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Masă rotundă, organizată de Comisia protecție socială, sănătate și familie, cu privire la validarea Matricei a 138 de indicatori de monitorizare a drepturilor persoanelor cu dizabilități
Masă rotundă, organizată de Comisia protecție socială, sănătate și familie, cu privire la validarea Matricei a 138 de indicatori de monitorizare a drepturilor persoanelor cu dizabilități
14th century Erice cathedral, Chiesa Madre (Matrice).
Erice is a mountain-top town overlooking Trapani, founded by the Elymians fleeing the Trojan Wars but successively conquered by the Carthaginians, Romans, Moors, Spanish, etc.
Result from the color matrix we found by interpolating DxO Mark matrices, and a raw White Balance to minimize the saturation of gray and white patches. Using DNG Tonal Curve and with hue from the linear image (80%).
This image was developed from the raw image file, without using any regular photo editing software, like Lightroom or DxO Optics Pro.
It was developed "by hand" as an exercise to learn and understand what contains a raw image file and how is developed by regular photo editing software.
You can read about the "Developing a RAW photo file 'by hand'" in these articles:
www.odelama.com/photo/Developing-a-RAW-Photo-by-hand/
www.odelama.com/photo/Developing-a-RAW-Photo-by-hand/Deve...
Stowmarket, Suffolk
In his History of Stowmarket, Mr, Hollingsworth calls it the “Abbot’s Tomb” and this is still its usual appellation. I would, however, venture to point out that the matrices or moulds on the flat top of the tomb are the figures of a lady surrounded by her thirteen children. Enough remains to show that she wore the peculiar style of head-dress in vogue at the end of the fifteenth century, and her daughters are similarly attired. Above her head were three heraldic shields; on her right (S. side of tomb) were the figures of five sons, and on her left (N. side of tomb) and at her feet were those of eight daughters. At a first glance, you see only seven daughters, but there is an eighth figure, smaller that the others, placed just above and behind the daughter at the top of the row (N.W. corner). The style of architecture of this tomb and its arch is about 1480 – 90.
The first Tyrell who lived at Gipping Hall was William, third son of Sir John Tyrell, Treasurer of the Household to Henry VI (reigned 1422-61). This William married Margaret, daughter of the Robert Darcy of Maldon, Essex, who died in 1449. William and Margaret Tyrell had thirteen children, five sons (Sir James, Sir Thomas, Edward, John, and John) and eight daughters (Alianor, Anne, Margaret, Dorothy, Alice, Margery, Elizabeth and Mary). This list exactly corresponds with the figures on the tomb, and it seems highly probable that the “Abbot” is really Margaret (nee Darcy), wife of the first Tyrell of Gipping, with her thirteen children all around her. This monument is rather over 400 years old.
Manuscripts in the British Museum show that this tomb has long been unidentified. For instance, at fo. 199d at Add. Ms. 19106, the following extract is copied from an old manuscript relating to Suffolk families: “There is between the Isle that belongs to the family of Tirrell and Sir John Poley’s Pewe, a very faire anciente tombe, but I cannot learne from any man for whom it was.”
This is the picture resulting from solving the minimization of gray and white patches saturation interpolating DxO Mark matrices.
Masă rotundă, organizată de Comisia protecție socială, sănătate și familie, cu privire la validarea Matricei a 138 de indicatori de monitorizare a drepturilor persoanelor cu dizabilități
Sicily.
Late spring break.
The church of Matrice Vecchia was built in the 15th century on the ruins of a pagan temple. It has a Renaissance portico added in the 16th century, and a central portal in the Catalan-Gothic style. On the left side is a bell-tower with a Romanesque mullioned window culminating in an octagonal spire covered with majolica tiles. The interior of the church, originally divided into a nave and two aisles, received another aisle at the end of the 16th century. It preserves prized works, most remarkably, above the main altar, a splendid polyptych depicting The Coronation of the Virgin , attributed to Pietro Ruzzolone or possibly Antonello de Saliba. On the bottom right is the unusual figure of a Saint wearing spectacles. On the right is a statue of the Madonna delle Grazie by Antonello Gagini. Below the nave is a fresco depicting the Betrothal of the Virgins showing a strong Senese influence in the elegant features and the symmetry of the composition. Some of the columns separating the nave and the aisles are painted with frescoes, including the figure of St. Catherine of Alexandria.
Instructor E. R. Lang, PhoM 2/c explaining the Vectograph to Class III students in Aerial Photography. E. R. Lang, PhoM 2/c left demonstrates the Vectograph sheet between two matrices for rolling into contact with the wringer to insure correct registration of the Stereo image in the finished Vectograph. J. Miller, PhoM 3/c (center) and A.V. Mitchell, PhoM 3/c give close attention.