View allAll Photos Tagged mediumformatcamera
Mamiya 645 Super / Mamiya 80 mm 2.8 @ 4.0 / Ilford FP4 plus 125/120 / Adox Adolux APH 09 / scan from the negative
Camera: Rolleicord III 75mm f3.5 Schneider Xenar. Meter: Minolta Auto Meter VF. Film: Kodak T-Max 400 at 200 with Hoya Yellow K2 filter. Developer: Kodak D76 1:1 12.5 mins at 20*C (normal) Digital conversion: Epson V550 scanner and Lightroom 4
Pentax 6x7 loaded with FujiFilm Provia 100F processed at Box Speed medium format film. September 2019. Road trip from Tulsa, OK to Los Angeles, CA.
Camera: Hasselblad 500C/M (1973 vintage) Lens: Hasselblad 80mm f2.8 Plannar T* chrome with Hasselbald (Y) yellow filter. Film: Kodak Tri-X 400. Meter: Minolta Auto Meter VF. Developer: Kodak D76 1:1 9.75 mins at 20*C. Digital conversion: Epson V550 scanner and Lightroom 6.
Camera: Agfa Click I
Film: Rollei superpan 200
Copyright 2018 Hilde Heyvaert.
All rights reserved.
No unauthorized use, reproduction or distribution without prior permission.
Camera: Agfa Click 1
Film: Kodak T-MAX 100 (120mm)
Copyright 2015 Hilde Heyvaert.
All rights reserved.
No unauthorized use, reproduction or distribution without prior permission.
I've been waiting 2 weeks to get this film back from Indie Film Lab in Alabama and it's been worth the wait! They're making me want to shoot some more color film because they really know how to make the colors pop out. They did an amazing job!
With (finally) a 80mm 2.8 CF T* lens on it's way, today yet another part arrived: the Polaroid back. I can't wait to actually get to work with my Hasselblad :)
A shop window glistens in the elate afternoon light, a transparent veil between worlds. The glass, polished to perfection, captures the city in its restless beauty. Reflections dance across its surface—a swirl of moving figures, blurred faces, and flickers of neon. Inside, delicate treasures sit in silence—shimmering jewelry, polished wood, soft fabrics—watching the outside world glide past. The window becomes a canvas where life, both inside and out, interweaves: reality blends with reflection, and time slows as it meets this fragile boundary. The street, once familiar, is refracted into something dreamlike, an impressionistic vision of soft light and motion.
135 Bury St Edmunds Holga 120N 60mm F1.8 Fomapan Active 400 400 ISO Developed In Ilford Ilfotec LC29 1+9 13-11-2023
Camera: Hasselblad 500C/M (1973 vintage) Lens: Hasselblad 50mm f4 Distagon T* chrome. Film: Kodak Portra 160. Meter: Minolta Auto Meter VF. Digital conversion: Epson V550 scanner and Lightroom 6.
A great exhibition full of great works from one of the most iconic photographer of all time. One of the best photography exhibition I've seen.
Camera: 1952-1955 Rolleiflex 2.8C Zeiss Planar 80mm f2.8. Film: Ilford Delta 3200 @ 3200. Developer: Ilford ILFOTEC DD-X 1+4 9.50 mins @ 20*C. Meter: Minolta Auto Meter VF. Digital conversion: Epson V550 and Lightroom 6.
A view from the High Line.
Camera: Rolleicord III 75mm f3.5 Zeiss Triotar. Meter: Minolta Auto Meter VF. Film: Kodak Tri-X. Developer: Kodak D76 1:1 9:45 mins at 20*C (normal) Digital conversion: Epson V550 scanner and Lightroom 4.
Camera: Hasselblad 500C/M (1973 vintage) Lens: Hasselblad 80mm f2.8 Plannar T* chrome. Film: Ilford Delta 3200. Meter: Minolta Auto Meter VF. Developer: Kodak XTOL stock 7.5 mins at 20*C. Digital conversion: Epson V550 scanner and Lightroom 4.
Camera: Rolleicord III 75mm f3.5 Schneider Xenar. Meter: Minolta Auto Meter VF. Film: Kodak T-Max 400 at 200 with Hoya Yellow K2 filter. Developer: Kodak D76 1:1 12.5 mins at 20*C (normal) Digital conversion: Epson V550 scanner and Lightroom 4
Camera: Agfa Click 1
Film: Kodak Ektar 100 (120mm)
Copyright 2016 Hilde Heyvaert.
All rights reserved.
No unauthorized use, reproduction or distribution without prior permission.
Camera: 1952-1955 Rolleiflex 2.8C Zeiss Planar 80mm f2.8. Film: Kodak T-MAX 400 push @ 1600. Developer: Kodak D76 9.25 mins @ 20*C. Meter: Minolta Auto Meter VF. Digital conversion: Epson V550 and Lightroom 6
Pentax 6x7 loaded with FujiFilm Provia 100F processed at Box Speed medium format film. September 2019. Road trip from Tulsa, OK to Los Angeles, CA.
Photo prise depuis la jetée de Saint-Andrews au Nouveau-Brunswick.
JPEG à partir d'un fichier RAW ISO 250 1/1300 sec f5.6 sans trépied
Photo traitée avec Adobe Lightroom et Photoshop, Topaz Labs DeNoise et Sharpen AI
Yup, the famous hot dog stand in Iceland. Just right across the Harpa by the harbor. Bill Clinton visited this stand.
I went twice, the first was when I was out taking picture and the second was after the concert at the Harpa.. If you do go there just ask for one or two with "everything" And they do except credit card too, which make it easy.
Camera: Hasselblad 500C/M (1973 vintage) Lens: Hasselblad 80mm f2.8 Plannar T* chrome. Film: Kodak Ektar 100. Meter: Minolta Auto Meter VF. Digital conversion: Epson V550 scanner and Lightroom 6.
Camera: Holga 120N
Film: Kodak Gold 200 120 film
Location: Watchet
Date: May 2024
John Short, AKA Yankee Jack, the father of sea shanties.
mamiya 645 AF pro medium format for this one, i think it was ilford delta 100 film. expansive skyline of san francisco in the background.
thanks for looking. cheers.
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I get a fair number of comments that peeps wish they could view images larger… while I maintain that only my contacts can view my large images (I generally upload at least 800px images on the long axis)… a quick workaround I might suggest is to view my photostream as a slideshow. Works well for me. this is frequently how I view others’ ‘streams, and it will put a large image on black. : )
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on 01 jan 2010, i began my journey w/ a new flickr group i've formed, ~365: experimental
the idea is that i strive to push myself daily; experiment, learn, & develop my photography skills further by exploring techniques, ideas, and experiments. hopefully, some of you might consider joining and we can work on our journey together!
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