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This historical and spatial context for this work is located in the Palace Square of St. Petersburg, Russia. The Palace Square is remarkable in its vastness, measuring 230 meters by 280 meters. The scale of the square lends itself well to its capacity to contain the masses. It is the site of Bloody Sunday where Russian monarchy massacred demonstrators protesting for worker rights. This marked beginning of Russian Revolution of 1905, changing autocracy to constitutional monarchy. In 1917, the square swelled again with the Bolshevik Red Guards, overthrowing the provisional government and installing Soviets to power. (03) Such actions mark the square permanently as a site of social upheaval and political unrest.
A series of architectural interventions propose reclamation of this public forum from forces of Russian government, nostalgia, museumification, and complicity with Soviet Russia (i.e. fetishized tourism and sentimental leanings to Soviet powers, Putin’s dictatorial powers). The proposal seeks to activate a contemporary res publica, one that dignifies quotidian voices and elevates public consciousness to latent murmurs of new revolutionary potentialities. (04)
Takashi Yamamoto, President of CWS partner Peace Boat, points to a map of Ishinomaki, indicating the areas hardest hit by the earthquake and tsunami that struck Japan on March 11, 2011.
Photo: CWS
Mentre continua il corso di visual e architectural mapping cominciano i rilievi per gli spettacoli finali nei comuni partner del progetto.
Abbiamo iniziato con il castello di Brunforte a Loro Piceno...
These are texture maps created for a 3D chat environment (IMVU.com) as part of a chat client where 3D avatars (user models) can talk and interact with each other through a client. These are just some of the examples of texture maps I have created for use on 3D models. They don't look like much now, but I've had to work around custom templates I made myself and meticulously tested these textures to make sure they worked properly. If you don't know how a texture works, it's like wrapping paper - imagine the 3D model as a box, without colour, without detail, and the texture as the wrapping paper. Once you add the wrapping paper, you have a colour and a detail added to the box.
I used GIMP (GNU Image Manipulation Program) and a couple pencil sketches to create these textures.
Mapping activities and the community planning for conduct of the PVCA
Photo by Shane C. Naguit for Samdhana
Mentre continua il corso di visual e architectural mapping cominciano i rilievi per gli spettacoli finali nei comuni partner del progetto.
Abbiamo iniziato con il castello di Brunforte a Loro Piceno...
Video mapping on logo (polystyrene) and rough wooden structure.
Directed by: Barthélemy Antoine-Loeff & Alexandra Petracchi
with some precious help of Philippe Chaurand
Production: iduun / studio gühmes for Rinck
Made with MapMapMap module for Modul8 by iduun
See more: www.guhmes.com
© iduun - studio guhmes and right reserved Rinck 2010
Come to Your Senses collaborative mapping project set up at University of Glamorgan's The Great Big Empty Shop Project, Capitol Centre, Cardiff.
dialog mapping was developed by Horst Rittel, among others, as a method for addressing "wicked problems"
Video mapping on logo (polystyrene) and rough wooden structure.
Directed by: Barthélemy Antoine-Loeff & Alexandra Petracchi
with some precious help of Philippe Chaurand
Production: iduun / studio gühmes for Rinck
Made with MapMapMap module for Modul8 by iduun
See more: www.guhmes.com
© iduun - studio guhmes and right reserved Rinck 2010
The mapping technique uses a satellite to capture high-resolution images of a specific area from two angles. Then, the NASA Ames Stereo Pipeline software creates an elevation map with accuracy of a few feet. This example shows Mount Baker. Image Credit: David Shean/University of Washington/DigitalGlobe/NextView License
Eric and Dave demoing our mapping tools at the How To Alley, photo by Alex Howard. More details at ds.io/qc4dNv.
We were delighted to be commissioned by the City of Liverpool to devise a 30 minute Video Mapping Show as the visual climax to the cities celebrations to mark the historic visit of the three largest Liners in the prestigious Cunard fleet.We created a show for over 80,000 visitors over the course of three nights.Always looking to the future and confident of its past, the essence of Liverpool was boldly brought to life to celebrate the city and its historic links with the Cunard Line. Three iconic buildings along the Pier Head collectively referred to as the “Three Graces” were transformed into a video mapped canvas to perform “The Amazing Graces”Featuring a Sea of Faces of the people that make up the rich cultural heritage of Liverpool along with scenes from Cunard’s vast history we devised and produced a 25 minute spectacle complete with a specially commissioned score by composer Pete M Wyer. The show was developed in consultation with the people of Liverpool with “Hope Street Ltd” carrying out local research and audience engagement. Creative Director, John Sims wanted to create a show with video mapping at its heart that was capable of reaching out into the audience. In order to advance the narrative and to spread the effect across the widest audience area we deployed waterscreens, Aerial Artists, Lasers, and Water Fountains throughout.
A promotion for the Los Angeles Times' Mapping L.A. project is seen below the headlines on this homepage screenshot taken the morning of Oct. 22, 2009.
Beautiful maps annotated with young people's experiences related to journeys in London inspired by the Proust questionnaire.
Artist Agnes Poitevin-Navrre is developing a new art work with London Transport Museum. Young people are working with Agnes to shape the new piece.
Spidron Mapping by Bordos Artworks at the GLOW Light Art Festival in Eindhoven, The Netherlands, November 15, 2014.
A very first test for a new mapping module we are working on...
See more at: www.iduun.com/blog
© iduun 2010