleshly cocoon. You put on the "robe of light." You no longer cast a shadow because you no longer have a shadow. Evidence of the Shroud. When Jesus arose from the dead, he lived in a resurrection or glorified body. That is indicated by the Shroud of Turin, which, legend maintains, was the funeral shroud of Jesus when he was buried in the tomb after crucifixion. Although a carbon-14 test in the 1980s purportedly showed that the Shroud was no older than the fourteenth century—and therefore was a hoax—it has now been shown that the results of this test were badly flawed by two major factors. First, the sample of the fabric tested was recently found to be part of a sixteenth-century patch or invisible repair of the original cloth, which had been damaged. (The repair was revealed by microscopic examination.) Second, microscopic biological material (mold microorganisms) was present on the piece of fabric tested. These factors led to a medieval date for the Shroud. New tests move the relic's age back to the first century. Moreover, other research has identified pollen grains on the Shroud that could only have come from the vicinity of Jerusalem during the months of March and April, when such localized vegetation is in bloom. Finally, the weave of the cloth has now been identified as specific to Palestine in the first century and not to medieval Europe. For these and other reasons, the Shroud is now clearly established as an authentic first-century relic. As for the image of the man in the Shroud, research likewise indicates that it is no hoax. The blood stains are real (type AB) and contain human male DNA. Shroud researcher Frank Tribbe notes in his book Portrait of Jesus? that the closest science can come to explaining how the image of the man was imprinted on the Shroud is by comparing the situation to a controlled burst of high-intensity radiation similar to the Hiroshima bomb explosion, which "printed" images of disintegrated people on building walls. Shroud researcher Ray Rogers, a physical chemist from Los Alamos Laboratory, said, "I am forced to conclude that the image was formed by a burst of radiant energy—light if you like." In other words, the image is recorded on the cloth as if by a photoflash of brilliant light rising from the body of the man in the Shroud. Another Shroud researcher, Alan Adler of Western Connecticut State College, concluded that the image could have been created only by a form of energy that science cannot name. Apparently a self-induced nuclear "explosion" was the means by which Jesus transubstantiated. This line of reasoning means that Jesus actually died, physically and biologically. While he may have been alive in a yogic swoon or a near-death condition when placed in the tomb, nevertheless at some point he underwent biological death in order to attain resurrection. But unlike the typical corpse, which undergoes decomposition into its elements, Jesus's physical body was altered into something more elemental—indeed, more fundamental, although it is not understood by fundamentalists. From my point of view, Jesus called people to duplicate himself, to grow into "the stature and fullness of Christ," so that in our own bodies—our own flesh and blood—we perform the true and complete imitation of Christ. Institutional Christianity, from evangelical to mainstream churches, aims at producing Christians when it should aim at producing Christs. The kingdom of heaven to which Jesus called humanity is not an astrophysical location but a state of consciousness known as enlightenment. Jesus' life, death, and postmortem acts opened "the gates of heaven" for everyone, but mere belief in Jesus is not enough. No one will pass through the gates unless he or she lives a God-centered life resulting in God-realization. And in the final phase of God-realization, one literally becomes light. Ascended Masters and the Illuminati. There may have been others before (and after) Jesus who attained the glorified body or resurrection body, as is implied in various ways in both biblical and extrabiblical literature. The pharaonic ceremonial tradition of ancient Egypt is primarily about the process of consciousness transference from the flesh body to the spirit body or akh. Knowledge of that process may have passed into Judaism through Moses, who, according to the Bible, became a member of the pharaoh's household when he was rescued as a baby by a pharaoh's daughter. From Moses, according to esoteric legends, the akh knowledge descended through the centuries as an underground stream in some branches or schools of Judaism, emerging publicly and most dramatically through the resurrection of Jesus of Nazareth. Legends and some esoteric documents also have the tradition continuing through some of the early Christians to the Cathars of southern France, and thence to the Knights Templar and modern Freemasonry as expounded by scholars such as Manly P. Hall and W. L. Wilmshurst. Although Jesus is the primary Western exemplar of resurrection, there are others, both Eastern and Western, whom history and legend record as similarly transubstantiated. According to various esoteric traditions, a number of "ascended masters" have attained to that condition and are accessible to us when they choose to be. Among them are Melchizedek, Ezekiel, Count St. Germain, Boganathar, Kriya Babaji Nagaraj (also known as Mahavatar Babaji and Shiva Baba), Koot Hoomi, Morya, Djual Kool, Matsyendra Nathan, and Swami Ramalingam. Collectively, they are known as the White Brotherhood, the illumined ones or the true illuminati. In a different but related situation—that of near-death research—are reports by the thousands of people who, while clinically dead, have found themselves in a nonterrestrial environment and have then become aware of the presence of a being of light. These light beings have been identified by the near-death experiencers as gods, angels, devas, saints, holy people, mythological personalities, and other figures associated with divinity. The reports imply a veritable society of such entities, operating in what seem to be vehicles of consciousness identical to the one Jesus had after his resurrection. That society resides at the top of the divine hierarchy of worlds extending from the lowest physical level to the highest of the metaphysical. The hierarchy has often been called the Great Chain of Being; it connects all life to God, from the lowest microorganisms, through humanity, to the forms native to the higher worlds, such as angels, devas, and archangels. At the highest level, the Logos—where creation itself begins—are those Christed ones of humanity who have ascended to the throne of God, that is, who have attained the condition of existence that is the seat of power for God's governing of the cosmos. Despite the apparently vast distance which separates them from us, they are simply "elder brothers and sisters" of ours who have traveled the evolutionary path before us. They present themselves to us in ways that appeal to our deepest nature and that urge us to externalize that nature in every aspect of our own being, including relationships and social organization. They are models for human aspirations of spiritual growth. Thus Jesus, properly understood, is not a vehicle of salvation, as fundamentalists claim, but a model of perfection drawing us beyond ego to the transpersonal and the mystical.
From my perspective, someday in a distant evolutionary future we humans will wear the seamless robe of light. May all beings attain enlightenment!.
www.theosophical.org/publications/quest-magazine/resurrec...
Artist MIRZA AJANOVIC: Painting Light in Motion
FROM OPUS: Painting Light in Motion, FROM GRAND OPUS: Painting with Light,
Rhythm and Movement Painting, Music of light, Abstract Action Expressionism,
Painting Music, Visual expression of music in Photography, ART Avant-garde, Painting with Light, Motion ART, graffiti/street-art, Avant-garde Painting with Light,
Painting with MOTION Light, Motion artist, Shadows Dance, Metaphysics ART, Spirituality, Transcendental ART, Mystic ART, Fine ART Photography, Artist MIRZA AJANOVIC Photography, Acutely observed realism brought a new level of emotional intensity, Observation of physical and psychological reality… Perception Internal,
Mystical Photography, Perception beyond Appearance’s,
POETIC Photography;
Perception Beyond the Veil;
Perception beyond any veil; including the veil of religion,
"I've brought you a mirror. Look at yourself and remember me."
-Jalaluddin Rumi
Artist MIRZA AJANOVIC Fine ART Photography,
www.wix.com/artajanovic/MIRZA"
These Pictures are Actually Not Photoshopped, images are not cropped.
A shabby chic twist on a classic crystal bullet pendant necklace - nickel .380 auto bullet casing is etched with a flower pattern down to the brass core
4"x6" Framed and signed print of an original pen and ink illustration
by Chelsea Rose
up for sale in my online shop, see profile for links
Now, when you need something metaphysically shaken from your person... and you´re a fan of Maximon... you buy a fifth of liquor and a special plant... take this to an ordained individual (i saw a woman shake someone down)... this person will smack at your torso with your branch... take most of the liquor into their mouth ... spray it all over your back, chest and face... and leave the remains for Maximon... who also smokes puros... What you say, Maximon smokes and drinks... but he´s and god and his idol is inanimate... yes... who can say what happens to the remains at the end of the day...
puros are the fattest and longest cigars i´ve ever seen... 1 1/2 inches thick and around 5 inches long... the way it burns is an indication of how well things are going for you... white means you´re in the clear, blue skies and sunny days... gray ash means things are a little hazy, try again later... and black means watch your ass...
one of the nonplussers was chomping on a puro... he´d take quick drags and let the ashes build... his ashes were significantly mixed... though i suppose if i had to pick a predominate color it was probably white... good for him...
at one point, feeling guilty as an observer of rituals i would assume are deeply personal... i went over to the puro puffer... i asked him what he thought about all of this, because his english was pretty good... he said he didn´t like pictures being taken... and then told me that if we insist on taking pictures we should, "drop 20 bucks in that bucket"... that´s about 140 in local currency (quetzales)...
www.schooloflifedesign.com/monthly-manifestation-manual/
The School of Life Design Monthly Manifestation Manual is a 136-page monthly planner and journal that helps you stay your spiritual course on a day-to-day basis.
Life Design—like any other practice—requires diligence and dedication. When you practice a sport, your skills improve. When you maintain focus on the version of reality you prefer, you get better at looking for what you want to see. When you look for what you want to see, you find it.
Make a deliberate practice of creating your life experience with your thoughts and you will gain noticeable mental stamina, agility, and acuity. Things won't bother you as much. You will feel more calm. Most importantly, you will feel at peace with life.
There is no limit to the magick you can experience when you are in the practice of using it.
Purchase a digital copy here: www.schooloflifedesign.com/monthly-manifestation-manual/
Or a hardcover journal here: www.lulu.com/shop/jessica-mullen/monthly-manifestation-ma...
( il Deserto Rosso )
In Memoria di Michelangelo Antonioni
Abstract Portrait Painting from Portrait Fashion Photography
Abstract Portrait Painting from Movie Screenshot
Metaphysical Painting
Pittura metafisica
Enigma
Metafisica
Metaphysics
Triangulism Art
Triangolismo
Surrealism
Surrealismo
Minimalism
Minimalismo
Individualism
Individuality
Humanism
Giorgio de Chirico
Arnold Böcklin
Arthur Schopenhauer
Friedrich Nietzsche
Artwork to Sell by Artist
Buy Original Artwork
Turiec Gallery in Martin, Slovakia
for educational purpose only
please do not use without permission
FWIW, this is an example of a photo project I completed a couple years ago converted to a video by the Lightroom slideshow module.