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Still working with the Sigma 105mm macro & Manual Focus/Hand Held.
Exposure: 0.001 sec (1/800)
Aperture: f/8
Focal Length: 105 mm
ISO Speed: 400
Exposure Bias: -3/10 EV
Bremen Central Station
Hauptbahnhof Bremen
Kodak Gold 200
Minolta XD5
Minolta Manual Focus
Minolta MD 35-70 f/3.5
Film is not dead
ECN2 processed and 4K scanned by Silbersalz35
© István Pénzes.
Please NOTE and RESPECT the copyright.
28th December @home
Leica M-P [Typ 240]
Leica Apo-Summicron-M 50mm 1:2/50 ASPH.
Elinchrom Deep Octa 70
Elinchrom 400ELB
Quadra HS
ꒌ РУЧНО ИЗОШТРАВАЊЕ са дигиталним макро-објективом. Ово је резултат уједначеног окретања од најближег до бесконачног (па и "иза бесконачног", са електронски фингираним системом focus-by-wire крај окретања није на бесконачном нити је почетак хода на најближем фокусу, на жалост). Рекло би се да добар део хода ове промене фокуса оде на блиска растојања, што и јесте намена оваквог објектива. Следи проба у таквом режиму, са веома блиским објектима.
► █░▓ THE IDEA WAS to try focus pulling all the way down from the closest distance up to the infinity (and beyond, these metaphysics you do get with the magically confusing focus-by-wire system). So I did that. The lens is my newly acquired Panasonic 30mm f1:2.8 Macro. My first macro lens ever! And bingo. A good one. But a dye-hard outdoor shooter first plays with the landscapes anyhow.
Focus-by-wire as an idea is generally bad, but at least this lens has an ideally tuned ring, the smoothness and resistance when rotating are just about ideal. I did my best to rotate the lens as slowly as possible with a uniform speed. The result was predictable and probably quite favorable with macro construction on mind.
This has been filmed exactly 20 minutes before the out-of-sight sunset. The sky was completely overcast, so no visible signs were there of the sunset itself, save the fading daylight. The Panasonic GX9 was handheld with no support. The catch was to rotate the focal ring as slowly and smoothly as possible to see the gradually changing effect on the off-focus area (and the bokeh if you will). It seems that a lot of movement in the first half went to "nothing" but would probably have been dealing with the critically small steps in the macro range distances. If that is true, than this proprietary focus-by-wire system does serve the primary macro function on the lens. Which is a good thing.
To be continued!
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"Leica M9" Leica M9 "Cosina Voigtlander Super Wide Heliar 15 4.5" "15 4.5" "Heliar 15" 15mm "Super Wide" TheGodParticle "Hari Subramanyam" "Manual Focus Lenses" MFLenses Berlin "Alexanderplatz"
Remains of an old farm wagon in a field. Guilderland, New York.
SMC Pentax-K 28mm f/3.5 manual focus lens.
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© udo wanninger I I All rights reserved./ info@blumenstrauss.ch
The one on the left is still in use, the ones on the right are vacant. Canajoharie, NY.
Shot with an SMC Pentax-A 28mm f/2.8 manual focus lens.
The office building of the old Coalbrookdale Iron Foundry, now The Museum Of Iron.
Another set of pictures I found in a folder, and I have no idea why they are there - I've long forgotten, and there's no common theme or time. Some of these images are 20 years old.
I have little idea of which camera or lens, but I would say they are all taken with a classic manual focus lens on a digital camera of some sort.
before getting down and dirty :)
Manual focusing with an eye that needs cataract surgery is a bit hit and miss, so I failed to nail the detailed compound structure of this particular insect's eye. Hopefully my problem will be rectified after surgery.
f/8 / 1/1600 sec / Auto ISO 1600 / 100mm / Manual mode