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More about this photo here on my blog.
Copyright 2015 Hilde Heyvaert.
All rights reserved.
No unauthorized use, reproduction or distribution without prior permission.
Camera: Agfa Click 1
Film: Kodak Ektar 100 (120mm)
Copyright 2016 Hilde Heyvaert.
All rights reserved.
No unauthorized use, reproduction or distribution without prior permission.
Camera: Rolleiflex 2.8C Zeiss Planar 80mm f2.8. Film: Efke 100 (expired 2015, developed 5/2021) Developer: Kodak D76 1:1 10mins @20*C Meter: Minolta Auto Meter VF. Digital conversion: Epson V550 and Lightroom 6.
Rivoli (Turin), Piedmont.
Taken with a Zeiss Ikon Nettar 517/16
My personal website www.lucemozioni.com
Fabrizio Zago
© All rights reserved
View of Reykjavik from the top of the church.
Camera: Hasselblad 500C/M (1973 vintage) Lens: Hasselblad 50mm f4 Distagon T* chrome. Film: Kodak Portra 160. Meter: Minolta Auto Meter VF. Digital conversion: Epson V550 scanner and Lightroom 6.
The Perkeo I seems to be one of the cameras that has recently seen some resurgence due to film photography influencers praising it highly. I'm usually skeptical about these things but in this instance, I'm about to do the same.
Read the full review here:
almost-hasselblad.blogspot.com/2022/04/voigtlander-perkeo...
Mamiya 645 Super / Mamiya 80 mm 2.8 @ 4.0 / Ilford FP4 plus 125/120 / Adox Adolux APH 09 / scan from the negative
Part of Open House New York (OHNY) 2017, where on a weekend once a year many beautiful architectures and spaces normally not open to public are open for people to see.
This year I visited the Brooklyn Navy Yard. An old navy yard with long history that have been converted to commercial spaces.
Again this year photography wise I decided to go with my Hasselbald 500 C/M, 50mm, 80mm and 150mm set, and left my digital home. So, all were done on film. It was a fun afternoon walking around and taking pictures in there.
Camera: Hasselblad 500C/M (1973 vintage) Lens: Hasselblad 50mm f4 Distagon T* chrome. Filter: Kodak series VIII #8 yellow. Film: Kodak T-MAX 400. Developer: Kodak D76 1:1 10.25mins @ 20*C. Meter: Minolta Auto Meter VF. Digital conversion: Epson V550 scanner and Lightroom 6.
Camera: Hasselblad 500C/M (1973 vintage) Lens: Hasselblad 50mm f4 Distagon T* chrome. Film: Kodak Portra 160. Meter: Minolta Auto Meter VF. Digital conversion: Epson V550 scanner and Lightroom 6.
Pentax 6x7 loaded with expired (FEB 2023) ilford ortho 80 medium format film exposed at box speed. March
Camera: Agfa Click I
Film: Lomography color negative 100
Copyright 2018 Hilde Heyvaert.
All rights reserved.
No unauthorized use, reproduction or distribution without prior permission.
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A view from the High Line.
Camera: Rolleicord III 75mm f3.5 Zeiss Triotar. Meter: Minolta Auto Meter VF. Film: Kodak Tri-X. Developer: Kodak D76 1:1 9:45 mins at 20*C (normal) Digital conversion: Epson V550 scanner and Lightroom 4.
Camera: Rolleicord III 75mm f3.5 Schneider Xenar. Meter: Minolta Auto Meter VF. Film: Kodak T-Max 400 at 200 with Hoya Yellow K2 filter. Developer: Kodak D76 1:1 12.5 mins at 20*C (normal) Digital conversion: Epson V550 scanner and Lightroom 4
Camera: Rolleicord III 75mm f3.5 Schneider Xenar. Meter: Minolta Auto Meter VF. Film: Kodak T-Max 400 at 200 with Hoya Yellow K2 filter. Developer: Kodak D76 1:1 12.5 mins at 20*C (normal) Digital conversion: Epson V550 scanner and Lightroom 4
Camera: Rolleicord III 75mm f3.5 Schneider Xenar. Meter: Minolta Auto Meter VF. Film: Kodak T-Max 400 at 200 with Hoya Yellow K2 filter. Developer: Kodak D76 1:1 12.5 mins at 20*C (normal) Digital conversion: Epson V550 scanner and Lightroom 4
mamiya 645 AF pro medium format for this one, i think it was ilford delta 100 film. expansive skyline of san francisco in the background.
thanks for looking. cheers.
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I get a fair number of comments that peeps wish they could view images larger… while I maintain that only my contacts can view my large images (I generally upload at least 800px images on the long axis)… a quick workaround I might suggest is to view my photostream as a slideshow. Works well for me. this is frequently how I view others’ ‘streams, and it will put a large image on black. : )
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on 01 jan 2010, i began my journey w/ a new flickr group i've formed, ~365: experimental
the idea is that i strive to push myself daily; experiment, learn, & develop my photography skills further by exploring techniques, ideas, and experiments. hopefully, some of you might consider joining and we can work on our journey together!
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Camera: Agfa Click 1
Film: Kodak T-MAX 100 (120mm)
Copyright 2015 Hilde Heyvaert.
All rights reserved.
No unauthorized use, reproduction or distribution without prior permission.
Camera: Agfa Click 1
Film: Ilford Delta 100
Copyright 2017 Hilde Heyvaert.
All rights reserved.
No unauthorized use, reproduction or distribution without prior permission.
Waterfall near the Brecon Beacons
Taken on Mamiya C220 with Fujichrome Provia 400x colour reversal 120 film
Wichita Mountains Wildlife Refuge July 2018. Pentax 6x7 loaded with Ilford PANF50 medium format film. July 2018
I met Dave while I was out passing business cards. He was a real humble guy and had so many stories from being a marine, to having a brother who could have been an Angels baseball player, to having an umpire mom, and last but not least, his motorcycle accident where he flew 175 feet in the air and when he landed his foot dragged on the concrete and was gushing out blood "like a firehose"(in his words). He was really nice and I hope to find more interesting people like him while I'm out on the streets.
When I shot this, I don't know why I shot it without his face being in the photograph. At the moment one word came to mind, Unknown, and I think that's why I chose to shoot it this way.