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Recently returned from its refurbishment at St Helens, ARRIVA Buses Wales VDL Pulsar 2650 - CX07 CTZ is pictured in Rhyl on route 51 to Dinbych, Lenten Pool (Denbigh Lenten Pool).This is the third of these buses to be so treated following on from 2652 and 2649.
Max Plattner Trio - 12.05.2022 - Jazzit Musik Club Salzburg
www.jazzfoto.at/konzertfotos22/max-plattner-trio/Index.htm
Besetzung:
Max Plattner: drums
Lorenzo Sighel: sax
Marco Stagni: bass
Max came over for a coffee this afternoon and sat down in the kitchen while I photographed some blueberries . . . and then I turned round - thank you, Max for letting me take photos . . .
**Max, at Work.**
Watching him paint was, for me, much more than simply a photographic opportunity.
It meant entering his world, respectfully and on tiptoe. A world made of silence, thoughts, glances, gestures, and that deep concentration that belongs to someone who has devoted an important part of his life to creativity.
While he paints, Max seems almost to forget everything around him. He is immersed in his own time, in his ideas, in the emotions that slowly take shape on the canvas.
And perhaps this is the most fascinating part: not knowing what is passing through his mind, yet somehow being able to perceive that something is happening.
What he sees and feels belongs only to him. It comes from sensitivity, experience, empathy, and everything that, throughout his life, has settled within him.
I simply tried to capture a few moments of that experience, allowing his gestures, his eyes, and his work to tell what words cannot fully explain.
Because sometimes, there is no need to explain what happens inside.
**It is enough to look.**
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**Max, al lavoro.**
Guardarlo mentre dipinge è stato, per me, qualcosa di più di una semplice occasione fotografica.
È stato entrare, con rispetto e in punta di piedi, nel suo mondo. Un mondo fatto di silenzi, pensieri, sguardi, gesti e di quella concentrazione profonda che accompagna chi ha dedicato una parte importante della propria vita alla creatività.
Mentre dipinge, Max sembra quasi dimenticare tutto ciò che lo circonda. È immerso nel suo tempo, nelle sue idee, nelle emozioni che lentamente prendono forma sulla tela.
Ed è forse questo l'aspetto più affascinante: non sapere cosa stia attraversando la sua mente, ma riuscire comunque a percepire che qualcosa sta accadendo.
Quello che vede e sente appartiene soltanto a lui. Nasce dalla sensibilità, dalle esperienze, dall'empatia e da tutto ciò che, nel corso della vita, si è sedimentato dentro di lui.
Io ho semplicemente cercato di fermare alcuni istanti di quel momento, lasciando che fossero i suoi gesti, i suoi occhi e il suo lavoro a raccontare ciò che le parole non riescono a spiegare.
Perché, qualche volta, non serve raccontare ciò che accade dentro.
**È sufficiente guardare.**
-SRWE Hotsampling 7680 X 3600
-CE Table (FOV, aspect ratio)
-In-game editor
-ReShade 3.1.0
-MSI Afterburner
So today is a terrible day, we had to say goodbye to my wonderful Max. I cannot begin to express how heartbroken I am. We climbed mountains together and had adventure after adventure. Love you son. xxxxxxxx
Finally got some of this, pretty much for decoration, keeping the ammo in the safe and the box out on display for giggles :)
2 of 3 individual images of the Max Rebo Band. Plain background with a spotlight shining right across him.
Just my Max in the snow
Some interesting facts on English Setter for those that are interested:
There are two distinct types of English Setter.
The original field/hunting type (sometimes called the "Llewellin Setter") is smaller, with a broader, natural-looking head and much less hair. These dogs have strong hunting instincts and need vigorous exercise. The "bench" or "show" type of English Setter is quite tall, with a long narrow head and a profusion of silky hair that needs plenty of brushing and trimming. These dogs are more laid-back than field lines and are content with long daily walks and occasional running and fetching games.
Whatever their type, English Setters tend to be the mildest-mannered of the three setter breeds (English, Irish, and Gordon).
They are very sociable dogs who must not be left alone all day without the company of people or other pets, else destructiveness may result. English Setters have an obstinate streak that takes the form of resistance rather than wild disobedience. If pushed too hard, they'll simply brace their legs and refuse to walk. You must be persistent, but never heavy-handed.
English Setters have long memories, which means that once they learn something (whether right or wrong), they remember it. On the negative side, this means bad habits can be difficult to break.
737 MAX 8 CN-MAY arrives at London Heathrow Airport with a flight from Casablanca.
AIrcraft: Royal Air Maroc (AT/RAM) Boeing 737 MAX 8 CN-MAY.
Location: Terminal 5 Mound, London Heathrow Airport (LHR/EGLL), UK.
Max enjoying the winter. He enjoys the colder weather which gives him a spring in his step and here he is at How Hill on the Woodland Walk....
I shot Max for the latest issue of Gay Times! You can see the full, clothing-optional shoot at gtdigi.co.uk
Max Hulme a des superbes modèles, mais je n'ai pas vu ce chat sur le web, alors voilà, j'adore.......
Diagramme: B.O.S Magazine n° 234.
Chat: Papier sandwich: Papier de soie.
Max Hulme has beautiful models, but I have not seen this cat that on the web, so here, I love it.
Diagram: B.O.S Magazine No. 234.
Cat: Sandwich paper: Tissue paper.
This is the director of a short film that I'm participating in... We went location scouting and I took a few shots =).
Must view on black.
Okay, this isn’t my “first roll” with an RZ but it is with my new one. Last week, I purchased an entire camera package from a veteran photographer in Jupiter, FL. Guy (his name was Guy) was gracious enough to let me get it at a hell of a deal and I promised to take good care...
View full post on my blog.
INFO:
*RZ67, 180mm @ f/5.6
*Delta 400, D-76 1:1
STROBIST:
*Strobe @ f/5.6 camera left as key
*Strobe @ f/5.6 camera left behind subject
*Foam core reflecting @ f/2.8 for fill
*Strobe gradient on background @ f/2