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La chiesa di S. Maria della Strada in agro di Matrice è tra le basiliche più intriganti del Molise. Non solo per la sua architettura, per le sue leggende, per la sua storia, per le sue espressioni artistiche, ma anche per i suoi misteri.
Nel XVIII secolo nel Molise circolava una leggenda secondo la quale S. Maria della Strada sarebbe stata costruita in una sola notte insieme ad altre decine di chiese da un mitico Re Bove per espiare una violenza fatta ad una sua congiunta. Ad aiutarlo sarebbe stato il Diavolo che però non sarebbe riuscito a completare l’opera entro il tempo che il papa gli aveva imposto.
Una leggenda che non trova alcun fondamento storico, ma che qualcuno ancora racconta per giustificare la presenza sulla sua facciata dell’immagine ripetuta di un bue che sarebbe una sorta di firma dell’immaginario personaggio.....
Da: www.francovalente.it/2014/12/28/s-maria-della-strada-una-...
The church of S. Maria della Strada in the countryside of Matrice is among the most intriguing basilicas in Molise. Not only for its architecture, for its legends, for its history, for its artistic expressions, but also for its mysteries.
In the eighteenth century a legend circulated in Molise according to which S. Maria della Strada was built in one night together with dozens of other churches by a mythical King Bove to expiate a violence done to one of his relatives. The Devil would have helped him, but he would not have been able to complete the work within the time that the Pope had imposed on him.
A legend that has no historical basis, but that someone still tells to justify the presence on its facade of the repeated image of an ox that would be a sort of signature of the imaginary character .....
From: www.francovalente.it/2014/12/28/s-maria-della-strada-una-...
L'église de S. Maria della Strada dans la campagne de Matrice est parmi les basiliques les plus intrigantes de Molise. Non seulement pour son architecture, pour ses légendes, pour son histoire, pour ses expressions artistiques, mais aussi pour ses mystères.
Au XVIIIe siècle, une légende circule dans le Molise selon laquelle S. Maria della Strada a été construite en une nuit avec des dizaines d'autres églises par un mythique roi Bove pour expier une violence faite à l'un de ses proches. Le diable l'aurait aidé, mais il n'aurait pas pu achever l'œuvre dans le délai que le pape lui avait imposé.
Une légende qui n'a pas de fondement historique, mais que l'on raconte encore pour justifier la présence sur sa façade de l'image répétée d'un bœuf qui serait une sorte de signature du personnage imaginaire .....
De: www.francovalente.it/2014/12/28/s-maria-della-strada-una-...
Cette matrice graphique vous permet de connaitre immédiatement, les produits aux attributs manquants
Actually matrices and drawing order. Return of the Toblerone Transition. And the Propane Flames of POLYANA look gassier than ever.
The gist of matrices without your brain is a space to inculcate the food for your subconscious mind...listen!!
Feed it right and in a right way.
They (the matrix, the matrices at Ho Chi Minh City) saw, cut, and soldered they (the matrix, the matrices at Ho Chi Minh City) can't affect the weather, they (the matrix, the matrices at Ho Chi Minh City) can't change the weather, and the sun don't rise.
Stowmarket, Suffolk
In his History of Stowmarket, Mr, Hollingsworth calls it the “Abbot’s Tomb” and this is still its usual appellation. I would, however, venture to point out that the matrices or moulds on the flat top of the tomb are the figures of a lady surrounded by her thirteen children. Enough remains to show that she wore the peculiar style of head-dress in vogue at the end of the fifteenth century, and her daughters are similarly attired. Above her head were three heraldic shields; on her right (S. side of tomb) were the figures of five sons, and on her left (N. side of tomb) and at her feet were those of eight daughters. At a first glance, you see only seven daughters, but there is an eighth figure, smaller that the others, placed just above and behind the daughter at the top of the row (N.W. corner). The style of architecture of this tomb and its arch is about 1480 – 90.
The first Tyrell who lived at Gipping Hall was William, third son of Sir John Tyrell, Treasurer of the Household to Henry VI (reigned 1422-61). This William married Margaret, daughter of the Robert Darcy of Maldon, Essex, who died in 1449. William and Margaret Tyrell had thirteen children, five sons (Sir James, Sir Thomas, Edward, John, and John) and eight daughters (Alianor, Anne, Margaret, Dorothy, Alice, Margery, Elizabeth and Mary). This list exactly corresponds with the figures on the tomb, and it seems highly probable that the “Abbot” is really Margaret (nee Darcy), wife of the first Tyrell of Gipping, with her thirteen children all around her. This monument is rather over 400 years old.
Manuscripts in the British Museum show that this tomb has long been unidentified. For instance, at fo. 199d at Add. Ms. 19106, the following extract is copied from an old manuscript relating to Suffolk families: “There is between the Isle that belongs to the family of Tirrell and Sir John Poley’s Pewe, a very faire anciente tombe, but I cannot learne from any man for whom it was.”
Steetley Magnesite, Hartlepool, UK
Inside one of the mixing tanks on the Steetley site. I had to crawl and crouch to get this one.
Unfortunately, the whole site is being ripped apart for its lead and steel and might be flattened altogether in order to build luxury flats.
Big thanks to Thorburn for letting me play with his HOLGA for this one!
Sicily.
Late spring break.
The church of Matrice Vecchia was built in the 15th century on the ruins of a pagan temple. It has a Renaissance portico added in the 16th century, and a central portal in the Catalan-Gothic style. On the left side is a bell-tower with a Romanesque mullioned window culminating in an octagonal spire covered with majolica tiles. The interior of the church, originally divided into a nave and two aisles, received another aisle at the end of the 16th century. It preserves prized works, most remarkably, above the main altar, a splendid polyptych depicting The Coronation of the Virgin , attributed to Pietro Ruzzolone or possibly Antonello de Saliba. On the bottom right is the unusual figure of a Saint wearing spectacles. On the right is a statue of the Madonna delle Grazie by Antonello Gagini. Below the nave is a fresco depicting the Betrothal of the Virgins showing a strong Senese influence in the elegant features and the symmetry of the composition. Some of the columns separating the nave and the aisles are painted with frescoes, including the figure of St. Catherine of Alexandria.