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Mapping workshop in Nakhon, Kassena Nankana District - Ghana.
Photo by Axel Fassio/CIFOR
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org
Chuck Frey, the author of the MIndmapping Software Blog, published rencently an article entitled " The Future of Mind Mapping Software". It summarizes the essential fratures that should be incorporated in tomorrow's mind mapping software. I found this article very interesting and mindmapped the article's 7 key points. I used iMindmap V3, a really powerful Mind Mapping Software to create the Mind Map.
Mapping à 360°, projeté sur les 1500 m² de murs et de coupole du Grand Salon, proposé au visiteur, afin de rendre hommage à l’amitié entre La Fontaine et Fouquet au travers de la fable Le Renard et l’Écureuil.
Contée par Laurent Stocker, sociétaire de la Comédie Française, cette fable, qui circulait sous le manteau à l’époque de La Fontaine, et n’a été publiée qu’un siècle plus tard, plaide en faveur d’un dénouement heureux du procès de Fouquet.
(source site officiel du château de Vaux-le-Vicomte)
Le château de Vaux-le-Vicomte, situé sur le territoire de la commune française de Maincy (Seine-et-Marne), à 50 km au sud-est de Paris, près de Melun est un château du XVIIe siècle (1658-1661), construit pour le surintendant des finances de Louis XIV, Nicolas Fouquet. Il appartient désormais à une branche cadette des marquis de Vogüé.
Fouquet fit appel aux meilleurs artistes de l'époque pour bâtir ce château : l'architecte Louis Le Vau, premier architecte du roi (1656), le peintre Charles Le Brun, fondateur de l'Académie de peinture (1648), le paysagiste André Le Nôtre, contrôleur général des bâtiments du roi (1657) et le maître-maçon Michel Villedo. Leurs talents avaient déjà été réunis par le jeune Louis XIV pour construire des ailes au château de Vincennes en 1651-1653. Le roi refera appel à eux pour construire le château de Versailles, celui de Vaux-le-Vicomte servant alors de modèle.
(source Wikipédia)
The Councilor of Gabagaba is the government representative in the town and provided valuable input in the risk mapping exercise.
Detail of 'Growing Architectures' (resin, nails, enamel, acrylic, glitter on wood).
part of the GAMELAND series- on view 2006 Dec14-Jan27 Chelsea, NYC.
Participants during the during the Session: "Mapping the World" at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China, July 1, 2019. Copyright by World Economic Forum / Jakob Polacsek
This map represents the study area for the poverty mapping project for West Africa for generation of reliable statistical and cartographic products to communicate the relationship between rural poverty and land use potential in West Africa, in order to provide information to ensure optimal use of research investment.
For any form of publication, please include the link to this page:
This photo has been graciously provided to be used in the GRID-Arendal resources library by: Emmanuelle Bournay, Philippe Rekacewicz
MAPPING NATURAL AND UNNATURAL DISASTERS
The Notary Public (Erika Hennebury and Laura Nanni)
The Notary Public invite audiences to explore the secret emotional topography of our city. Our approach to psychogeography takes, from the participating viewers, a sampling of fragile and often hilarious incidents and physically imprints them on a map of the city where we are; highlighting a complex web of human interactions. Negotiating with a projected image, audiences are invited to physcially deposit their own personal memories and interactions on a living landscape of Toronto using a legend that indicates sites of mishap, phenomenas of love and landmarks of our everyday lives to create a new urban cartography.
Olajumoke Adekeye, Founder The Young Business Agency, Nigeria, speaking during the Session "Mapping Data Dominance" at the Annual Meeting 2019 of the World Economic Forum in Davos, January 24, 2019. Congress Centre - Situation Room.Copyright by World Economic Forum / Ciaran McCrickard
Hallway wall-painting at Charles Correa's Jawahar Kala Kendra in Jaipur, designed in 1993. Each of it's 9 enclosed sections is named after a planet and display a variety of textiles, crafts, weapons, etc.
ASCENSION: An Interactive Installation
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The Project
Willpower (William Ismael) + Carrie Mae Rose collaborate in the duo FLUID THUNDER for the interactive projection mapping of the tetrahedron winged computational fashion installation at Eyebeam (Art + Technology Center in New York City).
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The Process
Carrie Mae creates hand-built wing structures out of wire tetrahedrons and fabric. Willpower codes 2 animations in Processing, which is an open-source programming language, development environment, and online community. He uses Leap Motion, which is a sensory technology, detecting human hands and fingers. He uses a Processing Library by onformative (a studio for generative design based in Berlin) called LeapMotionForProcessing to use Processing seemlessly with Leap Motion. Willpower attaches his interactive human generated animations to the Leap Motion sensor. They follow a person's hand movements in real-time and on key with accurate precision. The public interacts with the installation by activating the wings through their physical movements.
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The Story
The animation displays beams of light representing solar neutrinos and the love we have access to at all times. Wings symbolize aspiration and ascension. The light is symbolic of angelic light coming from realms above, shining down to inspire and remind us that we are pure love in our hearts. The bubble eruptions represent both the thunderous fire energy residing inside our human forms and the Big Bang Theory that we are all becoming lighter and lighter each moment in time throughout our expansion into infinite space.
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The Experience
Human beings generate the art on the angel wings by moving their hands. They become part of the art. They create the art. An ongoing 3D generative animation is mapped behind the wings. An interactive animation generated by people is mapped onto the wings. Without human movements, no animation is created on the tetrahedron angel wings. We include you to be part of the art because it is about us. It is about the interaction between the artists and the visitors. We communicate and transcend messages which are experienced beyond just looking at a piece by making you a co-creator of the piece. It is about us coming together and interacting in the space with 'others' we may have not engaged in a conversations with otherwise. It becomes an unique shared experience.
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Credits
Installed at Eyebeam.
Sculpture by Carrie Mae Rose.
Interactive Projection Mapping by WILLPOWER STUDIOS (William Ismael).
Video Shot + Edited + Music by WILLPOWER STUDIOS (William Ismael).
Watch Video: vimeo.com/78205976
Download Press Package: fluidthunder.com/ASCENSION-Press.zip
To know more about project, visit FluidThunder.com
A drawing by my father dated 30th March 1948 of Selsdon station near Croydon.
Opened In August 1885 as Selsdon Road Junction, which later became Selsdon Road, the station had two platforms on the line to Elmers End and two on the Oxted line. The station was closed completely from January 1917 for a couple of years as an economy measure during World War 1. The Oxted line platforms reopened in May 1919, but the Elmers End platforms remain closed until electrification of that line in 1935. At this stage the station was renamed ‘Selsdon’, although Selsdon itself was two miles away down Selsdon Road. The goods yard was enlarged to five roads resulting in the layout shown on the map. Closure of the Oxted line platforms came in June 1959, not surprising really with the station being just a quarter of a mile from South Croydon. The buildings on all platforms were demolished around 1963 and just two short wooden canopies were provided over the central sections of the Elmers End line platforms. A very small wooden booking hut was provided at the entrance to the station on the Down Elmers End line platform. In 1968 the goods yard was reduced to just two sidings and became a domestic oil terminal. In 1976 the two wooden canopies were demolished and just metal ‘bus shelters’ being provided. Also from 1976 all through London services ceased and Selsdon was served by a Monday to Friday peak time only shuttle service between Elmers End and Sanderstead operated by two car 2-EPB units. In both morning and evening peaks, one train from Elmers End would terminate at Selsdon and start back from the Down platform. Closure to passenger services came in May 1983, with Selsdon having the distinction of being one of the last stations to be entirely lit by gas. Flats were built either side of the Elmers End line platforms and after the oil traffic ceased in 1993 the whole track area was left to ‘Mother nature’. The line is now very heavily overgrown from the junction of the Oxted line northwards to just south of the former road bridge over Coombe Road. North of that road bridge through to Elmers End the line is now part of the Croydon tram network.
Some other photos of Selsdon:-
www.flickr.com/photos/24343055@N03/28899099452/in/album-7...
www.flickr.com/photos/24343055@N03/27973894244/in/album-7...
www.flickr.com/photos/24343055@N03/14945506942/in/album-7...
Mapping workshop in Nakhon, Kassena Nankana District - Ghana.
Photo by Axel Fassio/CIFOR
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org
Participants at the World Economic Forum on Africa in Abuja, Nigeria 2014. Copyright by World Economic Forum / Benedikt von Loebell
Mapping out Paradise is the largest joint project of Marc Mulders and Claudy Jongstra.
Both artists are committed to propagate optimistic views throughout the world.
They believe that unrest and provocation as former avant-garde characteristics have become obsolete.
The fifty meters long installation meanders through the main hall of De Pont and consists
of wall-high hand-made felt panels in sparkling colours based on the reflection
of sunlight on splashing water.
speedshop.ch lancia Delta HF Integrale 8V complete engine build and engine Dyno Testing 400 HP Project . Mapping with PNP SSR ECU complete bespoke head rebuild on flow bench with custom made SSR valves, custom made SSR camshafts and combusiton chamber design. Bespoke HD lightweight SSR pistons and 300M AQ connecting rods. Startet testing on the bench with small AR.48 Gr.A 360° thrust bearing Turbo, switched on the bench to large AR.63 custom made Ball Bearing GT-SSR2 turbo. Step1 - 370 hp @ 1.25 Bar and 6500 RPM / Step 2 - 405 hp @ 1.45 and 6950 RPM Redline 7500 RPM.
Staff Sgt. Jason Robertson uses a knife to point at an area on a map during a combat mission readiness evaluation at Fort Bragg, N.C. Robertson is a tactical air control party Airman assigned to the 14th Air Support Operations Squadron and evaluates unit members to ensure they are ready for deployments with the 82nd Airborne Division. (U.S. Air Force photo by Val Gempis)
This is an on-going task. These are the remains located near the modern bridge. They have all been known to bridge enthusiasts but I am amazed that I have passed by most of them in the past without realising they were there.
Participants at the World Economic Forum on Africa in Abuja, Nigeria 2014. Copyright by World Economic Forum / Benedikt von Loebell
**** THIS IS NOW OBSOLETE FUNCTIONALITY ****
screen 2 response opening to last place (or none).
Note the scale of the map may vary, (and can be varied to suit, even down to street level, by choosing the '+' and '-' signs).
Since the new Flickr Justified view layout, only examples 2 and 3 still apply.
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Students study GIS community mapping during a USAID-funded project outside of Cap Haitien, Haiti, on May 14, 2013. Photo copyright Kendra Helmer/USAID
Spc. Kingkeo Simlamany from USAREUR's 172nd Infantry Brigade Combat Team places landmarks on maps his unit will use during scenarios at Saber Guardian 2013, a U.S. European Command Black Sea regional exercise planned and executed by the Romanian Land Forces and USAREUR. This is the first time Romania, Bulgaria, Armenia, Azerbaijan, Republic of Georgia, Moldova and Ukraine have all come together to train and exercise their battle staff and command post procedures in one location. Serbian and Polish Land Forces are also participating, to enhance their relationships with these Black Sea countries. There are more than 150 training audience members, support staff and contractors supporting the training at the Romanian Land Forces Combat Training Center in Cincu, Romania. (Photo by Richard Bumgardner)