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The slightly sawn off range of the Atlas Works that fronted Paragon China on Sutherland Road, Longton in the Potteries. The left of the building originally extended further out to encompass an arched entrance and lodge, adding about 25% to the overall frontage.
This old potbank dates back to 1903 and was set up by Herbert James Aynsley and Hugh Irving, his son-in law, transferring the Star China business from St. Gregory's Works and changing their name to Paragon China.
It continued under this name as a family business until it was aquired by Thomas C Wld & Sons in 1960, the Paragon name was kept in place even though repeatedly changing hands. In 1964 Allied English Potteries took over and then in 1972 Royal Doulton Tableware Ltd. took ownership and traded designs under the Paragon name until 1991. Their Royal Albert ware was a Paragon design.
More recently this building operated as a factory shop for Aynsley China whose main worksoperated along Sutherland Road.
It is now home to Midway Manufacturing who specialise in electro-mechanical and electronic assemblies, long may they keep the building in use.
The car park to the front would appear to have been occupied by terraced housing on maps from the 1950's.
The doorway wasn't part of the original structure, it replaces a window.
Mapping Places graphic available for download at dryicons.com/free-graphics/preview/mapping-places/ in EPS (vector) format.
View similar vector graphics at DryIcons Graphics.
The latest Mars image mosaic as seen through the lens of the High Resolution Stereo Camera on ESA’s Mars Express.
The mosaic comprises 2702 individual swaths of the martian surface, up to and including the spacecraft’s 10 821st orbit of the planet, which it completed on 30 June 2012.
In total, 87.8% of the surface has been mapped at any resolution, with 61.5% mapped at a resolution of 20 m per pixel or better.
Each white marker around the border of the image represents 10º of latitude or longitude.
For more information, and a much higher resolution of this image please click here.
Credits: ESA/DLR/FU Berlin (G. Neukum); images processed by F. Jansen (ESA).
We have a subscription to the National Geographic magazine and this is a map that accompanied an article on the Russian war against Ukraine.
mini mapping vidéo réaliser dans une ancienne prison des années 1850 dans la ville de Le Reole en Gironde, France. Pour l’exposition/installation “Evasion” disponible jusqu’à fin aout 2018.
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video mini mapping realize in a old jail of the 1850s in the city of Le Reole in Gironde, France. For the exhibition / installation "Evasion" available until end of August 2018.
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This is a zerox of an ancient body map illustration from an old book called Mapping The Body by Mark Kidel and Susan Rowe-Leete. It shows the hundreds of energy points running through the human body.
I used to use images of the body in much of my art and did a lot of research around that. In this case, I used this body map to help illustrate the chakra system as part of the Great Round series, a year-long series on mandalas on red Ravine. See details in the links.
Minneapolis, Minnesota, July 2008
Field Number: IMG_13305
full posts on redravine.wordpress.com
Testing mobile mapping of carbon-dixoide (CO2) in cities using the prototype DIYSCO2 sensor on car-sharing vehicles. Carbon dioxide is measured using the tubes on the roofs. Photo: Andreas Christen, UBC.
Part of album Urban CO2 Emission Mapping.
This method to map carbon dioxide emissions using mobile sensors on vehicles is described in: Lee J.K., Christen A., Ketler R., Nesic Z. (2017): 'A mobile sensor network to map carbon dioxide emissions in urban environments'. Atmospheric Measurement Techniques, doi:10.5194/amt-2016-200.
Pça. de Santa Maria - Barcelona (Spain).
EnFoCa KDD Barcelona 21/06/2009.
Vertorama of 3 shots.
ENGLISH
Barcelona‘s Ribera district is dominated by Santa María del Mar, an imposing church built between 1329 and 1383, at the height of Catalonia's maritime and mercantile preeminence. It is an outstanding example of Catalan Gothic, with a purity and unity of style that are very unusual in large mediaeval buildings.
The first mention of a church of Santa Maria by the sea dates from 998. The construction of the present building was promoted by the canon Bernat Llull, who was appointed archdean of Santa Maria in 1324. Construction work started on 25 March 1329, when the foundation stone was laid by king Alfons the Kind, as commemorated by a tablet in Latin and Catalan on the facade that gives onto Fossar de les Moreres. The architects in charge were Berenguer de Montagut (designer of the building) and Ramón Despuig, and during the construction all the guilds of the Ribera quarter were involved. The walls, the side chapels and the facades were finished by 1350. In 1379 there was a fire that damaged important parts of the works. Finally, on 3 November 1383 the last stone was added and on 15 August the first mass was celebrated. In 1428 an earthquake caused several casualties and destroyed the rose window in the west end. The new window, in the Flamboyant style, was finished by 1459 and one year later the glass was added. The images and the Baroque altar were destroyed in a fire in 1936. The chapel of the Blessed Sacrament, adjacent to the apse, was added in the 19th century.
According to the art historian Josep Bracons, the basic unit of measurement used in Santa Maria del Mar was the mediaeval foot of 33 centimetres. Measured in this way, the side chapels are 10 feet deep, the width of the side aisles is double this, while the central aisle is four times as wide, that is, 40 feet. The total width of the church is thus 100 mediaeval feet, which is also equal to the maximum height of the building.
More info: en.wikipedia.org/wiki/Santa_Mar%c3%ada_del_Mar,_Barcelona
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CASTELLANO
Santa María del Mar es una iglesia gótica de Barcelona, situada en el barrio de la Ribera y construida entre 1329 y 1383. Los maestros de obra fueron Berenguer de Montagut (el diseñador principal del edificio) y Ramón Despuig.
La construcción comenzó el 25 de marzo de 1329, tal como lo atestiguan las lápidas del portal de las Moreras (que da al Fossar de les Moreres). Un hecho destacable, que aún perdura: se acuerda que la obra había de pertenecer, exclusivamente, a los feligreses de la zona del puerto y de la Barceloneta, únicos responsables materiales del templo, ya que ellos fueron quienes la sufragaron, bien con su dinero o bien con su trabajo. Este hecho está en clara contraposición a la catedral que por aquellas mismas fechas también se estaba construyendo y que estaba asociada a la monarquía, a la nobleza y al alto clero. Parece ser que en la construcción participó activamente toda la población de la Ribera, en especial los descargadores del muelle, llamados galafates de la Ribera o bastaixos, los cuales llevaban las enormes piedras destinadas a la construcción de la iglesia desde la cantera real de Montjuïc y desde las playas, donde estaban los barcos que las habían traído a Barcelona, hasta la mismísima plaza del Borne, cargándolas en sus espaldas, una a una. La puerta principal de la iglesia homenajea a los bastaixos que ayudaron a su construcción.
Los muros, las capillas laterales y la fachada se terminaron alrededor de 1350. En 1379, a punto de acabarse el cuarto tramo de bóvedas, se incendiaron los andamios y las piedras sufrieron importantes daños. Finalmente, el 3 de noviembre de 1383 se colocó la última parte de la bóveda y el 15 de agosto del año siguiente se celebró la primera misa. En 1428 hubo un terremoto que causó el derrumbamiento del rosetón provocando algunas muertes, por la caída de las piedras del mismo. Aunque pronto se firmó un contrato para construir uno nuevo de estilo flamígero, que quedó acabado en 1459 y al año siguiente, fueron colocadas las vidrieras del mismo. La mayoría de las imágenes y el altar barroco añadidos durante los siguientes siglos resultaron quemados durante el incendio del templo el 19 y 20 de julio de 1936. Este incendio fue provocado por los anarquistas y comunistas que asaltaron el templo (así como muchas otras iglesias barcelonesas).
A día de hoy, esta iglesia es uno de los destinos más visitados de la ciudad. Este hecho se debe, en parte, a la novela de Ildefonso Falcones, La catedral del mar, que ha vendido más de un millón de ejemplares, y ha sido traducido a numerosas lenguas. También se hace referencia de ella, en la obra de Carlos Ruiz Zafón, en la novela El juego del ángel.
Luminance HDR 2.3.1 tonemapping parameters:
Operator: Mantiuk06
Parameters:
Contrast Mapping factor: 1
Saturation Factor: 1.41
Detail Factor: 19.2
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PreGamma: 0.21
Reenactment Day at Constitution Island along the Hudson River between West Point Military Academy and Cold Spring, NY
A young man walking up an incline of a tunnel into the light, colour graded as an homage to Todd Phillips’ Joker.
Sebastian Kurz, Minister for Europe, Integration and Foreign Affairs of Austria at the World Economic Forum on the Middle East and North Africa 2015 in Jordan. Copyright by World Economic Forum / Faruk Pinjo
Watercolor on Paper, 2018, 12"x9".
To purchase, click here.
How do you map a place you have only heard of, but have never seen? Each year I lose my way as an artist. Painting Albuquerque as a new year exercise seemed an appropriate way to start the year after being away from painting for far too long.
I'd like to visit Albuquerque. The first time I heard the word was when Bugs Bunny popped out of his rabbit hole on his way to somewhere else. It always seemed unfair that some place should be famous to me because a cartoon got there by accident. Even as a child, I sensed this injustice. If you look at a map of Albuquerque, it's in the middle of two cross hairs (State Routes 40 and 25) across a land mass that is 121,697 square miles, if you agree with the map.
It is said that Old Albuquerque dates to 1706 when Sir Francisco Cuervo y Valdés showed up. I prefer to think that the Zia deserve credit. The Zia Sun Sign is a symbol originated with the Indians of Zia, an ancient Pueblo (Indian village) 35 miles northwest of Albuquerque. The symbol has sacred meaning to the Zia. Four is a sacred number which symbolizes the Circle of Life: four winds, four seasons, four directions, and four sacred obligations. There appear to be four different ways to go from the center of Albuquerque.
In this painting, there is a shell that grows and vibrates like a beating heart in the center of what Albuquerque looks like in my imagination. I hope it's as pretty as I imagine when I go there some day.